2018 – Best of the Best, Worst of the Worst, Grand Totals

Hello!

Wow!  Here we go into our year EIGHT of The MN Movie Man.  I can’t believe it! 

Below I’ve compiled my list of the best and worst of 2018.  As is typically the case, by the time it came to make this list things became a bit of a jumble and I decided to choose the movies that I had the strongest reaction to when I saw them.  I don’t revisit movies often but anything in the Top 5 are films that I’d add to my collection.  I also cheated a little bit…but it’s my blog so I can do what I want 🙂

As always, I’ve appreciated your feedback, your patronage, and your general presence in my blog. Even if you read this everyday but have never commented or made contact I can still tell you’ve been here and that means a lot.  

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Best Wishes to you and yours for a most Happy New Year!

~Joe (The MN Movie Man)

5. A Quiet Place – John Krasinski always felt like he’d best be remembered for playing Jim on NBC’s The Office but after writing/directing this spine-chilling genre film I’d be willing to bet they’ll also mention A Quiet Place in a list of his major accomplishments.  Turning a horror film on its ear and making it a metaphor about parenting was a smart move in keeping things in unfamiliar territory to audiences.  With his wife in the leading role and two dynamite child actors as their children, Krasinksi assembled a perfect roster across the board.  It was scary, it was emotional, and it was fantastically well made with a high re-watchability factor.  Super.

4. A Star is Born (2018) – After three previous versions of A Star is Born the question everyone wanted to know was if the story of a fading rock star falling in love with a pop star as she rises to fame would work in a modern setting.  Coupled with a stellar soundtrack and the kind of movie star chemistry you rarely see in these days, Bradley Cooper’s directorial debut was a knockout.  The first hour is better than most entire films released in 2018 and even if the second half can’t quite reach those same heights the work done by Lady Gaga and Cooper (not to mention Sam Elliott) is remarkable.  It’s even better on repeat viewings.

3. If Beale Street Could Talk – when the screening of this one was over I wasn’t quite sure what I thought about it, it’s one that will stick to your bones for many days to come.  In the days and weeks that have followed since I saw this Barry Jenkins adaptation of James Baldwin’s short novel, I’ve found it hard to get it out of my mind or shake it’s unforgettable imagery.  The performances are phenomenal and haunting – the way Jenkins has many of the actors deliver their lines directly to camera has a chilling effect you won’t soon forget.  A lyrical and beautifully constructed work of art.

2. Love Simon / Crazy Rich Asians – hooray for the return of the romantic comedy!  2018 had two shining examples of excellent romantic comedies and I couldn’t be happier to have them on my best of the year list.  Though it may teeter on the side of comedic drama, Love Simon is a sweet tale of a high schooler coming to terms with his sexuality and learning to be OK with it.  Crazy Rich Asians is the mega hit that heralded the return of the outright rom-com to cinemas that wasn’t afraid to be big and bold.  Often with these movies the main characters get overshadowed by showier supporting characters and it’s true that both of these offerings have memorable supporting players – but the difference is that the lead characters are written well enough that they remain as interesting as everyone else on screen.  More of these movies, please and thank you!

1. The Favourite – To be honest, I’m surprised this one found its way to the top of my list, but in looking at the movies I saw last year none struck the same clarion chord of expertise in quite the way that The Favourite did.  It’s absolutely not going to be everyone’s cup of English Breakfast tea but for those that are willing to tilt their head slightly to the side and see things askew, they’ll get a kick of this bawdy trip to Queen Anne’s court.  Everything about the production is sublime, from the costumes to the set dressings all the way up to the leading performances of a trio of excellent ladies.  I still think Rachel Weisz gave one of my favorite performances of the year in a very tricky role that could have gone into high camp.

Honorable Mentions: Mary Queen of Scots, Paddington 2, A Simple Favor, Roma, Overlord, Widows, Mary Poppins Returns, Spider-Man: Into the Spider-Verse, Mission: Impossible – Fallout, Revenge

 

5. Book Club – a movie featuring talented actors Jane Fonda, Mary Steenburgen, Candice Bergen, and Diane Keaton should be smart, finely tuned, and relevant.  Book Club is none of these things.  A lame-brained comedy that feels like it came out 20 years too late puts the four women in numerous embarrassing situations and asks them to recite godawful dialogue.  I took my mom to see this on Mother’s Day and felt like I had to ask for a do over the next weekend.

4. The Happytime Murders – I’ll admit it: I laughed at this movie…because there are a few jokes so repulsively blunt that you can’t help but stammer out a guffaw at what you just heard a blue felt puppet say to similarly pilling creation from the son of Jim Henson.  Having seen the foul-mouthed musical Avenue Q on Broadway, which gleefully advertises “Full Puppet Nudity” I get that there are jokes to be made as a commentary but the difference between that Tony winning show and this future Razzie winner, is that this movie has no creative bone in its body.  It’s just a series of sex jokes that are only funny because a puppet is saying them.

3. Breaking In – I’ve been a fan of Gabrielle Union for a while now and she deserves better than bargain-basement projects like Breaking In.  A basic cable style movie that somehow was picked up by a major studio and released to unsuspecting audiences paying full price, this was a brainless effort from all that touted a poster image of Union looking ready to kick butt but instead featured her as a character that made a series of totally idiotic moves.  Worst of all was Breaking In’s arrival in the midst of the #TimesUp movement because it features horrific treatment of women and one totally unnecessary death that I’m guessing will be enough for some viewers to turn it off when watching.

