Synopsis: John Connor sends Kyle Reese back in time to protect Sarah Connor, but when he arrives in 1984, nothing is as he expected it to be.
Stars: Arnold Schwarzenegger, Jason Clarke, Jai Courtney, Matt Smith, Emilia Clarke, Byung-hun Lee, J.K. Simmons, Sandrine Holt, Dayo Okeniyi, Michael Gladis, Courtney B. Vance
Director: Alan Taylor
Running Length: 125 minutes
Trailer Review: Here
TMMM Score: (3/10)
Review: So far, the summer of 2015 has proved fertile ground for highly anticipated blockbuster sequels. From May’s Avengers: Age of Ultron & Mad Max: Fury Road to June’s record-breaking Jurassic World and Ted 2 audiences have willingly plunked down their dough to revisit old friends. Well, July is here and a chilly wind has disrupted the warm paradise…and it’s called Terminator Genisys.
The Terminator franchise is a great example of a movie studio unwilling to quit while it’s ahead. Released in 1984, James Cameron’s The Terminator was a sleeper hit that officially introduced Arnold Schwarzenegger (Kindergarten Cop) has an action star. Seven years later Cameron had a golden idea for a sequel, resulting in the groundbreaking Terminator 2: Judgment Day. That film was a forward thinking epic on the grandest of scales, effectively saving the summer movie event from the comic-book mayhem it was turning into. Cameron’s director’s cut of the film remains one of my favorite films of all time, perfectly continuing the story he created and wrapping things up beautifully.
Unwillingly to leave well enough alone, Warner Brothers moved forward with a third film in 2003 and a fourth in 2009. Neither were much to write home about because they were designed to be cash grabs for a studio that seemed to lack an original idea. Admittedly, Terminator 3: Rise of the Machines isn’t awful but it’s far more appealing than the gloomy Terminator Salvation…still, both films exist only for profit and nothing more.
So here we are, 31 years after the original with the fifth film in the Terminator universe and it’s easily the most troubling one of them all. I held out a little hope for the movie at the outset because it seemed to be going for a clever revisionist reboot vibe, with scenes from the 1984 film recreated with a fine eye for detail. Good intentions are quickly overtaken by uninspired action sequences that introduce a host of new faces playing familiar characters.
In the future where machines have taken over the world and are exterminating mankind, Kyle Reese (a flat Jai Courtney, Jack Reacher) is an impassioned devotee to resistance leader John Connor (Jason Clarke, Lawless, looking alarmingly like the puppet from the Saw films). How impassioned is he? Well, let’s just say that when Reese finds out later that he’s actually Connor’s father you can see that Reese’s dreams of sipping mai-tais with Connor on a beach disappearing right before his sorrowful eyes. When the opportunity arises for a mission back to 1984 to save Connor’s legendary mother, Reese volunteers and the rest is history…or the future…doesn’t really matter.
Back in 1984, things aren’t exactly like we remember them (the film reminded me a lot of Back to the Future Part II) and instead of finding a helpless Sarah Connor, Reese meets up with a determined heroine that has her own Terminator (Schwarzenegger) in her protection detail. Emilia Clarke may have a Linda Hamilton look to her but the comparisons stop there. Clarke is, like her co-stars, not a strong enough actor to carry this type of character to the end and therefore scenes displaying her unyielding stance at fighting for survival don’t land like they should.
Not surprisingly, only Schwarzenegger scores with any regularity. He’s perfected this character over several cinematic endeavors (and one exciting theme park ride) so this is all old hat to him. A chance for the elder Schwarzenegger to fight with a recreation of his 1984 persona is a pleasant sequence but an all too brief foray into ingenuity by screenwriters Patrick Lussier & Laeta Kalorgridis.
Director Alan Taylor (Thor: The Dark World) has several large action sequences up his sleeve and while they deliver the requisite thrills, they seem like they’re cut scenes from a movie far removed from the Terminator universe. Mostly, the film is a paint by the numbers exercise in too much exposition backed up with surprisingly weak special effects.
The worst thing about the movie is how much of it has been spoiled by the marketing team. I won’t confirm or deny what people are thinking but you only need to look at the poster or watch one of the many spoiler-heavy trailers to get an idea of what’s going on in the film and preview nearly all of the pivotal moments the film tries to spring on you. A very shameful showing by the marketing people at the studio.
A poorly executed sci-fi adventure that loses itself in its own pretzel twists of time, there’s little to like or recommend here…it’s a chipped tombstone for the series.