Movie Review ~ A Wrinkle in Time (2018)

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The Facts:

Synopsis: After the disappearance of her scientist father, three peculiar beings send Meg, her brother, and her friend to space in order to find him.

Stars: Oprah Winfrey, Mindy Kaling, Reese Witherspoon, Storm Reid, Gugu Mbatha Raw, Chris Pine, Zach Galifianakis, Andre Holland, Levi Miller, Deric McCabe, Bellamy Young, Rowan Blanchard, Will McCormack, Michael Pena

Director: Ava DuVernay

Rated: PG

Running Length: 109 minutes

Trailer Review: Here

TMMM Score: (3/10)

Review: It was always going to be possible for any adaption of Madeleine L’Engle’s classic 1962 novel A Wrinkle in Time to get bungled on its way to the big screen. The deep ideas, meditational themes, and introspective characters didn’t exactly lend themselves to a sure-fire project that could easily be translated from page to film. I grew up with this book and it’s one of the few I’ve gone back to several times over the years. I’ve seen the previous television movie adaptation, performed in it onstage, and seen other theatrical productions over the years. So, full disclosure, this one was close to my heart.

When Walt Disney Studios acquired the rights to the novel and brought on red-hot director Ava DuVernay (Selma) to guide its development, my interest was piqued and my hopes raised. When DuVernay went on to assemble a cast of A-List stars there was another jolt of confidence brought on by the names and faces of actors that had previously chosen their projects wisely. Then a much-hyped debut of the first trailer got me thinking that the magic of A Wrinkle in Time would indeed survive and thrive.

So imagine how deflating it was to sit in an IMAX theater and watch what should have been a slam-dunk miss the mark entirely. Like, completely. Now I know that I may hold the source material as perhaps a tad more precious than I should, which would make any attempt to bring it to life an impossible bar to overcome. No, I actually went in with eyes wide open and arms outstretched ready to be transported off the ground only to be depressingly earthbound throughout.

Several years after her scientist father mysteriously disappears, Meg Murray (Storm Reid) is still struggling to adjust to his absence. Her mother (Gugu Mbatha-Raw, Beauty and the Beast) and younger brother Charles Wallace (Deric McCabe) offer support but Meg has descended into a funk that’s robbed her of self-confidence and her spark. That all changes with the late-night appearance of flighty and flame-haired Mrs. Whatsit (Reese Witherspoon, Home Again) who is the first arrival in the trio of ladies that will bring Meg, Charles Wallace, and Meg’s school friend Calvin (Levi Miller, Pan) on an adventure across time and space.

Joined by Mrs. Who (Mindy Kaling, Inside Out) who only speaks in quotes and the grand Mrs. Which (Oprah Winfrey, Lee Daniels’ The Butler) the children explore Uriel, a world far distant from their own. There the Mrs’ reveal to the children that the universe as they know it is coming under siege from a being they call The IT which is an embodiment of evil. After a visit to The Happy Medium (Zach Galifianakis, Muppets Most Wanted) the kids must travel alone to the peculiar realm of Camazotz where they will come face to face with their fears, relying on their inner strength to battle the forces of darkness.

While the script from Jennifer Lee (Zootopia) and Jeff Stockwell remains fairly faithful to L’Engle’s novel, it fails to bring forth any wonderment or magic in the proceedings. A novel with themes of rebellion against societal norms and overcoming struggle with finding one’s own originality winds up being an overly talky self-help seminar that’s dreadfully dull. As a strong advocate for social change and equality, you can see why the tenets of the book had long held an appeal for DuVernay but she surprisingly struggles mightily with keeping her film afloat.

