Movie Review ~ Oblivion

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The Facts:

Synopsis: A veteran assigned to extract Earth’s remaining resources begins to question what he knows about his mission and himself.

Stars: Tom Cruise, Morgan Freeman, Olga Kurylenko, Andrea Riseborough, Nikolaj Coster-Waldau, Melissa Leo

Director: Joseph Kosinski

Rated: PG-13

Running Length: 124 minutes

Trailer Review: Here

TMMM Score: (8/10)

Review:  I’ll start this review with an admission of bias: I really like futuristic sci-fi films set in a dystopian climate.  From Prometheus to Moon to 2001: A Space Odyssey to 2010: The Year We Make Contact, I just really respond to the chilliness of the whole genre.  So it’s no surprise that early trailers for Oblivion caught my eye and I made it a point to see this film on the biggest screen possible to immerse myself in the world created by director Kosinski (Tron: Legacy) and screenwriters Karl Gajdusek, Michael DeBruyn (who adapted Kosinski original graphic novel)

A lot of people had issues with Kosinski’s Tron: Legacy feeling that it was a meal that looked good but offered no sustenance.  I can see where those detractors were coming from but found that film to be better than its predecessor decades earlier.  Kosinski wisely knows how to use current technology to make a future world look sleek and believable and though Oblivion isn’t as all tech consuming as Tron: Legacy was it’s still a strong entry into the sci-fi genre.

Plot-wise, there’s not a lot here that you haven’t seen before if you’re a fan of science fiction of any kind.  The notion of a future world suffering the after effects of a war with an alien race has been done to death from the truly great films to the very awful direct to television offerings.  What sets this one apart, though, is a focus on stronger character development, impressive visual effects,  and a crack cast that knows exactly what kind of movie they are operating in.

Star Tom Cruise is having a nice renaissance after several years of being the punch line to a never-ending onslaught of couch jumping jokes.  Though he started 2012 strong with Mission Impossible: Ghost Protocol, his next two films didn’t catch fire like everyone had hoped…though to be fair Rock of Ages was a nightmare film with Cruise the only saving grace.  December’s Jack Reacher was vastly underrated and should have been a bigger hit. Oblivion has put Crusie back into a fighting spirit and for good reason…it’s a role tailor made for the action star and it gives him a chance to kick butt while showing a lighter side too.

He’s supported ably by two strong females.  Andrea Riseborough may be my new star to watch…after turning up in Madonna’s directorial debut W/E, she delivered a layered performance in Disconnect and her role here as Cruise’s partner in work and love is nicely complex. We’re never quite sure what side she’s on and even when we think we’ve figured it out, the film throws some nice twists in to keep us guessing.  Kurylenko (Quantum of Solace) plays a character with secrets I shan’t give away but proves to be more than a woman that Cruise has to merely save.

Don’t be deceived by ads (or the above poster) that show Morgan Freeman playing a main role in the film.  While he does hold some significance his screen time is severely limited, ending up being more of a cameo appearance than anything.  Melissa Leo is one of the most earnest actresses out there so one should watch her performance here carefully…after the film is over her restraint is quite telling.

Seen in an IMAX theater, Oblivion has a lot of sound and fury…signifying something.  It’s a booming picture with amazing visuals and a sound design seemingly meant to test the sound proofing on any theater (as the credits were rolling I was almost out the door to the theater and could still hear the film playing).  The soundtrack by M83 is electronic heavy (I originally though Tron: Legacy composers Daft Punk had been tapped again for the soundtrack) and works nicely into the action.

This is a film that really should be seen first in the theater for the visuals alone.  It’s not going to revolutionize the sci-fi genre, nor does it really aim to.  It’s a compact re-tread of the best parts of other films that works more than it probably should.  I know the film has its nay-sayers and I completely see where they’d be coming from – but the film experience that I had was very rewarding and very unexpectedly entertaining.

Movie Review ~ This Is The End

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The Facts:

Synopsis: While attending a party at James Franco’s house, Seth Rogen, Jay Baruchel and many other celebrities are faced with the apocalypse.

Stars: Seth Rogen, Jay Baruchel, James Franco, Craig Robinson, Danny McBride, Jonah Hill

Director: Evan Goldberg, Seth Rogen

Rated: R

Running Length: 107 minutes

Trailer Review: Here

TMMM Score: (6/10)

Review:  The Red-Band trailer for This Is The End was tough to get through – don’t get me wrong, I don’t have any problem with crude language or content but I always appreciate something of substance to back it up with and I wasn’t sure that the rest of This Is The End would be able to support the foul-mouthed tangents that would surely come with the film.  So I was pretty apprehensive going into a screening of the new film from Evan Goldberg and star Seth Rogen because I didn’t want to be the only one not laughing for two hours.

Turns out, I laughed a lot in the film though a day later I feel kinda bad about it.  Playing like the longest Funny or Die Video ever, This Is The End has moments of comedic glory that are pinned between vile nonsensical tangents (a two minute discussion over who defaced James Franco’s Penthouse Magazine  goes on precisely one minute and fifty-eight seconds too long),  questionable special effects, and an entire set-up that flames out long before the credits roll.

