31 Days to Scare ~ The Autopsy of Jane Doe

The Facts:

Synopsis: A father and son, both coroners, are pulled into a complex mystery while attempting to identify the body of a young woman, who was apparently harboring dark secrets.

Stars: Brian Cox, Emile Hirsch, Ophelia Lovibond, Olwen Catherine Kelly, Michael McElhatton, Jane Perry

Director: André Øvredal

Rated: R

Running Length: 86 minutes

TMMM Score: (8/10)

Review: Based on the recommendation of a trusted source, I fired up The Autopsy of Jane Doe a while back on a cold evening when I had the apartment to myself. I turned off all the lights and settled in to see if the good buzz from my friend was real. 86 minutes later the lights had been turned on (and stayed on for the better part of the night) and my nerves were downright rattled. A rare jewel in a sometimes-tarnished crown of low-budget horror films, The Autopsy of Jane Doe has some smarts behind it, not to mention a fair share of goosebump-inducing passages.

Proving once again why you should just close up shop when the day is done, a father-son set of coroners answer a late-night call from the police to start an autopsy of a young woman found buried in a neighboring town. Though she’s been hidden in the dirt for an indeterminate amount of time, her alabaster skin doesn’t show any decay nor is there any sign of immediate trauma. As the two men work into the night in their shadowy underground funeral home, they begin to believe not only that there’s spooky forces at play surrounding Jane Doe…but that the body might not be dead enough for burial just yet.

As the family members plunged into a frightful night of terror, Brian Cox (Pixels) and Emile Hirsch (Lone Survivor) play well off each other, mostly because they treat the material with the right amount of growing warines. The father is more trusting of history and science while the son is willing to suspend his disbelief and consider that what’s happening to this body can’t be explained away by documented medical cases. Writers Ian Goldberg and Richard Naing’s plot will keep you guessing and their script is aided by André Øvredal’s measured direction. Special mention must be made to the actress playing Jane Doe (Olwen Kelly) who has to do a helluva lot lying full naked on a cold metal slab.

The final 1/3 of the movie is loads of fun with many developments happening in quick succession. You’ll never get too far ahead of the characters, thereby enjoying each twist as it develops in front of you. There’s a fair amount of autopsy gore but the other violence is handled with just the right quantity of blood and guts. I hesitate to call the film classy because then we get into a different type of horror film that this one just doesn’t have any aspiration to be. It knows what it is and is highly effective in its mission to freak you out. Watch it alone if you must but try and rope a friend in to share the love.

Movie Review ~ Lone Survivor

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The Facts:

Synopsis: Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.

Stars: Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster, Ali Suliman, Alexander Ludwig, Eric Bana

Director: Peter Berg

Rated: R

Running Length: 121 minutes

Trailer Review: Here

TMMM Score: (8.5/10)

Review: “Holy moly.”  That’s what I found myself instinctively saying out loud several times during Lone Survivor, a taut war film that brings its audience along for a bone crunching journey along its razor’s edge of a true life tale.

I wasn’t sure what to make of Lone Survivor when early trailers were released.  I’ve grown wary of war films after years of similarly themed cinematic excursions both fictional and documentary-like that I just couldn’t fathom that this film, directed by Battleship helmer Peter Berg and starring Mark Wahlberg, would have anything new to bring to the battlefield.  Just goes to show that you shouldn’t judge a book by its cover; or in this case judge a film by its marketing materials.

Berg opens the film with images from the limit-testing training that United States Navy SEALs undergo to take their place alongside the brave men and women serving our country.  It’s an eye-opening and pulse raising start, illustrating in no uncertain terms that only the best of the best make it through.  As the action transfers to a military base, we’re introduced to the members of the team of Operation Red Wings, tasked to track a high ranking dangerous Taliban leader.

Leading the team is Lieutenant Michael Murphy (Taylor Kitsch, John Carter, Savages), he’s joined by Danny Dietz (Emile Hirsch, Killer Joe, The Darkest Hour), Matthew “Axe” Axelson (Ben Foster, Contraband), and Marcus Luttrell (Wahlberg, Ted, Pain & Gain) who wrote the book (along with Patrick Robinson) on which Berg adapted his screenplay from.  Comrades and brothers, this recon and surveillance team is a well oiled machine venturing into no man’s land with an important mission.

It’s not long before one wrong (but I suppose morally right) decision tosses the men into the path of mortal danger…leading to a middle section that puts the audience through a white knuckle gauntlet.  So many war films make the mistake of favoring jittery camera work to establish chaos but Berg and cinematographer Tobias Schliessler play against this and let their staging of these combat scenes tell the story instead.  There are several skillfully crafted heart pounding passages as the soldiers come face to face with their enemy and their own mortality.  Having already won a SAG Award for their work, special mention must be made again to the stunt performers on the film…with two sequences involving falling down the sheer edge of a mountain you’ll be wincing with each somersault/tumble.

Though the title gives the ending away, it doesn’t lessen the impact the film or its characters have on us.  Even when the film dips into standard stylized action fare in the last act there’s an underlying message of salvation to be had by everyone involved.  Berg has cast the film so well that he doesn’t need to coax committed performances out of anyone onscreen.  All four actors could have headlined the picture but Wahlberg again shows he’s light years away from his Funky Bunch days by turning in a layered rendering of Luttrell.

I expected the film to end with a dedication to the men who lost their lives but wasn’t prepared for how much of an emotional force it would have on me.  Berg and company have approached this material with the utmost respect for the bravery of those that put their lives on the line for their country and have delivered a superior war film that doesn’t glorify, grandstand, or proselytize…  It’s a better film that I ever would have thought it would/could be – and comes highly recommended.

The Silver Bullet ~ Lone Survivor

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Synopsis: Based on the failed June 28, 2005 mission “Operation Red Wings.” Four members of SEAL Team 10 were tasked with the mission to capture or kill notorious Taliban leader Ahmad Shahd.

Release Date:  January 10, 2014

Thoughts: Is it OK to say that I’m really over these war films that have anything to do with Afghanistan or the Taliban?  Even if Lone Survivor has an impressive cast and is adapted from a New York Times bestseller, I just don’t know if I can bring myself to sit through another shaky camera war themed movie where the audience already knows the ending but chomps away on their popcorn waiting for people to die.  I think there’s been such an impressive line-up of fiction and non-fiction films surrounding the war in the last decade that with every new addition one has to reevaluate how many times we want to bear witness t another tragic story.  That being said, I’ll choose to focus on the diverse array of committed actors that director Peter Berg has assembled.  Mark Wahlberg (Ted, Pain & Gain, Contraband), Eric Bana (Closed Circuit, Star Trek), Taylor Kitsch (Battleship, Savages, John Carter), Ben Foster, and Emilie Hirsch all bring something different to the table so I hold out hope that Berg uses the war setting as a canvas where the focus can ultimately be on the actors.

The Silver Bullet ~ Prince Avalanche

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Synopsis: Two highway road workers spend the summer of 1988 away from their city lives. The isolated landscape becomes a place of misadventure as the men find themselves at odds with each other and the women they left behind

Release Date:  August 9, 2013

Thoughts: Count me as ‘casually interested’ in this one.  A remake of an Icelandic film, this looks like a movie that’s been filtered through a Wes Anderson lens…nothing wrong with that but it just seems to have elements that we’ve seen before.  Director David Gordon Green is an interesting filmmaker – he started off with low budget indies that were critically well-received and then followed those up with Pineapple Express and (gulp) The Sitter.  Having interesting actors like Paul Rudd (Wanderlust, This is 40, Admission)and Emile Hirsch in the leads is a win…but this has the potential to go either way.