Movie Review ~ Never Look Away (Werk ohne Autor)


The Facts
:

Synopsis: German artist Kurt Barnert has escaped East Germany and now lives in West Germany, but is tormented by his childhood under the Nazis and the GDR-regime.

Stars: Tom Schilling, Sebastian Koch, Paula Beer, Saskia Rosendahl, Oliver Masucci

Director: Florian Henckel von Donnersmarck

Rated: R

Running Length: 188 minutes

TMMM Score: (7/10)

Review: Most movie nerds like myself keep a director like Florian Henckel von Donnersmarck in their back pocket when they need to dole out a bit of comedy with their film trivia. After his 2006 film The Lives of Others won the Oscar for Best Foreign Language film, von Donnersmarck likely had his pick of projects to undertake and he settled on what looked like a sure bet. 2010’s European spy thriller The Tourist starred Angelina Jolie and Johnny Depp, both at the height of their box office potential, and when it was released it was a notorious bomb. Nevertheless, the Hollywood Foreign Press nominated it for three Golden Globes (for Depp, Jolie, and Best Picture) which has become a long-standing joke in Hollywood and a central reason people point to that nominating body as being enchanted by getting movie stars to attend their award shows instead of recognizing quality films.

It’s been eight years since that fiasco and von Donnersmarck has returned for his third film and found himself nominated again for Best Foreign Language film for Never Look Away (or Werk ohne Autor/Work Without Author as it was known in Germany). I admit that I’ve not seen The Lives of Others but know it to be a respected winner of the Oscar and with a nomination for Caleb Deschanel’s cinematography as well, it’s obvious the Never Look Away represents an embraced return to form for von Donnersmarck after what had to have ultimately been a bruising experience with the Hollywood system.  With a stellar production design and Deschanel’s stunning camerawork, it’s a high-class picture.

Never Look Away follows Kurt Barnert (Tom Schilling, Woman in Gold) an artist in post-war Germany haunted by the memories of his past and attempting to exorcise his demons through art. As a child, he saw his beloved aunt suffering from undiagnosed mental health issues taken away and his town destroyed by bombings as the Nazi’s were rising to power. Though he doesn’t follow her journey, the audience sees his aunt relegated to a hospital where she’s barely treated before being sterilized and eventually shipped off to the gas chambers with other people deemed risks to the survival of a pure society.

The first twenty minutes of the film provide several thematic threads that von Donnersmarck will pick up and discard several times over the next two and a half hours. There’s the SS doctor (Sebastian Koch, The Danish Girl) who treats Kurt’s aunt that will enter his life again when he becomes an adult studying art in East Germany. This doctor also figures into a subplot involving his arrest after the war and eventual clemency at the hands of a Russian officer who continues to protect him as the years go by. When Kurt falls in love with another student (Paula Beer) she provides still another link to the past that we’re all privy to but our main characters aren’t.

With a running time of over three hours, knowing this is another WWII story involving Nazis may suggest a daunting sit but it unfolds at just the right pitch. With such a dark subject matter, von Donnersmarck grasps onto moments of levity when he can and uses them to break up some of the heavier passages. The performances are strong, particularly Koch as a severely morally compromised man who manages to get more deplorable with each chance he gets to redeem himself. Adding to a strong list of nominees this year (Capernaum, Shoplifters, Cold War, and the favored winner, Roma) Never Look Away more than makes its case for your attention.

Movie Review ~ Stan & Ollie


The Facts
:

Synopsis: Laurel and Hardy, the world’s most famous comedy duo, attempt to reignite their film careers as they embark on what becomes their swan song – a grueling theatre tour of post-war Britain.

Stars: John C. Reilly, Steve Coogan, Shirley Henderson, Nina Arianda, Danny Huston

Director: Jon S. Baird

Rated: PG

Running Length: 97 minutes

TMMM Score: (6/10)

Review: With a total of 107 movies to their name, the comedy duo Laurel & Hardy were kings of comedy in the late 1920’s through the late 1940’s, the golden age of Hollywood.  While both men had established careers apart from one another, it was only when they were paired up at the famed Hal Roach film studio that their stardom went through the roof and they became the stuff of legend.  Though they maybe aren’t remembered by name quite as much as the other comedic acts at the time like Abbott and Costello or The Three Stooges, it only takes seeing an image of Stan Laurel and Oliver Hardy and you instantly are familiar with their style of slapstick comedy.

