Synopsis: A journalist must investigate a mysterious videotape that seems to cause the death of anyone one week to the day after they view it.
Stars: Naomi Watts, Martin Henderson, David Dorfman, Brian Cox, Jane Alexander, Lindsay Frost
Director: Gore Verbinski
Running Length: 115 minutes
TMMM Score: (8/10)
Review: There’s nothing like seeing a movie in a packed theater. Nothing. I don’t care if it’s a high octane action adventure, a period drama, or a raucous comedy, the energy that comes from being shoulder to shoulder with a group of people all having the same shared experience is not something that can be duplicated at home. That’s especially true with horror movies because often it’s hearing the shrieks of others that add to the engagement of the crowd – maybe you chuckle at the screamer for jumping at such an obvious moment or perhaps you nervously laugh because it could have been you that let out that great big yelp.
I vividly remember being jam-packed into a theater for an early screening of The Ring in October of 2002 and feeling a palpable tension before the movie even began. The trailer for the movie was pretty freaky and while the general plot of the movie was known, not much more had been revealed so unless you were familiar with the original Japanese novel by Kôji Suzuki or 1998 movie you likely were going into the film without any idea of what you were in for. Being a remake of a Japanese film, this isn’t simply an outright horror gore fest but a mystery with terror elements coming into play as the protagonist gets closer to the truth. Even rewatching it recently, I was pleasantly surprised how well it held up after all these years…especially the scares.
An investigative reporter (Naomi Watts, Luce) looks into the death of her niece and uncovers a supernatural evil that follows her home. A videotape exists that, once watched, will start a cycle of death and madness that must be stopped before seven days have passed. When her son (David Dorfman) is exposed to the tape she works with her ex-boyfriend (Martin Henderson, Everest) to find the origin of the VHS, eventually tracing it to a family haunted by secrets living on a remote island. As the days tick away and an evil presence grows closer, the journalist must figure out how to break the curse before it comes for her.
It’s nice to remember that of all the remakes of Japanese horror films, The Ring was the first out of the gate and is the most successful of the lot. Director Gore Verbinski (The Lone Ranger) and screenwriter Ehren Kruger (Dumbo) have taken the original 1998 film Ringu from Hideo Nakata and nicely transplanted it to Washington state in addition to other easy adjustments for US audiences. It’s lacking in some of the subtleties that helped make Ringu so frightening but it achieves its own share of scares that are often as memorable. Verbinski’s film looks great and I’d only wish the performances were a bit more even-keeled throughout. Watts makes for a strong and competent lead but she’s prone to jump into wild-eyed mode at the drop of a hat. Less successful are Henderson and Dorfman as the two men in her life…both are kinda duds and feel like they get in the way of Watts when she’s trying to keep the picture chugging along.
Inspiring an uninspired sequel (that brought back director Hideo Nakata) and an even worse third film that barely got released, I’m dreading the day when I hear this is going to be remade in a similar fashion to The Grudge. Another US remake may improve The Grudge which was never that strong to begin with but The Ring got it right out of the gate so there’s nothing to be gained from restarting from the ground up. I enjoy this movie for its craftsmanship and high scare factor – no improvement needed.
Synopsis: A father and son, both coroners, are pulled into a complex mystery while attempting to identify the body of a young woman, who was apparently harboring dark secrets.
Stars: Brian Cox, Emile Hirsch, Ophelia Lovibond, Olwen Catherine Kelly, Michael McElhatton, Jane Perry
Director: André Øvredal
Running Length: 86 minutes
TMMM Score: (8/10)
Review: Based on the recommendation of a trusted source, I fired up The Autopsy of Jane Doe a while back on a cold evening when I had the apartment to myself. I turned off all the lights and settled in to see if the good buzz from my friend was real. 86 minutes later the lights had been turned on (and stayed on for the better part of the night) and my nerves were downright rattled. A rare jewel in a sometimes-tarnished crown of low-budget horror films, The Autopsy of Jane Doe has some smarts behind it, not to mention a fair share of goosebump-inducing passages.
Proving once again why you should just close up shop when the day is done, a father-son set of coroners answer a late-night call from the police to start an autopsy of a young woman found buried in a neighboring town. Though she’s been hidden in the dirt for an indeterminate amount of time, her alabaster skin doesn’t show any decay nor is there any sign of immediate trauma. As the two men work into the night in their shadowy underground funeral home, they begin to believe not only that there’s spooky forces at play surrounding Jane Doe…but that the body might not be dead enough for burial just yet.
