2017 – Best of the Best, Worst of the Worst, Grand Totals

Well hello there!  

So here we are about to start the SEVENTH year of this blog!  Hard to believe it and boy, does time fly.  Below I’ve compiled my list of the best and worst of 2017.  As is typically the case, by the time it came to make this list things became a bit of a jumble and I decided to choose the movies that I had the strongest reaction to when I saw them.  I don’t revisit movies often but anything in the Top 5 are films that I’d add to my collection.  

As always, I’ve appreciated your feedback, your patronage, and your general presence in my blog. Even if you read this everyday but have never commented or made contact I can still tell you’ve been here and that means a lot.  My readership and subscriptions leveled off a bit in early 2017 but picked up nicely in the second half of the yearand it’s all thanks to your word of mouth, likes, and shares.  If you haven’t already, make sure to follow this blog, follow me on Twitter (@joemnmovieman), and like my Facebook page so you can help me continue spreading the news about The MN Movie Man.

Best Wishes to you and yours for a most Happy New Year!

~Joe (The MN Movie Man)


5. The Big Sick – while it didn’t exactly become ‘the little indie that could’ as expected, The Big Sick stuck around for a long time in theaters based on positive word of mouth alone and in Hollywood that kind of buzz is worth more than gold.  Writer/star Kumail Nanjiani’s true story on how he met his future wife and, through a stressful series of events, his future in-laws is a wonderfully comic look at love and family.  In our current political climate, it’s also a deft look at cultural stereotypes within the family structure of immigrants and how the second generations are cutting their own path toward the Great American Dream.

4. Blade Runner 2049 – A forward-thinking sequel to the futuristic 1982 cult classic, Blade Runner 2049 should have done much better at the box office and I’m still puzzled as to why this one fizzled so fast.  Big, bold, and beautiful, I saw this one twice in theaters and could have gone a few more times had the fall not gotten so cramped.  Director Denis Villeneuve (Prisoners, Enemy, Sicario), continues to be a force to be reckoned with and he gathered the best and brightest in front of and behind the camera to create a spectacular sci-fi epic.  Special mention to Dutch breakout Sylvia Hoeks who gets my vote for Best Villain of 2017.

3. Phantom Thread – this one isn’t out in many theaters yet so my full review is pending but this late-breaking film quickly jumped to my Best of the Year list.  I’ve been completely off the Paul Thomas Anderson bandwagon for the last few films (Inherent Vice was on my worst of list in 2015) but I’m applying for membership to his fan club after this strikingly gorgeous beautiful film he’s delivered.  It’s rich on multiple levels, not only in the ornate fashions on display but in the deeply emotional performances from star Daniel Day-Lewis (Lincoln) and two strong female supporting characters Vicky Krieps and Lesley Manville (Maleficent).  This one really knocked me over and blew my socks off…really sublime.

2. The Lost City of Z – Released in April 2017, you’d be forgiven if you’ve missed out on The Lost City of Z.  It’s so very, very good that it’s more than a minor heartbreak that it didn’t get the proper attention when it arrived in theaters.  I think the marketing from Amazon Studios really failed this film which should have been delayed to later in the fall for a more prestige release date.  Based on the bestselling novel, The Lost City of Z is a haunting tale of adventure and obsession that has stuck with me ever since I saw it.  The performances are stellar (who knew Pacific Rim’s Charlie Hunnam had it in him or that The Rover’s Robert Pattinson could be so compelling?) and director James Gray’s paces the film so well that the lengthy running time will surely fly by.  Seek this one out at all costs – you’re missing something special!

1. Get Out – Comedian Jordan Peele’s directorial debut captured lightning in a bottle and has kept that energy going ever since its release almost a year ago.  On its way to Oscar nominations for Best Picture and Best Screenplay (and perhaps one for Best Director?), Get Out is hands down the most original and entertaining film I saw throughout 2017.  I missed the critics screening for this one so found myself paying for a mid-week showing several weeks after it came out.  The reactions of the packed audience were but a ¼ of the fun to be had, I’ve watched it again at home and it works just as well.  Peele masterfully commands our attention in this Stepford Wives-esque tale of a white girl bringing her black boyfriend home to meet her parents.  Nothing is what it seems on their posh estate and the deeper we dive down Peele’s rabbit hole the more intriguing the picture becomes.  Scary, funny, on message, and supremely timely, Get Out is the kind of authentic filmmaking that’s becoming a rarity in Hollywood.  Just plain perfect.

