Movie Review ~ Incredibles 2


The Facts
:

Synopsis: Everyone’s favorite family of superheroes is back but this time Helen is in the spotlight, leaving Bob at home with Violet and Dash to navigate the day-to-day heroics of “normal” life.

Stars: Craig T. Nelson, Holly Hunter, Sarah Vowell, Samuel L. Jackson, Huckleberry “Huck” Milner, Brad Bird, Bob Odenkirk, Catherine Keener, Jonathan Banks, Sophia Bush, Isabella Rossellini

Director: Brad Bird

Rated: PG

Running Length: 118 minutes

TMMM Score: (9/10)

Review: In this age of fast turnaround, never-ending binge options, and instant gratification, audiences don’t usually have to wait very long to get more of what they love. When Pixar’s The Incredibles opened in 2004, it was right in the studio’s heyday where they couldn’t lose and the spy adventure was a bona fide winner. Boasting innovative computer animation and pitched at a breakneck pace, it signaled a shift in tone that felt like a steppingstone to another level of prestige. Though Pixar famously claimed an aversion to sequels in favor of original concepts, after winning the Best Animated Feature film Oscar, it seemed like a sure bet another Incredibles adventure would be in the cards.

Well here we are 14 long years later and the Parr family has finally returned to the big screen in Incredibles 2 and the wait was most definitely worth it. Though computer animation technology has advanced leaps and bounds in the decade since the original was released, Pixar has fashioned a sequel that sits side by side with its predecessor on a high shelf. Re-watching The Incredibles in preparation for the sequel, I was struck by how, uh, quaint the film looks after all these years. It was still an entertaining ride, don’t get me wrong, but what once looked shiny and new then seems positively retro now.

Right from the start, the film hits the ground running by literally picking up where the first movie left off.  It’s a very Back to the Future II way to go by having the two films overlap in this way, effectively joining two separate movies into potentially one uninterrupted spree.  Mom Helen/Elastigirl (Holly Hunter, Copycat), Dad Bob/Mr. Incredible (Craig T. Nelson, Poltergeist), daughter Violet (Sarah Vowell) and son Dash (Huck Milner) spring into action against the mole-like Underminer, who first appeared at the tail end of the original. Through a city wide chase that racks up some costly amounts of destruction, it isn’t long before the family runs afoul of the government so intent on keeping superheroes illegal. When a brother and sister team intending to champion the legalization of superheroes approaches Helen, Bob, and their friend Lucious/Frozone (Samuel L. Jackson, The Hateful Eight), the heroes in hiding see it as an opportunity to show the world there’s still a need for crime fighters and help heroes from around the globe can come out of the shadows. Needing someone to be the face of the campaign, Helen becomes the star of this show, only to be pursued by a mysterious villain known as The Screenslaver who has big plans for a gathering of international heroes at sea.

Meanwhile, back at home, Bob is in charge of the kids. Between helping Dash with his math homework, (he learns the perils of New Math) and giving the lovesick Violet some advice on boys, he fails to notice his younger son Jack-Jack starting to develop a whole host of strange powers of his own. Jack-Jack is unquestionably the main attraction in Incredibles 2 and with good reason, his scenes are silly yet hysterical that result in some astounding physical comedy sequences that are pretty dazzling. Like much of the film, Jack-Jack’s adventures with his super powers blaze across the screen with color and sound so quickly that I’m sure I didn’t catch all of the sight gags created by the Pixar gang.

I’d put this sequel on an equal plane with the first film, maybe slightly higher just due to its clever construct and entertainment factor. The voice work is consistently good and it’s nice to hear interesting casting choices like Bob Odenkirk (Nebraska) and Catherine Keener (Peace, Love & Misunderstanding) as the brother and sister duo, not to mention the grand return of fashion designer Edna Mode (voiced by writer/director Brad Bird, Tomorrowland).  It’s also extremely funny, producing several laugh out loud moments that often caught me off-guard.  It’s sometimes easy to get a kick out animated films but it’s rare for one to elicit a well earned guffaw…and Incredibles 2 has more than a few of these instances.

At 118 minutes, Incredibles 2 is the longest Pixar film to date but it moves so fast and furious that you’re likely to either skip looking at your watch completely or sneak a peek as the film nears its conclusion. Sure, there are some overstuffed bits but if you’re going to the movies and paying through the nose for tickets and concessions for the whole family, don’t you want to get your money’s worth? Bird (Mission: Impossible – Ghost Protocol) knows how to give fans what they want, nicely continuing the tone of a kid-friendly Bond film that’s still a bit dark and definitely not for super young tykes. Parents, heed the PG rating because this one gets a bit intense and, coupled with Oscar-winner Michael Giacchino’s (Star Trek) robust score, can be quite loud.

Special Note: Don’t be late!  The Pixar short shown before the movie, Bao, is another winner!

Movie Review ~ Bao


The Facts
:

Synopsis: A woman gets a second shot at motherhood when one of her handmade dumplings comes alive.

Director: Domee Shi

Running Length: 8 minutes

TMMM Score: (8/10)

Review: Proving once again that there is no emotional well they can’t mine for a few surprising tears, Pixar’s latest animated short  (playing before Incredibles 2) falls right in line with some of their more plaintive fare.  Think UP territory kind of emotions.  Directed by Chinese Canadian illustrator Domee Shi, Bao is a tale of an empty nester that gets an eyeful just as she’s about to take a mouthful of her carefully prepared dumplings.  Over the course of eight minutes, Shi (the first female director of a Pixar short) takes us through a fast-tracked parental journey that culminates in a bit of a shock only to resolve itself in a most beautiful fashion.  Pixar would be wise to allow for a five minute “Call Your Mom And Tell Her You Love Her Break” after this one is over.

