Movie Review ~ Downton Abbey


The Facts
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Synopsis: The continuing story of the Crawley family, wealthy owners of a large estate in the English countryside in the early 20th century.

Stars: Hugh Bonneville, Laura Carmichael, Jim Carter, Brendan Coyle, Michelle Dockery, Kevin Doyle, Joanne Froggatt, Matthew Goode, Harry Hadden-Paton, Robert James-Collier, Allen Leech, Phyllis Logan, Elizabeth McGovern, Sophie McShera, Lesley Nicol, Penelope Wilton, Maggie Smith, Imelda Staunton, Geraldine James, Simon Jones, David Haig, Tuppence Middleton, Kate Phillips, Stephen Campbell Moore

Director: Michael Engler

Rated: PG

Running Length: 122 minutes

TMMM Score: (8.5/10)

Review:  Needless to say, if you aren’t up to date with Downton Abbey it’s best to steer clear of this review until after you’ve seen the film.  I wasn’t quite caught up by the time the movie came out so had to delay my visit with the Crawley family for a week, they understood and I will also understand if you need to bookmark this review and come back when you’ve finished the sixth season of Downton Abbey.  I shan’t spoil the movie, no worries on that, but I may wind up spoiling something from that richly fulfilling final episode…so you’ve been warned.

Christmas has definitely come early to all of the ardent fans of the Crawleys, their extended family, and their staff at Downtown Abbey.  The long buzzed about movie that’s a continuation of the series which wound up its run in 2015 has arrived and it’s an absolute delight.  Delivering everything we’ve come to expect in the show and managing to provide supremely satisfying moments for every one of the major cast members, the Downtown Abbey movie is that rare instance of a television series translating beautifully to a feature length film.  It’s arrived in style with a pristine release date far removed from the late summer madness and just ahead of the more achingly serious work the fall brings us. Sure, you can quibble it’s really just a two hour “special episode” of the show…but what an episode!

It’s 1927 and a letter arrives via post to let Lord Grantham (Hugh Bonneville, Paddington) and his wife Cora (Elizabeth McGovern, Ordinary People) know that the King and Queen will be staying at Downton Abbey for one night as part of their tour of the country.   Everyone has a job in preparation for this royal visit.  As the agent of the estate, Lady Mary (Michelle Dockery, Non-Stop) makes sure the grounds are in order with the assistance of Tom (Alan Leech, Bohemian Rhapsody), who becomes distracted by the arrival of a strange man with unknown intentions.  Meanwhile, downstairs in the servants quarters emotions are running high in the kitchen with Mrs. Patmore (Lesley Nicol, Ghostbusters) fretting over the food and Daisy (Sophie McShera, Cinderella) dragging her feet on setting a wedding date with Andy (Michael Fox, Dunkrik).  Butler Thomas (Robert James-Collier, The Ritual) struggles with the responsibilities of his first big test as head butler while continuing to suffer silently as he hides a personal secret.  Now retired, Mr. Carson (Jim Carter, The Witches) can’t quite relinquish his reins over the household staff, much to the withering eye of his wife (Phyllis Logan, Secrets & Lies).

There’s more family and staff to cover but I’d rather let you see for yourself where writer Julian Fellows (Tomorrow Never Dies) takes these beloved characters over the ensuing two hours.  With the royal family bringing their own staff who wind up undermining the servants at Downtown Abbey, you can imagine there’s room for mischief as well as more serious subjects of marital strife and illegitimate children.  At least no one shows up to arrest Mr. Bates (Brendan Coyle, Me Before You) or his wife Anna (Joanne Froggart)…that seemed to happen every season 🙂  While I’m sure the storyline for the film had been percolating in Fellows brain for some time (and may even have been planned for the television show) he’s made good work of making the most out of the screen time each person is given in the film.  Fellows has always been good at using language eloquently and not saying something in 10 words when he could use 5 and that carries over here, too.  As such, the good-natured back and forth between the Dowager Countess (Maggie Smith, The Secret Garden) and Isobel (Penelope Wilton, The Best Exotic Marigold Hotel) is as crisp and crackling as ever.  I could honestly have sat for two hours, watched these women have a slyly barbed conversation, and been just as happy.

Were the main sources of conflict, like many situations in Downtown Abbey the series, things that could be solved if people had just sat down and talked with one another instead of gossiping secondhand or outright avoiding the subject entirely?  Of course.  Yet this is something longtime fans have come to expect from the show so it’s all much easier to swallow than a standalone feature without an established rhythm. Were there characters I missed seeing?  Sure.  Both of the Countesses hysterically squabbling servants are sadly absent and the film lacks an imposing figure that presents a significant challenge to anyone.  Did I think some staff members got a little more time to shine than others?  Yeah.  Yet these characters shining now often took a backseat in the series so why not let them have their moment in the sun.

