Synopsis: After being mortally wounded and taken to the morgue, murderer Jason Voorhees spontaneously revives and embarks on a killing spree as he makes his way back to his home at Camp Crystal Lake.
Stars: Corey Feldman, Crispin Glover, Lawrence Monoson, E. Erich Anderson, Judi Aronson, Joan Freeman, Barbara Howard, Clyde Hayes, Camilla More, Carey More, Ted White, Lisa Freeman, Kimberly Beck, Peter Barton
Director: Joseph Zito
Running Length: 91 minutes
TMMM Score: (8/10)
Review: It’s laughable now to think that upon its release in April of 1984 this was actually intended to be the swan song for masked maniac Jason Voorhees. I mean, the old guy still had six sequels, a spin-off with Freddy Krueger, and a remake yet to go before hanging up his machete…for now, at least. Remember, this was an era when multiple sequels were all but unheard of so for the Friday the 13th series to survive up until the fourth chapter was a bit of a miracle. Remarkably, instead of immediately seeing years into the future and the possible profits to be made, the producers made the conscious decision to close up shop and give the audience the finale they were owed.
After Friday the 13th became such an unexpected hit and spawned a quickie sequel followed by an otherwise lame-o 3D threequel, there didn’t seem to be much more to do with the story of a deformed killer offing nubile teens that are unlucky enough to enter his woods. So to tie up the loose ends, Joseph Zito was brought in as a new director and original make-up maestro Tom Savini was enlisted to make the film’s kills and their aftermath extra ooey and gooey. Zito had already directed the similarly themed The Prowler (check that one out, it’s a cult favorite) so he knew his way around the stalk and slash genre. Often called the father of Jason, Savini brought his superlative A-game to the screen, making some realistic effects jump off the screen with bloody delight.
Picking up right after the events of Friday the 13th Part 3, The Final Chapter takes its time in setting its star loose. First he’s brought to the morgue where he doesn’t stay on the slab for long and then he cuts his way back to his beloved Crystal Lake. Standing in his way is a house full of partying teens (including a young Crispin Glover and former Double Mint twins Camilla and Carey More) and a mother with two children, once of which will play a part in several of the sequels. It’s never explained why he targets this group, there’s no reference to the Camp Crystal Lake Jason called home nor do any of the characters have any relation to previous installments.
At 91 minutes, there’s not much time for character development and what little there is revolves around which guy is hornier and which girl is easiest. It has a relatively reserved pacing in the first act that gives way to multiple vignettes where victims find themselves alone and horrifically killed by the hockey-masked hellion. Though the movie was significantly cut to avoid an X rating, Savini leaves little to the imagination, culminating in a finale that ups the ante for gross out gore. Fans of the series that had been waiting for Jason to get his due must have gotten a total thrill out of seeing him hacked and whacked.
Previous entries of the franchise came off as retreads of the original or copies of other famous horror films but The Final Chapter felt like it strove to be better than the rest. With its effort to, ahem, flesh out its characters and take its time getting to the good stuff, there’s a reason why this one is held in high regard by fans. The success of this one at the box office meant there was an much reviled fifth installment greenlit and released barely a year after The Final Chapter but the series would get back into a fun groove with Jason Lives: Friday the 13th Part VI before careening downward fast again. Anytime I’m doing a Friday the 13th marathon I’ll watch the first four and, depending on my mood, throw on the sixth one for fun. Also a positive thing about The Final Chapter is that if you’ve never seen any previous film you could watch this without being too lost.