Movie Review ~ Tag


The Facts
:

Synopsis: One month every year, five highly competitive friends hit the ground running in a no-holds- barred game of tag they’ve been playing since the first grade.

Stars: Ed Helms, Jake Johnson, Annabelle Wallis, Rashida Jones, Isla Fisher, Leslie Bibb, Hannibal Buress, Jon Hamm, Jeremy Renner

Director: Jeff Tomsic

Rated: R

Running Length: 100 minutes

TMMM Score: (3/10)

Review: In their marketing, the studio releasing Tag is making a big deal of pointing out it’s based on a true story which, miraculously, is correct.  That’s the first and last genuine thing about Tag, a dreary supposed comedy that manages to take an interesting kernel of inspiration and turn it into a childish game no one will want to play a second round of.  Based on a story first reported in a 2013 Wall Street Journal article (and nicely profiled in a segment on CBS Sunday Morning), the original subjects fielded so much interest in their story they quickly cashed in on a deal for Hollywood to buy the rights to their curiously ongoing game.

Tag uses the basic premise of the shenanigans and takes heavy liberties with the storytelling as it follows five forever friends that have been playing the same game of tag one month each year for over three decades.  When one of the members who has never been “It” decides to quit, the other four scramble to get their hands on him before the month is up.  Problems arise when the quartet arrives to find their tricky target in the middle of his wedding weekend…but will that keep them from doing anything and everything they can to pass the touch and break his winning streak?

Oof…where to start with this?  Proving the bro-tastic juvenile antics of middle aged men in arrested development is a genre that’s still alive and kicking (even after the diminishing returns of The Hangover trilogy), Tag is a rare film that produces absolutely no likable characters for any audience member to latch onto.  None.  Starting at the top, there’s the usually affable Ed Helms (Vacation) as Hoagie, a sad-sack holder of the eternal tag flame who seemingly does nothing but wait until the yearly event to get his game on.  At the start of the film, he’s applying for a job as a janitor just to be able to tag his corporate friend Bob (Jon Hamm, Million Dollar Arm) and get him onboard with the  plot to tag Jerry (Jeremy Renner, The Bourne Legacy).   Your enjoyment of the film will be determined in these opening minutes between Hoagie and Bob – it’s a litmus test of how much lame-brainedness you’ll be able to take for the next hour and a half.

With Bob, Hoagie’s wife Anna (Isla Fisher, Now You See Me) and a Wall Street Journal reporter (Annabelle Wallis, Annabelle), ahem, tagging along, they recruit tag buddies Randy (Jake Johnson, The Mummy) and Kevin (Hannibal Buress, The Disaster Artist) and make their way to Washington state.  It’s there they plan to nab Jerry, who has been expecting the arrival of his old friends for one last round before he settles down with Susan (Leslie Bibb, Iron Man).  The resulting antics follow the gang as they repeatedly try to outsmart Jerry who manages to stay a few steps ahead and just out of reach.

Making his big screen directing debut, Jeff Tomsic may know his way around some cleverly staged bits of entrapment but too often he places the camera directly on his actors…someone should have told him the GoPro business is so 2012.   No one is helped by Rob McKittrick and Mark Steilen’s staid screenplay that features expected developments and one remarkably tasteless joke the film returns to so often the audience literally began loudly groaning each time it was brought up.  Director and screenwriters don’t bother fleshing out any of the characters, nor do they explain how 47 year old Hamm and Renner were in the same class as 44 year old Helms, 40 year old Johnson, or (yikes!) 35 year old Buress.

Sure, movies are allowed to be silly and we’ve totally had enough films to stock a small college dorm room DVD library featuring men behaving like children – but I guess I’m just bummed Tag didn’t aspire to be anything more than a stupid time waste.  They at least could have presented some halfway decent characters for the cast to dive into.  Johnson’s (exhausting) character is a stoner who puffs away the entire movie and then thinks he’s somehow appealing to an old flame played by Rashida Jones, Decoding Annie Parker, in a part so thankless she literally should have actually been thanked in the closing credits.  Then there’s Wallis’ reporter who just drops her story on Hamm’s questionable corporate ethics to report on this tag battle.  She must have had a giant per diem she’s willing to blow as she hops around the west coast with a group of dumbbells.

Aside from Bibb’s entertaining but slightly manic turn as Renner’s fiance, the only person that manages to eek a shred of kudos here is Fisher.  By-laws prevent “girls” (ugh) from playing so she’s the pitbull wife egging her husband and his friends on, all the while gnashing her teeth in desperation at wanting to play.  Her foul-mouthed rages provide some muted laughs and much like her role in Keeping Up with the Joneses (another one Hamm snoozed his way through) she’s proven more than capable of being the most interesting person onscreen.  Come to think of it, I’d have much rather seen a female version of this story…but maybe we’ll get a remake in 10 years with Sandra Bullock in Fisher’s role.

Movie Review ~ Solo: A Star Wars Story


The Facts
:

Synopsis: During an adventure into a dark criminal underworld, Han Solo meets his future copilot Chewbacca and encounters Lando Calrissian years before joining the Rebellion.

Stars: Alden Ehrenreich, Woody Harrelson, Emilia Clarke, Donald Glover, Thandie Newton, Phoebe Waller-Bridge, Joonas Suotamo, Michael K. Williams, Ian Kenny, Warwick Davis, Clint Howard, Paul Bettany, Jon Favreau

Director: Ron Howard

Rated: PG-13

Running Length: 135 minutes

TMMM Score: (5.5/10)

Review: I was one of the few people that didn’t latch on to 2016’s Rogue One: A Star Wars Story. Most thought it was one of the best (!!) entries in the Star Wars universe but I found it to be a cash-grabbing, gap-filling, problematic undertaking that brought to lax life characters and situations we had heard about in the original trilogy of films. It just didn’t go anywhere for me because it had nowhere to go. We knew what was going to happen so, like Titanic, audiences were waiting around for a couple of hours for the ship to sink.