The first twenty minutes of the film are so very meta with Seth Rogen picking up visiting friend Jay Baruchel at the airport ready for a weekend together.  Seth brings Jay over to James Franco’s housewarming party where they meet Jonah Hill, Craig Robinson, and a host of other famous faces from the same circle these actors travel in (if you’re a fan of Freaks and Geeks you’ll be in heaven).  Everyone is playing themselves (or a movie version of themselves) and there’s some laughs to be had from seeing how certain actors behave when they aren’t in front of the camera.  Warning: fans of Michael Cera better brace themselves for a few visuals they won’t be able to un-see.  Another warning: if 90’s boy bands give you hives you’d better taken your allergy medicine because there’s a great cameo at the end that was pretty hysterical.

After those first twenty minutes, an apocalypse happens…literally.  Now, holed up in James Franco’s fortress of a house, Rogen, Baruchel, Robinson, Hill, and Danny McBride must band/bond together to face the end of days together.  Along the way they get a visit from Emma Watson (The Perks of Being a Wallflower), perform an exorcism on Hill, and wax poetic about everything from Milky Way’s to the trust between friends.

There’s a lot of big ideas and interesting moments in the film but it’s all covered with a frat-boy slime that starts to wear thin pretty fast.  Fans of the actors will find a lot to like here and any/all weed jokes are covered – including a home movie filmed sequel to Pineapple Express that for some may be worth the price of admission.

Still, there’s something to be said for a little bit of restraint and I couldn’t get over the notion that this would have been a lot funnier if it were a viral video making the rounds (not surprising this was based on a short viral video…go figure!) rather than a full length feature that can’t quite make it over the finish line.  That may all sound like I’m being a big ‘ole fuddy-duddy and I probably am.  Like I said, I guffawed with the best of them and found a lot of the more offensive material to be laughably over-the-top.  With The Hangover Part III releasing in May, June’s This Is The End may be exactly what Dr. Feelgood ordered for moviegoers that need some extra party time this summer.

Mid-Day Mini ~ Splash

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The Facts:

Synopsis: A man is reunited with a mermaid who saves him from drowning as a boy and falls in love not knowing who/what she is.

Stars: Tom Hanks, Daryl Hannah, Eugene Levy, John Candy, Dody Goodman

Director: Ron Howard

Rated: PG

Running Length: 111 minutes

TMMM Score: (8/10)

Review:  Growing up, I think I saw Splash more times than I care to admit (it was the first movie I saw on Beta!).  I think it was the fantasy nature of the film that made it so appealing and I always got a huge kick of John Candy but the romance angle of the movie went right over my head…as it often does for young children.  As I revisit some Ron Howard movies (like Backdraft, The Paper, and Parenthood) I couldn’t let this one slide by because it was a landmark film for several reasons.

First off, though Splash wasn’t the first film that Howard directed it was the huge success of this one that cemented the child actor’s transition to dependable Hollywood director.  Howard became quite in demand, churning out a movie a year for the next two decades.  In addition to making Howard bankable, this was the first role that Tom Hanks and Daryl Hannah got major notice for and rightfully so.  Though the film was originally intended for Michael Keaton and Brooke Shields (which would have been interesting), watching the movie now I see how much of the film’s success is owed to the performances of Hanks and Hannah as two people from different worlds destined to be together.

The charm these two exude could fuel a mid-size city and there’s a surprising amount of chemistry on display.  Though Hanks would go on to win Oscars and Hannah would show up in lesser/lighter fare, the star wattage from both is just one piece of Howard’s excellent casting choices here.  Candy, as Hanks’ sweetly crude brother is dynamite and long before he was an American Pie dad, Levy (American Reunion) is goofball gold as a bumbling scientist trying to prove Hannah’s mermaid origins.

Ah…that’s right.  This is, after all, a mermaid tale and the Oscar nominated script manages to not date itself too much but instead works wonders with the star-crossed lovers storyline.  There’s a sense of destiny and fate that surround Hanks NYC businessman and Hannah’s sea-life mermaid that just gels and rises above its marginally silly set-up.

The first film released from Disney offshoot Touchstone pictures, Splash was an unexpected box-office hit (spawning a less impressive Disney Movie of the Week, Splash Too!) and hurtled all involved to instant stardom.  Though I’d seen it countless times, this recent viewing revealed it to be a touching love story with a little bit of magic added to the mix.

The Silver Bullet ~ Prince Avalanche

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Synopsis: Two highway road workers spend the summer of 1988 away from their city lives. The isolated landscape becomes a place of misadventure as the men find themselves at odds with each other and the women they left behind

Release Date:  August 9, 2013

Thoughts: Count me as ‘casually interested’ in this one.  A remake of an Icelandic film, this looks like a movie that’s been filtered through a Wes Anderson lens…nothing wrong with that but it just seems to have elements that we’ve seen before.  Director David Gordon Green is an interesting filmmaker – he started off with low budget indies that were critically well-received and then followed those up with Pineapple Express and (gulp) The Sitter.  Having interesting actors like Paul Rudd (Wanderlust, This is 40, Admission)and Emile Hirsch in the leads is a win…but this has the potential to go either way.