Oscar Predictions 2014

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Hello!

Well, though I always find it difficult to nail down my Oscar selections pre-nomination day because I feel like I’m somehow cosmically jinxing  potential favorites, I’m taking part in The 2014 Oscar Contest over at Film Actually because…well…it’s just the right thing to do 🙂

This being a contest and all I threw in a few dark horse candidates and left out some bigger names just to keep it interesting.  I don’t necessarily think there will be 10 nominees for Best Picture but ultimately I couldn’t make up my mind on which ones to remove from my list…

I hope there are a few surprises tomorrow morning, though….even if it means I lose a few points in the contest 🙂

Below are my predictions for who will go to bed tomorrow night an Oscar nominee…

BEST PICTURE
12 Years a Slave
American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
Her
Nebraska
Philomena
Saving Mr. Banks
The Wolf of Wall Street

BEST DIRECTOR
Alfonso Cuarón, Gravity
Spike Jonze, Her
Steve McQueen, 12 Years a Slave
Alexander Payne, Nebraska
David O. Russell, American Hustle

BEST ACTOR
Bruce Dern, Nebraska
Chiwetel Ejiofor, 12 Years a Slave
Tom Hanks, Captain Phillips
Matthew McConaughey, Dallas Buyers Club
Robert Redford, All is Lost

BEST ACTRESS
Amy Adams, American Hustle
Cate Blanchett, Blue Jasmine
Sandra Bullock, Gravity
Judi Dench, Philomena
Emma Thompson, Saving Mr. Banks

BEST SUPPORTING ACTOR
Barkhad Abdi, Captain Phillips
Daniel Brühl, Rush
Michael Fassbender, 12 Years a Slave
James Gandolfini, Enough Said
Jared Leto, Dallas Buyers Club

BEST SUPPORTING ACTRESS
Sally Hawkins, Blue Jasmine
Jennifer Lawrence, American Hustle
Lupita Nyong’o, 12 Years a Slave
June Squibb, Nebraska
Julia Roberts, August: Osage County

BEST EDITING
Jay Cassidy, Crispin Struthers, American Hustle
Joe Walker, 12 Years a Slave
Christopher Rouse, Captain Phillips
Alfonso Cuarón, Mark Sanger, Gravity
Jeff Buchanan, Eric Zumbrunnen, Her

BEST ORIGINAL SCREENPLAY
Woody Allen, Blue Jasmine
David O. Russell and Eric Singer, American Hustle
Joel & Ethan Coen, Inside Llewyn Davis
Spike Jonze, Her
Bob Nelson, Nebraska

BEST ADAPTED SCREENPLAY
John Ridley, 12 Years a Slave
Tracy Letts, August: Osage County
Julie Delpy, Ethan Hawke, Richard Linklater, Before Midnight
Steve Coogan, Jeff Pope, Philomena
Terence Winter, The Wolf of Wall Street

BEST FOREIGN LANGUAGE FILM
The Broken Circle Breakdown, Belgium
The Hunt, Denmark
The Grandmaster, Hong Kong
The Great Beauty, Italy
The Notebook, Hungary

BEST CINEMATOGRAPHY
Sean Bobbitt, 12 Years a Slave
Emmanuel Lubezki, Gravity
Bruno Delbonnel, Inside Llewyn Davis
Phedon Papamichael, Nebraska
Roger Deakins, Prisoners

BEST PRODUCTION DESIGN
Adam Stochausen & Alice Baker, 12 Years a Slave
Judy Becker & Heather Loeffler, American Hustle
Catherine Martin & Beverly Dunn, The Great Gatsby
Jess Gonchor & Susan Bode, Inside Llewyn Davis
Michael Corenblith & Susan Benjamin, Saving Mr. Banks

BEST SOUND MIXING
Captain Phillips
Gravity
Inside Llewyn Davis
Lone Survivor
Rush

BEST SOUND EDITING
All is Lost
Captain Phillips
Gravity
Lone Survivor
Rush

BEST COSTUME DESIGN
Catherine Martin, The Great Gatsby
Patricia Norris, 12 Years a Slave
Daniel Orlandi, Saving Mr. Banks
Michael Wilkinson, American Hustle
Mary Zophres, Inside Llewyn Davis

BEST ORIGINAL SCORE
Alex Ebert, All is Lost
Thomas Newman, Saving Mr. Banks
Steven Price, Gravity
John Williams, The Book Thief
Hans Zimmer, 12 Years a Slave

BEST DOCUMENTARY FEATURE
20 Feet from Stardom
The Act of Killing
The Crash Reel
Stories We Tell

The Square

BEST ANIMATED FEATURE
The Croods
Despicable Me 2

Frozen
Monsters University
The Wind Rises

BEST VISUAL EFFECTS
Gravity
The Hobbit: The Desolation of Smaug
Iron Man 3
Pacific Rim
Star Trek: Into Darkness

BEST MAKEUP & HAIRSTYLING
American Hustle
Dallas Buyers Club
The Lone Ranger


BEST ORIGINAL SONG
“Amen”, All is Lost
“Let It Go”, Frozen
“The Moon Song”, Her
“Ordinary Love”, Mandela: Long Walk to Freedom
“Young & Beautiful”, The Great Gatsby

Movie Review ~ Blue Jasmine

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The Facts
:

Synopsis: A life crisis causes a socialite to head to San Francisco, where she reconnects with her sister.

