Movie Review ~ Eye in the Sky

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The Facts:

Synopsis: Col. Katherine Powell, a military officer in command of an operation to capture terrorists in Kenya, sees her mission escalate when a girl enters the kill zone triggering an international dispute over the implications of modern warfare.

Stars: Helen Mirren, Aaron Paul, Alan Rickman, Barkhad Abdi, Jeremy Northam, Iain Glen, Phoebe Fox, Aisha Takow

Director: Gavin Hood

Rated: R

Running Length: 102 minutes

TMMM Score: (8/10)

Review: The woman sitting in front of me at the screening for Eye in the Sky was having a devil of a time sitting still.  Normally, I’d look upon such fidgety fumbling with eye-rolling exhaustion but in this case I’m giving her a pass…because I was having the same problem.  Don’t mistake my squirming as a sign of boredom, though, because this is a nicely riveting bit of entertainment, a good option for discerning adults that don’t need their political dramas balanced with comedy (Whiskey Tango Foxtrot, also worth a watch) or excessive violence (London Has Fallen, which isn’t worth anything).

The script from Guy Hibbert brings together several stakeholders in the current war on terror during a mission centered in Kenya.  Using cutting-edge, advanced technology, several high-priority targets have been identified holed up in a compound in the African republic, generating a firestorm of controversy as members of the military and government clash over important moral questions about acceptable collateral damage and how to come out unscathed in the public eye while still accomplishing their mission.

It all sounds denser than it actually is but understand that I’m only giving you a very general plot overview.  To say more would give away some of the key turns the film makes and would rob the film of its genuine suspense.

Plot details aside, I can tell you the film works so well thanks to nigh-perfect casting.  Helen Mirren (Trumbo) is a Colonel in the British military energized by finally locating a British ex-pat turned radical terrorist she’s been tracking for some time.  Leading an international team sent in to capture the terrorist and her compatriots, Powell soon sees her mission changed that raises some strong moral questions her lesser ranking colleagues seem more willing to ask than she is.  Operating out of a one-room central command, Mirren carries the bulk of the film on her shoulders and is more than up for the task…though I had to chuckle seeing her tromping around in combat boots, army fatigues, and a snappy beret.

Interacting with Mirren are two drone pilots in Nevada (Aaron Paul, Need for Speed and Phoebe Fox), a British Lieutenant acting as a political liaison (the late, great Alan Rickman, Lee Daniels’ The Butler, in a mighty fine performance), and an operative on the ground in Kenya (Barkhad Abdi, Captain Phillips).

The elvish Paul wears his heart a bit too on his sleeve as the pilot unwilling to pull the trigger on dropping a bomb until he knows for sure what the overall damage will be.  While the performance tends to be a bit on the teary side, Paul’s a fine enough actor to sell it and he’s aided nicely by Fox.  Rickman does a lot of the heavy lifting in the political arena, turning what could be strenuous speechifying into compelling arguments.  For a film that’s highly politicized, it never seems to take a side which turns out to be a benefit as the film progresses toward an ending that’s inevitable but honest.

Director Gavin Hood (who appears in the film as Paul’s commanding officer) keeps the film taut right up until its conclusion, never cheating the audience with a tidy wrap-up.  Which brings me back to the aforementioned woman wringing her hands and covering her eyes during several key high-tension scenes that pepper the final half of the movie.  I was right with her on the edge of my seat, pained at the perceived delays in action and stressing out over the indecisions of the decision makers…and you will be too.

 

The Silver Bullet ~ Trainwreck

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Synopsis: Since she was a little girl, it’s been drilled into Amy’s head by her rascal of a dad that monogamy isn’t realistic. When she finds herself starting to fall for the subject of the new article she’s writing, Amy starts to wonder if other grown-ups, might be on to something

Release Date:  July 17, 2015

Thoughts: There’s little love lost between me and director Judd Apatow.  Though he’s got a better track record as a producer, in my book his directorial efforts are long, languid, lugubrious, and lame.  Sure, his first few films had a certain freshness to them but by the time we got around to the seriously dreadful This is 40 I literally threw my hands up in exasperation at Apatow’s inability to deliver a movie with true insight or a running length of less than two hours.

With any luck, Apatow is merely the silent conductor on writer/star Amy Schumer’s (Seeking a Friend for the End of the World) comedy train.   The raunchy comedienne would seem to be a natural fit with Apatow’s style but I’d hope she insisted on bringing in an editor to keep the film as compact as possible.  Sadly, I’m not inspired by the overly long trailer or a stream of cameos by famous faces not known for their acting chops.  Still, check out Tilda Swinton (Only Lovers Left Alive)…with her modern feminine look the actress shows again that she’s operating outside the expected.

Oscar Predictions 2014

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Hello!