It’s surprising to me that the story of these two men has taken so long to get to the screen and now that it has it’s arrived as a small but sturdy film focusing on the later lives of the pair as they attempt a comeback tour through England in 1953.  Far from their youth and out of practice with each other, the trip proves to be eye-opening in examining their personal and professional relationship and forces them to confront long-held grudges they’ve never really gotten over.

With a career as long and varied as the one Laurel & Hardy had, screenwriter Jeff Pope (Philomena) was wise in focusing in on just one chapter in their story.  The film buff in me would have loved a longer tale that showed us the early Hollywood years that led up to this comeback tour which proved to be the last time the two men would work together, but perhaps that’s too tall an order for a feature film and might find itself better suited as a series down the road.  Pope traces the two men as their tour starts out small but gathers steam as the has-been stars get their spark back and begin to pack in theaters throughout Britain at a time when the country needed a laugh.

Casting was crucial in pulling off this piece and director Jon S. Baird tapped the right people for the job.  As Stan Laurel, Steve Coogan (Night at the Museum: Secret of the Tomb) has moments when he looks eerily like the gangly goofball with the flat face and slinking shoulders that stands in stark opposition to the somber fellow Laurel is painted as being offstage.  John C. Reilly (Holmes & Watson) plays his counterpart wearing a fat suit and convincingly real latex prosthetic to enhance his chin and jowls.  Though he doesn’t have the same ringer look that Coogan does, Reilly doesn’t let the make-up do the work for him (I’m talking to you Christian Bale in Vice) and brings the physicality of the rotund comedian out to strong results. The men are backed up by two ladies that often steal the movie right out from under them.  Nina Arianda (Florence Foster Jenkins) is a hoot as Laurel’s brash Russian wife that hogs the spotlight and then there’s Shirley Henderson (Anna Karenina) showing quiet grace playing Hardy’s concerned wife.

At 97 minutes, the movie feels longer than it actually is because it’s ever so slightly on the slow side.  I hate to say it but it even devolves into a rather dull film around the halfway mark when it starts to fall into a familiar biopic formula where conflict is introduced in preparation for a reconciliation right before the credits roll.  The period settings are spot-on and if you’re a fan of the duo then you’re in for some delightful moments where portions or their act are nicely recreated by Coogan and Reilly.  I just wish the movie exuded the same kind of spritely spirit Laurel & Hardy were able to convey in their work.

Movie Review ~ Capernaum (Capharnaüm)


The Facts
:

Synopsis: While serving a five-year sentence for a violent crime, a 12-year-old boy sues his parents for neglect.

Stars: Zain Al Rafeea, Yordanos Shiferaw, Boluwatife Treasure Bankole, Kawsar Al Haddad, Fadi Yousef, Haita ‘Cedra’ Izzam

Director: Nadine Labaki

Rated: R

Running Length: 121 minutes

TMMM Score: (8.5/10)

Review: It happens every year around this time.  We’re neck deep in awards season and the foreign language film categories start to loom large for me.  The movies submitted for consideration by their countries that make the Oscar shortlist and nab spots on the earlier awards ballots (the Golden Globes, the BAFTAs, etc) start to become clearer and you can predict which will probably be the nominees at the Oscars.  Yet these are the films that will inevitably be my Achilles Heel, either because I often lack the drive to see them or miss the opportunity to screen them when they present themselves.  Then I have the opportunity to see a movie like Capernaum and I realize that I’m my own worst enemy and I need to see more foreign films not just during Oscar season but throughout the year.

The likely nominee hails from Lebanon and is from celebrated director Nadine Labaki, who also has a small supporting role as the defense attorney for Zain (Zain Al Rafeea) a young boy appearing in court bringing charges against his parents.  In flashbacks, we see why he’s brought his parents to a very public hearing before a judge and what kind of life he’s been forced to live in the short twelve years he’s been alive.  Before you think this is just a Lebanese remake of Irreconcilable Differences, know that Zain’s story is filled with trauma and poverty the likes most of us will never know and, like many privileged US citizens that will watch the movie, the film was an eye-opening experience for me.