Stars: Alec Baldwin, Cate Blanchett, Bobby Cannavale, Louis C.K., Andrew Dice Clay, Sally Hawkins, Peter Sarsgaard, Michael Stuhlbarg

Director: Woody Allen

Rated: PG-13

Running Length: 98 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review: I was pretty sure I was going to like Blue Jasmine for the mere fact that I didn’t enjoy Woody Allen’s previous film, 2012’s To Rome with Love.  Let me explain.  Like the Cohen Brothers, I tend to respond well to Allen’s projects about half the time because even a filmmaker as prolific as Allen tends to deliver a few snoozers along the way.  So after winning an Oscar for writing 2011’s Midnight in Paris it wasn’t a huge shock that I found To Rome with Love lacking.  Thankfully, Allen has returned stateside (the movie is set in San Francisco and New York City) for his latest work and it’s an absolute winner on every level.

A movie with shades of Tennessee Williams as filtered through Allen’s efficient dialogue, Blue Jasmine finds Allen on the tippy-top of his game with an assembled cast that is both surprising and surprisingly effective. 

I chuckled a bit when I saw that notorious comic Andrew Dice Clay was turning up in a supporting role but the comedian acquits himself nicely with a role that appears was written specifically for him.  Another comedian, Louis C.K., has a brief but enjoyable turn in a part that most surely would have been played by Allen himself were the director a few decades younger.  I normally find Alec Baldwin (Rock of Ages) to be an actor that colors his acting with broader strokes than necessary but here we find the actor at his most restrained and believable.  It felt like Baldwin took the time to craft this tricky character (only seen in flashbacks) from the ground up rather than pulling a performance from his wheelhouse to repurpose.

Sally Hawkins convincingly doffs her UK accent for an US one of indeterminate location (one minor quibble I did have was that everyone on the West Coast seemed to have an East Coast accent and vice versa) as she takes on a familiar role to anyone that is acquainted with Allen’s long list of family dramas.  She’s the put-upon sister that rolls with the punches and perhaps allows herself to be more of a punching bag than the audience would like.  Still, there’s a prideful dignity in the way she handles new changes in her life that contrasts nicely with Cate Blanchett as her acerbic sister.

Ah yes…Cate Blanchett.  If there’s any doubt remaining that Blanchett is one of the best actresses of her generation, it will be put to rest with her performance here.  We’ve seen these types of cluelessly delusional characters before (most recently in the awful Kristen Wiig film Girl Most Likely) and know that it takes a special kind of actress to take someone so unlovable and allow them to be loved for their faults.

Moving into her sister’s modest San Francisco apartment after her Ponzi-scheming husband loses their great fortune, Blanchett’s Jasmine is forced to start over again and get used to a much less lavish way of living.  She hilariously tries to school her sister on luxury living, starts taking community college computer classes, fends off the attention of an amorous employer, and attracts the attention of a suitor (Peter Sarsgaard, Robot & Frank) who might just be her savior.  In less skilled hands these vignettes could only be played for laughs and while many of these situations provide great humor they are all tinged with more than a little sadness.  Sadness for the past that can’t be replayed and for the future that is frighteningly unknown.

More than ever, I noticed the attention to detail in Blue Jasmine.  Allen’s films always have a nice sheen to them but this one just glows…whether it is in the vistas of California or the Park Avenue lavishness of Blanchett’s former life.  I especially loved Sonia Grande’s costume design…Blanchett has very little worldly possessions left and that includes her clothes.  Attentive viewers will notice she wears different combinations of the same half dozen articles of clothing she has…and manages to make each outfit look unique.  It’s a small touch that speaks volumes about the resourcefulness of the character…and also her need to make her outwardly put-together appearance cover up her inner turmoil.

Blanchett is rarely off screen and that’s fine and dandy.  In fact, it’s when she’s not the center of attention that the movie loses a little bit of air…which would probably please her character greatly.  The performance is razor sharp and the actress is in tune with everything going on around her – that’s thanks to Blanchett’s great instincts and the way that Allen has etched out her journey.  The film flies by and arrives at its conclusion with a certain grace not found in many mainstream movies today.  The ends that need to be tied off are complete but there’s more than a few loose strands that haunted me even now writing this review. 

This is a film that will surely land those involved in prime positions when award season comes around.  Blanchett is richly deserving of an Oscar nomination as is Allen’s wonderful script and direction.  The picture itself should find its way to the Oscar list of Best Picture nominees so it’s safe to say that this is a must-see.  It’s damn good.

The Silver Bullet ~ Blue Jasmine

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Synopsis: A life crisis causes a woman to head to San Francisco, where she reconnects with her sister.

Release Date: July 26, 2013

Thoughts: You’ve got to hand it Woody Allen.  Arguably the most prolific filmmaker working today, Woody has managed to write and direct one film each year for the last several decades and it’s a credit to his eye and ear that he continues to create interesting pieces.  That’s not to say his annual deliveries are all gems because the large majority of them I find to be harmless but exceedingly slight baubles.  Nevertheless,  every now and then he knocks it out of the park.  After winning an Oscar for Midnight in Paris two years ago he stumbled with the miscast and ho-hum From Rome with Love.  This year he’s back in the US for Blue Jasmine and if the trailer is any indication audiences are in for a nice change of pace.  Cate Blanchett looks award-worthy as does Sally Hawkins as her put-upon sister.  Don’t judge a Woody Allen movie by its trailer though because if history is any indication there’s more to this set-up than meets the eye.