Movie Review ~ Mamma Mia! Here We Go Again

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The Facts
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Synopsis: Five years after the events of Mamma Mia!, Sophie will find out more about her mother’s past, including how she fronted The Dynamos, started her villa on the island from nothing, met each one of Sophie’s dads, and raised a daughter.

Stars: Meryl Streep, Julie Waters, Christine Baranski, Amanda Seyfried, Dominic Cooper, Pierce Brosnan, Stellan Skarsgård, Colin Firth, Lily James, Alexa Davies, Jessica Keenan Wynn, Jeremy Irvine, Josh Dylan, Hugh Skinner, Cher

Director: Ol Parker

Rated: PG-13

Running Length: 114 minutes

Trailer Review: Here

TMMM Score: (6/10)

Review: I happened to be in London in January of 2000 and was able to catch the original London cast of the smash hit, Mamma Mia! It was one of the most exciting nights I’ve had in the theater, not just because the show was enormously entertaining but because the audience just went absolutely nuts for it. I was in the highest point of a steep balcony and watching grown men and women shaking their groove thing to the finale megamix without fear of falling was a sight to behold. In touring productions over the past 18 years I’ve seen the same effect, audience members that came in looking glum but leaving with a crazed look in their eyes.

2008’s Mamma Mia! was a surprise hit, though anyone that didn’t expect a global phenomenon starring one of Hollywood’s most A-list stars to rake in some kind of cash likely isn’t still working in the industry today. Released in the summer months when people were tired of explosions and CGI, it was a perfect (if slightly underwhelming to me) summer antidote to the loud and noisy fare ticket buyers were bombarded with. If anything, it showed us how star Meryl Streep (Hope Springs) could turn even the silliest project on paper into a fully-formed performance with feeling.

When a sequel was announced, I was fairly surprised. After the box office success of the first one, it’s not that a sequel was unheard of, just unexpected. Hearing the gang was getting back together again with a few new additions was interesting and with new songs from the ABBA catalog being added the stage was set for a repeat of the fun frivolity the original almost outright encouraged.

Look, times are hard enough as it is so when movies like Mamma Mia! Here We Go Again are released there’s a certain amount of goodwill restraint I believe critics should utilize because while this is far from an equal, this prequel sequel has its heart and, often, voice in the right place.

So now we reach the point where we can’t go on without a few spoilers, but nothing that hasn’t already been hinted at by the trailers.

It’s been five years since about-to-be-wed Sophie (Amanda Seyfried, Love the Coopers) invited three men she thought might be her father to a taverna on a remote Greek island without telling her mother they are on their way. Comic and musical hijinks were the result and the film, like the stage musical it was based off of, ended with a spandex and platform heeled finale set to ABBA’s Waterloo. Now, Sophie is re-opening the hotel one year after her mother’s death while harboring a growing secret of her own. As the guests arrive, the film bounces back and forth between the present and 1979 to see how Donna (Lily James, Cinderella) came to the Greek fantasy island and made a life for herself.

It’s rough going for the first twenty minutes or so as the film dives headfirst into exposition and a few lesser known ABBA songs. A strange musical opening set at Oxford has valedictorian Donna doffing her cap and gown for a lycra bodysuit to bump and grind through the sunny but silly When I Kissed the Teacher along with her fellow Dynamos, Rosie (Alexa Davies) and Tanya (Jessica Keenan Wynn). It’s an off-kilter and gangly way to introduce us to Donna and the film stays safely in idle mode until she lands in Paris and meets young Harry (Hugh Skinner, Les Miserables) before heading off to Greece where she’ll sail away with young Bill (Josh Dylan), and fall in love with young Sam (Jeremy Irvine, The Woman in Black 2: Angel of Death).

While we’re getting this backstory, the events taking place in the present aren’t always as sunny. Sophie and Sky (Dominic Cooper, Dracula Untold) are halfway around the world from eachother and experience the stress of a long-distance romance (explained in a sketchily sung One of Us) and other dads Harry (Colin Firth, Magic in the Moonlight) and Stellan Skarsgård (Avengers: Age of Ultron) can’t make the re-opening due to business commitments. Tanya (Christine Baranski, Into the Woods) and Rosie (Julie Walters, Film Stars Don’t Die in Liverpool) do arrive and try to brighten Sophie’s spirits when a storm threatens to derail the proceedings.

It’s all set to a songlist from the ABBA canon, many repeated from the original film to lesser results. The old songs new to the sequel are clearly B-sides for a reason, though Baranski and Walters have fun with Angel Eyes. The biggest success is likely Dancing Queen, a highlight here just as it was in the first outing. It’s a huge production number set on land and sea, you’ll wish all boat rides had such excellent choreography.

The overall problem I had with the movie is that it feels like a project crafted around the availability of its returning cast. The movie was shot in London and plenty of it is done on green screen to recreate the Greek setting. Add to that a handful of cast members that feel like they filmed their scenes in several days (no surprise many did) and the film feels a bit clunky and unkempt. That being said, it takes about 90 minutes for the film to find any kind of rhythm or shape and that just happens to be the time that Cher (Mermaids) stops by.

