Synopsis: A pair of sisters find out the mother they thought was dead is alive and starring on a soap opera.
Stars: Hannah Pearl Utt, Jen Tullock, Judith Light, Alec Baldwin, Mike Colter, Mandy Patinkin
Director: Hannah Pearl Utt
Running Length: 98 minutes
TMMM Score: (7/10)
Review: Once you’ve been to New York City and done all the touristy things, that’s when the real adventure starts. Only then can you truly get to the heart of the city and explore the neighborhoods to find hidden gems that are off the beaten path. Restaurants, clothing stores, art galleries, and little theaters are all over the place just waiting to be discovered. Back in the day, the films of Woody Allen that were set in the Big Apple had a way with making good use out of these little-seen corners of a mostly familiar city.
It’s probably not the best comparison to make at this time or might not be exactly the kind of praise the writers and director of Before You Know It would love to hear but there’s a Woody Allen-esque quality to this quirky comedy. It would be easy to fathom Allen conjuring up this NYC set tale on his typewriter, assembling his cast drawn from a stable of familiar faces, and garnering praise for its astute look at familial relationships that break down at the most inconvenient times. Yet this isn’t another offering from that divisive director but the product of two women that wrote, directed, and star in the film. Being so interwoven into the framework of the movie can, at times, be the kiss of death for those that take on multiple roles on a film production but that’s not the case here – in fact, it makes the movie richer.
Living above their tiny off-off-off Broadway theater, sisters Jackie (Jen Tullock) and Rachel (Hannah Pearl Utt) have taken on their responsibilities to keep the operation afloat. Free-spirit actress Jackie takes to the stage and supplants that work with other odd jobs on the side while her more serious younger sister tends to the business side and directs. Their father, Mel (Mandy Patinkin), who raised them on his own after their mother died, is a former Broadway actor turned playwright that’s just earned a prestigious fellowship, one that will help produce a long gestating play the family has been working on together. Mel abhors the corporatization of the theater and doesn’t do much to ingratiate himself with his new benefactors…so when he suddenly passes away and leaves the sisters with mounting debts and an unfinished play they aren’t in the mood for more surprises.
A visit to their lawyer to hear the reading of their father’s will reveals a whopper, though. The mother they had been told passed away is actually very much alive is the sole owner of the theater…and she’s closer than they might have guessed. Leaving her family all those years ago to pursue her dreams of stardom, Sherrell (Judith Light, Amazon’s Transparent, making a rare but welcome appearance in a feature film) is a famous actress on a popular soap opera that’s feeling the sting of ageism at work. When her daughters sneak onto her set and make a surprise appearance, it isn’t exactly the happy reunion any of them had imagine. As they get reacquainted with a woman they don’t know and pretty much abandoned them for a different life, all three women are forced to take a hard look at their choices in the past and plans for the future.
Directed by Utt and written by Utt and Tullock, the women do more than just play on their strengths and fashion their movie around several highlighting moments. Jackie and Rachel both have their own hang-ups that get some attention but the spotlight is shared with the supporting cast as well. Having an affair with her daughter’s new therapist (played in brief cameo by Alec Baldwin, Still Alice), Jackie is used to taking the backseat to the stronger personalities she surrounds herself with. At the same time, without being able to find a work/life balance, Rachel is unable to maintain a steady relationship with any woman she finds interesting. When they meet their long-lost mother, instead of filling a gap they’ve been missing they find maybe her taking off wasn’t such a bad thing.
The trickiest role is given to the most interesting actor and Light steps up to the plate and hits a home run. Obviously drawing from her years starring in the One Life to Live, Light’s soap diva wants to be taken seriously but doesn’t want to look bad doing it. She’s OK if they make her an evil twin…just not an “ugly” one. Light makes the character brittle but not broken, vain but not vapid. I thought I knew where her character was headed but was surprised at the little things Light does along the way to keep us interested. When Rachel offers to rewrite some of the dialogue her mom finds beneath her, they bond in a way neither expect…leading to drama between the sisters and their newly acquired parent.
There’s some extraneous storytelling when the action shifts from the sisters and Sherrell to Jackie’s daughter being befriended by an accountant (Mike Coulter, Girls Trip), who shows up to do the books. It’s the only askance bit of narrative I found in the film but it eventually finds a cohesive way into the story Utt and Tullock wrap up nicely by the end. Though writing as two there’s the feeling of a single voice in the screenplay and that helps keep the film buoyant, with laughs in unexpected places and honest bits of drama along the way.