Like Rogue One, Solo: A Star Wars Story reaches back into galactic history to the origins of Han Solo, the character first portrayed by Harrison Ford. Unfortunately, the same problems of storytelling and purpose existed for me while watching Solo, which, though a marked improvement in pace and plot over Rogue One, still had me struggling with the question of “Why?” Even for a slightly-more-than-casual-fan of the Star Wars series like myself, I kept wondering when the story would take a surprising turn or stake its claim as the original tale it claims to be. Despite some stray sparks of ingenuity, Solo winds up being another strange miss by Lucasfilm that finds itself yet again playing it safe with its cash cow franchise.

Bursting into action before the title is even on the screen, the problems I had with Solo also started pretty early on. For one thing, the cinematography by Bradford Young (A Most Violent Year) is so dark that I half-believed something to be wrong with the projection. Large stretches of the movie are so dim that facial features are fuzzy and action sequences feel like they were filmed inside a dank warehouse that forgot to pay their electric bill. Introduced to wannabe pilot Han (Alden Ehrenreich, Beautiful Creatures) as he wriggles out of a sticky situation with his band of criminals on Corellia, taking his girlfriend Qi’ra (Emilia Clarke, Terminator Genisys) along with him. In the first of several well-staged space chases, Han and Qi’ra attempt to evade capture with Han’s flying skills put to the test. Though Han escapes the planet, Qi’ra isn’t so lucky. Pledging to return to save her, Han joins the Imperial flight academy and gains his last name in the process. Flash forward three years to find Han has been kicked out of the academy and is now a grunt on the ground doing battle.

It’s in the wages of war that the resourceful Han buddies up with a cadre of thieves led by Tobias Beckett (Woody Harrelson, Now You See Me 2) and Val (Thandie Newton) but not before almost being torn apart by a muddy Wookie named Chewbacca (Joonas Suotamo, Star Wars: The Force Awakens). Befriending the hairy beast, Han and Chewie join Tobias and Val on a mission that sets the stage for a whole new world of trouble and adventure. Along the way Han plays cards with the charming Lando Calrissian (Donald Glover, The Martian) in the hopes of winning his prized ship the Millennium Falcon, avoids a band of mysterious space pirates, and runs afoul of Dryden Vos (Paul Bettany, Avengers: Infinity War) who has a familiar face from Han’s past in his employ. Then there’s Han’s first experience with the Kessel Run, a hyperspace route known for its treacherous tendencies that plays a factor in Han’s later years.

It’s well known that Solo had a bumpy go of it during its production. Original directors Phil Lord and Christopher Miller were fired when filming was nearly complete and producers brought in Oscar winner Ron Howard (Splash!) to oversee the rest of the process and film additional scenes. There were also rumors certain stars had to work with an acting coach to beef up their likability factor. Strangely, this isn’t unusual for this franchise; in several of the recent Star Wars films (and Rogue One), the director was replaced at some point during filming or just prior to getting underway. Lord/Miller are known for their comedies (21 Jump Street) and Howard couldn’t be any different in style as a director – it’s a credit to the film that you can’t always tell where the Lord/Miller material ended and the Howard contributions began.

Where the film falls flat is in the dull script by Lawrence and Jonathan Kasdan. Lawrence has a long history with this series, dating back to writing The Empire Strikes Back while Jon is the newbie yet neither bring the type of history or fresh voice that feels necessary. It’s the same dusty triple cross heist tale we’ve seen done before and far better. Only Glover’s memorable Lando and especially Phoebe Waller-Bridge (Goodbye Christopher Robin) as Lando’s wry droid L3 create any real excitement. Both Glover and Waller-Bridge are known for their writing so one wonders what this film could have been had producers colored outside the lines a bit more.

As he has shown in previous roles and especially in Hail, Caesar!, Ehrenreich is an easy-going presence and it’s not hard to see why he was sought out for the role. Strangely, it’s Ehrenreich that was supposed to have needed additional help to increase his matinee-idol appeal and I’m also guessing Clarke benefited greatly from Howard’s more nuanced work with actors. Harrelson is doing his usual grizzled shtick while Bettany feels like he’s played this role multiple times before. The less said about Jon Favreau (Iron Man) voicing a CGI member of Beckett’s group, the better. Bonus points if you spot other key figures from the Star Wars universe who aren’t always playing the characters they are most known for.

I’m sure hardcore fans will find a lot to enjoy here as there are many tidbits discussed in later films that are introduced (yes, you’ll find out how Han gets his blaster) and which likely will cause a ripple of knowing laugher in well-versed crowds. There is a strange abundance of annoying periphery players and it says something when the star of the movie isn’t even one of the Top 3 interesting characters of the film. Personally, I wish the film had reached a bit farther back in Han’s tale instead of starting so late in his game but that would likely be a whole movie unto itself. Aside from a scant few twists and one major head-scratching appearance near the end there’s little here in his first real adventure that hasn’t been seen before.

Movie Review ~ Book Club


The Facts
:

Synopsis: Four lifelong friends have their lives forever changed after reading Fifty Shades of Grey in their monthly book club.

Stars: Diane Keaton, Jane Fonda, Candice Bergen, Mary Steenburgen, Craig T. Nelson, Andy Garcia, Don Johnson, Alicia Silverstone, Katie Aselton, Wallace Shawn, Richard Dreyfuss, Ed Begley Jr.