Honorable Mentions: Atomic Blonde, Three Billboards Outside Ebbing, Missouri, Lady Bird, Breathe, Call My By Your Name, Logan, Novitiate, The LEGO Batman Movie, The Post, IT, Wonder Woman, Personal Shopper

5. Goodbye Christopher Robin – I love Winnie-the-Pooh.  I did not love Goodbye Christopher Robin, a syrupy biopic on the man who created the lovable bear that lived in the Hundred-Acre Wood.  According to the filmmakers, A.A. Milne and his wife (a woefully terrible Margot Robie, Suicide Squad) were largely absentee parents that wound up exploiting their only child’s imagination for his stuffed animals for financial gain.  A late breaking and purely cinematic change of heart in Milne is the stuff of trite redemption stories but by the time it arrives the damage has extended too far into our consciousness.

4. mother! – Oh, how I was looking forward to this one.  This is one movie that had all the cards stacked in its favor.  An air of mystery, a celebrated director, a bankable movie star lead, and a supporting cast of solid actors that each have headlined their own film.  How did this one go so wrong?  mother! winds up on this list for being intensely unlikable at its best and practically unwatchable at its worst (which is most of the time).  An intriguing first 45 minutes (featuring the wonderfully feline Michelle Pfeiffer, Grease 2) gives way to utter insanity and culminates with a series of stomach churning developments.  Movies should always have an element of challenge to them but this one pushes the wrong buttons.

3. Roman J. Israel, Esq – Last year Denzel Washington had two movies that debuted to different receptions (Fences and The Magnificent Seven).  In 2017, Washington appeared in but one film, this severely misguided legal drama from writer/director Dan Gilroy (who was at the helm for the superb Nightcrawler in 2014) and the problems it has are too numerous to count.  It’s hackneyed plea for social justice reform reeks of half-baked rewrites and last-minute fixes and the supporting characters are but mere stereotypes. Even the reliable Washington is bizarrely off his game here, the Oscar buzz around his performances is mystifying.

2. Wish Upon – even thinking about this one again makes me mad.  Best to just tell you it’s horrible and barely coherent and leave it there.

1. The Snowman – unquestionably the poorest film released in 2017 and maybe one of the worst films of the last decade, The Snowman is uniquely terrible.  It’s a film that’s awful from almost the first frame and never even makes the effort to better itself.  That it’s filled with A-list stars and based off an international bestseller is bad enough, but most of the reasons it’s the worst of the worst is old fashioned bad filmmaking.  An embarrassingly heinous film and one that I’m sure will quickly be jettisoned from the resumes of everyone involved.  Let this one melt and never be heard from again.

Dis(Honorable) Mentions: Last Flag Flying, A Bad Mom’s Christmas, Home Again, Justice League

Most Misunderstood: Valerian and the City of a Thousand Planets – Make no mistake about it, this movie is absolutely bonkers and will likely only appeal to the very (very) open-minded.  I’ve found myself in opposition with critics and spoon-fed audiences that have trouble with these outlandish sci-fi yarns (see my lone-wolf praise for John Carter) but I can also understand where their fears come from.  I wasn’t prepared to love this one but it was so gaga in the visuals department and so unpretentious in its goal to jolt your senses that I had to give it some well-deserved major kudos.
Honorable Mention: Downsizing, The Greatest Showman

Joe’s Humble Pie Award of 2017 (movies that turned out differently than I expected going in): Darkest Hour – True story, but I was really dreading seeing this slice of life biography on Winston Churchill.  Knowing that it covered the same period that was depicted so masterfully in Dunkirk, I just couldn’t muster any kind of excitement for it even after hearing that Gary Oldman’s performance as Churchill was an Oscar shoo-in.  While it isn’t a perfect film due to some pacing issues, director Joe Wright (Anna Karenina) and Oldman gave audiences a rarity: edge-of-your-seat entertainment with a story anyone that has ever taken a history class was already well-aware of.
Honorable Mention: Brad’s Status, Personal Shopper

Movies You Probably Haven’t Seen But Should

A Cure for Wellness

All I See Is You

Annabelle: Creation

Beatriz at Dinner

Certain Women

Gifted

God’s Own Country

Ingrid Goes West

Interiors

Life, Animated

Personal Shopper

Southside With You

Stronger

The Florida Project

The Handmaiden

The Lost City of Z

Tickled

Toni Erdmann

Click HERE for a full listing of films seen in 2017
Total Movies Seen in the Theater110
Total Movies Seen at Home176
Grand Total for 2017 (not counting films seen multiple times)278
Where I Saw the Most Movies – Showplace Icon (41!)