While she’s found a nice discovery in the bold Reid who turns in a confident performance, the rest of DuVernay’s troupe is largely made up of miscasting. Winfrey feels like she’s playing a version of herself, a wise, level-headed sage that speaks in new age-y proverbs and spends the first half of the movie 50 times the size of any other character. Witherspoon is badly out of place in the space-y role that Kaling would have been an infinitely better fit for. Kaling instead is relegated to reciting eye-rolling quotes including a downright groan-worthy one from Lin-Manuel Miranda near the film’s conclusion. Galifianakis is a woeful low-point and poor Michael Pena (End of Watch) is stuck playing a red-eyed denizen of Camazotz. As written, Calvin has even less to do with the action than in the book but Miller has a sweetly platonic chemistry with Reid that works nicely. As Meg’s missing dad Chris Pine (The Finest Hours) may wear the cardigan of a scientist studying time travel but he won’t convince you otherwise he’s cracked a science book in the last decade.

For a movie from this family-friendly studio and adorned with a hefty-budget, the filmmakers seem to not understand who exactly the movie is for. It could have been pitched to mid-teens just fine but there’s so many silly elements and goofy developments that it feels like a wide net was cast. When Witherspoon turns into what looks to be a fantastic piece of flying lettuce and takes the kids for a ride through a field of humming flowers, you may wonder if any focus groups were even brought in to steer this one back on course.

A Wrinkle in Time spawned several sequels involving Meg and her friends but if this labored effort is any indication of the thematic future of the series, I hope significant time is spent smoothing out the wrinkles of the lessons learned here. Every person involved with this picture is capable of so much more than what was delivered – the first real disappointment of 2018.

Movie Review ~ Black Panther


The Facts
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Synopsis: T’Challa, after the death of his father, the King of Wakanda, returns home to the isolated, technologically advanced African nation to succeed to the throne and take his rightful place as king.

Stars: Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Angela Bassett, Forest Whitaker, Andy Serkis

Director: Ryan Coogler

Rated: PG-13

Running Length: 134 minutes

TMMM Score: (9/10)

Review: Audiences growing tired of the endless slate of comic book movies can roar a sigh of relief…Black Panther is here to cure you of all that ails you. After taking a fun leap with the wacky Thor: Ragnarok in November, Marvel Studios has scored another win with this not-quite origin story that manages to function extremely well as a stand-alone adventure while establishing its characters and place within the Marvel Universe. While the movie is clearly designed to make bank for its producers, out of all the Marvel entries so far it feels the most cleverly orchestrated – giving audiences what they want in terms of special effects and spectacle and slipping in a message of social consciousness.

Popping up first in Captain America: Civil War and set to return in May’s Avengers: Infinity War, the Black Panther (aka T’Challa, a price turned king of fictitious African nation Wakanda) is already familiar with his gifts when the film emerges from its flashback prologue. Coming from a long line of enhanced ancestors, T’Challa understands the mantle he has to pick up when his father is killed in the terrorist attack that occurred in Captain America: Civil War. Now, returning to Wakanda to mourn his king and grieve for his father, T’Challa must face his people.

There’s problems from the get-go, though, when a long-gestating conflict between Wakanda’s tribes must be dealt with and after several of the nation’s leaders press T’Challa to share the wealth of knowledge Wakanda has protected for years. On top of all that, there’s Ulysses Klaue (played with giddy ‘roided out rage by Andy Serkis, Breathe) trying to steal the powerful Vibranium mined richly in Wakanda’s mountains and the mysterious Erik Killmonger (Michael B. Jordan, Chronicle) who has arrived with a vendetta against T’Challa and his family.

By employing writer/director Ryan Coogler (Fruitvale Station, Creed) to sit atop the Black Panther proceedings, Marvel has opened up their universe even further. Coogler brings an intelligence and depth to the plot and character development we just haven’t seen before in these movies. Themes of social unrest, slavery, familial obligation, and correcting the mistakes of the past flow throughout Coogler’s tale without bogging it down in the slightest. Coogler has also brought along Mudbound’s Oscar-nominated cinematographer Rachel Morrison (Cake) to film the exciting action sequences and sure to be Oscar winner Ruth E. Carter (Lee Daniels’ The Butler) to design the jaw-dropping costumes. On a technical level, Marvel has truly outdone themselves with this one.