Zain’s journey takes him from his family apartment in Beirut to a rundown amusement park where he is befriended by Rahil (Yordanos Shiferaw), an Ethiopian woman in the country illegally forced to hide her baby, Yonas, who is also undocumented.  Forming a sort of fractured family with the woman and her child, Zain takes on responsibilities in caring for the baby while Rahil works on getting her papers in order.  Through several devastating twists, Zain and Yonas are left to fend for themselves and eventually we’ll find out how Zain ends up in jail serving time for a violent crime.

This is a tough film to watch and I’m guessing an even more difficult film to get made.  Labaki was working with actors that had no experience in situations that were culled from real life stories.  That she was able to coax such realistic performances out of them is nothing short of remarkable, lead by a mesmerizing performance by Al Rafeea as our young hero.  Wise beyond his years and forced to grow up faster than any child should, his tiny frame bears evidence of neglect and yet he always soldiers on.  Shiferaw, too, impresses as a mother left to fend for herself by the man who got her pregnant and now offers no support.  With little options, she desperately attempts to piece together a semblance of a better life.

Though it runs slightly longer than necessary (it hammers its points home loud and clear) there are unexpected surprises throughout.  Let it be known that Boluwatife Treasure Bankole, the infant that plays Yonas, is the cutest baby you’ll see on screen in 2019.  Labaki is good at turning her camera on faces and places we don’t normally see.  The overwhelming bustle of the city is captured thoroughly, you can easily see why two children roaming the street could be overlooked by passersby.  True, there are several brutal lines of dialogue that cut like a knife but Labaki ends the film with an extended freeze frame that’s downright beautiful.  Even if you’ve heard that Roma has it in the bag for the Academy Award this year, keep your eye on Capernaum as a stellar example of the power of world cinema.

Movie Review ~ Call Me by Your Name


The Facts
:

Synopsis: In Northern Italy in 1983, seventeen year-old Elio begins a relationship with visiting Oliver, his father’s research assistant, with whom he bonds over his emerging sexuality, their Jewish heritage, and the beguiling Italian landscape.

Stars: Timothée Chalamet, Armie Hammer, Michael Stuhlbarg, Amira Casar, Esther Garrel

Director: Luca Guadagnino

Rated: R

Running Length: 132 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review:  At first glance, it may appear that Call Me by Your Name is a throwback to a simpler and more carefree time.  Sure, the Italian countryside on display in this romantic drama is filmed postcard ready and the means by which the sun waxes and wanes to cast great light on everyone it touches may have you ready to dial your travel agent the moment the credits roll.  People lounge around pools next to their villas, ride bikes into town to grab a drink, and meals are served al fresco with ingredients sourced from local farms.  It’s a beautiful life, to be sure, but there’s an unseen struggle that’s captured here and it makes for one of the most tantalizing movies of 2017.

It’s the summer of 1983 and the Perlman’s have opened up their home to a new graduate student, Oliver (Armie Hammer, Mirror, Mirror).  Arriving to assist Mr. Perlman, an archaeology professor, Oliver’s Greek god physique and allure has a way of opening more than just doors for him.  That doesn’t seem to matter much to Elio (Timothée Chalamet, Lady Bird) the Perlman’s 17 year old son that has to yield his bedroom to Oliver for the next six weeks and isn’t an initial fan of the older man.  (Random thought: Interesting that Elio’s new room seems just as spacious as his previous one…why couldn’t Oliver just take that one?  Well…anyway).

This is a family of book-smart, talented individuals that have a funny way of not talking about what they’re really feeling.  It’s not a stifling home, though, and Elio’s parents seem understanding and thoughtful.  Feigning disinterest in Oliver but secretly harboring a growing curiosity he can’t explain away, Elio goes about his summer dating a local girl, finding ways to point out how Oliver is perhaps not the perfect specimen people seem to think he is, and giving command performances that show off his innate musical abilities.  Instead of recognizing that he is attracted to Oliver, Elio does what we’ve all done when we like someone but are too afraid to let them know, he acts like a jerk.

Adapted from André Aciman’s novel by Oscar nominee James Ivory, the movie takes its sweet time to get to Oliver and Elio’s eventual union.  It makes for a bit of a tease for the viewer and Chalamet and Hammer have such unique chemistry that by the time Elio steals a furtive kiss on a mid-day excursion you almost feel like standing up and applauding his bold move.  The range of emotions captured after that first toe dip in gay waters is handled so delicately by director Luca Guadagino (A Bigger Splash) and his actors.  They don’t just hop into the sack together, but both take time to think about what this coupling means for themselves and each other.

