Synopsis: A chronicle of the decade-long hunt for al-Qaeda terrorist leader Osama bin Laden after the September 2001 attacks, and his death at the hands of the Navy S.E.A.L. Team 6 in May, 2011.
Stars: Jessica Chastain, Jason Clarke, Joel Edgerton, Jennifer Ehle, Jeremy Strong, Kyle Chandler, Edgar Ramirez, Mark Strong
Director: Kathryn Bigelow
Running Length: 157 minutes
Trailer Review: Here
TMMM Score: (8.5/10)
Review: Ever since September 11, 2001 there has been a dark cloud over our country as we continue to rebuild our body, minds, and spirit after the devastating attack on our freedom. Over a decade later, we’re a more aware society, less likely to go through our lives with blinders on having been forced to wake up that real evil does exist in our world. The man responsible for the attacks was public enemy number one, a sign and signal for evil and his death in May of 2011 at the hands of a Navy S.E.A.L. team allowed a small exhale from a country that had been holding its breath for ten years.
How this man was killed and how he was located is the subject of Zero Dark Thirty, a film that has arrived with a fair share of controversy and end of the year award recognition. It’s an intelligent movie for adults that asks its audience to snap to attention and come along for a real life manhunt as it teeters between globe-hopping intrigue, government double talk, and questions on the price of justice.
The film rests on the very capable shoulders of Chastain (who won a Golden Globe for her work and is nominated for an Oscar and SAG Award as well) as CIA analyst Maya that becomes obsessed with her decade long search for the man known as UBL (Usama bin Laden). Like a bumper car, with every dead end she reaches she changes course without losing sight of what’s at stake. As the years go by and multiple set-backs (some of them deadly) occur, Maya uses considerable intelligence to piece together the puzzle until everything falls into place in a fashion that doesn’t feel too forced or too cinematic to be believable.
Oscar winning director Bigelow teams again with her The Hurt Locker collaborator Mark Boal to direct his well researched script with a strong arm. Bigelow has never shied away from making what many would consider “male” films and with Zero Dark Thirty she again doesn’t make the film about gender roles but focuses on the subject at hand. It would have been easy to inject some misogynistic scenes to further burden Maya with not only doing her job but proving she’s worthy of it in the first place. Bigelow keeps the nearly three hour movie trucking along until an outstanding finale shot in near real time as the team of S.E.A.L.’s descended upon the compound where they will eventually eliminate one of the biggest threats ever in the war on terror.
I admit I didn’t read too much about this strike on UBL’s compound when it happened so was surprised at some of the details that were new to me. I, like many, assumed that it was a blitz of bullets that was over quickly but the film takes us through every second of these 20 some odd minutes with painstaking tension. Aided by Alexandre Desplat’s eerie music, I’m not sure I breathed much in the final thirty minutes of the movie…it’s hard to say it was “entertaining” but my attention was raptly devout to what Bigelow and cinematographer Greig Fraser put together.
The film has taken a lot of hits for its sequences showing the various torture methods used by our intelligence agents to extract information on the location of UBL. To leave these scenes out would be inaccurate and the director herself said it best that “depiction is not endorsement”. Torture happened, we know it did and we all have to have our own internal discussions on how far is too far – to fault the movie for these scenes would be doing a disservice to the story it’s highlighting.
Along with Chastain there are strong performances from Clarke (Lawless) and Ehle as colleagues of Maya…both of whom could have easily landed on nomination list in the Best Supporting Oscar category. It’s mostly Chastain’s show and she executes her role with an assurance that never feels false. It’s a restrained, intelligent portrayal of a restrained, intelligent woman that believes in her heart she is the one that must be responsible for finding this man.
Zero Dark Thirty refers to the very dark hour before dawn – a metaphor not lost on audiences for the extreme darkness that was felt by many before the man responsible for it was wiped out. It didn’t back bring the lives that were lost on that day or in the war that has been raging on for a decade but, speaking for myself, the elimination of UBL offered a small glimmer of hope that justice had been done. How we came to that point is a very debatable issue but Zero Dark Thirty is a fascinating and involving film that makes the conversation timeless.