With its high flying shots of Downtown Abbey (really Highclere Castle), all the familiar locations back in play, and that gorgeous theme music used in all the right places, director Michael Engler (who directed four episodes of the series, including the finale) doesn’t have to do much but let the actors do their thing speaking Fellows words while wearing Anna Robbins (Wild Rose) gorgeous costumes.  I think the finale of the film goes on a bit too long and rather serious/emotional conversation behind closed doors is inter-cut intrusively with another scene in a ballroom, but by that time I felt I had no right complaining because up until then Downton Abbey folk had been such great hosts.  With a smash bang opening and steady box office returns, the possibility of a return visit to Downtown looks highly likely.

Movie Review ~ The Imitation Game

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The Facts:

Synopsis: English mathematician and logician, Alan Turing, helps crack the Enigma code during World War II.

Stars: Benedict Cumberbatch, Keira Knightley, Allen Leech, Mark Strong, Charles Dance, Matthew Goode, Matthew Beard, Rory Kinnear

Director: Morten Tyldum

Rated: PG-13

Running Length: 114 minutes

Trailer Review: Here

TMMM Score: (8/10)

Review:  As I said in my review of the trailer for The Imitation Game, I worry that star Benedict Cumberbatch is getting ever so slightly overexposed.  From his on the spectrum performance in the BBC television series Sherlock to his sinewy performances in August: Osage County, Star Trek: Into Darkness, and 12 Years a Slave all the way to his sinister voice work in The Hobbit: The Desolation of Smaug and The Hobbit: The Battle of the Five Armies the actor seems to be everywhere nowadays.

With the arrival of The Imitation Game, we should all brace ourselves for more Cumberbatch in the years to come because it’s his performance here that should really put him on the map, not to mention guarantee his first trip to the Academy Awards.  Though the character could be a distant cousin to his Sherlock, Cumberbatch’s performance as mathematician turned code-breaker Alan Turing is a fully realized flesh and blood wonder, one not afraid to take aloof to the next level yet still managing to keep an audience engaged.

I’m not going to get into the specifics of the film because it’s so multi-layered that you’re better served letting the well-scripted film do the telling for you.  Adapted from the Andrew Hodges novel by young screenwriter Graham Moore, The Imitation Game benefits from Moore’s youth in its execution.  While the material is never dumbed down, it’s related to us through dialogue from someone that clearly has an ear for how to convey complex code talk and wartime business to the masses.

Norwegian director Morten Tyldum (who helmed the bloody good Headhunters) keeps everything moving at a nice clip from the get-go.  We meet a post-war Turing being investigated by the police who look back into his life for clues to a current crime.  Through these passages we learn of Turings involvement with cracking the Enigma code during WWII along with a group of carefully selected scholars (including Stoker’s Matthew Goode and Downton Abbey’s Allen Leech).  From this group a love interest appears (Keira Knightley, Anna Karenina) and instead of feeling shoehorned in, Moore creates a dynamic relationship between Turing and this woman…a relationship that opens up another set of secrets Turing is trying to hide.

Straddling the past and present and multiple covert secrets (both kept and uncovered) is no easy game but all involved score high points for its unqualified success.  While maybe not an edge-of-your-seat thriller, it’s absolutely one that will command you to lean forward and look harder at what’s underneath it all.  An assured film, to be sure.

The Silver Bullet ~ The Imitation Game

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Synopsis: English mathematician and logician, Alan Turing, helps crack the Enigma code during World War II.

Release Date: November 21, 2014

Thoughts:  If you’ve had your ear to the awards circuit ground you’d be hearing lots of rumblings about The Imitation Game, a twisty true life thriller that winds through the shadows of code breaking during World War II. I’m a bit worried that star Benedict Cumberbatch (Star Trek: Into Darkness, August: Osage County) is reaching a level of overexposure that could backfire against him in the years to come but for now I’ll give him a pass as he has a way of choosing roles that play to his strengths. Joined by Keira Knightley (having a good year in Begin Again and Laggies) and Matthew Goode (Stoker), it’s apparently a film with the kind of good buzz that needs no code breaker to decipher.

The Silver Bullet ~ Grand Piano

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Synopsis: Moments before his comeback performance, a concert pianist who suffers from stage fright discovers a deadly note written on his music sheet.

Release Date:  March 7, 2014

Thoughts: Taking more than a few choice notes from the likes of Hitchcock and De Palma (Passion), I’m hoping that Grand Piano is better than it looks.  Don’t get me wrong, I’m all for a taut thriller set in a confined space where our lead had to figure out a way to escape death without tipping off the killer but I’m not sure if Elijah Wood has that everyman quality that made Cary Grant and James Stewart so appealing.  The trailer also makes the mistake of giving away the identity of protagonist which could be a risky move if there are no more surprises in store.  Arriving On Demand before a theatrical release, this is one that may go down easier from the comfort of your own couch.