All the beautiful images in the world and keen knack for plot-driven storytelling would have been for naught had Coogler not assembled one of the best casts in eons. Chadwick Boseman (Draft Day) makes for a commanding T’Challa, showing the vulnerability of a well-liked son taking over for his well-respected father. Jordan is an inspired choice for Killmonger, creating one of the more memorable earth-bound villains in the Marvel canon. Serkis rips though the movie with a decent amount of glee, Martin Freeman (Whiskey Tango Foxtrot) manages to nail his American accent and his droll comic bits as State Department representative Everett Ross, and new Oscar nominee Daniel Kaluuya (Get Out) is a confidant of T’Challa’s with his own score to settle

Let’s face it though…though a man leads the movie it’s the ladies that steal the show out from under their male counterparts with next to no effort. The regal Angela Bassett (Olympus Has Fallen) is Wakanda’s Queen and T’Challa’s mother; no one (NO ONE) does regal queen like Ms. Bassett. Oscar-winner Lupita Nyong’o (12 Years a Slave) is T’Challa’s warrior love interest and Letitia Wright (The Commuter) is a knockout as T’Challa’s mischievous sister. The MVP of the movie is surely Danai Gurira (TV’s The Walking Dead), though. As T’Challa’s army general Okoye, she’s the definition of badass and you won’t be able to take her eyes off of her each time she’s on screen. If The Academy was more adventurous, this is the kind of performance out of the box nominations for Best Supporting Actress are made of.

After a few ho-hum stumbles (sorry Doctor Strange and Ant-Man), Marvel is back on a roll at the start of 2018. Who knows what will happen when Avengers: Infinity War hits in a few months or when Ant-Man and The Wasp flies into theaters later this summer, but for now Black Panther is the king of the Marvel jungle.

The Silver Bullet ~ Ant-Man and The Wasp

Synopsis: As Scott Lang balances being both a Super Hero and a father, Hope van Dyne and Dr. Hank Pym present an urgent new mission that finds the Ant-Man fighting alongside The Wasp to uncover secrets from their past.

Release Date: July 6, 2018

Thoughts: By the time Ant-Man was released in 2015, I was in major superhero movie fatigue so I’d be forgiven for not going ga-ga over Paul Rudd’s jokey take on the bite-sized Avenger.  While it had some nice Honey, I Shrunk the Kids style fun, Ant-Man just felt like another in a long line of average popcorn flicks featuring lesser characters that were positioned to continue the Marvel Universe while the more popular players took a breather.  After doing battle in Captain America: Civil War and just two short months after making a return appearance in May’s Avengers: Infinity War, Rudd (Wanderlust) returns to headline this follow-up that, I must admit, looks like zany entertainment. I was hoping to get a glimpse of Michelle Pfeiffer (Murder on the Orient Express) in this first trailer but chances are Marvel is saving her for a reveal closer to the release date.

Movie Review ~ Star Wars: The Last Jedi

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The Facts
:

Synopsis: Having taken her first steps into a larger world in Star Wars: The Force Awakens, Rey continues her epic journey with Finn, Poe and Luke Skywalker in the next chapter of the saga.

Stars: Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong’o, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, Andy Serkis, Benicio Del Toro, Laura Dern, Kelly Marie Tran

Director: Rian Johnson

Rated: PG-13

Running Length: 152 minutes

First Trailer Review: Here
Second Trailer Review: Here

TMMM Score: (9/10)

Review: If there’s one feeling that governed 2015’s Star Wars: The Force Awakens, it was nostalgia. Fans had toiled through the dark despair of the Star Wars prequels and were holding out hope that director J.J. Abrams (Star Trek) would bring them salvation in the continuing story of the sci-fi fantasy epic. So when The Force Awakens opened and was actually good, if not wholly great, most audiences that received the film well left the theater floating on a cosmic wave of good feelings of the old school charm that kept the original trilogy preserved so well over the years.

