Synopsis: By the year 2067, Earth has been ravaged by climate change and humanity is forced to live on artificial oxygen. An illness caused by the synthetic O2 is killing the worlds’ population and the only hope for a cure comes in the form of a message from the future.
Stars: Kodi Smit-McPhee, Ryan Kwanten, Leeanna Walsman, Deborah Mailman, Matt Testro, Damian Walshe-Howling, Aaron Glenane
Director: Seth Larney
Running Length: 114 minutes
TMMM Score: (2/10)
Review: I wasn’t too far into the new sci-fi flick 2067 when it struck me how much effort was put into a movie that far too few people will actually see. Sure, nowadays films are shot on an iPhone and released on YouTube but this Australian funded and produced film looks to have had not a small amount of money spent on it yet it’s arriving within the VOD space during a very busy release week. With nothing to set it apart from the flock, it needed to have some hook to attract the attention of viewers that would want to put other anticipated titles aside and choose this one instead. If the film had been better, I might shed a tear or two but this is such a rote, run-of-the-mill time-travelling to the past to save the future (but with a TWIST!) endeavor that the entire affair hardly seems worth the two hours you could have spent on a more original idea.
Like last week’s similarly-themed LX 2048 which brought us to a future where the sun’s rays had become lethal, in 2067 we’re almost a half century onward and now the Earth’s air has grown toxic. The population treats pure oxygen as a hot commodity with the clean stuff going for a pretty penny after its discovered living too long on artificial oxygen is even more deadly. Underground worker Ethan Whyte (Kodi Smit-McPhee, ParaNorman) toils long hours in dangerous conditions in order to make enough money to keep his ill wife (Sana’a Shaik) healthy for as long as possible. Working alongside his quasi big-brother who has been looking out for him for years (Ryan Kwanten), he’s surprised when the company he works for that also dabbles in tests to find a cure for the plague requests his presence at their headquarters and offers up a striking proposal.
Seems that Ethan’s late scientist father (Aaron Glenane) had been experimenting in time-travel and had nearly made it work before he mysteriously died. The work has continued with his colleagues continuing to send messages through a portal and they’ve only now just received a message back…and it points to Ethan as a possible solution to Earth’s impending doom. Offered a chance by the company’s head officer (Deborah Mailman, The Sapphires) to take a leap of faith and find the answers that will save the Earth, Ethan will also come face to face with dark truths from his past that continue to haunt his present….even as he explores a future world that he may never make it back from.
If there’s one thing to say about writer/director Seth Larney’s futuristic film, it’s that it looks pretty good for an independently produced sci-fi spectacle. Though obviously working with a smaller budget than your typical blockbuster, there are some very nice effects at times in 2067 but on the other hand quite a lot of the movie takes place in one of two specific sets that are just redressed to different time periods. The truth of the matter is that this is, frankly, boring and doesn’t justify it’s incredibly long run time. What might have had the makings of a short episode of the revamped The Twilight Zone has been stretched to a punishing feature length that can’t support it’s very meager plot littered with questionable twists and performances that are surprisingly shoddy for some and outright poor for others.
Between this and LX 2048, it’s obvious that there’s a 20 year period in our future that’s looking pretty bleak…a bad sign when things in 2020 aren’t feeling so hot either. It’s disappointingly acted and while Australian films are often produced to handsome results, aside from a few nice visuals it’s by and large a cheap looking show that doesn’t earn any points for originality. There’s far better options for you in the VOD world right now and 2067 is an easily skippable one.
[…] At his site, Botten reviewed “Happy Halloween, Scooby-Doo,” “A Howling in the Woods,” ” Monsterland,” “Death of Me,” “The Lie,” “Black Box” and “Possessor” for his 31 Days to Scare series. Botten also wrote about the films “The Devil to Pay,” “A Call to Spy,” “The Great American Lie” and “2067.” […]