Movie Review ~ Fading Gigolo

1

fading_gigolo_ver8

The Facts:

Synopsis: Fioravante decides to become a professional Don Juan as a way of making money to help his cash-strapped friend, Murray. With Murray acting as his “manager”, the duo quickly finds themselves caught up in the crosscurrents of love and money.

Stars: John Turturro, Woody Allen, Liev Schreiber, Sofia Vergara, Sharon Stone, Vanessa Paradis, Max Casella, Bob Balaban, Aida Turturro

Director: John Turturro

Rated: R

Running Length: 90 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review: For his fifth time behind the camera, writer/director John Turturro brings to the screen another off-kilter slice of life dramedy that is advertised as being about one thing (man becomes gigolo) but is really about something totally different. Turturro is lucky that this other thing is actually more intriguing than the gigolo angle and while the film is enjoyable for the 90 minutes you’ll be in your seat, it fades from memory before your seat belt is in place for your journey home.

Let me back up – what made me most interested in Fading Gigolo was director Woody Allen making a rare appearance in a film that he didn’t write or direct. Moreover, Allen (who scored big with 2013’s Blue Jasmine) and Turturro (Gung Ho) aren’t familiar collaborators, with Turturro having a small part in Allen’s 1986 Hannah and Her Sisters and the two sharing some screen time in 2000’s Company Man. So what would draw Allen to the film?

Turns out, Turturro has given Allen a nicely Allen-esque role as a book dealer strapped for cash that winds up pimping Turturro out to a string of lonely NYC ladies that enjoy his services. It’s a peculiar film, to be sure, but one that feels based in some sort of reality and not the kind of reality that only seems to exist in NYC. At times, the film is so reminiscent of Allen’s work that I had to keep reminding myself who was responsible for the creation of the film.

Three stories are really told here. The first is Turturro’s burgeoning relationship with a Hasidic widow (Vanessa Paradis, coming across as Marion Cotillard lite) and how his presence in her life causes a ripple effect in her deeply traditional community. These quiet scenes between Turturro and Paradis are quite lovely in their simplicity with Paradis especially impressive as a woman torn between the rules of her faith and a need to feel love.

A very different relationship is found with Turturro and two women (Sharon Stone, Lovelace and Sofia Vergara, The Three Stooges) who want him for a ménage à trois. Stone looks like a million bucks and is granted some nicely bitter with a side of regret dialogue, though it’s really Vergara that has a breakthrough here…showing that she’s more than an overemphasized accent and nice boobs.

The final thread in Turturro’s cinematic knot shows Allen making a home with a black woman and her children. These scenes provide some nice comedic moments while giving Allen the chance to nervously hem and haw as only he can. Turturro’s set-ups are so richly interesting that they almost seem like a condensing of several scripts into this one film. I for one would love to see a full movie with Allen running around NYC with his brood of wise-cracking children.

Though its charm doesn’t extend past the closing credits, I found myself engaged and invested in Turturro’s tale of love in NYC. It’s not out to redefine the genre with snappy dialogue or contrived occurrences but is content showing characters that feel real to live their lives while letting us watch. A fine film with extra fine performances.

Movie Review ~ The Amazing Spider-Man 2

1

amazing_spiderman_two_ver14

The Facts:

Synopsis: Peter Parker runs the gauntlet as the mysterious company Oscorp sends up a slew of supervillains against him, impacting on his life.

Stars: Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan, Campbell Scott, Embeth Davidtz, Colm Feore, Paul Giamatti, Sally Field, B.J. Novak

Director: Marc Webb

Rated: PG-13

Running Length: 142 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review: With the arrival of this sequel to a 2012 reboot of the Spider-Man franchise, I’m still not at all sold that the world needed a re-imagining of the series so soon after the Sam Raimi trilogy of films released between 2002 and 2007. That being said, with a more forward moving plot and a collection of interesting characters, The Amazing Spider-Man 2 shows a marked improvement over the moody and overly emo blockbuster that arrived two years ago.

I find that the first entries in most superhero series are always tricky because it’s necessary to tell an origin story detailing how the central character (or characters) became the caped crusaders or men of steel we know them to be. Very few films have been successful in that regard, with 1978’s Superman being the gold standard of origin story films in my book.

