Synopsis: Jack Ryan, as a young covert CIA analyst, uncovers a Russian plot to crash the U.S. economy with a terrorist attack.
Stars: Chris Pine, Keira Knightley, Kevin Costner, Peter Andersson, Kenneth Branagh, David Paymer, Colm Feore
Director: Kenneth Branagh
Running Length: 105 minutes
Trailer Review: Here
TMMM Score: (2/10)
Review: The only thing Hollywood seems to love more than a remake is a reboot and we’ve certainly had our fair share of those in the last several years….some good (Batman Begins), some iffy (The Bourne Legacy) and some disappointing (Man of Steel). Then you have reboots like The Amazing Spider-Man, which are more puzzling than anything else. Why kickstart something new if you don’t have anything remarkable to add?
You can toss Jack Ryan: Shadow Recruit to the garbage pile though because it’s a disappointing waste of time, talent, and resources. A character that was brought to life on the pages of Tom Clancy’s bestselling novels and in four previous film outings has been reduced to a standard grade action hero that’s light on the action and questionable on the hero.
First appearing in 1990’s The Hunt For Red October (and played by Alec Baldwin), Ryan played second fiddle to Sean Connery’s defecting Russian sub commander. When Baldwin wasn’t available for 1992’s Patriot Games, producers nabbed their original first choice Harrison Ford to take over as the CIA analyst in a film that was a slickly made bona fide commercial affair. Returning in 1994 for Clear and Present Danger, Ford’s second outing was a more somber picture, almost the polar opposite of the tight packaging of its predecessor. A half-hearted attempt to re-launch the franchise was made in 2002’s The Sum of All Fears with Ben Affleck not totally able to bear the weight of it all.
Instead of remaking a previous Jack Ryan film or delving into the other five novels Clancy included him in, the studio went the Muppet Babies approach and just chose to turn back time and start over again with Ryan now injured in a post 9-11 Afghanistan rather than during a routine exercise. Even worse is that they repurposed an existing script for a generic action film and just plugged in Ryan and a few others familiar to fans of the novels and tried to make a go at it. What we’re left with is a script barely better than a failed NBC pilot and thrilling action sequences that are missing any sort of thrills.
I knew we were in trouble even before the title came up when the first shot of Chris Pine’s Jack Ryan involved a badly coiffed wig. Pine has found great success in outer space (Star Trek, Star Trek: Into Darkness) but has struggled with films of the earthy variety (though I liked it, People Like Us, was a bomb). While Pine may have the requisite All American boy scout looks like would go well with any vision of Jack Ryan one may have, the script affords him no favors with wooden dialogue and a plot involving financial ruin that would makes sense only if you weren’t really paying attention.
As his quasi-mentor, Kevin Costner (Draft Day, who would have made a great Jack Ryan back in the day) doesn’t work up much of a sweat since I’m almost positive there are no shots of him doing anything but standing still or sitting down. Costner seems as bored as we are and I find myself missing his early days when he could deliver a line with a sly sideways glance and make even the most cornball of situations amusing.
Keira Knightley (Anna Karenina, A Dangerous Method) doesn’t close her mouth the entire film, opting to let it just hang open whenever she doesn’t have much to do…which is the majority of the time. Though the film tries to put her in the middle of the action late in the game her ship has sailed by then and she just gets in the way – until she suddenly becomes useful when the film needs her most.
Actually, there are several of these moments in the movie where a heretofore useless character magically becomes the expert in a field they know nothing about. Take Ryan himself for instance; the entirety of the movie has Pine saying things like “I’m not cut out for this” and “I can’t do that”, only to gloriously rise up to astounding heights at the opportune moment. If it was a result of the character finding some inner strength or deeper knowledge that’s one thing but it’s almost as if lines meant for someone else were accidentally spoken by a different character and no one noticed.
Someone should have noticed though and some of that falls on Kenneth Branagh who seems to gain a new mole for each movie he directs as well as stars in. As a Russian businessman with plans to throw the economy into ruin through a seriously dated (and tremendously gauche) terror attack, he gets the accent down but follows through on little else. Like his directorial duties in Thor, Branagh shows a strange lack of a big picture view…almost forgetting that he’s in charge of a huge movie.
I wouldn’t say that I exactly had high hopes for the film but I was at least looking forward to something entertaining. The shortest Ryan film at less than 105 minutes, the film feels hours longer mostly because Branagh has a plethora of shots with people just staring at each other and not speaking like some Ingmar Bergman flick. The film had my sympathy when it was bumped from its primo holiday spot by Paramount when The Wolf of Wall Street ironed out its kinks…but Paramount clearly knew that it was better to give Wolf a go and leave Jack to wallow in the shadows.
Please…leave Jack Ryan alone.