Movie Review ~ Olympus Has Fallen

olympus_has_fallen_ver10

The Facts:

Synopsis: Disgraced former Presidential guard Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.

Stars: Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Dylan McDermott, Ashley Judd, Melissa Leo, Rick Yune

Director: Antoine Fuqua

Rated: R

Running Length: 120 minutes

TMMM Score: (5/10)

Review:  It’s been said that timing is everything and if that’s true then the producing team behind Olympus Has Fallen should have listened to that wise old saying when it came time to release their film concerning a hostile takeover of the White House.  Released back in March at the height of tensions between North Korea and the US, the film did respectable business but was nowhere near the type of pre-summer hit that everyone involved must have hoped for.

Truth be told, I’m not sure that the final product would have ever really caught on regardless of when it was released because it’s a largely goofy affair that scores highly on the tension scale but exhausts itself and the audience with melodramatic acting and far too many extraneous plot happenings.  Opening in the shadow of July’s similarly themed White House Down, Olympus never really rises from the ashes of a been-there, done-that vibe that would have seemed more at home in a season of 24.  Oh wait…24 DID do nearly the exact same plot in its second to last season.

Poor Gerard Butler just can’t catch a break when it comes to films.  Though critics may make you think otherwise, he’s never been a true box office draw and a parade of stinkers in the last two years hasn’t helped his clout in Hollywood.  Olympus Has Fallen is probably his best film of the bunch, mostly because it allows Butler’s more macho/muscular streak to emerge rather than bear the weight of the romantic comedy nightmares he’s been stuck in recently.

Here Butler is a former guard to the President, a role he loses after an iffy opening sequence set on an icy bridge involving the First Family.  It’s never adequately explained how/why he gets bumped down a few notches on the Secret Service totem pole but it helps set up his redemption later in the film.  Now he’s a paper pusher with a nice view of his former office from his standard D.C. digs.

When a terrorist attack leaves the White House in shambles and the President and his staff held hostage in an underground bunker, it’s up to Butler to perform a one-man rescue mission by any means necessary.  The bulk of the first half of the film is taken up by the seemingly endless infiltration on 1600 Penn Ave by Korean militants that want the US to pull out of the DMZ between North and South Korea.  To do so would surely mean the fall of South Korea but with the fate of our nation’s leaders at hands what choice do we have.

These kinds of films where US governments are held hostage by a foreign entity always make me squirm because the movies always go the same.  It’s clearly stated that we do not negotiate with terrorists but when you flash a loved one in danger everyone always buckles.  The body count in this one is high which adds some extra suspense in who truly will survive by the time the credits roll.

Working in what must have been left over set pieces from The West Wing, director Antoine Fuqua moves the action around with ease even though most of it takes place in shadowy darkness.  It becomes hard to tell who is who…but when it’s just one man against the bad guys…you just need to focus on Butler and his bone-crushing methods of extracting information about the head villain in charge.

The big bad wolf is Rick Yune (Die Another Day) as one of the least intimidating villains in recent memory.  Though he doesn’t hesitate to put a bullet into more than a few people, Yune’s calm delivery seems more sleepy that sociopathic.  On the opposite side of the hero coin, Aaron Eckhart’s (The Dark Knight, Erin Brockovich) President Asher is underused and not called on to do much but play on his All-American looks to cut a believable presence as the Commander in Chief.

Filling out the cast are several overly earnest performances that never seem to gel with each other.  Morgan Freeman (Oblivion, Now You See Me) is the Speaker of the House that’s thrust in charge when both the President and Vice President become indisposed.  Freeman’s played the President before (in 1998’s Deep Impact) and he’s largely recreating that role here.  Dylan McDermott and Ashley Judd pop up in pivotal roles and poor Radha Mitchell is the victim of overstuffing the turkey as Butler’s wife.  This whole storyline between Butler and Mitchell has nothing to do with the plot and bogs the film down.

Two respected actresses are also on hand and both are fairly disappointing.  Angela Bassett (This Means War) has little to do but give off of looks of both horrified terror and ballsy determination as the Secret Service Director.  With each passing role Bassett seems more determined to simply toe the line and not step out of her comfort zone.  Even worse is Oscar winner Melissa Leo (Oblivion) in an atrocious wig offering line deliverers that seem to be coming via satellite based on the way she pauses before each one.  Leo growls and howls through most of the film…culminating in her unintentionally hilarious recitation of the Pledge of Allegiance in pained agony.  For my money, the actresses should have swapped roles…I’m slightly convinced they mistakenly were given the wrong roles and no one noticed until it was too late.

