Synopsis: A Bad Moms Christmas follows our three under-appreciated and over-burdened women as they rebel against the challenges and expectations of the Super Bowl for moms: Christmas. And if creating a more perfect holidays for their families wasn’t hard enough, they have to do all of that while hosting and entertaining their own mothers.
Stars: Mila Kunis, Kristen Bell, Kathryn Hahn, Jay Hernandez, Christine Baranski, Susan Sarandon, Cheryl Hines, Peter Gallagher, Justin Hartley
Director: Jon Lucas, Scott Moore
Running Length: 104 minutes
TMMM Score: (2/10)
Review: It’s a good thing for the filmmakers of A Bad Moms Christmas that I’m not in charge of the naughty or nice list because it would be coal for all if I had my way. What a stupid piece of trash this one is, so lame-brained and barely breathing that I’m amazed it was produced and released at all. It exists for no one other than the tax write-off seeking producers and holiday cash starved actors willing to lower themselves to the level of writer/directors Jon Lucas and Scott Moore (Office Christmas Party). I didn’t care much for 2016’s Bad Moms (actually, I didn’t care for it at all) so when it became a sleeper summer hit and this holiday-themed sequel was fast-tracked I must admit I was curious to see what new shenanigans the ladies would get up to. Turns out it’s just more of the same inane antics that are really just barely-there ideas for vignettes weakly strung together to create a 104-minute film. A very long 104-minute film.
As in the original film, the lives of these women are scripted entirely by the male writer and directors and I’d love to hear what their moms and wives think about their take on the mother’s role in the Christmas season. Lucas and Moore seem to believe that all mothers hate the holidays because it’s nothing but endless amounts of work for them with no thanks and certainly no fun. They are forced to put up a tree, decorate the house, buy presents, wrap presents, cook, clean, host parties, and do it all with a fake smile plastered on their face. At least that’s how Mila Kunis’ Amy tells us it is as she narrates the opening of the film that shows the aftermath of the holidays. As a camel saunters by, she promises to tell us how she wound up with her house destroyed. Sigh…if we must.
Flashing back through the six days leading to Christmas, we meet up again with Amy, her children, and her new boyfriend (Jay Hernandez, Suicide Squad) as they prepare for the arrival of Amy’s shrill mother (Christine Baranski, Into the Woods) and milquetoast dad (Peter Gallagher, Hello, My Name is Doris). Across town, Kiki (Kristen Bell, Frozen) is surprised that her smother-mother (Cheryl Hines, Wilson) has showed up three days early while Carla (Kathryn Hahn, We’re the Millers) is shocked her free-wheelin’ mama (Susan Sarandon, Tammy) has showed up at all. Kunis (Ted), Bell, and Hahn share precious few scenes together with Lucas and Moore opening up their world a bit more now that they have more characters to juggle. That means kids and males are left in the dust as the moms and daughters work out their issues as the holidays get closer.
There’s so much to dislike about this movie. From the extremely long leash the filmmakers give the usually funny foul-mouthed Hahn to ham it up while waxing the testicles of a ‘sexy’ Santa (Justin Hartley, who we’re forced to watch poorly strip-tease THREE times during the course of the film), to the uncomfortably ugly way that Baranski and Kunis spar over everything from décor to holiday spirit, to Bell blindly ignoring the fact that her mom is maybe so clingy because she’s completely alone and has no friends of her own.
Straining to see some good, I will say that though Baranski has fashioned her entire career on playing these types of frigid shrews, she gets some of the best moments in the movie with her deadpan reactions and sharp comebacks. They even let her sing a bit during a too-long caroling scene that at least serves as an opportunity to bring back the sorely missed Christina Applegate (Vacation) for a brief cameo. I also enjoyed Sarandon’s crass take on an aging biker chick that barely realizes she’s a grandma and the best passage of the entire film is when all three moms gather together to work out their woes.
At the end of the first film there was an excellent scene during the credits where the actresses and their real moms were interviewed. It was by far the best part of that whole movie and I was halfway looking forward to something similar here. Unfortunately, all that’s available during the credits is an exhaustive dance sequence clumsily filmed against a green screen. It’s just another example of the hap-hazard filmmaking that brought A Bad Moms Christmas to our cinematic mantle. My advice would be to throw this one into the fire and ask Santa to bring you a real comedy for the holidays instead.