As the family members plunged into a frightful night of terror, Brian Cox (Pixels) and Emile Hirsch (Lone Survivor) play well off each other, mostly because they treat the material with the right amount of growing warines. The father is more trusting of history and science while the son is willing to suspend his disbelief and consider that what’s happening to this body can’t be explained away by documented medical cases. Writers Ian Goldberg and Richard Naing’s plot will keep you guessing and their script is aided by André Øvredal’s measured direction. Special mention must be made to the actress playing Jane Doe (Olwen Kelly) who has to do a helluva lot lying full naked on a cold metal slab.
The final 1/3 of the movie is loads of fun with many developments happening in quick succession. You’ll never get too far ahead of the characters, thereby enjoying each twist as it develops in front of you. There’s a fair amount of autopsy gore but the other violence is handled with just the right quantity of blood and guts. I hesitate to call the film classy because then we get into a different type of horror film that this one just doesn’t have any aspiration to be. It knows what it is and is highly effective in its mission to freak you out. Watch it alone if you must but try and rope a friend in to share the love.
We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.
I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.
So sit back, relax, and enjoy the ride read.
I just wasn’t prepared for July. It hit me like a ton of bricks, a wave of cinematic excursions that made my head spin. So many movies were released that it was hard to keep track from week to week what was arriving and what was still waiting for its release date. As you can see below, I had a lot of catching-up to do
The month began with the disappointment of Terminator Genisys. I’m not sure exactly what I was expecting from the return of Arnold Schwarzenegger but it for sure wasn’t the muddled misfire that was supposed to reboot this franchise. Badly cast with shoddy special effects, this was supposed to be the beginning of something but should likely be the end (though it did do well overseas so we may yet get another one of these in a few years).
A few summers back I lamented how bad the original Magic Mike was. Trading eye candy entertainment for any semblance of watchable narrative, it was another dud (for me) from Steven Soderbergh. So you’d understand why I wasn’t keen on Magic Mike XXL because I felt we’d already been there done that. Much to my delight, the sequel was much better than its predecessor, maintaining the fun frivolity of the world of male strippers while injecting some personality into the proceedings. Quite possible the biggest surprise of the summer for me.
I learned a lot from the wise documentary Amy, chronicling the rise and fall of Amy Winehouse, the singer with the bluesy voice and broken butterfly backstory. She had a lot to overcome and the film made a compelling argument that she would still be here today had she had a better support system.
Though I loved the Minions in the Despicable Me films, I didn’t care for their solo outing with its half-baked story and less that inspired vocal work. It felt like a quick cash-grab and it looks like it accomplished its goal. Hopefully next time they’ll come back with a better story and more convincing actors.
The found footage horror movie had its death knell with The Gallows, a brainless exercise in tedium peppered with cheap scares and lousy acting. Could have (and should have) been much better.
Now we approach a stretch where I checked out for a bit – but I’m atoning for it now with these mini-reviews.
Movie Review ~ Batkid Begins The Facts: Synopsis: On one day, in one city, the world comes together to grant one 5-year-old cancer patient his wish. Batkid Begins looks at the ‘why’ of this flash phenomenon. Stars: Miles Scott Director: Dana Nachman Rated: PG Running Length: 87 minutes TMMM Score: (7/10) Review: Can I admit something to you and not have you hate me? When I first saw the media frenzy around this back in 2013 I remember rolling my eyes are the saccharine nature of the whole endeavor. Why would an entire city be brought to a screeching halt because of one kid’s wish to be Batman for a day? Well, the documentary Batkid Begins showed me why and by the end I was feeling like a lout for my initial feelings and wiping away the happy tears the film easily brings forth from the viewer. Following the planning and execution by the Make-A-Wish Foundation to give a 5 year old leukemia survivor the day of his dreams, viewers get a glimpse at what goes into even the smallest wish granted by the organization. While it at times comes off like a big advertisement, it’s heart is most certainly in the right place and I found myself getting choked up with each good deed and promise fulfilled by a host of people involved in making the day come off without a hitch. An audience-pleasing winner.
