Movie Review ~ The Hunger Games: Mockingjay – Part 2


The Facts:

Synopsis: As the war of Panem escalates to the destruction of other districts by the Capitol, Katniss Everdeen, the reluctant leader of the rebellion, must bring together an army against President Snow, while all she holds dear hangs in the balance.

Stars: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Julianne Moore, Philip Seymour Hoffman, Jeffrey Wright, Willow Shields, Sam Claflin, Jena Malone, Natalie Dormer, Stanley Tucci, Donald Sutherland, Michelle Forbes

Director: Francis Lawrence

Rated: PG-13

Running Length: 137 minutes

Trailer Review: Here

TMMM Score: (8/10)

Review:  Unlike many readers of Suzanne Collins trilogy of novels, I wasn’t as disappointed in the final entry as most.  For me, all three books had their high and low points but Mockingjay was the one that felt like it had the most consequences within its pages.  It wasn’t an easy read with the fates of several characters being painfully revealed so it was with great trepidation that I approached The Hunger Games: Mockingjay – Part 2 because I knew what lay ahead.

I still feel deep down inside that Mockingjay should have been released as one long movie.  Audiences are willing to sit through a three hour (cinema) tour if the characters are appealing and the story engaging and I spent the first hour of Part 2 thinking that it came across as the middle part of a longer film, opening with the part where the action dips and audiences are given a breather before the final act begins.  It was a mistake on my part to not re-watch Part 1 before because the film isn’t concerned with bringing anyone up to speed.  Needless to say, I can’t write a review of Part 2 without including some spoilers from the previous films so…you’ve been warned.

Katniss (Jennifer Lawrence, Silver Linings Playbook, as usual investing herself 130%) is still reeling after being violently reunited with a brainwashed Peeta (Josh Hutcherson, Journey 2: The Mysterious Island), her former ally and would-be love interest.  That pushes her back into the arms of brawny Gale (Liam Hemsworth, The Expendables 2) and she still can’t seem to make-up her mind as to who she believes she should be with.  There’s no time for dewy eyed romance though with the final drive underway by the rebel army to seize the Capitol and destroy President Snow (Donald Sutherland, Ordinary People) before he can deploy more troops to wipe them off the map.

With the rebels being led by President Coin (Julianne Moore, Still Alice, looking fierce with a short haircut, cat-like contacts, and a wardrobe that feels Jetsons-esque) under the advisement of Plutarch (the late Phillip Seymour Hoffman, The Master, in his last film role), Katinss finds a way back to the front line after being remanded to merely being the figurehead mascot of a force of people fighting for their freedom.  Katniss has her sights set on Snow and will do anything to be the one to end his reign, if she (along with a small band of allies and officers) can avoid the booby trapped city blocks that lie ahead.

I never noticed it until my partner pointed it out to me but with its prominent golden eagles and red color schemes, the leaders in the Capitol have a distinct Nazi vibe going on.  Themes of oppression and barbarism plague our real-life news feed and Collins’ novels tapped into some of that.  While her world has definite fantastical elements, the underlying message of independence hard won is prescient.

The film is light on softness, deciding instead to keep its edges razor sharp and unforgiving.  It’s not, I repeat not, a movie parents should remotely consider bringing their young children to.  I’d ask parents to heed the PG-13 rating and know that it probably should have carried an R due to the amount of violence and frightening sequences of death.  The carnage here is a far cry from the good old days of the first movie where young prospects picked each other off to become the victor of The Hunger Games.  Here, the losses are devastating and uncompromising…making for emotional and exhaustive viewing.

After taking over for original director Gary Ross, Francis Lawrence (no relation to our star) has helmed the remaining films and done so without making concessions.  From the production elements to the costume design and make-up, there’s a fully realized world on display, one that resembles ours but feels distant.  Is it futuristic?  Other-worldly? Yes and yes…but it also feels like it could be happening mere years from now.  That’s a scary thought and one not to dwell too much on.

Since the first film was released, Jennifer Lawrence has become a true movie star with an Oscar under her belt yet she doesn’t show any signs of boredom with her involvement here.  Other actresses may have started phoning these in once the first checks had cleared but Lawrence takes her job seriously…maybe a bit too seriously at times.  No matter, the film has become the success it has largely due to her and the emotional depth she’s brought to a complicated character.  Hutcherson too has evolved nicely over the course of the films, not just as his character but as an actor.

