Movie Review ~ The Other Woman

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The Facts:

Synopsis: After discovering her boyfriend is married, Carly soon meets the wife he’s been cheating on. And when yet another affair is discovered, all three women team up to plot mutual revenge on the three-timing SOB.

Stars: Cameron Diaz, Leslie Mann, Nikolaj Coster-Waldau, Kate Upton, Taylor Kinney, Nicki Minaj

Director: Nick Cassavetes

Rated: PG-13

Running Length: 109 minutes

Trailer Review: Here

TMMM Score: (6.5/10)

Review: In my review of the trailer for The Other Woman, I remarked that I felt the movie looked “like a mash-up of Outrageous Fortune and The First Wives Club” and that wasn’t too far off the mark. Actually, I’d add a few other girl power movies to that stew as well…titles like 9 to 5 and The Witches of Eastwick popped into my mind occasionally as this pretty flimsy but modestly entertaining film breezed by.

Probably destined to be added to the selections to consider at a Friday night martini slumber party for best girlfriends, The Other Woman brings nothing new to the landscape of female driven comedies. This is thanks in no small part to a hackneyed script from first timer Melissa K. Stack and slack direction from Nick Cassavetes (The Notebook). Both screenwriter and director let the film get away from them, with jokes that go on to long and a bizarre final dénouement that feels too heavy to rest of the shoulders of what had up until that point been a feather light revenge comedy.

What keeps the film afloat is a performance from Cameron Diaz that finds the actress at her most fresh, focused, and funny. Diaz is an actress that I have a love-hate relationship with…her film roles have always frustratingly reflected an actress that doesn’t want to be pigeonholed (The Counselor, What to Expect When You’re Expecting), but her talent clearly lies in comedy and her new film reflects a return to form that I welcomed with open arms. Decked out in svelte clothes that show off her just-past 40 bod and residing in the kind of glam NYC apartment that seems appropriate for a high powered attorney, Diaz brings her A game to what is a B- picture.

Second billed Leslie Mann (Rio, Rio 2) had something to prove to me: could she thrive in a film not directed by her husband (Judd Apatow…responsible for directing Mann in the heinous This is 40) and for the most part Mann keeps things on the up and up. I was worried at first that her voice was going to grate my eardrums like a block of cheese (it’s actually the awful Nicki Minaj, barely in the movie as Diaz’s annoying assistant that will make your ears bleed) but thankfully a brief adjustment period brought forth a ribald side to Mann that shows she can be ballsy without being Apatow-like crude. Even so, every now and then when a comedic bit would go on too long I couldn’t help but wonder if Apatow was on set that day.

Mann and Diaz are the wife and mistress of a businessman (Nikolaj Coster-Waldau, Mama, Headhunters) that discover each other by accident. Unable to confront her husband or talk to any of their mutual friends about the infidelity, she turns to Diaz for a toned shoulder to cry on. Initially hesitant to buddy up with the wife of her flame, Diaz is soon won over by milquetoast Mann and in short order the ladies raid Diaz’s closet, braid each other’s hair, have at least two drunk scenes, and then find out hubby is cheating on both of them with a Hamptons beach bunny, played by the buxom swimsuit model Kate Upton that’s been blessed with a fine figure yet not one scintilla of acting promise. Somehow, the three jiltees team up to take down Mr. Cheater but by then the movie is half over and there’s barely time to throw in some last minute shenanigans about embezzlement, an afterthought of a romance for Diaz (the genial Taylor Kinney), and an extended trip to the Bahamas which seemed like an expensive excuse for Diaz, Mann, and Upton to work on their tans.

Then there’s that ending. Comeuppance is always the payoff in these films yet what Stack worked up and how Cassavetes filmed it makes it feel like it came from a different, darker film. It doesn’t help matters that Coster-Waldau plays these final moments like he’s auditioning for a Scorsese film and overall isn’t very good as the philandering husband, never finding the balance between charm and smarm.

With several continuity errors, equipment visible (I saw Diaz’s wireless mic pack twice), and messy overdubbing to remove swear words that would have brought the film to an R rating, the film feels a little choppy though it does manage to find some smooth waters for Diaz and Mann to sail in. There are certain movie theaters that let you bring drinks to your seat with you and The Other Woman is one where a daiquiri, martini, or Long Island ice tea would enhance the experience quite nicely. Not terrible, not great…it’s sophisticated and funny enough to get a slight recommendation from me.

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