Movie Review ~ The Overnight The Facts: Synopsis: A family “playdate” becomes increasingly interesting as the night goes on. Stars: Adam Scott, Jason Schwartzman, Taylor Schilling, Judith Godrèche Director: Patrick Brice Rated: R Running Length: 79 minutes TMMM Score: (7/10) Review: There and gone in an instant, The Overnight is a film better suited for home viewing anyway. A couple (Adam Scott and Taylor Schilling) new to the area meet Jason Schwartzman at a local playground where both of their children are playing. Their kids have hit it off so Schwartzmann invites the family over for more fun, but when the kids go to bed Schwartzman and his wife Judith Godrèche have more interesting games to play for the unsuspecting couple. Saying more would spoil the fun but it’s an adults only evening with oodles of twists and turns as both couples bare their secrets (and their bodies) before the night is over. Already famous for its full frontal shots of Schwartzman and Scott (sorry, both are wearing prosthetics), at 79 minutes the movie is short but does start to feel long in the middle section. It helps immensely that all four actors are competent and comfortable with the material…the story doesn’t hold back and neither do they.
Movie Review ~ Ant-Man The Facts: Synopsis: Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world. Stars: Paul Rudd, Michael Douglas, Michael Pena, Evangeline Lilly, Corey Stoll, David Dastmalchian, T.I. , Judy Greer, Bobby Cannavale, Martin Donovan, Wood Harris, John Slattery, Gregg Turkington, Abby Ryder Fortson Director: Peyton Reed Rated: PG-13 Running Length: 117 minutes TMMM Score: (6/10) Review: Early troubles with the start of production with Ant-Man and some seriously questionable teasers/trailers didn’t get me very excited for this mid-summer superhero movie. I think Marvel was hoping that Ant-Man would score along the lines of last summer’s Guardians of the Galaxybut it’s sadly missing the humor that made Guardians so much fun. It’s not a total wash though because for every 10 minutes of standard origin-story developments, there’s a solid 5 minutes of exciting action sequences to wake audiences up from their slumber. I know that with an origin story you need to cover a lot of ground and Ant-Man, to its additional credit, doesn’t waste much time in getting to the goods…but it’s a cheap-o undertaking and one that feels like a second-string entry in Marvel’s blockbuster universe. Paul Rudd makes for a surprisingly solid action lead as does Corey Stoll as Rudd’s nemesis, but Evangeline Lilly labors too much under her severe wig (that seems to change lengths multiple times, in the middle of scenes) and isn’t a good enough actress to carry some weighty responsibilities. A decent entry as far as Marvel films go…but I’m not clamoring for a sequel any time soon.
Movie Review ~ Irrational Man The Facts: Synopsis: A tormented philosophy professor finds a will to live when he commits an existential act. Stars: Joaquin Phoenix, Emma Stone, Parker Posey, Jamie Blackley, Betsy Aidem, Ethan Phillips, Sophie von Haselberg Director: Woody Allen Rated: R Running Length: 96 minutes Trailer Review:Here TMMM Score: (6/10) Review: It happens every year and every year you never quite know what to expect. I’m speaking, of course, of the annual Woody Allen release and like many of the directors works, it’s a hit or miss affair. I’m constantly in awe that Allen has churned out a film a year (sometimes two a year) for the last three decades and even the really bad ones aren’t as terrible as the other dreck dumped on us during the summer. Last year Magic in the Moonlight was dismissed as too slight even for Allen but I enjoyed its frothy charm…something that was missing from the more serious-minded Irrational Man. As a boozy professor that gets into hot water in his New England college town, Joaquin Phoenix was perhaps the wrong choice because the actor plagues himself far too much for Allen’s light material. At least co-star Emma Stone helps keep Phoenix from the quicksand of his own creation but she can’t be in every scene and it’s when Phoenix is on his own that the film goes slack. Then there’s Parker Posey who I’m becoming convinced is simply not of this earth and doesn’t try to hide it anymore. Bizarre line readings and the tendency to let her mouth hang open are only the tip of Posey’s strange acting iceberg. Very much in line with the dark humor of Allen’s Crimes and Misdemeanors, Irrational Man should hold your interest for a time but it’s quickie ending feels like Allen was ready to move on to his next film rather than put a period at the end things.