Well, though I always find it difficult to nail down my Oscar selections pre-nomination day because I feel like I’m somehow cosmically jinxing  potential favorites, I’m taking part in The 2014 Oscar Contest over at Film Actually because…well…it’s just the right thing to do 🙂

This being a contest and all I threw in a few dark horse candidates and left out some bigger names just to keep it interesting.  I don’t necessarily think there will be 10 nominees for Best Picture but ultimately I couldn’t make up my mind on which ones to remove from my list…

I hope there are a few surprises tomorrow morning, though….even if it means I lose a few points in the contest 🙂

Below are my predictions for who will go to bed tomorrow night an Oscar nominee…

BEST PICTURE
12 Years a Slave
American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
Her
Nebraska
Philomena
Saving Mr. Banks
The Wolf of Wall Street

BEST DIRECTOR
Alfonso Cuarón, Gravity
Spike Jonze, Her
Steve McQueen, 12 Years a Slave
Alexander Payne, Nebraska
David O. Russell, American Hustle

BEST ACTOR
Bruce Dern, Nebraska
Chiwetel Ejiofor, 12 Years a Slave
Tom Hanks, Captain Phillips
Matthew McConaughey, Dallas Buyers Club
Robert Redford, All is Lost

BEST ACTRESS
Amy Adams, American Hustle
Cate Blanchett, Blue Jasmine
Sandra Bullock, Gravity
Judi Dench, Philomena
Emma Thompson, Saving Mr. Banks

BEST SUPPORTING ACTOR
Barkhad Abdi, Captain Phillips
Daniel Brühl, Rush
Michael Fassbender, 12 Years a Slave
James Gandolfini, Enough Said
Jared Leto, Dallas Buyers Club

BEST SUPPORTING ACTRESS
Sally Hawkins, Blue Jasmine
Jennifer Lawrence, American Hustle
Lupita Nyong’o, 12 Years a Slave
June Squibb, Nebraska
Julia Roberts, August: Osage County

BEST EDITING
Jay Cassidy, Crispin Struthers, American Hustle
Joe Walker, 12 Years a Slave
Christopher Rouse, Captain Phillips
Alfonso Cuarón, Mark Sanger, Gravity
Jeff Buchanan, Eric Zumbrunnen, Her

BEST ORIGINAL SCREENPLAY
Woody Allen, Blue Jasmine
David O. Russell and Eric Singer, American Hustle
Joel & Ethan Coen, Inside Llewyn Davis
Spike Jonze, Her
Bob Nelson, Nebraska

BEST ADAPTED SCREENPLAY
John Ridley, 12 Years a Slave
Tracy Letts, August: Osage County
Julie Delpy, Ethan Hawke, Richard Linklater, Before Midnight
Steve Coogan, Jeff Pope, Philomena
Terence Winter, The Wolf of Wall Street

BEST FOREIGN LANGUAGE FILM
The Broken Circle Breakdown, Belgium
The Hunt, Denmark
The Grandmaster, Hong Kong
The Great Beauty, Italy
The Notebook, Hungary

BEST CINEMATOGRAPHY
Sean Bobbitt, 12 Years a Slave
Emmanuel Lubezki, Gravity
Bruno Delbonnel, Inside Llewyn Davis
Phedon Papamichael, Nebraska
Roger Deakins, Prisoners

BEST PRODUCTION DESIGN
Adam Stochausen & Alice Baker, 12 Years a Slave
Judy Becker & Heather Loeffler, American Hustle
Catherine Martin & Beverly Dunn, The Great Gatsby
Jess Gonchor & Susan Bode, Inside Llewyn Davis
Michael Corenblith & Susan Benjamin, Saving Mr. Banks

BEST SOUND MIXING
Captain Phillips
Gravity
Inside Llewyn Davis
Lone Survivor
Rush

BEST SOUND EDITING
All is Lost
Captain Phillips
Gravity
Lone Survivor
Rush

BEST COSTUME DESIGN
Catherine Martin, The Great Gatsby
Patricia Norris, 12 Years a Slave
Daniel Orlandi, Saving Mr. Banks
Michael Wilkinson, American Hustle
Mary Zophres, Inside Llewyn Davis

BEST ORIGINAL SCORE
Alex Ebert, All is Lost
Thomas Newman, Saving Mr. Banks
Steven Price, Gravity
John Williams, The Book Thief
Hans Zimmer, 12 Years a Slave

BEST DOCUMENTARY FEATURE
20 Feet from Stardom
The Act of Killing
The Crash Reel
Stories We Tell

The Square

BEST ANIMATED FEATURE
The Croods
Despicable Me 2

Frozen
Monsters University
The Wind Rises

BEST VISUAL EFFECTS
Gravity
The Hobbit: The Desolation of Smaug
Iron Man 3
Pacific Rim
Star Trek: Into Darkness