Director: Bill Holderman

Rated: PG-13

Running Length: 104 minutes

Trailer Review: Here

TMMM Score: (3/10)

Review: There are some that would say a comedy featuring four multi-award winning actresses of a certain age humorously discovering that “the next chapter is always the best” would be a no-brainer. Turns out they were spot on…Book Club has no brains to speak of. Here’s an aggressively dull, pandering movie that manages to do a disservice to its distinguished actors and an intended audience already woefully underserved. With its tin ear for realistic dialogue and a baffling cluelessness to how humans behave, no clichéd stone is left unturned.

Friends since college, Vivian (Jane Fonda, Peace, Love, & Misunderstanding), Sharon (Candice Bergen, Home Again), Carol (Mary Steenburgen, Parenthood), and Diane (Diane Keaton, And So It Goes) meet for their monthly book club in one of their pristine dwellings. Starting with Erica Jong’s Fear of Flying and recently coming off of Cheryl Strayed’s Wild, vampy Vivian introduces the ladies to E.L. James’ famous smut tome Fifty Shades of Grey. That’s the first red flag that pops up in the script from Erin Simms (Pete’s Dragon) and director Bill Holderman (A Walk in the Woods). As poorly written as it was, James’ book was a phenomenon and you’d have to be living under a rock to not have heard of it or seen the movies adapted from her trilogy of novels. Aside from Vivian, none of the ladies seems to know much about it and are shocked to discover its titillating scenes of bondage and explicit couplings.

All four ladies are, naturally, having trouble in the romance department and find that the book not so much ignites a newfound lust for life as it influences their choices. Hotelier and notoriously single Vivian runs into a long-lost paramour (Don Johnson, Django Unchained) who might have been the one that got away while federal judge Sharon, still bruised from her divorce, signs up for a dating service and winds up attracting the attention of Richard Dreyfuss (Jaws) and Wallace Shawn (Admission). Carol is finding it difficult to connect with her husband (Craig T. Nelson, Poltergeist) in and out of the bedroom and widowed Diane ventures into a new relationship with a swarthy pilot (Andy Garcia, Jennifer 8) while her children pressure her to move closer to them.

What laughs there are to be had (and trust me, there aren’t many) come, surprisingly, from Bergen who I’ve always found to be a little aloof in films. Here she seems to be having a ball as a high-strung intellectual embarrassed she has to resort to finding a date online. Sadly, the film doesn’t give her a full arc so by the time we’ve gotten into her rhythm with Dreyfuss he’s disappeared, never to be heard from again. There’s even less time spent with Shawn who pops up in for a well-timed cameo but doesn’t get much chance to make an impression.

For my money, far too much time is spent with Fonda’s storyline, which is the most ham-fisted of the bunch. Wearing an awful wig and decked out in one gaudy outfit after another, it’s not hard to see where things are headed for the woman who likes to sleep with men but doesn’t like to “sleep” with them after. Always an underrated commodity in film and television, Steenburgen has nice moments here and there and while her thread is likely the most relatable, by the time the film has her tap dancing to a Meat Loaf song at a talent show you can literally see her working hard to keep up with things.

Then there’s Keaton who, to me, seems like the most natural fit for this type of froth. Sadly, Holderman and Simms make her character such a doormat and allow her children (Alicia Silverstone and Katie Aselton) to take her for granted far too long. (It’s also a mystery to me why there are two daughters when the film only needed one) Keaton coasts through much of the movie on fumes and only comes alive when there’s some physical comedy to execute, if only Holderman and Simms had given her character dimension of any kind.

What kind of message is the movie ultimately sending? A detriment to the film’s credibility is its stupefying lack of diversity. Taking place in present-day Los Angeles (and made on the cheap with a ton of questionable green screen and downright lousy Photoshop), there’s nary a person of color to be seen aside from a few random service workers. Purporting the myth of the white woman fantasy so grossly admired in Nancy Meyers movies with its affluent rich white ladies, Book Club feels completely out of touch and out of step with our society. Even worse, when you get right down to it, every woman in the film needs to be defined by the men they are with.  There’s something uncomfortable about watching that unfold before you.

Book Club is for easy readers only.

Movie Review ~ Deadpool 2


The Facts
:

Synopsis: Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy of supernatural abilities from the brutal, time-traveling mutant, Cable.

Stars: Ryan Reynolds, Josh Brolin, Zazie Beetz, Leslie Uggams, Jack Kesy, Shioli Kutsuna, Julian Dennison, Morena Baccarin, Brianna Hildebrand, Stefan Kapicic, Karon Soni, T. J. Miller, Bill Skarsgård, Rob Delaney, Terry Crews

Director: David Leitch

Rated: R

Running Length: 119 minutes

Trailer Review: Here

TMMM Score: (7.5/10)

Review: When Deadpool arrived on the scene in 2016, it sent a much-needed electric charge through the comic book genre that was quickly beginning to grow stale. Proving there was an audience for an R-rated superhero, Deadpool established a new breed of franchise that saluted the foul-mouthed and violent. To date, the copycat factor is low and if anything it’s asked PG-13 audience friendly fare to step up their game and get back to providing entertainment instead of just laying ground for future installments. Now, two years later Deadpool 2 is upon us and it’s poised to create similar sparks.

Wade Wilson (Ryan Reynolds, Woman in Gold) has settled into life as Deadpool, a mercenary for hire intent on wiping out bad guys and gals in all walks of life as indicated in a prologue that brings us up to speed with his recent exploits in bloody fashion. Living with his love Vanessa (Morena Baccarin, Spy) and thinking about starting a family, Wade is just getting comfortable when everything goes wrong. Thus launches a surprisingly complex story involving time travel and Deadpool’s protection of a young mutant (Julian Dennison) from the Terminator-esque hulk Cable (Josh Brolin, Sicario).