Movie Review ~ Trainwreck The Facts: Synopsis: Having thought that monogamy was never possible, a commitment-phobic career woman may have to face her fears when she meets a good guy. Stars: Amy Schumer, Bill Hader, Brie Larson, Mike Birbiglia, Colin Quinn, Tilda Swinton, Ezra Miller, John Cena, Vanessa Bayer, Jon Glaser, LeBron James, Method Man Director: Judd Apatow Rated: R Running Length: 125 minutes Trailer Review:Here TMMM Score: (6.5/10) Review: One of the true success stories of the summer has to have been Amy Schumer, not so much for writing and starring in Trainwreck but the collective impact she’s had on the comedy scene. Unapologetic in her crassness and wise in her observations, Schumer is a comic moving like a shooting star and it’s nice to report that I think she’s a pretty decent actress as well. As much as I enjoy Schumer I was nervous that she was attaching herself to director Judd Apatow because Apatow, as we all know, has a way of turning in muddled work. Unfortunately, Apatow’s influence led the film to be about 20 minutes longer than it needed to be and ultimately overstaying its welcome. I don’t care what anyone says about the appearance of LeBron James as a bona fide supporting player, his entire storyline should have been excised and the film wouldn’t have suffered at all. The problems get worse because Apatow likes to cast non-actors in his film and put in cameos when you least expect it…to the detriment of the flow of the narrative. He stumbles badly in several places here but is saved by Schumer and Bill Hader as the opposites attract duo that confidently lead the film. Special mention must, again, be made to Tilda Swinton for disappearing within her role as Schumer’s glam yet grim boss. Worth it for Schumer, Swinton, and Hader…but watch it at home so you can fast forward through the slow Apatow-ish parts.
Movie Review ~ Mr. Holmes The Facts: Synopsis: An aged, retired Sherlock Holmes looks back on his life, and grapples with an unsolved case involving a beautiful woman. Stars: Ian McKellen, Laura Linney, Hiroyuki Sanada, Roger Allam, Frances de la Tour, Hattie Morahan, Patrick Kennedy, Philip Davis, Milo Parker Director: Bill Condon Rated: PG Running Length: 104 minutes Trailer Review:Here TMMM Score: (8/10) Review: In reality, I probably should have given Mr. Holmes a more thorough review than I’m about to give here…but I have a feeling I’ll have a chance to discuss it more over the next few months because if all is right with the world Ian McKellen will find himself nominated in a few Best Actor categories during the end of the year awards round-up. McKellen plays an aged Sherlock Holmes living in the country, attended to by a no-nonsense housekeeper (Laura Linney) and entertained by her young son. There’s actually three Holmes on display here as the present Holmes recalls two previous cases he was involved with that had an impact on his life. With a smart script from Jeffrey Hatcher adapted from a popular novel, it’s directed with a mellow grandeur by Bill Condon. Condon and McKellen scored before with the fascinating Gods and Monsters and here’s hoping they go the distance with this one too. An interesting tidbit, at one point Holmes ventures out to see a Sherlock Holmes movie…and the actor playing Holmes on screen (Nicholas Rowe) played the detective in 1986’s fun frolic Young Sherlock Holmes.
Movie Review ~ Paper Towns The Facts: Synopsis: A young man and his friends embark upon the road trip of their lives to find the missing girl next door. Stars: Nat Wolff, Halston Sage, Austin Abrams, Cara Delevingne, Justice Smith Director: Jake Schreir Rated: PG-13 Running Length: 109 minutes TMMM Score: (7/10) Review: After The Fault in Our Stars became a runaway hit last summer movie studios were looking for the next big alt-teen romance that could lure YA audiences away from summer action flicks. Turns out they didn’t have to look far because Paper Towns was adapted from the novel by the same author as The Fault in Our Stars. While Paper Towns doesn’t center around a disease that threatens to tear our lovebirds apart, it has its own mystery about it as Nat Wolff goes looking for his recently vanished neighbor (Cara Delevingne) that he’s been enamored with (or more like fascinated by) since they were children. Following the clues she seemingly left for him, Wolff and his friends embark on a journey of discovery where they Learn Life Lessons. The film kept my interest for most of the running length and it’s only in the final passages when all is explained does it feel a little like a letdown. Still, there’s a smart air of riskiness that elevates the film and more often than not it lands on the good side of taking that risky step.