As the summer days dwindle and the fall approaches, Elio and Oliver’s romance has its ups and downs as both push back against their needs as a way to safeguard their heart.  For the more experienced Oliver, he sees a responsibility to his younger lover to treat him with respect for his new feelings while Elio just wants to drink in as much time with Oliver as he can before he returns to the states.  As the departure day arrives, our stomachs start to twist into knots at the anticipated goodbye that’s sure to wreck us almost as much as it does Elio.

Gay or straight or other, there’s a little bit of something for everyone in Call Me by Your Name.  It’s honest approach to first love and the devastation of it slipping away is summarized perfectly in a final speech from Elio’s dad (Michael Stuhlbarg, The Shape of Water).  Delivered with a painful honesty that shows his ultimate respect and compassion for his son, it is maybe the most transcendent scene I saw in theaters this year.  Everything seemed to fall away (the theater, the audience members, the rest of the screen) and all I saw was his face and heard his voice.  A suberb moment in a magnificent film.

The Silver Bullet ~ Call Me by Your Name

Synopsis: Summer of 1983, Northern Italy. An American-Italian is enamored by an American student who comes to study and live with his family. Together they share an unforgettable summer full of music, food, and romance that will forever change them.

Release Date: November 24, 2017

Thoughts: With a screenplay from James Ivory (The Remains of the Day, Howard’s End, A Room with a View) and directed by Luca Guadagnino (I Am Love), Call Me by Your Name is a title that could be one to keep your eye on as we transition from the summer slate to the Oscar hopeful season.  Based on the 2007 novel by André Aciman and taking place over one gauzy summer in Italy, there are some strong themes of love and self-discovery clearly present in this first trailer.  It’s always interesting to see how a tender story like this will play out for audiences in the wide-release arena, but then again movies like Call My by Your Name aren’t exactly made for mass consumption.  Starring Armie Hammer (The Lone Ranger), Michael Stuhlbarg (Doctor Strange), and Timothée Chalamet (Love the Coopers), call me very intrigued with this one.

The Silver Bullet ~ The Bronze

 

bronze

Synopsis: A foul-mouthed former gymnastics bronze medalist must fight for her local celebrity status when a new young athlete’s star rises in town.

Release Date:  March 18, 2016

Thoughts: Already generating sizable buzz for a much ballyhooed gymnastic sex scene, The Bronze is a movie I’m going to approach very carefully…as if I were advancing on a raccoon wild with rabies.  You see, I can already tell it’s a movie I’m either going to enjoy a lot or hate a lot…with very little wiggle room in between.  There’s a red-band trailer out there you can find with a lot more F-Bombs that seem to be used without much purpose…so I’m hoping there’s more to it than following the exploits of a foul-mouthed has-been slumming around in her hometown.  They already made that movie and it was called Young Adult and I liked it just fine then. Almost never seeing the light of day due to its original studio going belly-up, Sony Pictures Classics is showing some faith in this one and getting it out there, a positive sign.  Final scores will be tallied once it’s released in March.

Movie Review ~ Grandma

grandma

The Facts:

Synopsis: A teenager facing an unplanned pregnancy seeks help from her acerbic grandmother, a woman who is long estranged from her daughter.

Stars: Lily Tomlin, Julia Garner, Sam Elliott, Judy Greer, Marcia Gay Harden, Lauren Tom, Elizabeth Peña, Colleen Camp, John Cho, Nat Wolff, Laverne Cox, Sarah Burns, Judy Geeson, Mo Aboul-Zelof

Director: Paul Weitz

Rated: R

Running Length: 79 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review:  Were it not such a competitive year in the Best Actress Oscar race, Lily Tomlin may have become the 13th EGOT.  Winning the grand slam of show business means that you’ve received an Emmy, Grammy, Tony, and Oscar and Tomlin is but an EGT at the present time. Though her performance in Grandma gives the comic actress the kind of star turn chance to shine that comes along rarely for actors/actresses of any age, I fear that it will be overshadowed by performances with more commercial appeal.

Not to say that there isn’t a place for this dark comedy or Tomlin’s performance in end of the year accolades but at a scant 79 minutes the film feels like an extended short film rather than a fully produced three act structured piece.  Writer/director Paul Weitz (Being Flynn) breaks the film into six chapters, seemingly editing around potential commercial breaks as we follow one eventful day for an acerbic septuagenarian and her teenage granddaughter.

