Movie Review ~ Blue Jasmine

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The Facts
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Synopsis: A life crisis causes a socialite to head to San Francisco, where she reconnects with her sister.

Stars: Alec Baldwin, Cate Blanchett, Bobby Cannavale, Louis C.K., Andrew Dice Clay, Sally Hawkins, Peter Sarsgaard, Michael Stuhlbarg

Director: Woody Allen

Rated: PG-13

Running Length: 98 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review: I was pretty sure I was going to like Blue Jasmine for the mere fact that I didn’t enjoy Woody Allen’s previous film, 2012’s To Rome with Love.  Let me explain.  Like the Cohen Brothers, I tend to respond well to Allen’s projects about half the time because even a filmmaker as prolific as Allen tends to deliver a few snoozers along the way.  So after winning an Oscar for writing 2011’s Midnight in Paris it wasn’t a huge shock that I found To Rome with Love lacking.  Thankfully, Allen has returned stateside (the movie is set in San Francisco and New York City) for his latest work and it’s an absolute winner on every level.

A movie with shades of Tennessee Williams as filtered through Allen’s efficient dialogue, Blue Jasmine finds Allen on the tippy-top of his game with an assembled cast that is both surprising and surprisingly effective. 

I chuckled a bit when I saw that notorious comic Andrew Dice Clay was turning up in a supporting role but the comedian acquits himself nicely with a role that appears was written specifically for him.  Another comedian, Louis C.K., has a brief but enjoyable turn in a part that most surely would have been played by Allen himself were the director a few decades younger.  I normally find Alec Baldwin (Rock of Ages) to be an actor that colors his acting with broader strokes than necessary but here we find the actor at his most restrained and believable.  It felt like Baldwin took the time to craft this tricky character (only seen in flashbacks) from the ground up rather than pulling a performance from his wheelhouse to repurpose.

Sally Hawkins convincingly doffs her UK accent for an US one of indeterminate location (one minor quibble I did have was that everyone on the West Coast seemed to have an East Coast accent and vice versa) as she takes on a familiar role to anyone that is acquainted with Allen’s long list of family dramas.  She’s the put-upon sister that rolls with the punches and perhaps allows herself to be more of a punching bag than the audience would like.  Still, there’s a prideful dignity in the way she handles new changes in her life that contrasts nicely with Cate Blanchett as her acerbic sister.

Ah yes…Cate Blanchett.  If there’s any doubt remaining that Blanchett is one of the best actresses of her generation, it will be put to rest with her performance here.  We’ve seen these types of cluelessly delusional characters before (most recently in the awful Kristen Wiig film Girl Most Likely) and know that it takes a special kind of actress to take someone so unlovable and allow them to be loved for their faults.

Moving into her sister’s modest San Francisco apartment after her Ponzi-scheming husband loses their great fortune, Blanchett’s Jasmine is forced to start over again and get used to a much less lavish way of living.  She hilariously tries to school her sister on luxury living, starts taking community college computer classes, fends off the attention of an amorous employer, and attracts the attention of a suitor (Peter Sarsgaard, Robot & Frank) who might just be her savior.  In less skilled hands these vignettes could only be played for laughs and while many of these situations provide great humor they are all tinged with more than a little sadness.  Sadness for the past that can’t be replayed and for the future that is frighteningly unknown.

More than ever, I noticed the attention to detail in Blue Jasmine.  Allen’s films always have a nice sheen to them but this one just glows…whether it is in the vistas of California or the Park Avenue lavishness of Blanchett’s former life.  I especially loved Sonia Grande’s costume design…Blanchett has very little worldly possessions left and that includes her clothes.  Attentive viewers will notice she wears different combinations of the same half dozen articles of clothing she has…and manages to make each outfit look unique.  It’s a small touch that speaks volumes about the resourcefulness of the character…and also her need to make her outwardly put-together appearance cover up her inner turmoil.

Blanchett is rarely off screen and that’s fine and dandy.  In fact, it’s when she’s not the center of attention that the movie loses a little bit of air…which would probably please her character greatly.  The performance is razor sharp and the actress is in tune with everything going on around her – that’s thanks to Blanchett’s great instincts and the way that Allen has etched out her journey.  The film flies by and arrives at its conclusion with a certain grace not found in many mainstream movies today.  The ends that need to be tied off are complete but there’s more than a few loose strands that haunted me even now writing this review. 