The main players involved are all given their due (even if Hoffman’s final speech is relegated to being read by Woody Harrelson, Now You See Me) and the good-byes have a sting to them.  Watch the final shot of the exquisitely styled Elizabeth Banks (Man on a Ledge) as Effie Trinket and you’ll see how so much can be sadness can be conveyed with a single expression.  I wish there were more for Jena Malone to do as Johanna Mason, a tough as nails former victor that both reviles and envies Katniss.  Malone made a grand entrance in The Hunger Games: Catching Fire and has been a value add to the series ever since.  The final moments of the film may come off as maudlin and treacly to the more jaded among us but it feels like a fitting tying off of a well taken care of commodity.

There’s talk of the studio working on a new sequel or a prequel and I would beg of them to drop it.  There’s plenty more YA literature waiting for their moment in the cinematic sunshine and the four films that have comprised The Hunger Games franchise have earned their chance to be distinguished.  Don’t muck it up.

The Silver Bullet ~ The Hunger Games: Mockingjay – Part 2


Synopsis: After being symbolized as the “Mockingjay”, Katniss Everdeen and District 13 engage in an all-out revolution against the autocratic Capitol.

Release Date: November 25, 2015

Thoughts: This is going to be a tough one. The final chapter of The Hunger Games film series arrives this November and brings with it the highest of anticipations on going out with a bang. Though fans were divided over the third book in Suzanne Collins’ trilogy, I found it be the most satisfying because it’s when the consequences of action became a reality. It’s a somber finale, to be sure, but the franchise has earned the right to get as dark as it wants. I felt that The Hunger Games: Mockingjay – Part 1 was downright scary and I know the worst is yet to come…so hold on tight. Starring Jennifer Lawrence (American Hustle), Elizabeth Banks (Pitch Perfect 2), Julianne Moore (Still Alice), Jena Malone (Inherent Vice), Sam Claflin (Snow White and the Huntsman), Josh Hutcherson (Journey 2: The Mysterious Island), Stanley Tucci (Transformers: Age of Extinction), Liam Hemsworth (The Expendables 2), Woody Harrelson (Out of the Furnace), and Philip Seymour Hoffman (The Master).


Reviews of
The Hunger Games
The Hunger Games: Catching Fire

The Silver Bullet ~ The Hunger Games: Mockingjay – Part 1


Synopsis: Katniss Everdeen reluctantly becomes the symbol of a mass rebellion against the autocratic Capitol.

Release Date: November 21, 2014

Thoughts: We aren’t that far off now from the beginning of the end for the tale of Katniss Everdeen. Though I’m no fan at all of the recent popular trend of splitting every film franchise written as a trilogy into four movies, in the case of this second sequel to The Hunger Games it may turn out to be a good thing. I’ve yet to read the book the film is based on (choosing instead to read it closer to the release date) but fans of the series have always been divided as to where Mockingjay stands against its printed predecessors with some loving it and some condemning it. So there’s room in two movies for the makers to right some potential wrongs devotees of Katniss and her quest may still be smarting over. It’s going to be a mega-watt blockbuster no matter what…but will Part 1 be more than a device to set the stage for the final hurrah? 

Check out my review of The Hunger Games here

Check out my review of The Hunger Games: Catching Fire here

Check out my review of the teaser trailer for The Hunger Games: Mockingjay – Part 1 here

The Silver Bullet ~ The Hunger Games: Mockingjay – Part 1


Synopsis: Katniss Everdeen reluctantly becomes the symbol of a mass rebellion against the autocratic Capitol.

Release Date: November 21, 2014

Thoughts: Though I’m still not crazy about the last book of The Hunger Games trilogy being split into two parts being released this year and next, I have to admit being fairly excited for November to roll around so I can get a look at the first chapter in the epic finale. I’ve held off on reading the book until the release is closer but based on how well The Hunger Games and The Hunger Games: Catching Fire made their way to the big screen, I have high hopes that these next two installments will maintain the gold standard of its predecessors. Jennifer Lawrence (American Hustle), Julianne Moore (Carrie), Philip Seymour Hoffman (The Master), Woody Harrelson (Out of the Furnace), and Elizabeth Banks (Man on a Ledge) should be sitting pretty this Thanksgiving.