2. Holmes & Watson / Tag – I’m including Holmes & Watson and Tag together on this list because both feature stupid guys doing stupid things.  Holmes & Watson is yet another opportunity for Will Ferrell to cash a check for doing the same old schtick while Tag is an exhausting exercise in toxic masculinity run amok.  Chuck both of these in the trash bin and call it a day.

1. Welcome to Marwen – It’s been a few weeks since I’ve seen Welcome to Marwen and I’m still seething mad at how bad it was.  Director Robert Zemeckis wastes a great cast in his misguided exercise bringing the documentary Marwencol to life as a feature film.  What made sense in a documentary setting completely fails to translate to a narrative feature and audiences are left to white-knuckle it through very disconcerting scenes of exploitation of women and those suffering from mental health issues.  Universal Pictures should be ashamed of themselves for distributing this one.  Total garbage.

Dis(Honorable) Mentions: Mortal Engines, Solo: A Star Wars Story, The Girl in the Spider’s Web, Christopher Robin, Fifty Shades Freed, Night School, Pacific Rim: Uprising, First Man, Red Sparrow, Tomb Raider (2018)

Most Misunderstood: Suspiria – Oh boy this was a divisive movie!  Fans of Dario Argento’s classic original were aghast at what director Luca Guadagnino did to the relatively simple outline of the original.  I, for one, was happy to see that Guadagnino dug a little deeper than Argento did and brought out even darker elements to an already pitch black tale of witchcraft running rampant at a Germany dance academy.  This was a long movie with several horrifying sequences but I found it a thrilling and exciting undertaking.  More risks like this need to be taken, even if they don’t fully succeed or, in this case, make any money.
Honorable Mention: The Meg

Joe’s Humble Pie Award of 2018 (movies that turned out differently than I expected going in): Game Night – I fully expected Game Night to be another one of Jason Bateman’s smug comedies with him rolling his eyes and having some snarky comment at every turn.  Actually, there’s a lot of that going on here but it works to Bateman’s advantage because it fits in perfectly with the tone of the film.  Buoyed by a strong supporting cast, including Rachel McAdams in a delightful turn and Jesse Plemons as a deadpan dud, and some genuine twists that keep the film from getting too far ahead of its audience, this was a more than pleasant surprise.  Several points off for spoiling one of the best jokes in the trailer, though.  Tsk Tsk.
Honorable Mention: Mamma Mia! Here We Go Again

Movies You Probably Haven’t Seen But Should

A Star is Born (1937)
A Star is Born (1954)
Alpha 
Apostle
BlacKkKlansman 
Can You Ever Forgive Me? 
Eighth Grade
Film Stars Don’t Die in Liverpool 
Ghost Stories
Grand Canyon
Lean on Pete
Pick of the Litter
Rocky
Rocky II
Rocky Balboa
Searching 
Strong Island
The Harvey Girls

Click HERE for a full listing of films seen in 2018
Total Movies Seen in the Theater: 128
Total Movies Seen at Home: 184
Grand Total for 2018 (not counting films seen multiple times): 309
Where I Saw the Most Movies – AMC Southdale (35!)

31 Days to Scare ~ Night School

The Facts:

Synopsis: Who’s been decapitating the innocent girls at a local night school? The police are baffled.

Stars: Rachel Ward, Leonard Mann, Drew Snyder, Joseph R. Sicari, Nicholas Cairis, Karen MacDonald

Director: Kenneth Hughes

Rated: R

Running Length: 88 minutes

TMMM Score: (2/10)

Review:  Some movies are forgotten for a reason.  I’d never seen Night School until recently and any hopes of discovering a new diamond in the rough were squelched early on. Though released in the first wave of slice and dice slasher films that appeared after the success of Halloween and Friday the 13th, Night School just doesn’t make the grade when compared to other flicks of that era.  Moreover, fans who have hailed it for being one of the first female-centric slasher films seem to be willing to ignore that the violence (and general attitude) towards its female characters is terribly lurid.

First-time (and thankfully last-time) screenwriter Ruth Avergon’s script revolves around a leather clad killer chopping the heads off women attending, you guessed it, night school in Boston’s inner-city.  While the stalk and kill scenes have a certain style to them, it’s the tripe that takes place between the kills that drags this movie down to the depths.  Avergon’s characters are one dimensional and attempts to flesh them out fail miserably in the hands of actors without the chops to get the job done.  In her first role, Rachel Ward (The Thorn Birds) walks and talks likes she’s a bit drunk while straight-laced detective Leonard Mann emotes as if his life depends on it.  As a bed-hopping professor, Drew Snyder revels in the fact he’s been cast as catnip to women when his performance is more like garlic to a vampire.  The identity of the killer is easy to spot pretty early on and the red herring finale is pretty flimsy.

88 minutes feels like an eternity when you have pacing problems and that blame falls to director Kenneth Hughes.  I guess it’s hard to expect the director of the spoof version of Casino Royale and the family film Chitty Chitty Bang Bang to have much alacrity with the horror genre.  This was not only Hughes one foray into horror but his last film ever…maybe the large drubbing this film received upon its release in 1981 played a part in that?

Horror fans can see that Night School wants to emulate the Giallo style of filmmaking popularized in Europe in the ‘60s and ‘70s.  While it goes through a Giallo checklist in rote fashion, it misses the boat on pairing that style with atmosphere as well.  There’s no shock here, no sense of danger.  All it is is a deranged killer preying on female victims that don’t do much but throw up their hands in defense and cry when being attacked.  It’s an overall icky film and one you can easily avoid.  Released in 1981 along with lasting classics like The Howling, Wolfen, An American Werewolf in London, Halloween II, and Happy Birthday to Me, this one is bottom-feeding material.