Synopsis: When Van Helsing’s mysterious invention, the “Monsterfication Ray,” goes haywire, Drac and his monster pals are all transformed into humans, and Johnny becomes a monster.
Stars: Brian Hull, Jim Gaffigan, Andy Samberg, Selena Gomez, Kathryn Hahn, Steve Buscemi, Molly Shannon, David Spade, Keegan-Michael Key, Fran Drescher, Brad Abrell, Asher Blinkoff
Director: Derek Drymon and Jennifer Kluska
Running Length: 88 minutes
TMMM Score: (5/10)
Review: Now that we’re in the second decade of this site, I find that I’ve had more opportunities to go back and revisit some of the reviews I did in that first year and aside from noticing that my love for run-on sentences hasn’t changed, I’ve also seen that my taste in specific genres has. Maybe it was the younger me that wasn’t quite as hard to entertain but back then I derived a lot more thrill from an upcoming animated release, especially one that spoke to my style of dark humor. That’s why I developed such a fondness for darker kids fare like Coraline and ParaNorman (still do) and also why each time a new Hotel Transylvania film was released I was eager to book a stay. If anything was going to resurrect nostalgia that had been buried up to its neck by dreck, this was the franchise to do it.
The first Hotel Transylvania in 2012 was a dynamic, if not overly inspired, PG comedy that brought together a number of famous monster characters and made them family friendly. Dracula was now a single-dad running a hotel catering only to creature clientele with his friends Frankenstein, the Wolf Man (Steve Buscemi, The Dead Don’t Die), the Mummy (Keegan-Michael Key, Tomorrowland), and the Invisible Man (David Spade, Tommy Boy) also pitching in. When Dracula’s daughter Mavis (Selena Gomez, Dolittle) falls in love with human Johnny (Andy Samberg, Palm Springs), who waltzes in not knowing that his kind is not so much catered to as served by the caterer, it forces Dracula to reevaluate his protection of his daughter. The 2015 sequel branched out the story nicely by including the in-laws, Johnny’s parents and Dracula’s dad, both of whom come into play after the birth of Dracula’s first grandson. I didn’t do a formal review of the last film from 2018 but the colorful vacation cruise storyline gave Dracula his own love interest in the form of a Van Helsing relative.
For the opening of the fourth chapter, Hotel Transylvania: Transformania, the Hotel has gone through some renovations and like the Holiday Inn near my grandparent’s house that removed the jacuzzi between our Thanksgiving and Christmas stay in 1991, it hasn’t been for the better. Gone are original voices of Dracula and Frankenstein, Adam Sandler and Kevin James, replaced with Brian Hull and Brad Abrell (only Hull makes an attempt to recreate Sandler’s sound) and Genndy Tartakovsky, the director who spearheaded the previous three entries is only credited with the story on this stay. New directors Derek Drymon and Jennifer Kluska come from the land of SpongeBob SquarePants, a factoid I read up on after the movie concluded but which makes total sense when you consider how the story develops and the strangely bright tone it takes. Not only is it the weakest entry, wisely skipping a theatrical release and heading straight for a debut on Amazon Prime, it feels far removed from the trilogy it is following. If this is the direction the Hotel Transylvania industry is headed, I think I’ll look for a different place to visit in the future.
On the eve of Hotel Transylvania’s 125th birthday, Dracula is planning to retire with wife Ericka Van Helsing (Kathryn Hahn, Bad Moms), leaving the business to his daughter and her husband. During a conversation with the free-spirited Johnny, Dracula balks after hearing his planned ‘improvements’ to the hotel and instead tells him it’s impossible to give the hotel to a non-monster, causing a despondent Johnny to turn to wacky Van Helsing (Jim Gaffigan, Them That Follow) for help. It just so happens the mad scientist has a tool that can change humans into monsters…and vice versa. Using the “Monsterfication Ray”, the goofy Johnny is transformed into an equally goofy dragon. When Dracula finds out what he innocently misled Johnny to do and then accidently changes himself into an ordinary human, breaking the ray in the process, the two will need to work together and travel across the globe for a solution…before their wives find out.
Generally, unless you’re working with an exemplary example of skilled writing and creative storytelling, an animated film can start to feel stale after it’s introduced the characters and settled into finding the way toward a happy ending. Almost from the start, Transformania gets gummy and can’t shake some sense of exhaustion. It doesn’t help that taking Dracula and Johnny out of their environment and putting them into a South American one feels more like it’s a comfort to its directors than the core audience and fans of the series. The most exciting scenes remain those featuring the darker, more spooky creations of the computer animation wizards at Sony Animation Studios and there are some nice comic bits after Dracula’s friends turn themselves into humans. Who knew Frankenstein was such a hunk?
If you or your kids are fans of the series, by all means fire Hotel Transylvania: Transformania up on Amazon Prime and continue your adventures with the gang. It’s worth the watch more for the B plot involving the side characters reacting to their transformation than anything going on in the A plot. There’s just nothing new to the father/son-in-law bonding story audiences (yes, even kids) haven’t been exposed to and better through other films. I’m sure this is a franchise that could go on longer, yet there is a sweet finality to the movie where it could end here and it would feel right. Money will always win out…but here’s hoping the keys get turned in and the lights shut off soon.