I count myself as one of those fans and gobbled up the film hook, line, and sinker. However, in hindsight it’s best to admit in the spirit of friendship that I fully recognize The Force Awakens was largely a remake of Star Wars: A New Hope. Sure, it wasn’t a paint-by-numbers carbon copy but the familiar themes of the original didn’t go unnoticed. I wasn’t as big a fan of 2016’s Rogue One: A Star Wars Story as many were, that film didn’t have anywhere to go so it remained flatter than a pancake to this viewer. Now, with the release of Star Wars: The Last Jedi the producers and filmmakers would really be put to the test. Would they continue to pull from the past to create something to please the fans, or would they dare to try something different?

Well, The Last Jedi is a little bit like walking forward while cinematically rubbernecking to spot where you were coming from. It’s immensely entertaining when it wants to be (which is most of the time) and a little lackluster in laying the groundwork for future installments and whenever it gets too cerebral. Writer/director Rian Johnson (Looper) ably picks up the reins from his predecessor and does more than just keep his seat warm before Abrams returns for Episode 9. There’s a forward thrust but it does take time to reach warp speed.

It’s always a special thrill to hear John Williams score announce the start of the film and a bit of excitement reading the opening crawl. The first fifteen minutes are classic Star Wars, with a group of rebel fighters including Poe Dameron (Oscar Isaac, A Most Violent Year) protecting their cavalcade and fearless leader (the late, great, Carrie Fisher, This is My Life) from an attack waged by General Hux (Domhnall Gleeson, Goodbye Christopher Robin). It’s here were a strange comedic chord is first heard, one that made me wonder if Johnson had decided to inject his film with more Spaceballs (Mel Brooks’ brilliant send up of the Star Wars films) than was appropriate.

We last saw young orphan Rey (Daisy Ridley, Murder on the Orient Express) traveling with Chewbacca on the Millennium Falcon to find Luke Skywalker (Mark Hamill, Kingsman: The Secret Service) who was in a self-imposed exile. While Poe and Leia continue to evade the monstrous Hux, Rey tries to sway Luke to return and help the resistance defeat The First Order and their leader, General Snoke (a CGI creation that looks better here than in The Force Awakens, once-again voiced by Andy Serkis, Breathe). There’s also the matter of Kylo Ren (Adam Driver, Frances Ha), Leia and Han Solo’s son who turned to the Dark Side and is still smarting from the butt-whooping he received from Rey and Finn (John Boyega) at the end of the previous film. He’s out for revenge…but does he have more secrets up his well-armored sleeve that will change the course of The First Order and the resistance?

Juggling several storylines at once, Johnson keeps the 2.5 hour film moving a good clip. A race against the clock rescue mission involving Finn and Rose Tico (Kelly Marie Tran, an excellent addition to this male-heavy world) manages to remain engaging even when it’s broken up and interspersed with the goings-on of other characters. The movie has a few endings but manages to justify them with ease.

Aside from Benicio Del Toro (Inherent Vice) as a code-breaking thief and Laura Dern (Jurassic Park) showing up with purple hair as Leia’s second in command, it’s largely the same old gang we first sparked to in previous installments. While certain players take more of a backseat in glorified cameos (12 Years as Slave’s Lupita Nyong’o is a mere hologram here), Johnson has introduced a few memorable creatures like the cute Porg’s, Crystal Foxes, and Luke’s island-dwelling servants that one critic hilariously dubbed “the fish nuns”. They’re not going to replace Chewie or R2D2 in your heart but they do rally a convincing bid for you to make some room.

The second movie in a planned trilogy can often feel a bit flimsy as a bridge between the first and final chapters but The Last Jedi avoids those pitfalls. Depending on your knowledge of the Star Wars universe, it could easily stand on its own. It makes you look forward to the next installment rather than feel desperate for answers that you might not get by the time the credits roll. The effects are top notch, the score from Williams sounds as glorious as ever, and try not to get a little choked up every time Fisher’s on screen.

The Silver Bullet ~ Beauty and the Beast (2017) – Trailer 2

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Synopsis: An adaptation of the classic fairy-tale about a monstrous prince and a young woman who fall in love.

