SPOILER-FREE FILM REVIEWS FROM A MOVIE LOVER WITH A HEART OF GOLD!

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Chum Review: All Fin No Function

Synopsis: A newlywed couple joins friends on a Mediterranean yacht excursion, only to find themselves caught between a predatory shark and a psychopathic killer in their midst, transforming a sun-drenched escape into a fight for survival.
Stars: Alice Eve, Eric Michael Cole, Jim Klock, Elle Haymond, Robert Grose, Sarah Siadat
Director: Jonathan Zuck
Rated: NR
Running Length: 87 minutes
Movie Review in Brief: A killer shark crashes a wedding and somehow the movie is the disaster. Inconsistent effects, flat acting, stolen ideas. Throw it back.

Jump the Shark, Literally

Some movies make you grateful for the good ones, and Chum is that kind of favor. In fact, the year is barely halfway done, and I think I have already found its worst film. Director Jonathan Zuck delivers a sharksploitation cheapie so slapdash that the shark itself changes size from shot to shot, as if the effects team never once compared notes. I happened to catch it not long before wandering the Academy Museum’s astonishing JAWS exhibition in California, which may explain why my patience for lazy shark cinema is running on fumes. There is no shame in chasing Spielberg’s tail. There is plenty in not even trying.

The setup is the only seaworthy thing here. Tina (Alice Eve, Star Trek Into Darkness) and Tom (Eric Michael Cole, Birds of Prey) charter a boat for a destination wedding that Tina wants annulled before the vows are even dry. Her bratty sister Sadie (Ella Haymond) sulks in the corner, a clump of influencer hangers-on hunt for content, and deckhand Roy (Jim Klock, Neighborhood Watch) keeps the motor running. When a great white starts thinning the wedding party, the captain reveals he would happily use the survivors as live bait, a beat lifted with zero shame from the far superior Dangerous Animals.

A Shark That Cannot Keep Its Size Straight

The kills should be the fun part. Instead they are where Chum capsizes. The shark balloons and shrinks from one cut to the next, sometimes dwarfing the boat, sometimes barely bigger than a dolphin, and never the same beast twice. When your monster cannot hold a consistent size for ninety seconds, the audience stops fearing it and starts charting its diet. Even Deep Water, another modest aquatic thriller from this same stretch of the calendar, at least respected its own rules. Here, continuity is treated like an optional upgrade nobody paid for.

The cast cannot bail the water out fast enough. Eve squints through her dialogue like she is reading it off the horizon, Cole plays the groom as a man slowly realizing his agent owes him an apology, and Rachinda (Sarah Siadat, Pretty Little Liars: The Perfectionists) is stranded with a character who exists only to be next. No one is bad in an interesting way. They are bad in the way of people who knew the boat was sinking and clocked in anyway.

It does not help that the movie cannot decide what it wants to be. The influencer hangers-on suggest a satire that never arrives, the wedding angle hints at a black comedy the film is too timid to commit to, and the gore gestures at a hard-R creature feature without ever earning the rating. Pick a lane. Chum idles in all three and arrives at none, which leaves long stretches where nothing is funny, nothing is scary, and nothing is happening. A movie about a shark eating a wedding party should never be boring, and yet here we are, checking the runtime while the cast treads water.

What Stinks up Chum

The deeper sin is not the budget. It is the contempt for anyone watching. Plenty of cheap creature features punch above their weight, and you do not have to look far for proof, since Hungry is swimming circles around this thing the very same season on a similar dime. Chum never tries. The script, credited to James Kondelik (who fares much better directing the recently released Pitfall), strings together set pieces with no rising tension, no rules, and no reason to care who lives. The gore is weightless, the pacing is seasick, and the ending simply gives up.

It somehow makes Jaws: The Revenge look like a documentary, and I never expected to type that sentence. That 1987 punchline at least had a movie star and a shark that roared. Chum has neither, just a digital fish with an identity crisis and a wedding party I was rooting against by the twenty-minute mark.

What stings is the wasted hook. There is a sharp little horror-comedy buried somewhere in the idea of a doomed destination wedding, the kind of premise a director with conviction could have spun into a cult favorite. Zuck settles for a screen-saver shark and a cast left to drift. By the time the credits roll, the only suspense left is whether the movie can land a single image worth remembering. It can’t.

Throw It Back

I take no joy in sinking a small film. Independent genre cinema is where some of my favorite discoveries live, and a killer-shark wedding is a perfectly good logline. But a good logline is a promise, and I’m here to report back that the promise was broken on arrival. Pencil it in as an early front-runner for my worst-of-2026 list and spend your ninety minutes almost anywhere else. The ocean has done nothing to deserve being this boring.

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Where to watch Chum