A folksy poet still not over the death of her long-time lover a year prior, the film opens on Elle (Tomlin, Admission, another Weitz film) breaking up with her much younger onetime fan-now-girlfriend (Judy Greer, Jurassic World and every other movie in 2015) in a most hurtful way.  She’s barely showered post-breakup when her 18-year-old granddaughter Sage (Julia Garner, The Perks of Being a Wallflower) shows up needing money to pay for an abortion.  Without the available funds to help (she’s long since decided to live off the grid, cutting up her credits cards), she instead offers to track down the money by any means necessary.

That leaves the film open to explore many routes to the same destination.  The careless baby daddy (Nat Woff, Paper Towns) is solicited for money and given a harsh lesson in respecting your elders at the same time while former friends (the late Elisabeth Peña and the overrated Laverne Cox) of Elle’s are asked to make good on debts. Finally, a trip to see a mysterious man (Sam Elliott, I’ll See You in My Dreams) from Elle’s past leads to the film’s most emotionally charged sequence.  By the time we get to meet Sage’s mom and Elle’s estranged daughter (a tightly wound Marcia Gay Harden, Fifty Shades of Grey) we’ve come along on a darkly humorous journey filled with a fair share of emotional truths.

Wearing her own clothes, driving her own car, and playing a (I think) less emotionally stagnant version of herself, Tomlin breezes through the movie with a tough charm and fragile core that belies her hardened exterior.  While her scenes with Greer lack a certain kind of chemistry, the sparks fly in her interactions with Elliott.  Elliott remains one of our great underrated actors and he’s damn good here as a man burned by Elle in the past for reasons I won’t divulge.  Garner is appropriately defiant as the teenager who knows she can’t care for a baby and Harden takes a character introduced as a sweaty harpy and manages to caress it into something deeper.

Running shorter than a visit with your own grandparents, the movie actually feels longer than it is.  That’s not always a bad thing but there are some unexpected dips in momentum that stymie what could have been a film with a bit more pep.  Still, any chance for Tomlin to get some time as a long overdue leading lady (her first leading role in 27 years!) is fine by me.  She may not make it to full EGOT status, but after great success with her Netflix show and now this, her 2015 was filled with numerous wins.

Hasta La Vista…Summer (August)

arnold-terminator-almostdidnotstarHasta
We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.

I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.

So sit back, relax, and enjoy the ride read.

August

Traditionally, August is the month when the wind-down begins.  It never has any of the big tent pole pictures featured earlier in the summer and it can be a time when studios try to burn off some troubled pictures or try to skillfully position a sleeper hit. This August for sure had its share of high and low points, much like the summer that it capped off.  I was still in frolic mode so didn’t get to as many reviews as I had wanted but sitting here now, in still sunny September, it’s time to review the movies I missed!

                                                Movie Review ~ Shaun the Sheep Movie
shaun_the_sheep_ver2The Facts
:
Synopsis: When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it’s up to Shaun and the flock to return everyone safely to the green grass of home.
Stars: Justin Fletcher, John Sparkes, Omid Djalili, Kate Harbour, Tim Hands, Andy Nyman, Simon Greenall, Emma Tate
Director: Mark Burton, Richard Starzak
Rated: PG
Running Length: 85 minutes
TMMM Score: (7/10)
Review: I’m not saying that the U.S. doesn’t churn out a fine slate of family friendly films…but there’s a certain aura around the British imports that seem to work time and time again.  Like Paddington earlier this year, Shaun the Sheep Movie was an unexpected delight, 85 minutes of smart comedy that’s deep enough for adults to not need a lobotomy to enjoy and zany enough to keep the attention of young tykes.  Remarkable when you consider there’s not any dialogue in the movie aside from some rumbles and grumbles from human and animal characters, it’s a big screen adventure adapted from a popular television show.  I wasn’t sure what to expect but I was surprisingly entertained and quite impressed by the stop-motion animation.  The film didn’t have great marketing so it slipped by most people but if it’s at your bargain movie theater, pack those kids up in your minivan and get to it…or treat yourself to a solo show.

