Movie Review ~ Pacific Rim

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The Facts:

Synopsis: As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.

Stars: Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Ron Perlman, Robert Kazinsky, Max Martini, Clifton Collins, Jr., Burn Gorman, Larry Joe Campbell, Brad William Henke, Diego Klattenhoff

Director: Guillermo del Toro

Rated: PG-13

Running Length: 132 minutes

Trailer Review: Here

TMMM Score: (6/10)

Review: So here’s a movie that had the potential to be a lot better than what it turned out to be. Director Guillermo del Toro has demonstrated over the course of his career that he’s a filmmaker truly interested in the heartbeat of a film.  Though his works have always been visually arresting and skillfully created (hello Pan’s Labyrinth, Cronos, and both Hellboy movies), he’s not afraid to take the time to let the underneath of it all show through.

Pacific Rim gets the trusted del Toro formula half right with some of the most impressively eye-popping visual effects you’re likely to see in theaters now.  Add to that a production design that is realistic but not overly fussy and you have a movie that would be a slam-dunk…if you watched it on mute.  The problem with Pacific Rim is that it has no heart, no brains, and leaves the viewer feeling as hollow as the mighty mechanical titans that are created to fight creatures from the depths of the ocean.

Credit should be given to screenwriters del Toro and Travis Beacham for devising a clever spin on the earth vs aliens formula that has been revisited by pictures big and small for over half a century.  The lengthy prologue of Pacific Rim brings us up to speed on the last decade of war that broke out when a seismic shift in the middle of the ocean unleashed terrifying creatures that go on to wreak havoc around the world.  Huge in size, our modern weapons were no match for their power so the world leaders created jaegers, battle bots that could stand tall enough to look these monsters in the eye and taken them down with a vast array of weaponry.

How these are operated from within by two humans is best explained by the film itself (it’s kinda a bunch of hooey) but soon these jaeger pilots are seen as rock stars until the creatures begin to adapt and render the program nearly obsolete after a tragedy calls into question their effectiveness.  Flashing forward several years, the program is re-started when a substantial threat of major invasion is predicted.

Idea-wise, the film is a winner.  Even writing about it here I had a small rush of excitement because it sounds like there is so much that a talented director like del Toro can do with it.  And del Toro delivers the visuals with awesome results.  The battle sequences (especially when viewed in IMAX 3D) are nearly overwhelming in their scope, size, and bravura.  Even though much of these sequences take place at night and in the rain you’ll be able to follow each powerful battle royale between machine and monster.

Unfortunately, the dialogue that strings these passages together and most of the  plot developments are bargain basement material with little to no surprise about what’s going to happen next.  Even a post credits scene is one you’ll be able to see coming if you are familiar with del Toro and his favorite actor to use (no spoilers here!)

It’s also a shockingly bad film for acting.  Let’s start with the best of the middling performances.  Idris Elba (Prometheus) is a solid actor tasked weak material.  I’m still waiting for Elba to be given the kind of role that will rocket him to the fame that he has the talent for.  As the jaeger program director he has little to do but growl when questioned and deliver a sound byte ready inspirational speech near the end that feels like a revised version of the what Bill Pullman rambled on about in Independence Day.

The rest of the international cast is a hodge podge that run the gamut from bland to sour.  You simply couldn’t ask for a more vanilla leading man than Charlie Hunnam, an actor with zero going on behind his eyes.  Paired with Rinko Kikuchi (a far cry from her Oscar nominated turn in Babel) the two are asked to create chemistry that not even the folks at MIT could assist in creating.  Both actors provide some truly embarrassing performances and you have to wonder what on earth del Toro saw in them to cast them as the leads in such an important studio picture.  As arguing scientists, Charlie Day (who comes off like the love child of Bobcat Goldthwait and Rick Moranis) and Burn Gorman seem like they’ve time traveled out of a sci-fi spoof of this film from the future.

Lousy performances aside, this is one film that will be best enjoyed in a theater when you can be totally immersed in the world that del Toro has created.  I can’t say the movie will work as well for home viewing so if you can overlook the disappointingly ordinary execution of a smart set-up and nearly an entire cast of poor performances you should try this one out when it gets to your bargain cinema.