There’s little more I could relay here without giving away major spoilers but if you were a fan of the first film you’ll find an equal amount of fun to be had here. I was worried the success of the wisecracking style in the first movie would result in smart-alecky shenanigans that were too self-aware and sure enough the movie struggles with sincerity out of the gate. In all honesty, the film takes a solid 20 minutes to find its feet and a frenzied bit of opening exposition weighs the film down needlessly. Thankfully, director David Leitch (Atomic Blonde) and screenwriters Rhett Reese (Life), Paul Wernick, and Reynolds himself get these tiresome trapping out of their system early on.

What I continue to appreciate about this series is its willingness to make itself the butt of the joke. There’s a hefty amount of self-referencing gallows humor that works almost every time and enough inside jokes to keep the most pop culturally adept among us satiated. As was the case in the previous film, no superhero is off limits and one of the first gags employed is a hysterical Logan reference that sets the tone perfectly. Keep your eyes and ears open for a cavalcade of digs and dings at everyone from The Avengers to Brad Pitt – the jokes come fast and furious so stay alert.

Another selling point to this film is that it’s unpredictable and not just because it moves so fast you don’t have time to catch up. No, the film actually takes some turns that feel unique and that creates a sense of engagement to keep you on the edge of your seat. As more and more characters join the mix (and, in one laugh out loud diversion, form the basis for X-Force) it can feel overwhelming but it’s clear Reynolds and company know where this clown car of craziness is headed.

The closing credits of Deadpool 2 are alone worth the price of admission – I wouldn’t dream of giving away any of the surprises but I almost felt like standing up and applauding once they were complete. It takes a lot of balls and brains to pull off the feat of living up to a heralded original film and everyone involved in Deadpool 2 meets the challenge head-on. If you can forgive a rocky start (and I’m positive you will) this is one sequel that feels equal.

Movie Review ~ Breaking In


The Facts
:

Synopsis: A woman fights to protect her family during a home invasion.

Stars: Gabrielle Union, Billy Burke, Seth Carr, Ajiona Alexus, Richard Cabral, Levi Meaden, Christa Miller

Director: James McTeigue

Rated: PG-13

Running Length: 88 minutes

TMMM Score: (2/10)

Review: There was a time in the early ‘90s when a movie like Breaking In would have gotten a pass as a mediocre mid-level film that might not be fully filling but was a harmless way to spend 88 minutes. Times have changed. Though it arrives with a striking marketing campaign promising “Payback is a Mother” and wants to position itself as a worthy alternative to blockbuster fare like Avengers: Infinity War, Breaking In is a bewildering exercise in all-around clueless filmmaking.

Things start rough as the filmmakers resort to one of the oldest gotcha moments in moviemaking for a brief prologue that introduces and dispatches of a character we never learn much about. Flash forward to Shaun (Gabrielle Union) and her two children Jazz (Ajiona Alexus) and Glover (Seth Carr) traveling to Shaun’s childhood estate to prepare it for sale. With the recent passing of her father, it’s hinted early on there were unresolved issues Shaun is attempting to put to bed once and for all. Arriving at a house equipped with a state of the art security system, the family isn’t there long before the kids are locked inside with a trio of burglars hunting for a money-stocked safe and Shaun has to, you guessed it, break in. What follows is an absurd game of cat-and-mouse that finds Shaun alternately trying to get into the house and then (spoiler alert) trying to get back out.

Working from a flimsy story idea from Jamie Primak Sullivan, screenwriter Ryan Engle (Rampage, The Commuter, Non-Stop) doesn’t have many creative places to go and the result is an exceedingly dull thriller. Though some rules about the security system are established early on, they seem to fly out the door as fast as the toy drone Glover brought along which figures into a few key jump scares. It’s also never clear what the thugs (including Richard Cabral and Levi Meaden, led by the charmless Billy Burke, Lights Out) are doing there in the first place or how much they were involved with the death of Shaun’s father. Attentive listeners might catch a hackneyed roundabout explanation that hints Shaun’s father was a criminal but without any more material to fill these gaps the whole plot stands on incredibly shaky ground.

Director James McTeigue (The Raven) first came to Hollywood with the stylish V for Vendetta but this is grab the money and run filmmaking at its worst. Dimly lit scenes, indistinguishable action sequences, and a general feeling of not knowing where anyone is speaks to the quality of the work with the whole thing feeling like a made-for-Netflix film that lucked out with a theatrical release. Clearly edited down to a PG-13 from an R (how many hardened criminals routinely use ‘frickin’ in their vocabulary?) even the dénouement of some characters are hard to decipher because the camera doesn’t provide any establishing shots or connectivity.

I was honestly looking forward to this mainly because I’m a fan of Union, very much finding her an underrated talent that has yet to latch on to a golden opportunity. While Union tries her best, she’s fighting against a movie that doesn’t have any stamina or guts – so her performance often comes off as out of tune with the rest of the actors and situations. Alexus has an uncanny resemblance to Union and a similar commitment to this dreck, their mother-daughter relationship was the only thing believable in the whole film.

Intentional or not, Cabral (Paranormal Activity: The Marked Ones) and Meaden drew major laughs from the audience with their overly earnest performances as polar opposites on the threat scale. With his intense stare and crooked nose, Cabral is intimidating without even speaking while Meaden’s platinum blonde burnout has a doofus quality that humanized him more than Engle’s eye-rolling dialogue ever could. Burke never seems to decide on how to play his big baddie role – one moment he’s the epitome of calm cool sophistication and then next he’s a low-rent gun for hire.

