Hasta La Vista…Summer (May)

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Hasta

We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.

I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.

So sit back, relax, and enjoy the ride read.

May

Though the summer movie season has traditionally been thought of as Memorial Day through Labor Day, in the past several years studios have marked early May as the start of the summer movie wars and 2015 was no different.

Kicking things off on May 1 was Avengers: Age of Ultron and, as expected, it was a boffo blockbuster that gave fans more Marvel fantasy fun. While it wasn’t as inventive as its predecessor and relied too much on jokey bits, the movie was everything a chartbuster should be: big, loud, worth another look.

Acting as a bit of counter-programming, the next week saw the release of two very different comedies, neither of which made much of a dent in the box office take of The Avengers. Critics gnashed their teeth at the Reese Witherspoon/Sofia Vergara crime comedy Hot Pursuit but I didn’t mind it nearly as much as I thought I would. True, it set smart girl power flicks back a few years but it played well to the strengths of its leads and overall was fairly harmless. I hadn’t heard of The D Train before a screening but was pleasantly surprised how good it turned out to be, considering I’m no fan of Jack Black. The movie has several interesting twists that I didn’t see coming, proving that Black and co-star James Marsden will travel out of their comfort zones for a laugh.

Blythe Danner proved she was more than Gwyneth Paltrow’s mom in the lovely, if slight, I’ll See You in My Dreams. It may be too small a picture to land Danner on the end of the year awards list she deserves but the drama was a welcome change of pace so early in the summer.

Another early May drama was a wonderful adaptation of a classic novel…and one I forgot to review when I had the chance…here’s my brief take on it now…

                                         Movie Review ~ Far From the Madding Crowd
far_from_the_madding_crowd_ver2The Facts
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Synopsis: In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
Stars: Carey Mulligan, Matthias Schoenaerts, Michael Sheen, Juno Temple, Tom Sturridge
Director: Thomas Vinterberg
Rated: PG-13
Running Length: 119 minutes
TMMM Score: (8/10)

Review: This adaptation of Thomas Hardy’s celebrated novel was a moving drama brimming with quietly powerful performances and lush cinematography. It’s a story that has been duplicated quite a lot over the years so one could be forgiven for feeling like we’ve seen this all before. Still, in the hands of director Thomas Vinterberg (The Hunt) and led by stars Carey Mulligan (Inside Llewyn Davis), Matthias Schoenaerts (Rust & Bone), & Michael Sheen (Admission) it stirred deep emotions that felt fresh. Special mention must be made to Craig Armstrong (The Great Gatsby) for his gorgeous score and Charlotte Bruus Christensen for her aforementioned picturesque cinematography. You missed this in the theater, I know you did…it’s out to rent/buy now and you should check it out pronto.

Around mid-May the summer bar of greatness was set with the arrival of Mad Max: Fury Road. The long in development fourth outing (and semi-reboot) of director George Miller’s apocalyptic hero was a movie lovers dream…pushing the boundaries of cinema and filmmaking into new places. A vicious, visceral experience, I can still feel the vibration in my bones from the robust film…a real winner.

The same week that Mad Max came back into our lives, a so-so sequel found its way to the top of the box office. Pitch Perfect 2 was a lazy film that’s as close to a standard cash grab as you could get without outright playing the original film and calling it a sequel. Uninspired and lacking the authenticity that made the first film so fun, it nevertheless made a song in receipts and a third film will be released in the next few years.

Tomorrowland and Poltergeist were the next two films to see the light of day and neither inspired moviegoers enough to gain any traction. Tomorrowland was actually the first film of the summer I saw twice…admittedly because I was curious about a new movie theater with reclining seats that I wanted to try out. As for the movie, the first half was an exciting adventure while the final act was a real mess.

I thought I’d hate the Poltergeist remake way more than I did…but I ended up just feeling bad for everyone involved because the whole thing was so inconsequential that I wished all of that energy had been directed into something of lasting value. While Sam Worthington made for a surprisingly sympathetic lead, the entire tone of the film was off and not even a few neat 3D effects could save it from being a waste.

May went out with a boom thanks to two wildly different films. If you asked me what I thought the prospects were for San Andreas before the screening I would have replied that Sia’s cover of California Dreamin’ would be the only good thing to come out of the action picture starring everyone’s favorite muscle with eyes, Dwayne Johnson. I still feel like Sia came out on top but the movie itself was a more than decent disaster epic, a little too long but made up for it with grand sequences of mayhem and destruction. Can’t imagine it will play nearly as well on a small screen but I wasn’t hating the film when the credits rolled.

A film I wasn’t too thrilled with at all was Aloha, Cameron Crowe’s own personal disaster flick. I still don’t know quite what to say about the movie because it was so dreadful that I’ve attempted to clear it from my memory. What I do remember was that it wasted its strong cast and exotic locale, as well as our time. Truly terrible.

STAY TUNED FOR JUNE, JULY, and AUGUST!

Movie Review ~ Aloha

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The Facts:

Synopsis: A celebrated military contractor returns to the site of his greatest career triumphs and re-connects with a long-ago love while unexpectedly falling for the hard-charging Air Force watchdog assigned to him

Stars: Bradley Cooper, Rachel McAdams, Emma Stone, John Krasinski, Danny McBride, Alec Baldwin, Bill Murray

Director: Cameron Crowe

Rated: PG-13

Running Length: 105 minutes

Trailer Review: Here

TMMM Score: (2/10)

Review: One of the more interesting e-mails to emerge from the Sony data breach in 2014 were private conversations between top studio execs bemoaning how bad Cameron Crowe’s latest dramedy was.  You can read the story here but I’ll summarize and say that from the moment the film was first screened (under its original clunker of a title Deep Tiki) it was contending with bad audience reactions and a filmmaker that didn’t seem to want to change anything.  In other words, a disaster waiting to happen.

