Synopsis: Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: one carrying a new breed of mercenary, the other captained by a man from Riddick’s past.
Stars: Vin Diesel, Karl Urban, Jordi Molla, Matt Nable, Katee Sackhoff, Bokeem Woodbine, Dave Bautista, Conrad Pla, Raoul Trujillo, Nolan Funk, Keri Hilson
Director: David Twohy
Running Length: 119 minutes
Trailer Review: Here
TMMM Score: (5/10)
You just can’t keep a good (bad) guy down…and this third outing for Vin Diesel’s muddled anti-hero proves that point over and over (and over and over).
I was a fan of the 2000 low budget sci-fi thriller Pitch Black which introduced the Riddick character, finding it to be a schlocky B-Film with more than the usual dose of character development, setting itself apart from its contemporaries. Seeing an opportunity to capitalize on Diesel’s rising star, Universal threw a lot of money into the 2004 follow-up The Chronicles of Riddick, only to see the film not make good on its prospects with its misguided attempt to give its central character a ton of back-story. By doing this, they took a character that was interesting because we knew little about him and made him toothless, virtually indistinguishable from any countless other sci-fi heroes.
Now, with Diesel riding high after returning to the Fast and the Furious series (the summer 2013 installment, Fast & Furious 6 did crazy good business…and was pretty fun too) Universal is taking another chance on Diesel/Riddick with this modestly budgeted film that has the good elements from Pitch Black and some of the bad elements of The Chronicles of Riddick.
Abandoned on a barren planet, Riddick spends its first thirty minutes or so with nearly no dialogue as our light-averse ex-con struggles to survive the climate, his own inner torment, and a handful of icky creatures rendered with decent success to be a few notches above something you’d see in the SyFy channel. Comparisons to 2000’s Cast Away are inevitable and not too far off the mark as Riddick learns how to survive and makes nice with a feral dog-like creature (which looks like the offspring of a zebra that mated with a Doberman), eventually winding up at a deserted outpost which could be his way to freedom.
Riddick uses the outpost to initiate a beacon that will alert bounty hunters to his whereabouts, figuring he’ll be able to overthrow any crew that comes-a-callin’ and steal their ship to do a little planet hopping. That’s when the movie has to switch things up and introduce a crew of new characters that only serve as distractions rather than make their own contributions to advance the plot.
Two crews find their way down, battling not only the one man wrecking crew of Riddick but each other as well. These characters are drawn so broadly that I wondered if they themselves were CGI animated …because only that could excuse the inexcusably awful performance of head bad guy Jordi Molla. Every line he says, every breath he takes, every desperate mug he makes renders Molla almost unwatchable…made worse by the film being projected on IMAX screens. Matt Nable is the captain of a rival crew of mercenaries and it seems like the role was meant for a bigger name…while Nable is just fine in the part it just seems like he was the 25th choice for the role.
As for any female presence in the film, I counted about four women in the movie and three of them take their clothes off at one point, including Katee Sackhoff’s hilariously out of place topless scene. Though Sackhoff’s character is supposedly a tough lesbian, that doesn’t stop the film from making her as weak a presence as the other females…seen either as a sex object or at the mercy of their male counterparts.
Diesel, for his part, seems to be achieving what he wanted by providing his character some good moments of growth…but it’s really time to hang up the night vision goggles. As it stretches to nearly two hours, the film isn’t ever boring but you begin to feel the time creeping by before the conclusion arrives.
Best left for a watch in the comfort of your own home, Riddick should be the end of the series given its middling box office returns and a general consensus that the character has gone as far as he needs to go. Vin, take my advice, focus on your other franchise series that miraculously still has legs after six outings.