Movie Review ~ Only Lovers Left Alive


The Facts

Synopsis: A depressed musician reunites with his lover, though their romance – which has already endured several centuries – is disrupted by the arrival of uncontrollable younger sister

Stars: Tilda Swinton, Tom Hiddleston, Mia Wasikowska, John Hurt, Anton Yelchin, Jeffrey Wright

Director: Jim Jarmusch

Rated: R

Running Length: 123 minutes

TMMM Score: (6.5/10)

Review: I feel like at this point in my movie viewing (and reviewing) career I should be much more familiar than I am with writer/director Jim Jarmusch. Responsible for a respectable amount of moody movies in the 80’s and 90’s, looking over his roster of work I realize that Only Lovers Left Alive is the just the second Jarmusch film I’ve seen with 2005’s Broken Flowers being the other. I’m not sure if I’m going to run right out and snap up movies like Night on Earth, Stranger Than Paradise, or Ghost Dog: The Way of the Samurai but based on the somber vampire flick he’s delivered here, it’s clear I need to do my homework.

Though the romantic vampire genre may have (fingers crossed!) finally run its course, Jarmusch nicely sidesteps the baring of fangs and avoids awkward kink in favor of character driven work that produces a curiously entertaining, unconventional entry in the bloodsucking oeuvre. Instead of Twilight’s Edward and Bella pawing over each other in a hazy meadow, we have Adam (Tom Hiddleston, Thor, Thor 2: The Dark World) and Eve (Tilda Swinton, The Grand Budapest Hotel) spending the first part of the film continents apart until Eve travels from exotic Tangiers to dilapidated Detroit for a reunion with her eternal flame. Like the impressively designed but fairly dated The Hunger from 1983, Only Lovers Left Alive is less about finding love than it is about what happens to a couple that have lived through many lives together.

Of course, into every vampiric life a little rain must fall and before Adam and Eve can really get down to business another creature of the night appears: Eve’s troubled sister Ava (Mia Wasikowska, ). This family reunion doesn’t bring the kind of over-the-top fireworks seen in August: Osage County but the danger is very real as Ava’s free-wheeling lifestyle threatens to upend any brief bliss Adam and Eve are seeking.

It’s a very languid film and Jarmusch doesn’t make any apologies for letting his characters wax poetic about the state of art/music/literature in today’s modern society. He even introduces a true-blue historical figure, Christopher Marlowe (John Hurt, Tinker Tailor Soldier Spy), still alive today thanks to a bite to the neck centuries earlier. Everyone in Jarmusch’s film seems too cool for school but not in the way that could have been aggravating or eye-roll inducing. My original feeling was that the film should have been called Hipster Vampire Namedroppers, a silly but pretty accurate way to succinctly describe the players.

Somber yet at times deeply funny, Only Lovers Left Alive is a nice antidote to several years of sappy films and television series that have made vampires more romantic leads than life draining villains. I’m not sure Jarmusch’s take will please everyone but there’s something interesting going on here seasoned moviegoers may want to investigate. Just make sure to bone up on your beatnik poets and existential artists so you can nod in agreement when Jarmusch makes an obscure reference.

Movie Review ~ The Hunger Games: Catching Fire


The Facts:

Synopsis: Katniss Everdeen and Peeta Mellark become targets of the Capitol after their victory in the 74th Hunger Games sparks a rebellion in the Districts of Panem.

Stars: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Lenny Kravitz, Elizabeth Banks, Stanley Tucci, Donald Sutherland, Woody Harrelson, Jena Malone, Philip Seymour Hoffman, Amanda Plummer, Lynn Cohen, Sam Claflin, Jeffrey Wright


Rated: PG-13

Running Length: 146 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review:  I honestly expected there to be a slip-up in bringing the second part of Suzanne Collins’ The Hunger Games trilogy to the big screen.  After the whopper success of The Hunger Games in early 2012 (compounded by the fact that the film was quite good), tongues were wagging in anticipation of when the next film would arrive and a worldwide true love affair with down-to-earth star Jennifer Lawrence began.

Starting off 2012 with a huge box office hit and ending with another praise-worthy film (Silver Linings Playbook) along with a Best Actress Oscar for her efforts, Lawrence couldn’t have asked for a better year.  Then 2013 rolls around and the starlet saw the release of another film which has critics crying Oscar (American Hustle) as well as The Hunger Games: Catching Fire, a sequel that’s in many ways superior to its predecessor.