Movie Review ~ Pixels The Facts: Synopsis: When aliens misinterpret video feeds of classic arcade games as a declaration of war, they attack the Earth in the form of the video games. Stars: Adam Sandler, Brian Cox, Kevin James, Michelle Monaghan, Peter Dinklage, Josh Gad Director: Chris Columbus Rated: PG-13 Running Length: 105 minutes TMMM Score: (3/10) Review: A movie where everyone involved should hang their head in shame. There’s actually some semblance of a good idea here with aliens attacking earth with classic arcade games but unfortunately it gets trampled by Adam Sandler’s lazy acting, Kevin James bad acting, and Josh Gad’s awful everything. Michelle Monaghan looks positively embarrassed to be sharing scenes (especially romantic ones) with Sandler and only Peter Dinklage comes out relatively unscathed in a campy, mullet wearing performance. For fans of ‘80s nostalgia there are some pleasant diversions as video game characters pop up in (supposedly) comical ways and I think that director Chirs Columbus really did give the material a chance to be something interesting…but Sandler and his crew suck the life out of everything and are so devoid of any vested interest that you wonder why you should care at all either.
Movie Review ~ Southpaw The Facts: Synopsis: Boxer Billy Hope turns to trainer Tick Willis to help him get his life back on track. Stars: Jake Gyllenhaal, Forest Whitaker, Rachel McAdams, Curtis “50 Cent” Jackson, Clare Foley, Miguel Gomez, Victor Ortiz, Rita Ora, Naomie Harris Director: Antoine Fuqua Rated: R Running Length: 123 minutes TMMM Score: (6.5/10) Review: By now, we know that Jake Gyllenhaal is a smart actor. With role after role from Prisoners to Nightcrawler to End of Watch we’ve seen that he’s up for most any challenge and likes to dive deep into his roles. So it’s not surprising that he was drawn to this tale of redemption concerning a famous boxer at the top of his game dealt a series of terrible blows (in more ways than one) and his eventual path back to himself. What is surprising is that while the performances are very good you can’t get away from the fact that the story feels recycled and originally intended for a different set of lower string stars. I’m always on the fence regarding Forest Whitaker but as the wise boxing manager that grudgingly comes to Gyllenhaal’s aid, the actor reminds us why he so deserved his Best Actor Oscar for The Last King of Scotland. Also turning in a great performance in Rachel McAdams (The Vow) as Gyllenhaal’s high school sweetheart, mother of his daughter, and the only one that seems to have his best interest at heart.
Southpaw was also at the center of some controversy that arose this summer about movie trailers that give away too much of the film. If you have seen the trailer for Southpaw you know what I’m talking about…if you haven’t, please go into the movie blind. I had a faint idea what the spoiler was and even that made the first ¼ of the film much less involving. Worth it for the performances but gets knocked out by an also-ran plot.
Movie Review ~ Samba The Facts: Synopsis: Samba migrated to France ten years ago from Senegal, and has since been plugging away at various lowly jobs. Alice is a senior executive who has recently undergone a burn-out. Both struggle to get out of their dead-end lives. Samba’s willing to do whatever it takes to get working papers, while Alice tries to get her life back on track until fate draws them together. Stars: Omar Sy, Charlotte Gainsbourg, Tahar Rahim, Izia Higelin, Isaka Sawadogo Director: Olivier Nakache, Eric Toledano Rated: R Running Length: 118 minutes TMMM Score: (5.5/10) Review: Of all the movies I’m talking about in this wrap-up this is one I’d bet dollars to donuts that you’ve never heard of. And you couldn’t be blamed because this barely made a blip on the usually forgiving art-house circuit. From the star and directors of 2012’s dynamite The Intouchables comes this story of an immigrant man living in France who crosses paths with a burned out executive when the man is discovered to be an illegal alien. Omar Sy (Jurassic World) and Charlotte Gainsbourg don’t have that much chemistry but in a weird way it works for the oddball romance that develops over the course of the film. I never could get a real feel if the movie was a comedy, drama, or something in between…and neither could most of the people involved. Slightly recommended but only if the plot or stars appeal to you.
That almost did it for July…but there was still one weekend to go! Moving up several months from its planned December release, the fifth installment of the Mission: Impossible franchise had its brains in the right place but at times forgot to bring its brawn. I still prefer Ghost Protocol to Rogue Nation but as long as star Tom Cruise keeps making these films interesting I’ll keep accepting future missions. Here’s hoping he brings along Rebecca Ferguson again because finally there is a female that is every bit a match to Cruise’s daring agent.
