Synopsis: The head of a high school reunion committee travels to Los Angeles to track down the most popular guy from his graduating class and convince him to go to the reunion.
Stars: James Marsden, Jack Black, Jeffrey Tambor, Mike White, Kathryn Hahn, Henry Zebrowski, Kyle Bornheimer, Adria Tennor, Russell Posner
Director: Andrew Mogel, Jarrad Paul
Running Length: 97 minutes
TMMM Score: (7/10)
Review: I used to be a movie-goer that loved to see previews of coming attractions sometimes more than the feature presentations themselves. I’d consider being late to a movie if even one preview had unspooled…but over time the fifteen minutes worth of trailers took their toll on me and I was exhausted before the movie even began. A nice part of being a critic and seeing screenings of films in advance is quite often there won’t be any previews before a movie…cutting down on my exasperated saturation of seeing the same teaser over and over and over again.
I mention this right away in my review of The D Train because it was one of those rare flicks I went into without ever having seen a preview or reading much about it. All I knew was that it starred Jack Black (Bernie), James Marsden (Robot & Frank), and Kathryn Hahn (Bad Words) and that was good enough for me. While not the biggest Jack Black fan in existence (his shtick having long since worn out its welcome on me in the mid-2000s) I’ve come to appreciate that the actor has taken some risks at this stage in his career.
The D Train is another risk that’s paid off not only for Black but Marsden too. While not graced with the most profound character arcs thanks to writer/director Andrew Mogel & Jarrad Paul’s almost fully formed script, the two actors deliver surprisingly effective performances that are even-keeled and grounded even with some unexpected twists and turns that pop up.
Black plays another middle-aged everyman but this time the actor makes his Average Joe a human being and not some overgrown man-child. The head (more figurehead) of his high-school reunion committee, Black works for a non-descript boss (Jeffrey Tambor, The Hangover Part III) at a non-descript job in a non-descript office that isn’t even wired for high-speed internet. Though he has a loving, high-school sweetheart wife (Hahn) and kids he’s flatlining and knows it.
That all changes when he catches a commercial late at night featuring a high-school classmate (Marsden) that moved to LA shortly after graduating. Hatching a plan to up the reunion attendance and at the same time becoming a local hero by convincing the “star” classmate to attend the reunion, Black travels to California to reconnect with an old pal that can’t remember him.
Up to this point, Mogel and Paul have kept things pretty standard fare. Even a hackneyed scheme for Black to get his company to pay for his trip out west seems like something out of an ‘80s comedy checklist. When Black arrives in LA, though, things take an unexpected turn that I wouldn’t dream of giving away. Needless to say, it instantly ups the ante of Black and Marsden’s comedic stock and elevates the picture from being just another screw-up-makes-good farce.
That’s not to say it’s totally smooth sailing from then on out. There’s more than a few slow sections in the third act of the film and the resolution seems a bit too pat considering all the carefully placed turns that came before; however at the end of the day I was more impressed with the comedy than I thought I would be. There’s a certain sweetness to it and Black makes for a charmingly hapless sad sack dealing with a lot of feelings he hadn’t planned on exploring. Marsden is one of the gamest actors out there, willing to play against type and trade on his looks if the part calls for it. Make no mistake, though, the actor is always 100% aware of what he’s doing, which at times means you can see him stretching to be acknowledged for coloring outside the lines. While she’s become known for being a gifted comic actress, Hahn has dramatic chops to counter the laughs and those are put to good use here as well.
With its retro synth score and overall old school ambiance, The D Train would be a film I’d think ‘80s maestro John Hughes would have given his stamp of approval to. In a season getting stuffed with big budget action lollapaloozas and high concept studio comedies, you’re encouraged to hop on the indie goodness of The D Train.