 

                                                            Movie Review ~ Dark Places
dark_placesThe Facts
:
Synopsis: Libby Day was only seven years old when her family was brutally murdered in their rural Kansas farmhouse. Twenty-five years later, she agrees to revisit the crime and uncovers the wrenching truths that led up to that tragic night.
Stars: Charlize Theron, Drea de Matteo, Nicholas Hoult, Christina Hendricks, Chloe Grace Moretz, Corey Stoll, Sterling Jerins, Tye Sheridan, Shannon Kook
Director: Gilles Paquet-Brenner
Rated: R
Running Length: 113 minutes
TMMM Score: (3/10)
Review: With the huge success of Gillian Flynn’s third novel Gone Girl and seeing how fast the movie rights were snapped up, it’s only natural that her other two other books would take a similar path.  Dark Places is the first of these to hit theaters (Sharp Objects is arriving as a television movie) and it shows one of two things, either the third time was the charm for Flynn or something was lost in translation.  Full disclosure, I haven’t read the book but I’m inclined to think that it’s the fault of the screenwriter because there are so many hazardous movie mistakes only a Hollywood writer could make.  Though the mystery of a decades old killing spree coming back to haunt the sole survivor is initially intriguing, it quickly dissolves into a sticky mess that makes less sense the more secrets are revealed.  It also doesn’t help that it’s badly miscast, with the usually impressive Charlize Theron relying on her ever-present trucker hat to do most of the acting for her…or maybe to hide her embarrassment at being looped into this turkey.  Though it boasts a cast that typically gets the job done, no one quite seems to know what they’re doing…as if they hadn’t read the book before undertaking their scenes.  The only worthwhile performance is Christina Hendricks as Theron’s murdered mom, bringing some dignity to a role that, as written, doesn’t earn it.

 

                                                           Movie Review ~ Fantastic Four
fantastic_four_ver3The Facts
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Synopsis: Four young outsiders teleport to an alternate and dangerous universe which alters their physical form in shocking ways. The four must learn to harness their new abilities and work together to save Earth from a former friend turned enemy.
Stars: Michael B. Jordan, Miles Teller, Kate Mara, Jamie Bell, Toby Kebbell, Tim Blake Nelson, Reg E. Cathey
Director: Josh Trank
Rated: PG-13
Running Length: 100 minutes
TMMM Score: (4/10)
Review: Well, what can I saw bout the Fantastic Four that hasn’t been said (loudly) already?  Is it a lousy movie? Yeah, probably. Could it have been better? After two attempts to bring these characters to the big screen I’m not sure we’ll ever get a decent adaptation. What went so wrong? If you believe the outspoken director, it was studio interference that took his movie from a rich origin story to an overstuffed thundercloud of action movie clichés and fairly terrible special effects.  If you are to believe the studio, it was that director Josh Trank (who debuted with the surprise hit Chronicle) disconnected from the material, a development that was costing time and money.  Watching the film with this knowledge you can see the moment that something went awry.  Because the thing is, the first 20-30 minutes of Fantastic Four is quite good, sensitive even.  It’s a slow start and, let’s face it, audiences these days don’t want a slow start.  They want their action and they want it now. The studio was happy to oblige and when it becomes a standard summer superhero movie my interest took a nosedive and it became a waiting game of the good guys defeating the bad guys so I could go home.  I think the colossal outcry from fans and critics was a little on the dramatic side, even for a superhero film, but it’s not wholly unwarranted.

 

                                                           Movie Review ~ Ricki and the Flash
ricki_and_the_flashThe Facts
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Synopsis: A musician who gave up everything for her dream of rock-and-roll stardom returns home, looking to make things right with her family.
Stars: Meryl Streep, Kevin Kline, Sebastian Stan, Mamie Gummer, Audra McDonald, Rick Springfield
Director: Jonathan Demme
Rated: PG-13
Running Length: 102 minutes
Trailer Review: Here
TMMM Score: (6.5/10)
Review: So we’ve all long agreed to the fact that Meryl Streep can do no wrong.  You can love her for it or hate her for it, but she never fails to impressive me with each new role she takes on.  From starring in The Iron Lady to taking a supporting role (cameo, really) in The Homesman, Streep seems to take a role if it speaks to her, no matter the size or commitment.  It’s not hard to see why she was attracted to the rough rocker Ricki with her tattoos and braided hair, here was another opportunity for Streep to strip away the classical actress aura and go barefoot into the wild.  She’s ably aided by Diablo Cody’s middling script, Jonathan Demme’s careful direction, and a supporting cast that don’t just play second fiddle to Streep’s lead guitar. I think there’s one too many musical numbers allowed to play longer than they should and Cody’s dialogue doesn’t have the snap that it used to.  The whole thing is worth it though for a stellar scene between Streep and Audra McDonald, the new wife of Streep’s ex-husband.  A sparring match spoken with calm and some care, the two women have an electricity between them that the film needed more of.  It falls apart swiftly in its second half, but it’s not a totally out of tune affair.