Though I keep my reviews fairly spoiler-free, there’s no real way to discuss Catching Fire without giving away some aspects of the original so if you’ve yet to see it…you’ve been warned.

OK…are we ready to move forward?  Good.

It’s a year after Katniss (Lawrence) and Peeta (Josh Hutcherson, Journey 2: The Mysterious Island) defied the odds (and the authorities) and became the first joint victors of the gladiator-esque Hunger Games.  Though they may have new housing and comforts that have kept their families nourished, both are still haunted by what they saw in the arena.  The Hunger Games are presented as entertainment but really serve as a reminder of oppression by the wealthy and how inconsequential the poor are.  Katniss and Peeta came from the lowliest district and survived together…giving hope to those that had none.

This causes great fear in the upper crust, mostly from villainous President Snow (a smirky Donald Sutherland, Backdraft) who plots with new Head Gamemaker Plutarch Heavensbee (Philip Seymour Hoffman, The Master, using his greasy ginger puffiness to his advantage) to teach the two young winners a lesson…by making sure that the next Hunger Games is an all-star battle with players culled from past victors.  Back into the area they all go and this time there can truly be only one winner.

Screenwriter Simon Beaufoy (Salmon Fishing in the Yemen and an Oscar winner for Slumdog Millionaire) brings out the best in Suzanne Collins novel, always reminding the audience of the stakes at play and the very real price for any kind of mistake.  Characters feel more fleshed out with very little favorite faces getting short shrift of screen time.  That  leads to the film running nearly two and a half hours but the time seemed to fly by for me thanks to director Francis Lawrence (I Am Legend) keeping things at a good clip and the continued strong performances of the cast.

It would have been easy for Lawrence to simply show up and recreate the strong work from the original but instead she goes deeper than before, uncovering new layers of Katinss that even Collins wasn’t able to scratch.  It’s a full-bodied performance that proves Lawrence is a formidable force that’s just getting started.

Maybe it’s because Lawrence flaunted her Oscar around the set (highly doubtful) but everyone else in the film seems to have stepped up their game as well.  Hutcherson has less of a moon-pie face in this one, letting the actor not seem so ruled by his character’s obvious infatuation with Katniss.  Woody Harrelson (Out of the Furnace), Stanley Tucci (The Company You Keep), and brief turns from Amanda Plummer (Joe Versus the Volcano) and Jeffrey Wright (Casino Royale) are rich with the kind of character shading that gives the film its subtle dexterity.

Special mention must be made yet again to Elizabeth Banks (Pitch Perfect, What to Expect When You’re Expecting) in the beefed up role of chaperone/advisor Effie Trinkett. The actress could quickly have been lost within her colorful make-up, zany wigs, and Gaga-edgy costume design but she’s smart enough to show the beating heart of the person underneath it all.  And former child star Jenna Malone may have one of the best entrances of the last few years as the plausibly sinister former victor Johanna Mason.  Malone is so good that she often steals Lawrence’s thunder later in the film.

With a year to wait until Part 1 of the final chapter of the series, The Hunger Games: Catching Fire is that rare sequel that builds upon the solid foundation of the impressive original.  There’s more to love here and a greater sense of risk kept alive by Beaufoy’s detailed script, Lawrence’s skilled handling of the material, and a bevy of creative performances led by undeniable star Lawrence.

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The Silver Bullet ~ The Hunger Games: Catching Fire


Synopsis: Katniss and Peeta are dethroned from their respective victory riches and are put back into the arena for the most climatic and menacing of the Hunger Games, known as the Quarter Quell.

Release Date: November 22, 2013

Thoughts:  Arriving less than two years after the blazingly entertaining original, The Hunger Games: Catching Fire has a lot to live up to when it’s released in November 2013. Not only has the profile of its leading lady risen astronomically (thanks to her Oscar winning performance in Silver Linings Playbook) but the second book is considered by fans of the series to be the best. What I like about this trailer is that it leaves out a few critical details that may sell more tickets but isn’t really the heart of what the movie is about. With a new director at the helm (Francis Lawrence, who delivered another dark future world in I Am Legend) and most of the players reassembled (I live for Elizabeth Banks and her take on Effie) this is easily of the more highly anticipated films of the latter part of 2013.

Bond-ed for Life ~ Casino Royale (2006)

The James Bond franchise is celebrating its 50th birthday this year and with the release of Skyfall I wanted to take a look back at the 22 (23 if you count the rogue Never Say Never Again, 24 if you count the 1967 spoof of Casino Royale) films that have come before it. So sit back, grab your shaken-not-stirred martini and follow me on a trip down Bond memory lane.