The Amazing Spider-Man faced an uphill battle because in my mind it had to provide some rationale for why we needed to go back to square one with Peter Parker and his arachnid powers. It couldn’t make the case and though it made a truckload of cash for Sony/Marvel and had some impressive special effects, it was slow and housed an uninteresting villain that provided more yawns of boredom than gasps of excitement.

The sequel sets to out to right some of those wrongs but winds up overcompensating for its lackluster predecessor by stuffing so much into its first hour that audiences should buckle up for tonal whiplash. Returning director Marc Webb and screenwriters Alex Kurtzman (Star Trek, People Like Us), Roberto Orci (Star Trek: Into Darkness), Jeff Pinkner have great difficulty finding their bearings in the further adventures of Peter Parker and it’s not until well into the second act of their film that they get into the groove.

Opening with a whiz-bang flashback prologue that shows what really happened to Peter Parker’s parents (Campbell Scott & Embeth Davidtz) after they mysteriously left him with Aunt May (Sally Field, Lincoln) and Uncle Ben (Martin Sheen) we jump right into a present that finds Peter (Andrew Garfield, less troubled here but still a tad whiny) and Gwen (Emma Stone, bringing valuable sparkle to her role) trying to navigate their relationship. Haunted by a promise he made to her dying father, Peter struggles with honoring his word and the love he feels for Gwen.

At the same time and in true sequel fashion, more time is spent on introducing several new villains to the mix than with our hero. The first foe Spidey has to deal with is Electro (Jamie Foxx, Annie) who starts the film as a dopey nerd desperate for attention that finds himself at the business end of a tub of electric eels. Foxx plays these early scenes as such a simpleton it borders on insulting stereotype though he does manage to find good but hardly electrifying moments when he gains his evil powers.

Also appearing is Harry Osborn (Dane DeHaan, Lawless, Chronicle) who, after the death of his father (Chris Cooper, August: Osage County) returns to manage Oscorp, the mega company that employs Gwen and seems to be the breeding ground for villains out to take over the world. Dying due to a genetic disease, Harry needs Spider-Man’s blood to save himself…a problem made more difficult when he discovers that Spidey is really his childhood friend Peter Parker. DeHaan and Garfield are both talented young actors, so it’s guffaw inducing to watch scenes that have them spouting douche-y dialogue with numerous “bro” and “dude” interjections.

There’s something to be said when the most interesting character has no superpowers at all. Showing once again why she’s such a value add to any film, Field makes the most of her limited screen time by creating a character designed to be the voice of reason but delivering her material with an honesty that seems out of place in a film otherwise populated with some fairly generic dialogue and plot developments.

Composer Hans Zimmer replaced James Horner and the resulting score creates an excitement the original was lacking. Aided by super producer Pharrell, Zimmer’s score is just as impressive as the special effects which are deployed in a spectacular fashion whether it’s in Spidey’s high flying opening pursuit of a gang of thugs or a final showdown with Electro at a power plant. T

he final third of the film is pure action, leading to a series of endings (there are at least three) that signal change is ahead for Parker and company. With a third entry on its way in 2016, there’s little doubt Spidey will spin his web for years to come and if this sequel is any indication, the series will continue to improve.

The Silver Bullet ~ Sex Tape

sex_tape

Synopsis: A married couple wakes up to discover that the sex tape they made the evening before has gone missing, leading to a frantic search for its whereabouts.

Release Date: July 25, 2014

Thoughts: Aside from it being a little more than mildly amusing that Cameron Diaz (The Other Woman) and Jason Segel (The Five Year Engagement) have graduated to roles as suburban parents, this very NSFW trailer for their summer romp Sex Tape looks like the type of raunchy fun both actors have excelled at in their careers. Diaz and Segel have made a few bids for more serious work, but this is clearly where their talent lies so this seems like a good fit for both of them. I’m a little over this type of ribald humor, feeling that it’s been done (and better) in other films but if a balance can be struck between foul-mouthed comedy and honestly hysterical moments this could be a much needed slam-dunk for the two actors.