Movie Review ~ Peter Rabbit


The Facts
:

Synopsis: Feature adaptation of Beatrix Potter’s classic tale of a rebellious rabbit trying to sneak into a farmer’s vegetable garden.

Stars: James Corden, Rose Byrne, Domhnall Gleeson, Sam Neill, Daisy Ridley, Elizabeth Debicki, Margot Robbie

Director: Will Gluck

Rated: PG

Running Length: 93 minutes

TMMM Score: (8/10)

Review: As I hunkered down on a chilly Saturday for an early morning screening of Peter Rabbit there were a few thoughts going through my head. The first was a silent prayer that Hollywood didn’t take Beatrix Potter’s beloved characters and turn them into grating kooky animations. The second musing I found myself pondering was what took so long for Potter’s creations to make their way to the screen in the first place? Plenty of small screen animation adaptions featuring Peter Rabbit, Jemima Puddle-Duck, Mrs. Tiggy-Winkle, Squirrel Nutkin, and more have popped up throughout the decades and a fond memory of my youth was going to see Beatrix Potter’s Christmas (think The Avengers, just with Potter’s most famous critters) over several years at MN’s Children’s Theater Company. Yet aside from a Potter biopic (the largely forgotten Mrs. Potter), there’s been little love for the woodland creatures themselves.

What a pleasure it was, then, to find that Peter Rabbit is a real delight, a rare family film that’s truly something the whole family can get something out of. For kids there’s plenty of slapstick comedy that doesn’t involve farts or other rude nonsense and for adults there are a bevy of laughs that will easily sail over the heads of tykes too young to get the humor.

In the English countryside, Peter Rabbit (voiced by James Corden, Into the Woods) is fond of making his way into the garden of Old Mr. McGregor (Sam Neill, Jurassic Park) and filling up on his plump vegetables. Pulling his cousin Benjamin Bunny (Colin Moody) in on his schemes and being cheered on by rabbit triplets Flopsy (Margot Robbie, I, Tonya), Mopsy (Elizabeth Debicki, The Great Gatsby), and Cottontail (Daisy Ridley, Murder on the Orient Express), days are just a series of adventures that usually end with Peter being chased by the annoyed farmer into the loving arms of his caretaker Bea (Rose Byrne, Insidious). One day, the antics go too far and Old Mr. McGregor has himself a heart attack leaving his garden and home to be overrun by animals.

In London, tightly-wound Thomas McGregor’s (Domhnall Gleeson, Goodbye Christopher Robin) OCD ways have gotten him the heave-ho from his job at Harrod’s department store. Informed of his inheritance of a house from an uncle he’s never met and without much to keep him in the city, he treks out to see his new property in the country. Once he arrives and cleans up the place, he sets his sights on ridding himself of the vermin problem…but also starts to fall in love with Bea. The latter half of the film focuses on Thomas and Peter’s escalating war, fighting for their territory and over the lovely woman that cares for both of them.

Director and co-screenwriter Will Gluck (Annie) has crafted a film that’s quite charming from the get-go. There’s sentiment for the origin of the stories (Bea is a painter that creates bizarre modern art but sketches her forest friends in intricate details, ala Beatrix Potter) but keeps enough pep in its step to not feel like a staid transfer of the books to the screen. The humor is broad and fast-paced but with a sly wink to always let the audience in on the joke. Sure, there’s a few questionable bits of mayhem (such as one moment where Peter briefly considers sticking a carrot into Old Mr. McGregor’s plumber butt crack) but the overall joy the film brings outweighs a few of these catering to the masses missteps.

Sprinkled with a soundtrack of familiar songs reimagined not to mention a few tunes Gluck penned himself and using Australia’s picturesque countryside as a stand-in for the English village of Windermere, this is a valuable film for parents to keep in their back pocket.  I found the 90 minute run time flew by and there are some nice touches from Gluck and company, such as having the live-action leads also provide voices for a few of the animals.  Along with Paddington 2, it represents a step above the usual family fare that blends live-action with animation (the result is dazzlingly seamless) and offers sure-fire matinee potential for the whole gang.

Movie Review ~ Hotel Transylvania 2

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The Facts:

Synopsis: Dracula and his friends try to bring out the monster in his half human, half vampire grandson in order to keep Mavis from leaving the hotel.

Stars: Adam Sandler, David Spade, Steve Buscemi, Kevin James, Molly Shannon, Jon Lovitz, Andy Samberg, Selena Gomez, Mel Brooks, Fran Drescher, Keegan-Michael Key

Director: Genndy Tartakovsky

Rated: PG

Running Length: 89 minutes

TMMM Score: (7/10)

Review: As a kid growing up watching Saturday morning cartoons I was more drawn to the adventures of Scooby-Doo than some of the more younger-skewing fare.  The best of the best, though, was when the Scooby-Doo episode would be extra-long or even a full length feature ala Scooby-Doo and the Reluctant Werewolf or my personal favorite Scooby-Doo and the Ghoul School.  So when the original Hotel Transylvania was released in 2012 I wasn’t all that surprised that I warmed to its silly, spooky charms with little resistance from my inner critic.

Three years later the inevitable sequel is released and it’s one of those rare instances where a second outing inches slightly above its predecessor in the fun factor.  Yes, it’s pretty much a retread of the original film with the central message of “Be yourself” reiterated often throughout the trim 89 minutes, but it’s all in the delivery and that’s where the film really takes off.

To recap the first film, Dracula (Adam Sandler, Blended) runs a hotel that caters to all manners of ghouls, ghosts, & monsters and is overprotective of his growing daughter, Mavis (Selena Gomez).  When human Jonathan (Andy Samberg, The To Do List) happens into the hotel lobby and catches the eye of Mavis, hilarity ensues as Dracula tries to keep the two lovebirds apart.

Picking up right when the original left off, the film opens with (spoiler alert!) the wedding of Mavis and Jonathan, followed by the birth of their firstborn son Dennis who sports the kind of luscious ginger curls that would make Little Orphan Annie salivate.  The Count becomes a doting grandpa, even as he grows more concerned by the day that little Dennis may not get his fangs and could be more human than monster.  So when Mavis and Jonathan take a trip to visit his family, the Count sets out to help the transformation along before it’s too late, bringing along friends Frankenstein’s Monster (Kevin James), the Mummy (Keegan-Michael Key, Vacation, taking over for CeeLo Green), The Invisible Man (David Spade, Entourage), and the Werewolf (Steve Buscemi, Monsters University) on a throwback road trip for morbid support.

As was the case with our first stay in Hotel Transylvania, the gags come a mile a minute but there are less duds in this sequel.  It’s all good-natured (if slightly too scary) fun that has its heart in the right place.  It’s telling that Sandler seems to be more appealing and certainly livelier as an animated character than he has been lately with his string of ghastly live-action turkeys.  Across the board the voice talent is strong, with the exception of Megan Mullally (Alexander and the Terrible, Horrible, No Good, Very Bad Day) as Jonathan’s suburban mom.  Mullaly channels her alter ego from television’s Will and Grace for the hundredth time and even her brief appearance grates on the nerves.

For the slightly older set and adults that fondly remember those Saturday morning adventures with Scooby-Doo, Hotel Transylvania 2 may not be five star entertainment but it’s worth checking into.