BEST MAKEUP & HAIRSTYLING
American Hustle
Dallas Buyers Club
The Lone Ranger


BEST ORIGINAL SONG
“Amen”, All is Lost
“Let It Go”, Frozen
“The Moon Song”, Her
“Ordinary Love”, Mandela: Long Walk to Freedom
“Young & Beautiful”, The Great Gatsby

Movie Review ~ Captain Phillips

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The Facts
:

Synopsis: The true story of Captain Richard Phillips and the 2009 hijacking by Somali pirates of the US-flagged MV Maersk Alabama, the first American cargo ship to be hijacked in two hundred years.

Stars: Tom Hanks, Catherine Keener, Barkhad Abdi, Max Martini, Yul Vazquez, Michael Chernus, Chris Mulkey, Corey Johnson, David Warshofsky, John Magaro, Angus MacInnes

Director: Paul Greengrass

Rated: PG-13

Running Length: 134 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review:  For some reason, I resisted seeing Captain Phillips longer than I should have.  Though I had many chances to attend it during its advance screening phase I either found another screening to attend or came up with a reason why I didn’t want to sit through it.  I got the feeling this was one movie that you had to be in the right frame of mind/mood to see and I didn’t want to see it just because it was next on my list.

Finally, in the last few weeks it was the right time and after seeing it I wished I hadn’t waited so long.  Though I knew the basic plot of the film and how it was all going to turn out, I had deliberately distanced myself from further details so I could let the movie fill in the gaps for me as it developed.  I’m glad I did too because Captain Phillips turned out to be one of the more gripping films I’ve seen all year, housing two unforgettable performances.

The film begins with two men heading to sea.  The first man is Tom Hanks (Joe Versus the Volcano, Cloud Atlas, Splash!) in the titular role, an old school sea captain that finds himself taken hostage by Somali pirates when they make their way onto the cargo ship he’s piloting.  The second man is newcomer Barkhad Abdi as Muse, the leader of the pirates who makes a bold play for such a large ship and winds up increasingly over his head as his hurried plans go awry.  Though neither men know it at the outset, both are embarking on a trip that will alter their lives (and the lives of the men that serve under them) forever.

Director Paul Greengrass has staged his previous films (United 93, The Bourne Supremacy, The Bourne Ultimatum) with a herky jerky handheld camera style that sent more than a few green faced audience members running for the bathroom but thankfully there’s precious little of that here.  The rugged camerawork of Barry Ackroyd perfectly captures the oncoming meeting of the two captains and Greengrass works with editor Christopher Rouse to amp up the tension slowly until the final act of the film turns into a total edge of your seat nailbiter.

Working with a script from Billy Ray (Color of Night, The Hunger Games) adapted from the book by the real Captain Phillips that wisely refuses to make the Somali pirates totally evil, the film gets more interesting as it goes along because we begin to understand why these Somali men have gone after the ship with such vigor.  We know they are in the wrong but without being overly sympathetic to the pirates there is empathy shown that makes the film that much more commanding.

I’ve grown accustomed to Hanks being solid in every movie he’s involved with.  Though I think his genial personality has given him a few more free passes on lousy films than the normal Hollywood star would get, there’s no denying that the man has charisma that only maturity in the business can bring.  I found him to be slightly miscast as Walt Disney in Saving Mr. Banks with too many aw shuck-y moments but as Captain Phillips he reminds us all why he’s won two Oscars and been nominated for three more.  I had been told that Hanks was particularly effective in the final ten minutes of the movie and while that’s definitely true, I found him to be locked and loaded for greatness from the moment he appeared on screen.

If Hanks hits a home run than Abdi knocks it out of the park.  A former cab driver in Minnesota, Abdi was picked along with three other Somali actors for roles in the film and Abdi delivers one of my favorite performances of the year.  In a role that’s equal parts bravura machismo and childish naïveté to the danger he’s making for himself, Abdi dissolves completely into the role at times alternating between fear and desperation in his quest.  Without giving too much away, I think there’s one decision Abdi’s character makes with the full knowledge of what the outcome will be…yet he makes it anyway because it’s the only choice his character can live with at that point in time.  It’s a haunting performance, totally captivating, and honestly unforgettable…writing about it now I still shudder at several passages of the film he has total ownership of.

This is a great film – don’t be a wuss like me and put it off for so long that your attention is clouded with other less worthy films.  Hanks and especially Abdi do incredible work and if I’ve failed to mention anyone else in the film it’s not because they aren’t great as well…it would just be unfair to single out any one of the talented ensemble that supports Hanks/Abdi deliver the performances they have.

Not to be missed.