Release Date: March 17, 2017

Thoughts: No, YOU teared up when you were watching this look at Beauty and the Beast…ok…I did too.  One of Disney’s most beloved animated fairy tales comes to live action life from director Bill Condon (The Twilight Saga: Breaking Dawn – Part 2) in 2017 and it looks like, well, a beauty.  We all know the story so even seeing some spoilerific scenes doesn’t deter me from counting down the days until this one gets released.  Boasting an impressive cast with Emma Watson (The Bling Ring), Kevin Kline (The Big Chill), Emma Thompson (Beautiful Creatures), Sir Ian McKellen (X: Men – Days of Future Past), Josh Gad (Frozen), Luke Evans (The Raven), Stanley Tucci (The Hunger Games), and Ewan McGregor (Salmon Fishing in the Yemen) all signing and dancing up a storm, anticipation is high for Beauty and the Beast to be another jewel in Disney’s recent slate of live action remakes of their cartoon classics.

View the teaser trailer here: Beauty and the Beast – Teaser Trailer

The Silver Bullet ~ Guardians of the Galaxy Vol. 2

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Synopsis: The Guardians must fight to keep their newfound family together as they unravel the mysteries of Peter Quill’s true parentage.

Release Date: May 5, 2017

Thoughts: Surpassing the expectations of audiences and even, I think, its own studio, Guardians of the Galaxy was a late summer splash in 2014.  Elevating star Chris Pratt to A-List status (further cemented the next summer when he headlined Jurassic World) and bringing to the screen heroes that didn’t wear a red cape or a cowl, GoTG was slick, funny, exciting, and fueled with enough adrenaline to power several city blocks.  The hype is big for Vol. 2 when it arrives in May 2017 and this first teaser is but a taste of things to come (not to mention multiple full length trailers).  In all honesty, like the trailer for the original this one is too jokey for my taste but as a whistle whetter, it gets the job done.

Movie Review ~ Pete’s Dragon (2016)

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The Facts:

Synopsis: The adventures of an orphaned boy named Pete and his best friend Elliot, who just so happens to be a dragon.

Stars: Bryce Dallas Howard, Oakes Fegley, Wes Bentley, Karl Urban, Oona Laurence, Robert Redford

Director: David Lowery

Rated: PG

Running Length: 102 minutes

TMMM Score: (9/10)

Review: If you were to visit The MN Movie Man’s house during the early eighties, on any given weekend you can be sure that at some point Pete’s Dragon would be unspooling on an oft-rented (eventually purchased) VHS cassette.  The 1977 Disney musical production was a household favorite and Helen Reddy’s plaintive Candle on the Water remains one of my favorite tunes to this day.

So you’ll understand that when I heard Disney was adding Pete’s Dragon to it’s expanding list of remakes, I was less than thrilled.  How dare the studio take its folksy tale of a boy and his dragon changing a small New England town and its residents for the better and put a 21st century spin on things…and would they stoop so low as to have some pop princess warble out an auto-tune version of Candle on the Water?  Right up until the lights went down and the Disney logo appeared on screen I was on the defense…but then something downright magical happened.  I loved this remake.

When I say loved, I don’t mean in the same way you say “I love that new Rogue One: A Star Wars Story trailer” but loved in the sense that you feel a wave of warmth emanate from your belly just thinking of certain key scenes in writer-director David Lowery’s damn lovely re-imagining.  Not only is it the best family film to come along in ages but it’s without question the best movie released so far this summer.  People wanted to believe that the terrible Suicide Squad would save the (summer) day and forgive the June and July trespasses but it turns out that Pete’s Dragon is the one that flies highest.

The first thing Lowery did was wisely throw out everything but the names of Pete (Oakes Fegley, This is Where I Leave You) and his dragon Elliot (spectacularly rendered via CGI).  Gone are the songs, the East coast setting, and the plot involving a runaway orphan finding a home with a lighthouse keeper and his daughter in the early 1900s.  Lowery knew the charming yet staid quaintness of the original and it’s accompanying songs wouldn’t appeal to modern audiences so he’s set his film in the 1980s Pacific Northwest.