The Facts:

Synopsis: In his first mission, James Bond must stop Le Chiffre, a banker to the world’s terrorist organizations, from winning a high-stakes poker tournament at Casino Royale in Montenegro.

Stars: Daniel Craig, Judi Dench, Eva Green, Mads Mikkelsen, Jeffrey Wright

Director: Martin Campbell

Rated: PG-13

Running Length: 144 minutes

TMMM Score: (9/10)


After Die Another Day, the Bond series would go through another long hibernation until its producers and studio settled a few legal issues that had been slow burning for several years.  When the 21st James Bond film was ready to move into production it was time for a new actor to take on the role of 007 – after a lot of rumor and speculation it was blonde, blue-eyed Brit Craig that won the role.  At first, hardcore fans were agog that their dark horse agent created by Ian Fleming would now be sporting a new look…but most changed their tune when Casino Royale was released in the fall of 2006.

Marking the first time the franchise had gone back to an original Fleming full source novel since Moonraker, Casino Royale had been given the film treatment a few times before…in a television movie and a spoof film from the late 60’s.  This Casino Royale, however, would adhere more closely to the original novel and act not only as an introduction to the Bond of Craig but also as a way for the series to get a fresh start.

From the opening moments we can tell that this will not be your typical Bond film.  Leaving out the traditional gun barrel opening was risky but winds up fitting in perfectly to the prologue’s origin story aspirations.  This pre-credit sequence is raw knuckle but restrained energy filmed in black and white that leads to an explosion of color during Daniel Kleinman’s gorgeous animated credit sequence.  Paired with Chris Cornell’s rock theme song, it’s clear that this is not your granddad’s James Bond.

The longest Bond film to date, Casino Royale is a white hot film that keeps the grand villains trying to take over the world at bay and instead focuses on a more personal and one on one approach as Bond matches wits and poker hands with evil banker Le Chiffre (Mikkelsen) at the titular casino.  There’s about an hour of lead up until the games begin and it’s here we see that Bond is a loose cannon that has just achieved his double O status.  Operating as a shoot first and ask questions later sort of agent, Bond’s first scene after the strong opening is a breathless chase over rooftops, construction cranes, and through an embassy before he finally gets what he’s after. 

Craig’s brute force physicality is exactly what Bond has needed for quite some time.  The previous actors playing the role all came across as intelligent agents but I never fully bought into the fact they could knock someone’s lights out with a single punch.  In the guise of Craig, Bond is an agent not to be messed with lest you want to pick your teeth up off the ground.

Appearing late in the game is Vesper Lynd (Green) who represents the financial institution bankrolling Bond’s admittance to the high stakes poker game that occupies a good portion of the second act.  From the moment she plops down and proclaims “I’m the money.” both Bond and the audiences know that we’ve met a woman that might just be his equal.  It helps that Green is excellently cagey in her portrayal of Lynd…we’ve seen enough Bond films to know that he’s been double crossed before…so how much can we trust her? 

Craig and Green’s screen chemistry goes on for days and could fuel a small island – both actors really understand the roles they are playing and how they relate to each other.  The complexities are great and it’s a credit to both that you don’t see them working as hard as we come to realize they are.  Green is so perfect…I’d be hard pressed to offer up a better Bond girl.

Mikkelsen’s Le Chiffre cries blood and has a torture method sure to make any male viewer wince…Craig is particularly good in these torture scenes in conveying real pain and conflict.  The way the film is structured it’s never clear if Le Chiffre is the main villain or the shadow for someone behind the scenes…there’s a few twists to be had but sometimes the stakes don’t feel as high as they could be.

Dench is back as M and while chronologically it doesn’t make sense that she’s present, I can’t imagine the role without her.  With each film the writers are smart to beef up her contribution and she maximizes every zinger for all its worth. 

The last Bond film to be this long was On Her Majesty’s Secret Service and like that film Casino Royale has a deeper story to tell.  It’s refreshing that the producers and director Campbell (returning after GoldenEye) take the time to let the film have its moments that don’t involve big chases and fiery explosions.  It doesn’t feel as long as it is and all production values work in harmony to provide great entertainment for longtime Bond fans or those that are new to the world of 007.