Maybe the worst thing about the movie is how out of touch it feels in this era of #MeToo and similar social causes. There’s two seriously off-color homophobic jokes and a gross misogyny toward Union, Alexus, and poor Christa Miller who turns up halfway through the movie for a sorrowful (and totally unnecessary) cameo. Even more, Union’s character never truly feels like she’s granted the opportunity to take control of the situation. She’s easily caught whenever she tries to run away and always manages to take several hits to the face before escaping again. As a producer of the movie, I can’t help but wonder what Union was thinking letting some of these events play out like they did.

A poor answer to the call for more female empowerment in movies, Breaking In is one you’ll want to get out of as fast as possible.

Movie Review ~ Life of the Party

1


The Facts
:

Synopsis: After her husband abruptly asks for a divorce, a middle-aged mother returns to college in order to complete her degree.

Stars: Melissa McCarthy, Gillian Jacobs, Maya Rudolph, Julie Bowen, Matt Walsh, Molly Gordon, Stephen Root, Jacki Weaver, Adria Arjona, Debby Ryan, Luke Benward, Jessie Ennis, Heidi Gardner

Director: Ben Falcone

Rated: PG-13

Running Length: 105 minutes

Trailer Review: Here

TMMM Score: (6.5/10)

Review: I’ve got good news and bad news for you if you’re considering making a trip to the movies to see Life of the Party this Mother’s Day weekend. The bad news is that most of the jokes have been spoiled for you in the previews, the good news is that the two best jokes haven’t. A semi-refreshing twist on the old fish-out-of-water/parent-going-back-to-school storyline, this isn’t a movie out to reinvent the comedic wheel but it does manage to capably overcome initial tone problems. What results is a sweet, if completely predictable, comedy that has its heart and brain in the right place.

The third collaboration between star Melissa McCarthy and husband Ben Falcone (What to Expect When You’re Expecting), Life of the Party represents the best of their work together so far. Their first outing was 2014’s Tammy, a movie so godawful I don’t permit its name to be uttered in my presence. They bounced back in 2016 with The Boss, which found more humor, less aggravation, and an overall better script. Writing together allows the couple to play off McCarthy’s strengths but continues to show Falcone’s weakness as a director – I’d love to see what another director would do with one of their screenplays.

Frumpy housewife Deanna (McCarthy, Spy) and her husband Dan (Matt Walsh, Into the Storm) have just dropped their daughter Maddie (Molly Gordon, Love the Coopers) off for her last year of college when Dan announces he wants a divorce. He’s fallen in love with a realtor (Julie Bowen) and is selling their house, leaving Deanna without a home or an income. In a surge of confidence, Deanna decides to reenroll at the same college she dropped out of in her senior year 20 years earlier…the college her daughter now attends.

Going back to school to finish her archeology degree, Deanna finds that while the times have changed the people getting the college experience haven’t. There’s still the mean girl (Debby Ryan) who tears down anything she doesn’t deem cool, the parties are drunken ragers, the sorority sisters have the same doubt about their futures, and Deanna’s fear of public speaking hasn’t dissipated over the last two decades. That proves especially hard during the film’s funniest sequence by far, when Deanna has to give an oral presentation that quickly devolves into a sweaty, knee-buckling, nightmare.

Still, a few things in her homecoming to co-ed life catch her off-guard. Unexpected bonding with her daughter tops the list as well as a realization she can reclaim some of the years she feels were spent in a troubled marriage by returning to finish what she started. Then there’s the romance with Jack (Luke Benward), a younger frat boy which takes some surprisingly genuine turns as the movie progresses. Eventually, even with one nice twist involving Jack, the movie works toward its predictable conclusion yet even though you know where it’s all heading it’s not hard in the least to sit back and be entertained.

That’s not to say the movie doesn’t have moments that call for a markdown on the final grade. As is usually the case with these McCarthy/Falcone features, there’s an overabundance of periphery characters that serve no purpose to any of the characters or the story. Usually friends (or family!) of the director and star, these annoying additions pad the running time and bring down some of the solid funny framework that has been created. Even the usually dependable Maya Rudolph (The Way Way Back) is given far too long a leash as Deanna’s friend – I almost wonder what things would have looked like had Rudolph and the tightly wound and miscast Bowen had swapped roles. There’s also at least one too many sorority sisters for my money. And Deanna’s parents (Jacki Weaver, Stoker, and Stephen Root, Trumbo) could have been removed all together and no one would have been the wiser.

You also have to ding the couple for not editing their films better or providing information to fill in large gaps that go unexplained. It’s never clear until far too late how Deanna is paying for college or what hoops she had to jump through to get back to her studies in less than several weeks. Timelines are also fuzzy, with events either happening too close together or too spaced out and, as with most college movies, everyone seems to only go to one class or not attend at all.

Yet the film is getting high marks from me because even with all these nitpicks, there’s a certain whiff of clean air and good intentions that keep this one afloat. McCarthy again carries an entire film on her shoulders and while that might get exhausting after a while she’s got the boundless energy to pull out all the stops when called upon to do so. While she’s never one to shy away from physical stunts, this is another pleasant example of McCarthy’s continued maturing as a performer with her comedy coming from situational happenstance instead of corporeal humor. Whether she’s dancing in ‘80s-inspired couture, trashing a wedding reception, or performing alongside a pop star’s amusing cameo, there’s always a human being underneath it all.

Movie Review ~ Avengers: Infinity War


The Facts
:

Synopsis: The Avengers and their allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.

