Synopsis: When Lou Bloom, a driven man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.
Stars: Jake Gyllenhaal, Bill Paxton, Rene Russo, Riz Ahmad
Director: Dan Gilroy
Running Length: 117 minutes
Trailer Review: Here
TMMM Score: (9/10)
Review: The best horror film of 2014 wasn’t even marketed as a horror film at all…it’s this nail-biter of a tale from writer Dan Gilroy (The Bourne Legacy) who also makes his feature film directing debut.
Over the past decade I’ve had a love/hate relationship with Jake Gyllenhaal, turning up my nose at his more straight-forward/commercial fare (Love and Other Drugs) and having my socks knocked off at this recent penchant for flawed anti-heroes (End of Watch, Prisoners). With the arrival of Nightcrawler my cinematic romance with the star is in full bloom.
Gyllenhaal is Lou Bloom, a nobody that happens upon a way to become a real somebody…at the high cost of life and livelihood of others that have the misfortune of being in his dangerous hemisphere. Taking place in the seedy world of crime journalists/photographers, Nightcrawler documents how ever-the-opportunist Bloom moves quickly up the ranks from slimy outside observer of the crimes and accidents occurring in Los Angeles to orchestrator of the right angles that will help him advance his star and bank account.
He’s aided and abetted by hungry news director Nina Romina (Rene Russo, Thor, also Gilroy’s spouse) who is also fighting to keep her head above the ever rising waters of crowded newsroom politics. In many ways, Lou and Nina are the perfect pair…he supplies what she needs to maintain her station while her willingness to buy what he’s selling only helps to encourage Lou to brush off any moral dilemmas the sleazy work could present.
What I’ve come to appreciate about Gyllenhaal’s movie choices is his willingness to take a character, craft a backstory, and then not let anyone else in to this knowledge he has. Like his haunted detective in Prisoners, Gyllenhaal makes Bloom a fractured loner. We don’t know where this guy came from or what troubles he’s had so far in life…making him all the more dangerous because we have no idea of what he stands to lose as he falls deeper and deeper under fame’s spell.
Equally outstanding is Russo in the best role she’s ever been given…no surprise that her husband wrote it specifically for her. A female news director in a largely male climate, she’s desperate to hold on to her role and is willing to overlook some clear indicators that Bloom is off his rocker and may in fact be creating some of the crimes he’s delivering to her as news pieces.
In supporting roles, Bill Paxton (Million Dollar Arm) plays an old dog of a crime journalist that Lou first comes to for advice and Riz Ahmad (The Reluctant Fundamentalist) makes a strong showing as Lou’s dimbulb assistant. Both men underestimate the length to which Lou will go to lock down his place in the food chain and Gilroy’s Oscar nominated script cleverly works out a doozy of a finale that is as frighteningly perfect as it is maddening.
Nightcrawler was an unexpected treat for me, I hadn’t planned on it being so skillfully constructed or so breathlessly paced. It truly is a horror film masquerading as a psychological drama and one that should have gotten more love from The Academy when the nominations were announced. Maybe it wouldn’t quite have made the cut for Best Picture but recognizing the work of Gyllenhaal or Russo would have been absolutely justified.