It’s widely known Cher turned down the role of Tanya when produces approached her about it but we should all be glad she signed up to play Ruby, Sophie’s grandmother (try not to do the math when you consider Cher is only three years older than Meryl Streep), a Las Vegas entertainer not much for family gatherings. Not long after Cher shows up and sings a bang-up version of Fernando, none other than Streep herself appears in a scene/song you’ll need some tissues for. It shouldn’t have, but it honestly caught me off guard how moving her performance was and it serves as a wistful reminder of the below the surface heart the rest of the movie was missing.

Writer/director Ol Parker (The Best Exotic Marigold Hotel) might not improve on the formula introduced in Mamma Mia! in terms of cleverly blending songs in with the action but his film marks a vast improvement visually. He lets the camera take in more of the large action and dancing scenes, instead of quick cuts around the dancing he makes good use of the widescreen vistas. Like the first film, expect Greek tourism to get a bump from the lovely displays here.

 

The Silver Bullet ~ Mamma Mia! Here We Go Again

Synopsis: The film will go back and forth in time to show how relationships forged in the past resonate in the present.

Release Date:  July 20, 2018

Thoughts: It has been a decade since the boffo stage hit Mamma Mia! danced its way to the big screen and made millions but it was a bit of a puzzlement when this sequel was announced.  Where did the film have to go and how many more ABBA tunes could be culled from their catalog for the characters to sing?  This first look at Mamma Mia! Here We Go Again (ugh, that title!) has arrived and, I warn you, it’s fairly alarming.  The sun drenched Greek setting is back as are most of the buoyant cast members…but someone is noticeably absent from most of the merriment.  Meryl Streep…or to be more specific, Streep’s character.  Sure, Streep (Hope Springs) is present in flashes but she’s not front and center like the original film and that’s inspired people to ask if the filmmakers killed her character off.  Not sure how I feel about that and even more unsure if it’s wise to make this a prequel when the back story was such a flimsy throwaway in the first place.  Director Ol Parker (The Best Exotic Marigold Hotel) has brought on Lily James (Darkest Hour) to play Streep in her twenties and landed Cher (Mermaids) to play her mother (!!!).  No question I’ll be lining up to see this but if it’s going in the direction I think, I’m already blue since the day I first saw this trailer.

The Silver Bullet ~ Stonewall

stonewall

Synopsis: A young man’s political awakening and coming of age during the days and weeks leading up to the Stonewall Riots.

Release Date:  September 25, 2015

Thoughts: Though we still live in a world plagued by racism, homophobia, sexism, and a lot of other unfortunate “isms”, it’s worth noting that we’ve come a long way over the last half century and these key moments in the civil rights movement for all walks of life are getting the silver screen treatment in full force the last few years.  2014 had its Selma and 2015 audiences will get see Meryl Streep in Suffragette and Roland Emmerich’s Stonewall.  Fitting for the director of Independence Day, Emmerich (White House Down, who I wasn’t aware was gay himself until a few years ago) takes on a dramatized version of the events surrounding the 1969 Stonewall riots, placing a fictional story in the midst of the very real conflict.  I’ll admit to being under-educated on this period in history and while I won’t rely on the film to tell me all I need to know, I hope it’s a good jumping off point to continue the discussion on equality.

The Silver Bullet ~ The Woman in Black: Angel of Death

woman_in_black_angel_of_death

Synopsis: 40 years after the first haunting at Eel Marsh House, a group of children evacuated from WWII London arrive, awakening the house’s darkest inhabitant.

Release Date: TBA 2015

Thoughts: In another example of striking when the iron is lukewarm, the sequel to the 2012 modest hit The Woman in Black will arrive in theaters in January. Having been a fan of the book and the play on which the first film was based, for the most part I was satisfied with the not quite as scary but handsomely produced effort that saw Daniel Radcliffe (What If) face scary ghosts that haunt an English manor. Only the creepy house and the ghosts are back for The Woman in Black: Angel of Death and if it retains the high production values and well-timed spooky moments of its predecessor then it will redeem itself for taking so long to start haunting again.

The Silver Bullet ~ Great Expectations

Synopsis: A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor

Release Date:  TBD 2012/2013

Thoughts: Every now and then I become a big ‘ole softie for a sumptuous period piece and this just may be the film I’m looking for (not that the upcoming Anna Karenina wouldn’t fit the bill as well).  The umpteenth version of Charles Dickens story doesn’t seem to mess around too much with its source material…at least it doesn’t update it like the tepid late 90’s version with Gwyneth Paltrow and Ethan Hawke.  With experienced director Mike Newell at the helm I’m looking forward to taking up residence with Pip and the rest of the immortal characters.  Oh…did I mention I’ve never seen any film/television adaptation of the novel?  Guess I should get on that.