By the time the credits are over, toddler Pete has been orphaned via tragedy and adopted by a gentle dragon he names Elliot before disappearing into the forest for the next six years.  Found by a kind forest ranger (Bryce Dallas Howard, Jurassic World) and befriended by her future stepdaughter (Oona Laurence, Bad Moms), a near-feral Pete warms to this new family but struggles to leave the pain of his past and his fire-breathing constant companion behind.  There’s some late in the game roughness involving a logger’s (Karl Urban, Star Trek) plot to hunt down and trap Elliot that gives the film some tangible conflict but it’s the emotional conflict that is the biggest test for all involved.

This is a film you’ll get a good cry at so just go with it and enjoy the way it kindly pushes your emotional buttons.  It’s not manipulative or malicious in its intent and, man, it feels so good to have an honest response to a movie this far into 2016 when many films have left me cold.  The actors, especially Howard and Fegley, do outstanding work and Robert Redford (All is Lost) exudes grandfatherly warmth as Howard’s dad with his own ties to Elliot.

Where the 1977 Elliot was an animated goofball with neon lime green scales and pink accents, the 2016 version is impressively created as a furry tenderheart endlessly devoted to Pete.  With dog-like mannerisms (watch him struggle to get a giant log through two towering trees), Elliot wins you over from the first time he appears onscreen and thankfully the folks at Disney don’t keep him under wraps/invisible for much of the movie.

Beautifully produced and told with grace, Pete’s Dragon is the kind of remake that shows how to do it right.  If the original wasn’t broke, don’t fix it via a remake but use it to inspire a new tale that can stand on its own against its predecessor.  The two films may share a title but they couldn’t be more different in style and tone…and this new version easily earns a spot on the shelf of future family classics.

The Silver Bullet ~ Rogue One: A Star Wars Story (Trailer #2)

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Synopsis: Rebels set out on a mission to steal the plans for the Death Star.

Release Date: December 16, 2016

Thoughts: Not that it’s a very high bar, but this second trailer for December’s Rogue One: A Star Wars Story is better than most films we’ve seen so far this summer.  Maybe even more than 2015’s Star Wars: Episode VII – The Force Awakens, this spin-off prequel sends waves of nostalgia over the viewer. Director Gareth Edwards (Godzilla) seems to have created a movie made now that feels like it was lensed in the ‘70s and has cast it with a striking group of fresh faces creeping their way up into the A-List.  I’m even more excited to see how this ties into the saga of films that it takes place before and it’s a given that the film will be a swell Christmas gift in just a few short months.   Watch the first teaser here.

Movie Review ~ The BFG

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The Facts:

Synopsis: A girl named Sophie encounters the Big Friendly Giant who, despite his intimidating appearance, turns out to be a kindhearted soul who is considered an outcast by the other giants because, unlike them, he refuses to eat children.

Stars: Mark Rylance, Ruby Barnhill, Penelope Wilton, Jemaine Clement, Rebecca Hall, Rafe Spall, Bill Hader

Director: Steven Spielberg

Rated: PG

Running Length: 117 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review: There’s something about a Steven Spielberg film that makes it instantly recognizable. I feel I could watch a film of his with or without a blindfold and know right away that the director of Jaws, E.T., Raiders of the Lost Ark, or Close Encounters of the Third Kind was the captain of the cinematic ship. Lately, Spielberg has dug into more dramatic territory with the historical epics of War Horse, Lincoln, and Bridge of Spies with many of the muscles he used for his early flights of fancy going unstretched.

Long interested in bringing Roald Dahl’s 1982 book The BFG to the screen, Spielberg finally gathered the pieces together and I think that’s owed in no small part to the director finding a new leading man muse. After teaming with stage actor Mark Rylance on Bridge of Spies (which brought Rylance an Oscar for Best Supporting Actor, surprisingly beating out odds-on favorite Sly Stallone in Creed), Spielberg has caught Rylance fever, casting the actor in The BFG and (as of now) his next two pictures.