I wasn’t sold at all when I heard that Warner Brothers was planning on remaking National Lampoon’s Vacation but as time went on I heard more that it was more of a sequel than a reboot (resequel?) and I started coming around to the idea of a new Vacation. I enjoyed Ed Helms and Christina Applegate as the hapless couple traveling cross-country with their children…but audiences and most critics didn’t. It wasn’t a great movie and was probably too crude to be part of your Vacation marathons…but I have to say the worst part about it was when original stars Chevy Chase and Beverly D’Angelo showed up. Still, I’m hoping it made enough money to warrant a holiday themed sequel. In any event…it’s a damn sight better than European Vacation.
Wow – July didn’t skimp on variety, did it? Arguably the hottest month for releases, it carried over the promise of May and June and laid a path for August to do quite well…but could it top the three months that came before it?
Review: Merriam-Webster defines goofy as “being crazy, ridiculous, or mildly ludicrous” and also defines silly as “exhibiting or indicative of a lack of common sense or sound judgment”. Based on a popular graphic novel from DC Comics, 2010’s original Red was a film of goofy fun that was a surprise sleeper hit at the box office thanks in no small part to its game cast willing to poke fun at their gradual over-the-hill-ness. Unfortunately, the sequel falls into the silly category with the gang reassembled for a movie that feels constructed for a quick buck.
Red 2 throws the audience right back into the middle of the lives of Frank (Bruce Willis, Looper, Moonrise Kingdom), Marvin (John Malkovich, Warm Bodies), and Victoria (Helen Mirren, The Door, Monsters University)…all supposedly classified as Retired and Extremely Dangerous (RED). It’s hard to put the gun down though so all three still get in on the occasional action, though Frank is more focused on shopping at Costco with his quirky love Sarah (Mary-Louise Parker) than playing international spy.
Elements from a mission from Frank’s past pop up suggesting his involvement with smuggling a nuclear device into Russia and that’s when Frank, Marvin, and Sarah have to go on the run to avoid several interested parties in getting their hands on the device and Frank. This leads to a globe hopping mission that would make James Bond airsick and is punctuated by title cards announcing the latest destination in a redundant fashion (i.e. one moment we are in “England” and then it’s “London”)
Willis is a curious actor that seems to appear in no less than twenty films a year, many of them instantly forgettable. Still, I enjoy the fact that he seems to realize where he sits on the Hollywood food chain and happily takes the money from the work he gets. As always, Malkovich keeps things interesting while Parker instills her character with perhaps one too many layers, effectively short-sheeting herself. You can almost hear Mirren’s eyes rolling throughout the film, yet she comes out largely unscathed thanks to the actress tackling the material and forcing it into submission.
As is the case with most sequels, this one gathers some new folks to replace those that didn’t survive the first film and that’s where the movie starts its rapid swerve off course. Korean assassin Han Cho Bai (sleepy looking Byung-hun Lee, so much more effective in the nightmare-inducing I Saw the Devil) has some beef with Frank and a running gag of Frank stealing Han’s private plane has little mileage. Neal McDonough’s American assassin is so perfunctory it almost seems like he was filming scenes for another movie. While Anthony Hopkins (Hitchcock) is an interesting choice for the role of a looped-out scientist, the script by returning screenwriters Jon and Eric Hoeber never gives the award-winning actor much room to breathe and the result is a stifled performance.
Then there’s Catherine Zeta-Jones (Rock of Ages, Side Effects) as a Russian with the most pronounced Welsh-accent in film history. I thought several times that Zeta-Jones might just make a meal out of the kitten-esque spy role but she’s treated so poorly by the script that she becomes yet another casualty of uninspired creativity. In the end, the most dramatic thing about her is her bangs.
Instead of the tongue and cheek approach Robert Schwentke brought to the original, director Dean Parisot instead takes to sticking his tongue out at the audience who paid money to see this overly jokey film that takes shameless product placements to new levels. It simply never finds its footing and has too many holes and passages that can’t be taken seriously. The action sequences are devoid of any excitement and its PG-13 rating means that while lots of guns get fired and bombs explode there is nary a speck of blood in the entire film. I’m not advocating for splatter sprayed all around just for the hell of it but the film was clearly trimmed of any/all serious violence to stay within its rating.
Red 2 is the most disappointing kind of sequel – one that tries to outdo the first without tipping its hat to any of the elements that made the original so appealing. It’s a lazy and cheap looking film that might make for a decent rental down the road on a day you’re home sick from work. That way, you can fall asleep in your own bed rather than in a movie theater and not feel quite as guilty. Skip it.
