Synopsis: A mother is trying to put her dark past as a Russian drug courier behind her, but a retired cop forces her to do his bidding by holding her daughter hostage. Now, she’ll use guns, guts, and a motorcycle to take out a series of violent gangsters — or she may never see her child again
Stars: Morgan Freeman, Ruby Rose, Patrick Muldoon, Julie Lott, Ekaterina Baker, Nick Vallelonga, Joel Michaely, Miles Doleac
Director: George Gallo
Running Length: 96 minutes
TMMM Score: (0/10)
Review: It’s a good thing screeners for Vanquish were sent out so far in advance of its mid-April release because I’ve legitimately needed a solid three weeks to process just how bad the movie is. Honestly, that may sound extreme, but you obviously haven’t seen this sorry excuse for an action thriller yet. I’m hoping to turn you toward something more entertaining, like lying on a bed of discarded dentures watching an army of ants carry away a breadcrumb soaked in root beer. Movies (and Oscar-winning acting careers) don’t get much more crud-tastic than this and if you aren’t popping your third Aleve after the headache inducing lighting and camera work by the time this is all over, there should be some ice cream coupon digital reward for your efforts.
Once upon a time, seeing Academy Award winner and everyone’s favorite disembodied voice Morgan Freeman’s name attached to a film meant something. If it wasn’t exactly clout, then it was that the production had something interesting going for it that attracted Freeman to sign on. Other than the fact that he gets to sit for the entire film, I’m not sure why Freeman is co-starring as a retired cop playing mind games with a former drug runner who happens to be his housekeeper (or cook? It’s never clear but cleaning and cooking are mentioned, though lead Ruby Rose doesn’t show up to his unfurnished house dressed to do either.) Instead, Freeman (Lucy) literally cools his heels for 96 minutes and totally tanks his reputation in writer/director George Gallo’s insanely gaudy and lurid female John Wick-ish wannabe flopparoo.
The phrase “you know you’re in trouble from the start” is used often but it’s right on the money in the case of Vanquish because the credits alone tell you everything you need to know on the quality of the film about to unfold. Clocking it at a zombifying six minutes and featuring some of the poorest photoshopping of old Freeman photos into fake newspaper stories that look like a fourth-grade book report only less literate, I stopped counting the number of times they used the same press photo from a previous Freeman film. If you want to add some extra hilarity to your night, pause and read some of the headline gems. All sound like they were lifted directly out of Babelfish translator from one foreign language into English. None of them read quite right.
This jumps into Gallo’s tacky, neon-colored fantasy version of (I think) Los Angeles, though I’m not sure it’s ever explicitly stated, where ex-cop Freeman sets up his personal care attendant (Rose, The Meg) to gather a wealth of cash from a series of rogue criminals, and not very nicely holding her daughter (cast with a young actress that appears incredibly tired the entire film) as collateral. Obtain all the money for him and his goomba associates (played by the most offensively stereotypical and dumb character actors that obviously called in a favor to maintain their Screen Actors Guild benefits) and she and her daughter will go free. Ah…but never get between a woman with a buzzcut and her child, especially one that decided to get out of the business, has successfully stayed clean, and doesn’t like to be pushed around.
Described in the press notes as “glossy and stylized”, I’d describe Gallo’s vision as “syrupy and trite”, offering nothing of value either in the directing or writing categories. Whatever mileage could have been gained from the very playable set-up of mother fighting back against all odds and punishing the vile men that put her in this position is lost among the noise of terrible filmmaking and worse acting. This includes Freeman who doesn’t look like he doesn’t know what’s going on – he knows exactly what movie he’s in and decided to do it anyway. He rightly blows every scene partner he has out of the water (poor Rose is practically mush when he’s through with her) but it’s such a surreally weird performance for Freeman to have taken that you spend most of the film wondering if Freeman simply saw the paycheck and signed on to the script sight unseen.
Consider that Rose was once supposed to be the next thing and then take a look at the work being done here. Strange line readings and emotions that are, misplaced would be putting it nicely. As in the recent S.A.S. Red Notice, she’s decent when it comes to the non-dialogue action scenes but strap yourself in anytime she starts to act as that’s when the big trouble begins. Thinking of how many strong female stars Freeman had shared the screen with and then watching him try to work his way through a scene with Rose and it’s almost laughable. For an even more depressing thought, consider there is a double Oscar-winner Nick Vallelonga (producer and writer of 2018’s Green Book) playing a hammy supporting character (also terribly) present and realize that Freeman’s Oscar status is still likely the only one that will be discussed in the bad reviews for the film. Then again, when the performance of Freeman ranks significantly lower than the one he gave several months earlier in a cameo as an animatronic crab in Barb and Star Go to Vista Del Mar, there’s clearly a big problem to solve.
I cannot overstate what a flaming piece of garbage Vanquish is. Every piece of the production is terrible. Direction, writing, production, acting, music, cinematography…all awful. Even the costume design looks like it was done via a straw poll between the actors. What a pity as well because this one could have had some decent traction with better stars and a new director. Alas, no, it is what it is and it is heinous. Vanquish is it named and vanquished from your must-see list it should be.
Available in Select Theaters on April 16th and on Apple TV, and Everywhere You Rent Movies on April 20th
Available on Blu-ray and DVD on April 27th