Synopsis: Two unlikely companions embark on a perilous adventure through the badlands of an unexplored planet as they try to escape a dangerous and disorienting reality, where all inner thoughts are seen and heard by everyone.
Stars: Daisy Ridley, Tom Holland, Mads Mikkelsen, Demián Bichir, Cynthia Erivo, Nick Jonas, David Oyelowo, Kurt Sutter, Ray McKinnon
Director: Doug Liman
Running Length: 108 minutes
TMMM Score: (4.5/10)
Review: I don’t know, folks, there may be some trouble keeping Tom Holland on the A-List if these past few weeks at the movies have been any indication. It’s no wonder the hype machine on the third Spider-Man movie (titled Spider-Man: No Way Home, due later this year) surprisingly kicked into high gear right around the time the blistering review for Holland’s Apple TV+ film Cherry started popping up. Just two weeks later, Holland has a new project coming out and another reason for his team to be sweating. I can only imagine what bit of Spider-Man news will come out this weekend to direct attention away from the news that Chaos Walking is another dud from Holland, though this time it’s not entirely his fault.
This long in the works adaptation of the first book in a trilogy of YA novels by Patrick Ness published in 2008, it’s not shocking in the least why Chaos Walking struggled to get off the ground over the years. Arriving on the scene in the midst of a number of other popular series for teens being adapted into movies with more of an adult slant, a fair share of high-profile writers tried their hand at the script before it finally wound up back with Ness who gave it a final polish. At one point, Oscar-winning director Robert Zemeckis was circling the project and while that might have been an interesting route to take, I actually think the director Lionsgate wound up with, Doug Liman, is a solid choice. Responsible for admirable work like The Bourne Identity and Edge of Tomorrow, Liman is no stranger to complex narrative or impressive visuals so he wouldn’t have struggled with bringing to life a world that has unique characteristics while not getting too deep in the fantasy of it all.
Two hundred years in the future on another planet called, of course, New World, is the small settlement of Prentisstown, named after the malevolent mayor (Mads Mikkelsen, Casino Royale) who presides over the entirely male population. All of the females of the group were killed by the Spackle, native inhabitants to the planet that descended on the group one day not long after the settlers arrived on the planet, around the same time both genders discovered the planet gave them the ability to hear and sometimes even see the thoughts of other men. The women’s thoughts, however, were hidden. These thoughts on display came to be called “Noise”. While the book has the luxury of explaining this phenomenon in detail, the movie skirts the subject fairly quickly so we’re left with a “that’s that, move on” sort of attitude, not that we can ever hear the “Noise” that clearly thanks to the sound design being so muffled throughout.
Too young at the time of her death, Todd Hewitt (Holland, The Impossible) never knew his mother but is aware she trusted Ben (Demián Bichir, The Hateful Eight) and Cillian (Kurt Sutter, writer of Southpaw & creator of Sons of Anarchy) to care for him as his adoptive parents after she was taken. So he spends his days trying to suppress his Noise while helping on Ben and Cillian’s humble farm. He’s returning from the field one day when he sees something he’s never encountered before but only heard about…a girl. Crash landing on the planet as part of the Second Wave, Viola (Daisy Ridley, Murder on the Orient Express) is the only survivor from her crew and needs Todd’s help to find a communication device to contact her ship so they know she made it and won’t abandon their mission. However, Viola’s arrival uncovers a deadly secret from the history of Prentisstown that a number of people, including the town’s holy man (David Oyelowo, The Midnight Sky) would just as soon stay buried. Pursued by those he formerly trusted, Todd and his dog Manchee accompany Viola to the far ends of New World where they’ll discover more truths about Noise, New World, and each other.
To his credit, Ness has laid a groundwork for a series that has potential. So why is Chaos Walking so decidedly unexciting in its action and unmoving at its core? Much of that comes down to what I think are simple logistics; nothing in the movie ever works in harmony so you have, essentially, chaos throughout. The acting doesn’t seem to gel with the script, finding some of the cast exceling by tuning in their performances and taking the material for what it is and nothing more (like Ridley who got good at that working on the Star Wars films) while others take it too far in the other direction, working so hard to uncover what’s not there that they wind up totally blank themselves (sorry, Mr. Holland). The simplistic, truncated script doesn’t seem to work with the style of movie Liman wants to make, either. Liman’s action sequences are the best parts of the movie without question but they’re few and far between and never turn the dial up far enough so that you feel like any stakes are raised.
Chaos Walking also has a very bad habit of letting the focus fall on the wrong people for too long and forgetting (sometimes entirely) about characters that were introduced as important. I won’t say who, but there’s one character played by an Oscar-nominated performer who never gets a final scene, so we have no idea what happened to them. The last time we saw them, they may have been in danger but Liman and Ness never make it clear which way the teeter was tottering. It’s unfair to leave people hanging like that. Also, the movie commits a cardinal sin that you simply do not do if you want a compassionate audience to remain even the slightest bit on your side. Again, I don’t give out spoilers but if you’re paying attention to who goes with Viola on her journey you might be able to guess what said sin is. And it’s not pretty. It’s a cheap movie device that screenwriters should find a way out of using because it’s expected and, when it happens, only serves to show the inherent weakness in creative thought for how to motivate your hero/heroine.
Before I forget, we have to circle back to Ridley and Holland again. Though Ridley manages to come out slightly unscathed here, there’s still a bit of a wonder why she’s back in this neo-sci-fi work so close to the end of her tenure in Star Wars. If I were her agent, I’d be steering her away from these types of roles in favor of work that is completely different, so she isn’t pigeonholed. Ridley is a solid actress but there isn’t much for her to work with, but at least she’s able to fashion it into something not totally goofy. The same can’t be said for Holland who is reduced to muttering most of his lines (turn the subtitles on, you’ll thank me), many of which are descriptions rather than actual sentences, so he comes off like he’s just verbally pointing out things. “Yellow Hair” “Girl” “Pretty” “Bug” “Girl” “Pretty”. Could another actor have fixed this? Maybe not, but Holland seems more confused with what to do than anything… all the way up to flashing his bare bottom while fishing for his dinner. The scene feels there to wake up anyone that might have been about to doze off.
Though this is based on the first book in a trilogy I’d be amazed if Chaos Walking performs well enough to warrant a sequel and it seems as if the filmmakers knew that too. Thankfully, while the door is clearly open for a continuation, the ending can be interpreted in a number of different ways depending on how you’re approaching the film. As a fan of the novels, I’m sure you’ll see the possibilities of what’s to come. If you are new to the series and were entertained, could be that now you are invested and are crossing your fingers they can get Ridley and Holland back together again to finish the story. However, my camp is the one that gets to the end and is ready to walk on past any more installments. It doesn’t walk, nor run, nor jump, nor fly…Chaos Walking merely limps along, disappointingly so.
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