Synopsis: Frank Moses and his motley crew of retired assassins return for a second outing.
Release Date: July 19, 2013
Thoughts: In 2010, RED was an unexpected fall hit, propelling a sequel forward with much of the original cast in tow. The nicely constructed first film was an oddball mix of action, comedy, and violence that played into the strengths of people like Bruce Willis while letting a star of Helen Mirren’s ilk go guns ‘a blazin’. The sequel looks to be more of the same and in true Oceans 11 fashion more big names have been added to the list like Oscar winners Catherine Zeta-Jones and Anthony Hopkins. With new director Dean Parisot (taking over for Robert Schwentke who had his hands full with R.I.P.D) I’m hoping the same light touch is maintained, making this second film the first of several sequels.
Synopsis: In order to gain influence over their North Carolina district, two CEOs seize an opportunity to oust long-term congressman Cam Brady by putting up a rival candidate. Their man: naive Marty Huggins, director of the local Tourism Center.
Stars: Will Ferrell, Zach Galifianakis, Jason Sudeikis, Katherine LaNasa, Dylan McDermott, John Lithgow, Dan Aykroyd, Brian Cox, P.J. Byrne
Director: Jay Roach
TMMM Score (5/10):
Review: Election Day may be several months away but the makers of The Campaign would have you believe that you’re in the thick of the political mud right here and now. A smartly timed release, however, can’t totally save a film that doesn’t have as many ballots in its joke box as it thinks it does. The teaming of two strong comedians in a raunchy R-rated comedy most likely had Warner Brothers head honchos salivating in their suede shoes, but the results are decidedly hit and (mostly) miss. You’ll laugh…but you may wish you hadn’t after the fact.
Most of the ads have mentioned that director Roach is responsible for the Austin Powers and Meet the Parents films while neglecting to point out that he’s spearheaded two excellent political satires for television, Game Change and Recount, that skewered some very true life stories. So Roach is in a slightly familiar stomping ground which is why the film has a fresh, nearly bubbly quality to it. It shines like a new penny with crisp colors in a strong production design.
I’m not sure how much direction Roach gave Ferrell and Galifianakis because it seems like they were given free rein to do their shticky thing throughout. Ferrell plays a dialed back version of a handful of characters he perfected on SNL to create a dunderhead politician that is all libido and no policy. He’s ran unchallenged for many a term and when he’s caught in a scandal his powerful CEO backers (Aykroyd and Lithgow pretty much playing the Don Ameche/Ralph Bellamy characters from Trading Places) decide to put their money on a different horse.
The horse in question is Galifianakis who has settled on playing his character with a wispy voice complete with lisp and a general light-in-the-loafers attitude. I’d say it’s offensive but it’s such an obvious and uninspired character choice that it would only offend if it was the least bit creative. As it stands, Galifianakis does elicit some laughs from his manner of dress and sweetly small-town attitude but Mr. Deeds Goes to Town he is not.
Galifianakis and Ferrell become opponents in a race that gives mudslinging a bad name. Idiotic debates, devastating attack ads, and Ferrell’s penchant for not once but twice punching an unwitting constituent in the face all add to the lunacy on the campaign trail. An icky subplot involving infidelity takes the cruel factor one step too far and the movie has to work hard to get the audience back from such a nasty swipe.
In between all that I think there was some message about honor, dignity, and family values but the satire gets squashed in favor of crude jokes and mean-spirited plots of revenge. Perhaps with two different stars the film could have achieved what it was trying to say but it’s hard to get any word in edge-wise when Ferrell and Galifianakis are galloping along this horse race.
Did I laugh? Of course I did. There are several exchanges that will produce the necessary belly laughs and strangely enough none of them involve the leads. Aside from Ferrell and Galifianakis Roach has peppered his film with veteran actors and up-and-comers that make the most of their screen time. I could easily have seen bigger female stars playing the wives of the candidates but instead Roach cast comic actresses that were simply right for their roles.
At less than 90 minutes The Campaign does start to sag just as the election results are coming in. Who wins and who loses isn’t really the issue here because you’ll probably figure out what’s going to happen long before the votes are tallied and the credits roll. What matters most is what enjoyment you can derive from some overly raunchy humor delivered by comedians that I think could have done better.