 

                                             Movie Review ~ The Man from U.N.C.L.E.
man_from_uncle_ver2The Facts
:
Synopsis: In the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons.
Stars: Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Jared Harris, Hugh Grant
Director: Guy Ritchie
Rated: PG-13
Running Length: 116 minutes
TMMM Score: (7.5/10)
Review: I never watched the television series on which this cool-as-can-be spy movie was based on but I’m pretty sure there weren’t the same amount of homoerotic jokes during the weekly adventures of Solo and Kuryakin.  While I feel that director Guy Ritchie relied a bit too heavily on his similar experience at the helm of two Sherlock Holmes films, he brings his A game to this big screen adaption, sparing no expense when it came to production design.  And that’s a good thing because though it’s never truly predictable, the plot is pretty thin.  So it’s up to Ritchie and his cast to sell the film and they are more than up for the challenge.  Henry Cavill (Man of Steel) is perfectly cast as the smooth Solo and he’s well matched with Armie Hammer’s (Mirror Mirror) simmering Kuryakin.  The two trade barbs rich with double entendre while protecting Alicia Vikander (The Danish Girl) from falling into the hands of a sinister villainess (the scene stealing Elizabeth Debicki, The Great Gastby).  The film looks and sounds amazing, here’s hoping costume designer Joanna Johnston gets an Oscar nomination for her impeccable suits and stunning dresses.

 

                                                         Movie Review ~ End of the Tour
end_of_the_tourThe Facts
:
Synopsis: The story of the five-day interview between Rolling Stone reporter David Lipsky and acclaimed novelist David Foster Wallace, which took place right after the 1996 publication of Wallace’s groundbreaking epic novel, ‘Infinite Jest.’
Stars: Jesse Eisenberg, Jason Segel, Joan Cusack, Mamie Gummer, Anna Chlumsky, Mickey Sumner
Director: James Ponsoldt
Rated: R
Running Length: 106 minutes
TMMM Score: (8/10)
Review: I never thought I’d say the words “potential Oscar nominee Jason Segel” in a work of non-fiction…but then again I didn’t think two-time Oscar nominee Jonah Hill was possible either and look what happened there.  Yes, Segel’s work as tormented writer David Foster Wallace is worthy of acclaim as the actor digs deep within and bypasses his comedic instincts to find the truth of the man behind the epic novel Infinite Jest.  Jesse Eisenberg (who also pops up in American Ultra) turns in strong work as well, though he’s really just a prop for Segel to react off of.  Their five day road trip interview for Rolling Stone is the basis for the movie and it leads the men and the audience into interesting territory.  It’s a movie you watch once, appreciate, then file away as something you can recommend to people and feel like you’ve done them a favor.  One thing that must be said…Eisenberg needs to learn how to smoke a cigarette.  Here and in American Ultra he looks a child does when they are mimicking their parent.  Many things about Eisenberg annoy me and this is just another thing to add to the list.

                                             Movie Review ~ The Diary of a Teenage Girl
diary_of_a_teenage_girl_ver2The Facts
:
Synopsis: A teen artist living in 1970s San Francisco enters into an affair with her mother’s boyfriend.
Stars: Bel Powley, Alexander Skarsgård, Christopher Meloni, Kristen Wiig
Director: Marielle Heller
Rated: R
Running Length: 102 minutes
TMMM Score: (7.5/10)
Review: It’s nice to go into a movie with only a basic logline and a list of the actors featured.  I didn’t know what to expect from The Diary of a Teenage Girl but whatever I thought, the movie surprised me in the best ways.  The story of a young girl’s sexual awakening in San Francisco is gloriously set in the mid ‘70s, an era of freedom and discovery.  While some may be off put by the relationship between an older man and an underage girl (star-in-the-making Bel Powley is older than she looks, thankfully), they’d be missing the point of Phoebe Gloeckner’s autobiographical graphic novel on which the film is based.  It’s a frank flick that frequently finds its actors in the buff but doesn’t feel gratuitous because these characters are coming into themselves, marveling at a new experience they never knew existed.  I appreciated that the film pulled no punches in showing nudity and discussing sexual situations and director Marielle Heller shows respect for all people involved.  It’s a bold film with animated sequences, a killer soundtrack, and splendid performances.