Originally planned for a Christmas 2014 release but moved to May to allow for writer/director Crowe (We Bought a Zoo) to tweak his film, the final product is maybe the hammiest thing to hit Hawaii since SPAM became an island favorite food.  Considering the reliable track record of the A-List talent involved I can only blame Crowe’s inability to make sense of his own script which in turn leaves his actors totally adrift, trying to create something out of nothing.

There’s really three films happening at once and if you believe what you read, a healthy chunk has been sliced out of Crowe’s original plot (excising whole characters and a subplot involving island mysticism) and what’s left is 105 minutes of incoherent scenes with incongruous characters.  The marketing will have you believe Aloha centers around a love triangle between Bradley Cooper (Silver Linings Playbook), his ex Rachel McAdams (The Vow), and Air-Force upstart Emma Stone (Magic in the Moonlight) but in reality McAdams appears in about fifteen minutes and the love story between Cooper and Stone is awkwardly shoehorned in apparently for the sake of Crowe’s carefully chosen film soundtrack.

Crowe originally set the film up with Ben Stiller in Cooper’s role and Reese Witherspoon in Stone’s and after the two actors (wisely) left, he didn’t bother to tailor the script for his new stars.  Stone’s entire performance feels like an impersonation of the type of square-jawed task master that Witherspoon would have flourished in.  Stone is an actress with definite charisma but it’s absent without leave here, robbing the Oscar nominee of chances to show the dramatic range we know she has.  I suspect, again, that this has to do with Crowe’s editing after the fact…he’s done Stone no favors the way he cut her role.

While I don’t feel like McAdams has quite the range of Stone she’s well cast as Cooper’s long lost love that fell quickly into the arms of a pilot (John Krasinski, Promised Land, who probably could have thrived in Cooper’s role) after Cooper chose work over her.  Trouble is, she’s such a non-presence in the movie that when she does pop up we don’t quite remember why she’s important…until she reveals a Big Secret that you’ll see coming a mile away.

While Cooper knocked my socks off in American Sniper, he fumbles badly here and comes off unlikable…a problem when the entire film depends on a redemption that is never fully explained or earned.  Twisted up in Crowe’s baffling plot that involves assisting a megalomaniac millionaire (a badly badly miscast Bill Murray, Hyde Park on Hudson) in manipulating native Hawaiians out of their land so he can launch a satellite into space (I’m not kidding), Cooper can’t find his way out of the mess and starts to phone it in pretty quickly.

Since it’s been in the news so much as its release date drew near, I feel I must mention the accusations that in terms of casting the film eschews native Hawaiians for the “pretty” actors from Hollywood.  It’s not a claim that’s unfounded, sadly.  Relegating native Hawaiians only to roles seen as obstacles is a bad misstep…made more embarrassing by Stone’s tanned blonde character telling everyone she comes in contact with she’s ¼ Hawaiian…as if that somehow fills a quota.  It’s not totally white-washed ala any Nancy Meyers movie (for shame!) but there’s a definite lack of racially diverse casting at play…and that’s quite unfortunate.

It’s fitting that Crowe favors shots of people looking backward over their shoulders because it’s hard to believe that the writer/director of such true blue classics like Jerry Maguire and Say Anything… could have developed such a tin ear for dialogue.  There are a few classic Crowe turns of phrase but the random bon mots can’t save the film from being an absolute disaster and a huge chore to sit through.  In typical Crowe fashion the film is stuffed to the brim with music (some from composers Jónsi & Alex are quite pleasing) so much so that the soundtrack credits go on for a full minute in the end…if you make it that far.

Depressingly bad, Aloha will be another in a long line of failures from Crowe…and considering he’s only directed eight feature films that’s not a great track record.  Who knows what would have happened if Crowe was able to release the film he originally shot and maybe one day we’ll see his version of Aloha…but until that time comes this is one Hawaiian vacation you should decline.

The Silver Bullet ~ Aloha

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Synopsis: A celebrated military contractor returns to the site of his greatest career triumphs and re-connects with a long-ago love while unexpectedly falling for the hard-charging Air Force watchdog assigned to him.

Release Date: May 29, 2015

Thoughts: Had I not known before seeing this first look at Aloha who wrote and directed it, I can honestly say that I would have said to myself “Wow, this looks like a Cameron Crowe film…” and that says something about the type of movie Crowe is known for making. For his eighth film (and first in four years after the disappointing We Bought a Zoo), Crowe appears to have returned to the type of storytelling that first put him on the map.  In the first trailer for Aloha you can tell that he’s created real people, not some focus-group tested summary of average humans. And what about that cast? Bradley Cooper (American Sniper) and Emma Stone () are Oscar nominated red hot A-Listers with stars in an unparalleled ascent, joined by the likes of Rachel McAdams (The Vow), John Krasinksi (Big Miracle), Alec Baldwin (Still Alice), and the always interesting (if eternally grumpy) Bill Murray (Moonrise Kingdom). Originally referred to as The Untitled Hawaii Project, then Deep Tiki (shudder to think!) before blessedly settling into its current Hawaiian moniker, this could easily wind up in the saccharine melodrama bin…but I get the feeling Crowe has a warm welcome waiting for audiences.