Even with its silly plot contrivances and less than stellar special effects the film does truck along with reckless abandon that entertains more often than not.  You absolutely have to check your brain at the door and be prepared for some slightly tacky moments near the end when people start cracking jokes while standing in the middle of a sea of dead bodies.    A rental at best, Olympus Has Fallen may eventually get the job done but you’ll have to decide for yourself if it’s really worth it at the end of the day.

Bond-ed for Life ~ Die Another Day

The James Bond franchise is celebrating its 50th birthday this year and with the release of Skyfall I wanted to take a look back at the 22 (23 if you count the rogue Never Say Never Again, 24 if you count the 1967 spoof of Casino Royale) films that have come before it. So sit back, grab your shaken-not-stirred martini and follow me on a trip down Bond memory lane.

The Facts:

Synopsis: James Bond is sent to investigate the connection between a North Korean terrorist and a diamond mogul who is funding the development of an international space weapon.

Stars:  Pierce Brosnan, Judi Dench, Halle Berry, Toby Stephens, Rosamund Pike, Rick Yune, John Cleese

Director: Lee Tamahori

Rated: PG-13

Running Length: 133 minutes

TMMM Score: (7/10)

Review:  With three films under his belt, Brosnan’s next venture into Bond territory was delayed slightly to coincide with the 40th anniversary of the Bond films and the 50th anniversary of the publication of author Ian Fleming’s work.  Going into the release day, there was a lot of hype around the movie concerning the far-out premise and the casting of an Oscar winner as a sort of female Bond.

I remember seeing Die Another Day the morning it was released in Dublin, Ohio while I was on tour with a show and how much I was looking forward to it.  At the time, I found the film to be overblown, overlong, and finally tipping the scales to gimmickry after avoiding it for so long.  I’m not sure that I’ve seen it again until recently when I was surprised to find myself enjoying what would be Brosnan’s last time onscreen as James Bond.

After a prolonged prologue set in Korea, for the first time we see Daniel Kleinman’s opening credits incorporating film elements into his design and accompanied by Madonna’s admittedly one-note but fitting theme song.  (Madonna herself also becomes the first theme artist to cameo in a Bond film in a small role that nevertheless sticks out like a sore thumb).  Changing up the credits was a benefit as it had to show some passage of time in a creative way.

There’s a lot of mumbo jumbo in the way of a plot concerning cloning, diamonds, and a very large ice palace owned by wealthy magnate Gustav Graves (Stephens, son of Maggie Smith, who obviously inherited his mom’s way with a clipped one-liner) but it’s best not to get too involved with the more silly details happening in the film.  It’s best to enjoy what the gigantic budget bought for us in the way of impressive special effects and well maneuvered stunt sequences.

Brosnan is his usual dapper self, not letting a 14 month stay in a Korean prison hold his superspy back for long.  Dench is tart per usual but she must have had other work at the time because her role is noticeably shorter than it was in The World is Not Enough.  Pike is nicely ensconced as chilly Bond girl/MI6 agent Miranda Frost and Yune makes the most out of his underdeveloped diamond acne-d villain.  If someone can explain to me why Michael Madsen shows up I’d be interested to hear!

That leads us to Berry who is introduced ala Ursula Andress in the first Bond film, Dr. No.  When I first saw the film I wasn’t impressed with her but over time the role has grown on me and it’s easy to see why there was buzz about her character Jinx getting her own spin-off but, alas, like Michelle Yeoh in Tomorrow Never Dies it was not meant to be.

Bringing on yet another new director, the producers went with an Australian and Tamahori brings a smart sensibility to the film.  He keeps the light stuff light and the full throttle action on high alert so even if the film is a little too long for its own good it still doesn’t feel like its overstaying its welcome.

Some feel that Die Another Day is a lesser title in the world of 007 and even if it is…there’s a lot to like in it that would keep even the casual action moviegoer interested.  Brosnan’s four Bond films are the most consistent of any of the previous Bonds so some credit should go to him for taking good care of Bond in his tenure.