Stars: Robert Downey Jr., Chris Evans, Mark Ruffalo, Scarlett Johansson, Chris Hemsworth, Tom Hiddleston, Anthony Mackie, Paul Bettany, Elizabeth Olsen, Chadwick Boseman, Sebastian Stan, Don Cheadle, Chris Pratt, Dave Bautista, Zoe Saldana, Pom Klementieff, Benedict Cumberbatch, Benedict Wong, Sean Gunn, Tom Holland, Josh Brolin, Idris Elba, Letitia Wright, Danai Gurira, Benicio Del Toro, Karen Gillan, Gwyneth Paltrow, Peter Dinklage

Director: Anthony Russo & Joe Russo

Rated: PG-13

Running Length: 156 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review: The ultimate villain of Avengers: Infinity War is going to be anyone that spoils what happens in this all-star extravaganza, the culmination of 19 films over 10 years that have made up the Marvel Cinematic Universe. As a true believer in the power of a spoiler-free experience, I’m reluctant to even talk too much about the movie here, lest I give away even a whiff of the game-changing developments worked up by screenwriters Christopher Markus and Stephen McFeely. However further you venture to read, know that Avengers: Infinity War may be the first toll of a bell signaling the end of an era but there’s still a few clangs yet to ring out.

With the action picking up two years after the events of Captain America: Civil War, the film wastes no time in diving into the action as big baddie Thanos (Josh Brolin, Inherent Vice) continues his quest to procure six Infinity Stones by any means necessary. With two stones in his possession by the time the title card is displayed, you get the distinct impression that Thanos isn’t going to be defeated easily no matter what brand of superhero gang sets about to stop him. Sending minions to Earth to gather stones protected by Vision (Paul Bettany, Transcendence) and Doctor Strange (Benedict Cumberbatch, August: Osage County), Thanos searches for the remaining gems in truly out of this world locations.

If Thanos secures all six stones in his gauntlet he’ll have power over the entire universe and be able to wipe out half the population with the snap of his very large and in charge fingers.   Never fear, though, because according to Marvel there are about 64 main characters featured and while not all of them get as much screen time as you’d think, there is often more than enough action to go around. Markus and McFeely concoct some believable ways to separate the various heroes as they unite to stop Thanos from achieving his goal. Even better, the combos of who is working with whom are surprising and often quite entertaining…but in an effort to maintain some suspense, you’ll have to see the movie to find out who teams up.

With the exception of two notable stars (again…not telling) the gang is all here, down to supporting players that haven’t been seen for a while. Even if A-listers like Gwyneth Paltrow (Thanks for Sharing) get limited screen time it’s nice to see these familiar faces along the way because their appearances act like mini Easter eggs, rewarding the actors as well as devoted audience members. Arriving a little over two months after Black Panther smashed all box office records, it would have been easy to do what Justice League did after the success of Wonder Woman and give a bit more attention to a breakout star like T’Challa (Chadwick Boseman, Get on Up) but the filmmakers wisely keep things level.

The main stars that anchor the action are Iron Man (Robert Downey, Jr., The Judge), Thor (Chris Hemsworth, Vacation), and Quill (Chris Pratt, Jurassic World) with some nice supporting turns from Captain America (Chris Evans, The Iceman), Black Widow (Scarlett Johansson, Under the Skin) and Hulk (Mark Ruffalo, Foxcatcher). In hindsight, it feels like the popular Guardians of the Galaxy are favored in the action ever so slightly more than a few of the veteran Avengers but watching the movie in the moment there is a greater feeling of equity. There’s little room for new characters to be introduced and when they are, like Peter Dinklage’s (Three Billboards Outside Ebbing, Missouri) painfully serious but ultimately silly turn, it feels like time is being taken away from the people we want to see.

Directors Anthony and Joe Russo have stuffed this prize package with an abundance of get-your-moneys-worth riches, from eye popping visual effects to spectacularly pitched action sequences. The finale is a showstopper, an all-out blitzkrieg assault that takes place in multiple places with numerous characters and still it’s never hard to follow what’s going on. It takes a special hand to guide these types of action set-pieces and their fourth film for Marvel has the Russo Brothers finding full scale power in their directing. That style in direction marries nicely with Trent Opaloch’s (Elysium) stunning cinematography that isn’t overrun by the dynamite visual effects. Alan Silvestri’s (The Croods) score is, as always, instantly recognizable and eternally heroic.

Do yourself a favor and get your bathroom breaks out before the film starts because at 156 minutes from start to finish it’s a commitment. You can’t afford to miss much, though, so even a well-timed pee break might set you back, especially in the last ten minutes. As with all Marvel movies, it goes without saying that you shouldn’t leave until the final credit has disappeared because there’s only one post-credit scene and it’s at the very end. Missing this one in particular would be a mistake.

The next Avengers movie is set for release in May 2019 and by that time two more Marvel films will have seen the light of day (Ant-Man and the Wasp in July and Captain Marvel in March 2019). Not every question is resolved by the end of Avengers: Infinity War and I’m more than interested to see what gets answered between now and next year…just do yourself a favor and see this one before anyone can spoil what happens. Don’t say I didn’t warn you…or that I let the cat out of the bag either.

 

Marvel Cinematic Universe

Phase One
Iron Man (2008)
The Incredible Hulk (2008)
Iron Man 2 (2010)
Thor (2011)
Captain America: The First Avenger (2011)
Marvel’s The Avengers (2012)

Phase Two
Iron Man 3 (2013)
Thor: The Dark World (2013)
Captain America: The Winter Soldier (2014)
Guardians of the Galaxy (2014)
Avengers: Age of Ultron (2015)
Ant-Man (2015)

Phase Three
Captain America: Civil War (2016)
Doctor Strange (2016)
Guardians of the Galaxy Vol. 2 (2017)
Spider-Man: Homecoming (2017)
Thor: Ragnarok (2017)
Black Panther (2018)
Avengers: Infinity War (2018)

Movie Review ~ Rampage (2018)


The Facts
:

Synopsis: A primatologist shares an unshakable bond with a silverback gorilla who has been in his care since birth. But a rogue genetic experiment gone awry mutates this gentle ape into a raging creature of enormous size.