Movie Review ~ A Bad Moms Christmas


The Facts
:

Synopsis: A Bad Moms Christmas follows our three under-appreciated and over-burdened women as they rebel against the challenges and expectations of the Super Bowl for moms: Christmas. And if creating a more perfect holidays for their families wasn’t hard enough, they have to do all of that while hosting and entertaining their own mothers.

Stars: Mila Kunis, Kristen Bell, Kathryn Hahn, Jay Hernandez, Christine Baranski, Susan Sarandon, Cheryl Hines, Peter Gallagher, Justin Hartley

Director: Jon Lucas, Scott Moore

Rated: R

Running Length: 104 minutes

TMMM Score: (2/10)

Review: It’s a good thing for the filmmakers of A Bad Moms Christmas that I’m not in charge of the naughty or nice list because it would be coal for all if I had my way. What a stupid piece of trash this one is, so lame-brained and barely breathing that I’m amazed it was produced and released at all. It exists for no one other than the tax write-off seeking producers and holiday cash starved actors willing to lower themselves to the level of writer/directors Jon Lucas and Scott Moore (Office Christmas Party).  I didn’t care much for 2016’s Bad Moms (actually, I didn’t care for it at all) so when it became a sleeper summer hit and this holiday-themed sequel was fast-tracked I must admit I was curious to see what new shenanigans the ladies would get up to. Turns out it’s just more of the same inane antics that are really just barely-there ideas for vignettes weakly strung together to create a 104-minute film. A very long 104-minute film.

As in the original film, the lives of these women are scripted entirely by the male writer and directors and I’d love to hear what their moms and wives think about their take on the mother’s role in the Christmas season. Lucas and Moore seem to believe that all mothers hate the holidays because it’s nothing but endless amounts of work for them with no thanks and certainly no fun. They are forced to put up a tree, decorate the house, buy presents, wrap presents, cook, clean, host parties, and do it all with a fake smile plastered on their face. At least that’s how Mila Kunis’ Amy tells us it is as she narrates the opening of the film that shows the aftermath of the holidays.  As a camel saunters by, she promises to tell us how she wound up with her house destroyed.  Sigh…if we must.

Flashing back through the six days leading to Christmas, we meet up again with Amy, her children, and her new boyfriend (Jay Hernandez, Suicide Squad) as they prepare for the arrival of Amy’s shrill mother (Christine Baranski, Into the Woods) and milquetoast dad (Peter Gallagher, Hello, My Name is Doris). Across town, Kiki (Kristen Bell, Frozen) is surprised that her smother-mother (Cheryl Hines, Wilson) has showed up three days early while Carla (Kathryn Hahn, We’re the Millers) is shocked her free-wheelin’ mama (Susan Sarandon, Tammy) has showed up at all. Kunis (Ted), Bell, and Hahn share precious few scenes together with Lucas and Moore opening up their world a bit more now that they have more characters to juggle. That means kids and males are left in the dust as the moms and daughters work out their issues as the holidays get closer.

There’s so much to dislike about this movie. From the extremely long leash the filmmakers give the usually funny foul-mouthed Hahn to ham it up while waxing the testicles of a ‘sexy’ Santa (Justin Hartley, who we’re forced to watch poorly strip-tease THREE times during the course of the film), to the uncomfortably ugly way that Baranski and Kunis spar over everything from décor to holiday spirit, to Bell blindly ignoring the fact that her mom is maybe so clingy because she’s completely alone and has no friends of her own.

Straining to see some good, I will say that though Baranski has fashioned her entire career on playing these types of frigid shrews, she gets some of the best moments in the movie with her deadpan reactions and sharp comebacks. They even let her sing a bit during a too-long caroling scene that at least serves as an opportunity to bring back the sorely missed Christina Applegate (Vacation) for a brief cameo. I also enjoyed Sarandon’s crass take on an aging biker chick that barely realizes she’s a grandma and the best passage of the entire film is when all three moms gather together to work out their woes.

At the end of the first film there was an excellent scene during the credits where the actresses and their real moms were interviewed. It was by far the best part of that whole movie and I was halfway looking forward to something similar here. Unfortunately, all that’s available during the credits is an exhaustive dance sequence clumsily filmed against a green screen. It’s just another example of the hap-hazard filmmaking that brought A Bad Moms Christmas to our cinematic mantle. My advice would be to throw this one into the fire and ask Santa to bring you a real comedy for the holidays instead.