This is a film that will surely land those involved in prime positions when award season comes around.  Blanchett is richly deserving of an Oscar nomination as is Allen’s wonderful script and direction.  The picture itself should find its way to the Oscar list of Best Picture nominees so it’s safe to say that this is a must-see.  It’s damn good.

Movie Review ~ We’re the Millers

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The Facts
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Synopsis: A veteran pot dealer creates a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico.

Stars: Jennifer Aniston, Jason Sudeikis, Emma Roberts, Nick Offerman, Kathryn Hahn, Will Poulter, Ed Helms

Director: Rawson Marshall Thurber

Rated: R

Running Length: 110 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review: Though the preview for We’re the Millers had some decent laughs in it, I was still sitting squarely on the fence when it came time to take in this cross country comedy.  If it was merely going to be a series of open road foibles then why couldn’t I just stay home and watch National Lampoon’s Vacation for the umpteenth time?  Then a strong desire to see a gleefully R-rated film overtook me and I found myself laughing more than I thought I would at a movie that’s better than it should be.

Making a strong showing in his years on Saturday Night Live, Jason Sudekis (The Campaign) hasn’t quite cracked the Hollywood code up to this point so I was surprised to see how confidentially he carried this film.  As a run-of-the-mill small time drug dealer, Sudekis has a believable charm that helps him navigate a very thin first act that finds him running afoul of a dorky drug kingpin (Ed Helms, The Hangover Part III) and being forced into smuggling drugs from Mexico back to Denver.  To do that, he enlists the help of a stripper (Jennifer Aniston, Wanderlust), a nebbish teen (Will Poulter), and a scrappy homeless girl (Emma Roberts).  As the Millers they make it easy into Mexico but, as is expected, find there’s a rough road ahead on the way back.

Look, this set-up isn’t going to blow your mind and if you can’t see where it’s all headed then you need to have your eyes examined.  What makes the film work on some mystical level is that it has its head in the right place and its heart following close behind.  Director Rawson Marshall Thurber’s last notable cinematic effort was nearly a decade ago with 2004’s odious Dodgeball: A True Underdog Story and this film is leaps and bounds better.  Dodgeball was a stinker because it didn’t know what to do with its crude and crass trump cards (it didn’t help that it was appallingly homophobic) but We’re the Millers seems to have the deck stacked in its favor.

So yes, the movie earns its R rating with f-bombs a plenty, tons of sexual innuendo and a bit of graphic nudity that actually gets the laughs so many films miss out on but it’s also enjoyably funny in a harmless way.  That’s thanks to chemistry between Sudekis and Aniston – chemistry that’s been sorely missing in other Aniston-led films.  Credit must also go to supporting performers like Kathryn Hahn (The Dictator) that at times threaten to steal the movie out from under our stars.  Hahn works her way through the script by Bob Fisher, Steve Faber, Sean Anders, and John Morris and makes some trivial material hysterically funny (make sure to stay through the end credits for more of Hahn’s genius).  Hot on her heels is Nick Offerman as her square husband that gradually reveals a kinky side.  Poulter and Roberts too fit in nicely with the more established comedic stars.

Sure, if you think too hard about it you’re going to find the film has its shortcomings (like how Aniston is a stripper in a club where conveniently no one gets naked) but they are small road blocks on an otherwise well-made and agreeable journey.  It’s not a movie I’d pay full price for but it’s worth the matinee rates or at least a rental down the road.

The Silver Bullet ~ Muppets Most Wanted

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Synopsis: While on a grand world tour, the Muppets find themselves wrapped into an European jewel-heist caper headed by a Kermit lookalike and his dastardly sidekick.

Release Date:  March 21, 2014

Thoughts: The Muppets never go out of style so it’s nice to see that a sequel was created to follow-up on 2011’s pleasant but not very ground-breaking attempt to re-boot our fuzzy felt friends.  It’s hard to put a finger on exactly why that movie didn’t play as well as it should have – I think it’s because the presence of Jason Segal and Amy Adams overshadowed the true stars of the show a bit too much.  I’m excited that the sequel seems more Muppet focused in an old-school sorta way with stars popping up in cameos and a few familiar faces taking on supporting roles.  We have to wait until spring of 2014 to go on another spree with the Muppets and this teaser is a nice glimpse at what we can expect.