Synopsis: Disgraced former Presidential guard Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
Stars: Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Dylan McDermott, Ashley Judd, Melissa Leo, Rick Yune
Director: Antoine Fuqua
Running Length: 120 minutes
TMMM Score: (5/10)
Review: It’s been said that timing is everything and if that’s true then the producing team behind Olympus Has Fallen should have listened to that wise old saying when it came time to release their film concerning a hostile takeover of the White House. Released back in March at the height of tensions between North Korea and the US, the film did respectable business but was nowhere near the type of pre-summer hit that everyone involved must have hoped for.
Truth be told, I’m not sure that the final product would have ever really caught on regardless of when it was released because it’s a largely goofy affair that scores highly on the tension scale but exhausts itself and the audience with melodramatic acting and far too many extraneous plot happenings. Opening in the shadow of July’s similarly themed White House Down, Olympus never really rises from the ashes of a been-there, done-that vibe that would have seemed more at home in a season of 24. Oh wait…24 DID do nearly the exact same plot in its second to last season.
Poor Gerard Butler just can’t catch a break when it comes to films. Though critics may make you think otherwise, he’s never been a true box office draw and a parade of stinkers in the last two years hasn’t helped his clout in Hollywood. Olympus Has Fallen is probably his best film of the bunch, mostly because it allows Butler’s more macho/muscular streak to emerge rather than bear the weight of the romantic comedy nightmares he’s been stuck in recently.
Here Butler is a former guard to the President, a role he loses after an iffy opening sequence set on an icy bridge involving the First Family. It’s never adequately explained how/why he gets bumped down a few notches on the Secret Service totem pole but it helps set up his redemption later in the film. Now he’s a paper pusher with a nice view of his former office from his standard D.C. digs.
When a terrorist attack leaves the White House in shambles and the President and his staff held hostage in an underground bunker, it’s up to Butler to perform a one-man rescue mission by any means necessary. The bulk of the first half of the film is taken up by the seemingly endless infiltration on 1600 Penn Ave by Korean militants that want the US to pull out of the DMZ between North and South Korea. To do so would surely mean the fall of South Korea but with the fate of our nation’s leaders at hands what choice do we have.
These kinds of films where US governments are held hostage by a foreign entity always make me squirm because the movies always go the same. It’s clearly stated that we do not negotiate with terrorists but when you flash a loved one in danger everyone always buckles. The body count in this one is high which adds some extra suspense in who truly will survive by the time the credits roll.
Working in what must have been left over set pieces from The West Wing, director Antoine Fuqua moves the action around with ease even though most of it takes place in shadowy darkness. It becomes hard to tell who is who…but when it’s just one man against the bad guys…you just need to focus on Butler and his bone-crushing methods of extracting information about the head villain in charge.
The big bad wolf is Rick Yune (Die Another Day) as one of the least intimidating villains in recent memory. Though he doesn’t hesitate to put a bullet into more than a few people, Yune’s calm delivery seems more sleepy that sociopathic. On the opposite side of the hero coin, Aaron Eckhart’s (The Dark Knight, Erin Brockovich) President Asher is underused and not called on to do much but play on his All-American looks to cut a believable presence as the Commander in Chief.
Filling out the cast are several overly earnest performances that never seem to gel with each other. Morgan Freeman (Oblivion, Now You See Me) is the Speaker of the House that’s thrust in charge when both the President and Vice President become indisposed. Freeman’s played the President before (in 1998’s Deep Impact) and he’s largely recreating that role here. Dylan McDermott and Ashley Judd pop up in pivotal roles and poor Radha Mitchell is the victim of overstuffing the turkey as Butler’s wife. This whole storyline between Butler and Mitchell has nothing to do with the plot and bogs the film down.
Two respected actresses are also on hand and both are fairly disappointing. Angela Bassett (This Means War) has little to do but give off of looks of both horrified terror and ballsy determination as the Secret Service Director. With each passing role Bassett seems more determined to simply toe the line and not step out of her comfort zone. Even worse is Oscar winner Melissa Leo (Oblivion) in an atrocious wig offering line deliverers that seem to be coming via satellite based on the way she pauses before each one. Leo growls and howls through most of the film…culminating in her unintentionally hilarious recitation of the Pledge of Allegiance in pained agony. For my money, the actresses should have swapped roles…I’m slightly convinced they mistakenly were given the wrong roles and no one noticed until it was too late.
Even with its silly plot contrivances and less than stellar special effects the film does truck along with reckless abandon that entertains more often than not. You absolutely have to check your brain at the door and be prepared for some slightly tacky moments near the end when people start cracking jokes while standing in the middle of a sea of dead bodies. A rental at best, Olympus Has Fallen may eventually get the job done but you’ll have to decide for yourself if it’s really worth it at the end of the day.