Synopsis: Faced with an enemy that even Odin and Asgard cannot withstand, Thor must embark on his most perilous and personal journey yet, one that will reunite him with Jane Foster and force him to sacrifice everything to save us all.
Stars: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgård, Idris Elba, Christopher Eccleston, Adewale Akinnuoye-Agbaje, Kat Dennings, Ray Stevenson, Zachary Levi, Tadanobu Asano, Jaimie Alexander, Rene Russo, Anthony Hopkins
Director: Alan Taylor
Running Length: 112 minutes
Trailer Review: Here
TMMM Score: (7/10)
Review: I wasn’t the biggest fan of 2011’s Thor, feeling that for a modern day superhero adventure it was awfully slow and relied too much on special effects imagery to create its fantasy lands in which our hero fought various villains. Though it was a well-made affair, it paled in comparison to the shoot for the moon efforts from Iron Man and Iron Man 2 and lacked the nostalgic feel that Captain America: The First Avenger brought forth.
Well, with a few years and another film appearance under his belt (2012’s Marvel’s The Avengers) Thor has returned and if he’s not better than ever, he’s at least stepped up his game in an attempt to go to bat with the big boys of summer.
The plot for Thor: The Dark World is so convoluted that even if I weren’t a spoiler-free type of critic I wouldn’t know how to succinctly describe the events of the film. All you’ll need to know is that once again the forces of darkness have set their sights on conquering Thor’s land of Asgard with a greater scheme of reducing our Earth to smithereens for total world domination. So, in Marvel speak, just another day at the bad guy office.
Thor (Chris Hemsworth, Snow White and the Hunstman, Cabin in the Woods, Rush) meets up again with Jane (Natalie Portman) but instead of fighting the battle within her world he brings her back to Asgard because she holds the key to its survival…and destruction. This leaves some of the earthbound players of the first film with mere cameos and beefs up the presence of the Asgard folk that were sidelined in the original.
Hemsworth sports a better wig and about five more expressions than he had the last time and in general seems to have more fun with the role. As the star of the show, he has to work extra hard to keep the focus of the audience because Tom Hiddleston’s Loki returns as the bad guy you love to hate. Loki wants to take a lot from Thor that isn’t his…and in doing so Hiddleston the actor nearly scampers off with the movie as well. In his third go at the role, Hiddleston’s characterization only deepens so that the audience, like Thor, doesn’t really know where his loyalties lie from minute to minute.
Even with more screen time, Portman has precious little to do here but lay helpless as a dark force begins to take over her body. It was widely reported that Portman was resistant to return to the film after a female director she brought on board was let go by the producers as filming approached. I’m not sure if that affected what happened in the script but it’s surprising to see Portman play such a one-dimensional role this far into her career.
Television director Alan Taylor makes his feature film debut with a film that feels more cohesive than the overly theatrical gusto of the Kenneth Branagh helmed predecessor. Even with its kitchen sink plot, Taylor manages to keep things in line…which is why Marvel may have chosen him over Portman’s original selection. Though these films are designed to stand on their own, there’s little doubt that a larger game plan for future installments and crossovers hasn’t already been etched out somewhere in the basement of a Hollywood film studio. In that respect, Thor: The Dark World seems to be content in being part of something bigger and not trying to reach so far ahead of its limited appeal in my eyes.
A strong improvement over the original, I’m still hesitant to give myself over fully to the Norse god that wields that powerful hammer. Though he’s now shown a softer side and his ability to play well with others, there’s an otherworldly aura to both Thor films that has kept this viewer grounded instead of taking off.