Synopsis: A journalist must investigate a mysterious videotape that seems to cause the death of anyone one week to the day after they view it.
Stars: Naomi Watts, Martin Henderson, David Dorfman, Brian Cox, Jane Alexander, Lindsay Frost
Director: Gore Verbinski
Running Length: 115 minutes
TMMM Score: (8/10)
Review: There’s nothing like seeing a movie in a packed theater. Nothing. I don’t care if it’s a high octane action adventure, a period drama, or a raucous comedy, the energy that comes from being shoulder to shoulder with a group of people all having the same shared experience is not something that can be duplicated at home. That’s especially true with horror movies because often it’s hearing the shrieks of others that add to the engagement of the crowd – maybe you chuckle at the screamer for jumping at such an obvious moment or perhaps you nervously laugh because it could have been you that let out that great big yelp.
I vividly remember being jam-packed into a theater for an early screening of The Ring in October of 2002 and feeling a palpable tension before the movie even began. The trailer for the movie was pretty freaky and while the general plot of the movie was known, not much more had been revealed so unless you were familiar with the original Japanese novel by Kôji Suzuki or 1998 movie you likely were going into the film without any idea of what you were in for. Being a remake of a Japanese film, this isn’t simply an outright horror gore fest but a mystery with terror elements coming into play as the protagonist gets closer to the truth. Even rewatching it recently, I was pleasantly surprised how well it held up after all these years…especially the scares.
An investigative reporter (Naomi Watts, Luce) looks into the death of her niece and uncovers a supernatural evil that follows her home. A videotape exists that, once watched, will start a cycle of death and madness that must be stopped before seven days have passed. When her son (David Dorfman) is exposed to the tape she works with her ex-boyfriend (Martin Henderson, Everest) to find the origin of the VHS, eventually tracing it to a family haunted by secrets living on a remote island. As the days tick away and an evil presence grows closer, the journalist must figure out how to break the curse before it comes for her.
It’s nice to remember that of all the remakes of Japanese horror films, The Ring was the first out of the gate and is the most successful of the lot. Director Gore Verbinski (The Lone Ranger) and screenwriter Ehren Kruger (Dumbo) have taken the original 1998 film Ringu from Hideo Nakata and nicely transplanted it to Washington state in addition to other easy adjustments for US audiences. It’s lacking in some of the subtleties that helped make Ringu so frightening but it achieves its own share of scares that are often as memorable. Verbinski’s film looks great and I’d only wish the performances were a bit more even-keeled throughout. Watts makes for a strong and competent lead but she’s prone to jump into wild-eyed mode at the drop of a hat. Less successful are Henderson and Dorfman as the two men in her life…both are kinda duds and feel like they get in the way of Watts when she’s trying to keep the picture chugging along.
Inspiring an uninspired sequel (that brought back director Hideo Nakata) and an even worse third film that barely got released, I’m dreading the day when I hear this is going to be remade in a similar fashion to The Grudge. Another US remake may improve The Grudge which was never that strong to begin with but The Ring got it right out of the gate so there’s nothing to be gained from restarting from the ground up. I enjoy this movie for its craftsmanship and high scare factor – no improvement needed.