Synopsis: Bilbo and Company are forced to engage in a war against an array of combatants and keep the terrifying Smaug from acquiring a kingdom of treasure and obliterating all of Middle-earth.
Stars: Ian McKellen, Cate Blanchett, Martin Freeman,Stephen Fry, Jed Brophy, Christopher Lee, Orlando Bloom,Billy Connolly, James Nesbitt, Ian Holm, Hugo Weaving, Ken Stott, Benedict Cumberbatch, Graham McTavish, Lee Pace,Luke Evans, Evangeline Lilly, Richard Armitage, John Bell,Adam Brown, John Callen, Ryan Gage, Mark Hadlow, Peter Hambleton, Stephen Hunter, William Kircher, Sylvester McCoy, Dean O’Gorman, Mikael Persbrandt, Aidan Turner, Manu Bennett, Lawrence Makoare
Director: Peter Jackson
Running Length: 144 minutes
Trailer Review: Here
TMMM Score: (7/10)
Review: So here it is…the final chapter of Peter Jackson’s return to Middle-earth and the end of his second trilogy featuring all sorts of hobbits, dwarves, elves, wizards, dragons, rings, etc. Jackson’s Lord of the Rings trilogy is arguably an example of the truly best storytelling on film since the medium began and it helped that the movies comprising that original trilogy were based on three individual books. With The Hobbit films, it’s been clear that Jackson struggled with the limitations of working with just one J.R.R. Tolkien book as the subject for three rather lengthy films.
Originally intended as a two-part series, somewhere along the line the concept of another trilogy was just too appealing and Jackson went back and shot more footage to fill out the narrative, drawing on the Appendices from Tolkien and creating an entirely new character in the form of a female woodland elf (Evangeline Lilly) that forms a connection with a dwarf.
I (along with many others) wasn’t quite enamored with 2012’s The Hobbit: An Unexpected Journey finding it too ponderous and uneventful even with its impressive technical merits. A year later, The Hobbit: The Desolation of Smaug suffered from another workmanlike introduction before hitting paydirt in its final hour when the dragon (voiced by Benedict Cumberbatch, Star Trek: Into Darkness) made his appearance. Ending with a great cliffhanger, I think many fans were equal parts excited to see the finale in The Hobbit: The Battle of the Five Armies and relieved that this troubled chapter was closing.
Before seeing this last film I did something I didn’t do last year, I spent a day with my favorite Lord of the Rings fan and watched the first two Hobbit films in their extended versions back to back. I suddenly found the narrative less onerous and appreciated the way that Jackson let the story unfold as brave hobbit Bilbo Baggins (Martin Freeman, The World’s End) traversed across the countryside with a group of dwarves toward the Lonely Mountain searching for a stone that would restore a kingdom to its rightful owners.
Unlike the original Lord of the Rings films, these three Hobbit entries are essentially one long (looooooong) movie and should be seen together. Now, I’m sure your rump just let out a little squeal of disagreement but I know I enjoyed The Hobbit: The Battle of the Five Armies as much as I did because I had seen its two predecessors shortly before. Now, Jackson’s stretching of the material wasn’t quite so objectionable and began to make a lot of sense.
That’s not to say The Hobbit: The Battle of the Five Armies doesn’t fall into the same traps that befell the earlier entries. There’s still a questionable amount of scenes that go on longer than they should; Jackson backs off on his gained momentum when he should be blazing forward. The battle sequences occupy the majority of this chapter and at times it can be an overwhelming experience, but on the other hand they’re staged with the kind of epic grandeur that recalls old Hollywood epics featuring casts of thousands.
The digital rendering of an endless supply of hideous evils are a sight to behold and the technicians involved should not only pick out their attire for the Oscar ceremony now, they should ready their acceptance speeches. It’s the highest level of proficiency I’ve seen out of Jackson’s effects house and the results are excellent.
As for the flesh and blood actors, all deliver solid performances that tie in nicely to the events that follow in the Lord of the Rings series. Though there are a few references to future characters that seem overly shoehorned in, I gotta say that I appreciated how well Jackson and co. make sure that all the ends are connected before the credits roll.
Along with Freeman’s jittery Bilbo (I’ve decided he’s the Hugh Grant of hobbits) there’s Ian McKellen’s (X-Men: Days of Future Past) wise wizard Gandalf, Richard Armitage’s (Into the Storm) haunted dwarf who would be king, and the luminous Cate Blanchett’s (Blue Jasmine) as Galadriel who winds up with one of the film’s most thrilling moments that’s nearly worth the price of admission in and of itself.
One couldn’t be blamed if the feeling to move right into a Lord of the Rings marathon is present as this film reaches its conclusion. Jackson has seen to it that the transition between his two trilogies is fluid and while he won’t win an Oscar for his efforts this time around, he deserves another round of applause for the world he brought to life in six films. A high-water achievement as a filmmaker…even if The Hobbit films still can’t hold a candle to the Lord of the Rings trilogy.