Bond-ed for Life (Bonus!) ~ Never Say Never Again

The Facts:

Synopsis: A SPECTRE agent has stolen two American nuclear warheads, and James Bond must find their targets before they are detonated.

Stars: Sean Connery, Kim Basinger, Klaus Maria Brandauer, Barbara Carrera, Max von Sydow

Director: Irvin Kershner

Rated: PG

Running Length: 134 minutes

TMMM Score: (5.5/10)

Review:  Before the release (and boffo success) of Skyfall, I took the time to go through the previous 22 James Bond films that had come before it.  What I didn’t do in my initial marathon was look at two of the ‘rogue’ Bond films that exist outside of the production company responsible for the 007 films over the last 50 years.  1967’s Casino Royale was a spoof of spy films in general albeit one that featured James Bond and took its title from an Ian Fleming novel.  The second outlier Bond adventure is 1983’s Never Say Never Again and its storied history and journey to the big screen are interesting Hollywood tidbits.

A script was fashioned with writers Kevin McClory, Ian Fleming, and Jack Whittingham that would have laid the basis for Bond’s first adventure.  It eventually was scrapped but Fleming went on to use large parts of it to create the novel of Thunderball.  While the movie of Thunderball was closer to the book, original writer McClory took Fleming to court over his contributions used without his permission and eventually  was granted the remake rights to his script.

As the producers of the MGM Bond films were gearing up to film the 13th Bond film Octopussy  in 1983, they had a big shock when they found out not only would McClory’s script be produced as a big budget summer film from Warner Brothers, but that Warner Brothers had lured none other than original Bond Connery to come back to the role.  The media had a field day with this and while both movies were released four months apart and did respectable business, Never Say Never Again could never fully get out from under the shadow of the big daddy franchise.

It doesn’t help that the movie isn’t that great to begin with.  Even with Connery on board and Moore on unsteady ground in his Bond tenure, Never Say Never Again comes off as a jokey excuse for a James Bond film.   Legally, Warner Brothers couldn’t have many of the Bond trademarks so what’s left is a second rate spy film with several above average action sequences, extremely dated technology,  and a heckuva lot of farcical moments that leave a real bad aftertaste.

Right from the beginning, director Kershner (The Empire Strikes Back) doesn’t do Connery any favors by showing the actor goofily going through the motions of a rescue attempt in some unnamed jungle climate.  Connery looks tentative and, while still a trim gent, seems a bit out of sorts.  Like in Diamonds are Forever, it takes Connery a fair amount of time to find his inner Bond and even then it’s a pale imitation of what it used to be. 

Casting for the film is iffy to say the least.  As Domino, Basinger makes for a dull main squeeze of Mr. Bond and is burdened with two dance routines (one in aerobic gear and one all dolled up with Connery) that are laughably awkward.  Brandauer and von Sydow may have been nice villains in the established Bond franchise but here they are saddled with feelings of déjà vu thanks to more memorable actors that have played bad guys Largo and Blofeld in previous films.  Only Carrera as wicked Fatima Blush seems to understand that she’s in a farce and plays it as an early precursor to Grace Jones in A View to a Kill and Famke Janssen in GoldenEye.  Her final scenes are pretty ridiculous but up until that point she’s over-the-top enough to keep your eyes locked on her.

Special mention needs to go to Edward Fox and Rowan Atkinson as M and Nigel Small-Fawcett, respectively.  With accents that would make Dick Van Dyke in Mary Poppins look like the epitome of diction, they are absolutely awful and capsize every scene they’re in.  How Kershner and Connery allowed these performances to happen are beyond me.

What Never Say Never Again has to recommend it are several exciting action sequences…thankfully all of them are underwater so you are spared the eye-rolling dialogue.  I’m not sure how the filmmakers created an underwater chase with Bond being pursued by sharks (from what I can tell there weren’t extensive uses of animatronics) but this scene creates the few nifty thrills the film has to offer.

For Bond fans, this is one that may be of interest to you…especially if you are familiar with Thunderball you’ll get a kick out of how similar the movie is but how different it diverges at the same time.  Thunderball wasn’t my favorite Bond film but had it had some of the more exciting moments (and Fatima Blush) from Never Say Never Again, it may have been up there with the more fun Bond flicks.