In the not too distant past, a lonely orphan girl goes on the adventure of a lifetime one night when she’s plucked out of her bed by The BFG (Big Friendly Giant) and brought to his home in Giant Country. Not really a prisoner but not quite allowed to leave, the headstrong Sophie clashes at first with her towering friend. As she comes to know him better she recognizes the loneliness of this outsider as reminiscent of her own life and sets about to help him out from under the thumb of nearby giant bullies. Pretty soon there’s a trip to Buckingham Palace and a finale involving the Royal National Guard, with Sophie and The BFG bonding over dreams, sadness, and wishes for the future.

All of this is right up Spielberg’s alley and reteaming with the late Melissa Mathison on her final script, Dahl’s world is recreated from the ground up in a faithful adaptation. While other Dahl works like Charlie and the Chocolate Factory and The Witches have had memorable their trips to the big screen, The BFG feels the most like it sprung from Dahl’s brain fully-formed. And that’s where there’s some trouble.

Dahl’s books are lovingly bonkers escapades with numerous tangential diversions along the way, almost feeling like curated episodes than one streamlined work. The BFG has several of these that don’t quite land the way I think Spielberg or Mathison (or Dahl for that matter) intended. Each moment of the film is beautifully shot by Janusz Kaminski (The Judge), gorgeously scored by John Williams (Star Wars: Episode VII – The Force Awakens) and skillfully designed by Rick Carter (Jurassic Park)  but the middle of the film seriously drags and it winds up a solid 20 minutes too long. Though the trip to meet the Queen (Penelope Wilton, The French Lieutenant’s Woman) is a nice lark, it goes on for an eternity as Sophie and The BFG have a spot of tea with Her Royal Highness before an extended sequence of fart jokes.

The whole thing is perhaps too sophisticated for its target audience and likely should be marketed more to adults than young children who will tire quickly of the talky nature of the piece. When Spielberg does give us something substantive, such as a knockout sequence where Sophie and The BFG catch firefly-like dreams, it can feel too heavy-handed and repetitive.

I’m not sure if any other actors were considered for the titular role but it’s hard to imagine anyone playing it quite like Rylance has. While the performance may be motion-captured, Rylance brings a special magic to the part, uniting the actor with technology to fairly stunning results. Many have felt that motion-capture performances should be recognized by the Oscars and you can be sure Rylance’s work here will be cited as an example of why.

Newcomer Ruby Barnhill is a real find, believably navigating a range of emotions that suggests a promising career as she matures. Wilton is a hoot as the Queen while Jemaine Clement (Men in Black 3) voices The BFG’s tormentor with a nice mixture of weirdness and humor. I’m not quite sure what Rebecca Hall (Closed Circuit) and Rafe Spall (Prometheus) are doing here, with their characters feeling exceedingly extraneous to the proceedings. Hall and Spall (hey, that rhymes) are pleasant actors but they seem to know they’re little more than human-sized props.

Any chance for Spielberg to make us feel like a kid again is a worthy experience in my book. While not on par with the best of the director’s works from the past, The BFG is a reminder of how good a storyteller he is when working with material that’s personal for him. I just wish he hadn’t been quite so precious with Dahl’s source material, I think even Dahl would say there’s opportunity to trim it down without losing any heart.

The Silver Bullet ~ The BFG

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Synopsis: The imaginative story of a young girl and the Giant who introduces her to the wonders and perils of Giant Country.

Release Date:  July 1, 2016

Thoughts: The works of Roald Dahl have found their way to the screen over the years, from a 70s take on Charlie and the Chocolate Factory (and Tim Burton’s unwise remake thirty years later) to a splendid retelling of The Witches. Dahl even wrote the screenplay to You Only Live Twice, one of James Bond flicks that took major flights of fancy.  Now comes The BFG, Dahl’s celebrated tale of an orphan girl and the Giant she befriends.  The Disney production reunites E.T.’s director (Steven Spielberg, JAWS) and writer (the late Melissa Mathison) so you know it will have its heart in the right place. This nice teaser trailer creates some interest…but I’ll be interested to see the blending of live-action and CGI that will bring Dahl’s novel to life.