Stars: Dwayne Johnson, Naomie Harris, Malin Akerman, Jake Lacy, Joe Manganiello, Jeffrey Dean Morgan, P.J. Byrne, Marley Shelton, Breanne Hill, Jack Quaid, Matt Gerald, Jason Liles, Demetrius Grosse, Will Yun Lee

Director: Brad Peyton

Rated: PG-13

Running Length: 107 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review: We’re at an interesting point in 2018. After emerging from the stuffy cloud of more serious minded Oscar-y fare, we had a January and early February that stirred little interest. Then Black Panther hit and became the kind of audience-uniting game changer we often have to wait far into the year for. With studio hits like Ready Player One and A Quiet Place making bank as well good business being drummed up for indie films such as Isle of Dogs and Chappaquiddick, there was a little something to please everyone if you chose to buy a ticket.

Now along comes Rampage and it seems like we’re all going to have to pick a side again. You’re either going to go along for its silly but entertaining ride or you’ll spend an unusually brisk 107 minutes counting the seconds until your escape. I’m of the mind that you don’t necessarily need to lower your expectations to like what Rampage has to offer, you just have to go in with the right frame of mind. If you do, there’s a good popcorn movie waiting for you.

Honestly, it’s been so long since I’ve played the popular video game that inspired this film that I had forgotten nearly everything about it. What I did remember is spending quite a few quarters to keep the game going, even when it was clearly a futile attempt by an average arcade gamer like myself. It doesn’t really matter how familiar you are with the game, though, because aside from a few key characters and several winking nods to its source material it’s largely a modernized take on the game. Still, fans of the classic monsters should get a kick out of how they are incorporated into the action.

Opening in space with an action sequence that could have been the finale of a previous film, a scientist (Marley Shelton, Decoding Annie Parker) is frantically trying to return to earth with an experimental gene-splicing gas while being hunted by a genetically modified lab rat exposed to the pathogen. Without giving too much away, three of the canisters fall to earth and infect a wolf in Wyoming, an alligator from the Everglades, and an albino gorilla named George living in a California wildlife sanctuary. Lucky for us that the gorilla’s handler is the buff and brainy Davis Okoye (Dwayne Johnson, Jumanji: Welcome to the Jungle) and he’s pretty protective of his ape pal.

While Davis works with geneticist Dr. Kate Caldwell (Naomie Harris, Skyfall) and twangy government agent Harvey Russell (Jeffrey Dean Morgan, Peace, Love, & Misunderstanding), a brother and sister (Jake Lacy, Love the Coopers and Malin Ackerman, Rock of Ages) in charge of a Chicago-based bio-engineering initiative (known as Project Rampage) activate a beacon meant to lure the creatures to the heart of the city. A cross-country race ensues as Davis and his crew tries to beat the beasts to their destination while seeking a cure to restore the otherwise kind hearted George to his former self.

If you can’t tell already, the movie is incredibly bonkers but credit should be given to director Brad Peyton (reteaming with Johnson for a third time after San Andreas and Journey 2: The Mysterious Island) for getting the right team assembled for this Rampage. Working with four (!!) screenwriters, there’s a bit more meat to the plot bones and I was grateful that the eye-rolling dialogue is kept to a bare minimum. Sure, there are some big plot holes and your brain should be stowed under your seat for the duration of the flight but I found myself more than a little entertained at the various thrills on display.

Few actors today have the “It” factor that made so many stars in the heyday of Hollywood but with each new film released Johnson is proving himself to possess the power of “It”. His good-natured demeanor translates nicely into action superstar when needed and an early career tendency to oversell a line of dialogue has all but vanished. He’s a true A-Lister and I’ve a feeling most people will be lining up for Rampage based solely on his presence alone…and those people will definitely get their money’s worth.

Harris received an Oscar nomination last year for her understated work in Moonlight but she gleefully jumps feet first into this lighter material. While Morgan is the most cartoony of the bunch as a secret agent initially set-up as an antagonist to Johnson, he wisely stops chewing the scenery long enough to let the monsters take center stage. As a smug villainess, cool as ice Ackerman is part of a great visual comeuppance while Lacy is terribly miscast as a nervous sidekick to his more take-charge sister.

Unlike the dull sameness of the monsters in Pacific Rim: Uprising, Rampage has a smaller but more engaging stable of fiends to threaten our main characters. The main beasts are fantastically rendered, from the more realistic George to the zonked out wackiness of the wolf and alligator, both morphing into nightmarish creatures that plow through crowds and buildings in the final act.

There’s quite a few nice action sequences leading up to the battle royale that takes up the last ¼ of the film but I just wish the preview hadn’t revealed quite so much. I won’t get into specifics but there are several great scenes that don’t play as strongly if you’ve seen the trailer more than once. It’s not often a disaster film destroys a less internationally recognizable city like Chicago but having just visited several days before I saw Rampage, it was fun to see some familiar landmarks topple.

Movies adapted from video games often get bad raps, often with just cause (see the recent Tomb Raider for proof) but Rampage has more than a few secret weapons. With Johnson as committed as ever, a plucky ensemble cast of humans and digital monsters, above average CGI effects, and more jump scares and thrills than you might expect going in, you’re not likely to be in a rage when Rampage is over. Just go in with the right attitude, I beg of you.