The dog days of summer brought three other notable releases to theaters, though I’m guessing by the poor box office returns of two of them that the studios (and actors) wish the films had just quietly gone away.

I hadn’t heard a thing about American Ultra until two weeks before it was due to arrive, strange considering it starred Kirsten Stewart and Jesse Eisenberg.  The two aren’t serious box office draws but they do have a fanbase that might have helped build more buzz for the stoner comedy.  Not that it would have made the film any better because at its best it was a mildly diverting mix of comedy and gratuitous violence and at its worst it was a merely the thing you watched because you’d seen everything else at the theater and wanted some time in the air conditioning.  It’s bad when you don’t know what the movie is about, but it’s worse when it feels like the filmmakers don’t have a clue either.

I’ve gone on record as no fan of director Noah Baumbach and very on the fence for actress Greta Gerwig so I wasn’t at all looking forward to their latest collaboration, Mistress America.  Once again, the universe has a way of loving to see me humbled and I emerged from the screening not only in a damn fine mood but the desire to see it again.  That rarely happens with any movie, let alone a Baumbach/Gerwig joint so that should tell you something about the quality of this movie that is firmly in a New York state of mind.  Sure, it has its share of problems but they don’t ultimately detract from the overall enjoyment the film brings.

Finally, there’s the sad, sad case of We Are Your Friends, Zac Efron’s latest attempt to be a serious dramatic actor.  While I think it’s Efron’s best dramatic performance to date and didn’t totally hate the film, audiences sure did and it became the third biggest box office failure of all time…pretty stunning considering how many other bad movies have been released and made at least a few million during its opening weekend.  I think the film got a bum rap and just was released at the wrong time, but it should hopefully send a message to Efron that he needs to spend some time figuring out exactly where his place is in Hollywood because he is, like his character here, totally lost.

SO THERE YOU HAVE IT!  THE SUMMER OF 2015!

CHECK OUT MAY & JUNE & JULY

The Silver Bullet ~ Grandma

grandma

Synopsis: Self-described misanthrope Elle Reid has her protective bubble burst when her 18-year-old granddaughter, Sage, shows up needing help.

Release Date: August 21, 2015

Thoughts:  It’s been a good year for Lily Tomlin.  She recently scored another Emmy nomination for her work in the Netflix series Grace and Frankie and while I felt that the Netflix show had some serious problems, Tomlin’s aging hippie helped to make the series more palatable.

Even better news is that advanced buzz on her performance in Grandma has been great…though it does creep me out that some critics have called it a “career-capping performance”…yeesh…she’s not dead yet people!  Directed by Paul Weitz (Admission, Being Flynn) and co-starring Julia Garner (The Perks of Being a Wallflower), Judy Greer (Jurassic World), Sam Elliott (I’ll See You in My Dreams) and Marcia Gay Harden (Fifty Shades of Grey) this road-trip dramedy could find Tomlin attending the Oscars in addition to the Emmys.

 

The Silver Bullet ~ Irrational Man

irrational-man-trailer-banner

Synopsis: On a small town college campus, a philosophy professor in existential crisis gives his life new purpose when he enters into a relationship with his student.

Release Date:  July 24, 2015

Thoughts: As sure as blockbuster movies come out each summer, so does the latest offering from director Woody Allen (who last appeared onscreen in Fading Gigolo).  While Irrational Man doesn’t look as serious as Blue Jasmine or as frothy as Magic in the Moonlight, the modern-day comedic romance looks like an Allen vehicle through and through.  Starring new muse Emma Stone (Aloha, The Amazing Spider-Man, The Amazing Spider-Man 2) and Joaquin Phoenix (Inherent Vice, an actor long overdue with taking himself less seriously) it’s doubtful this will emerge as a new Allen classic but there’s enough witty banter and piqued interest from this trailer to please any Allen aficionado.