Movie Review ~ Sisters

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The Facts:

Synopsis: Two sisters decide to throw one last house party before their parents sell their family home.

Stars: Tina Fey, Amy Poehler, Maya Rudolph, Ike Barinholtz, John Leguizamo, Dianne Wiest, John Cena, James Brolin

Director: Jason Moore

Rated: R

Running Length: 118 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review:  We all love Tina Fey and Amy Poehler, right?  I mean, through their celebrated time at Saturday Night Live to their post-late night days with 30 Rock and Parks and Recreation, both have shown themselves to be fun-loving ladies that work well with others.  There’s nothing like it when Fey and Poehler team up, though, so Sisters should have been a slam dunk, right?

If the end result is less of a slam dunk and more of a two-pointer, it’s at least better than their last pairing, the tepid Baby Mama from 2008.  That film was highly anticipated but came off feeling like we were watching an extended SNL sketch with Fey playing her usual nerd-ish but noble lady and Poehler going big as a white trash pseudo-surrogate.  In the ensuing years, Poehler and Fey have been reunited on several small screen occasions leading up to successfully hosting the Golden Globes three times, ruling over the festivities with their sly observances.

And now we have another attempt at striking it rich on the big screen and while Sisters is markedly better than Baby Mama, it still winds up falling short of the packaged potential of its stars.  This time, there seemed to be some real thought put into the piece, with Fey and Poehler wisely playing against type in bringing friend (and former SNL writer) Paula Pell’s sorta biographical screenplay to life.

When Maura and Kate’s parents (Dianne Wiest, Parenthood and James Brolin, The 33) decide to sell the Florida home of their youth and move into a retirement complex, the sisters are tasked with cleaning out their room before the new family moves in.  Maura (Poehler, Inside Out) is the responsible one, the sister that never got into trouble and was an eternal sober cab for her hard partying sister Kate (Fey, Admission).  Upset with their parents for listing the lot without telling them, they decide to host one big party for their friends before they have to pack it in and move on with their lives.  Kate promises to abstain from booze so Maura can let loose but as the night goes on the sisters find themselves plunked back into old habits, not always of their own free will.

The film takes a while to get going and it mostly coasts along nicely.  There’s a charming romantic subplot with Maura romancing a hunky neighbor (Ike Barinholtz, heretofore not hunky) and it gives Poehler some nice moments, comedic and otherwise.  Barinholtz should get some props here for dealing with a fairly nasty gross-out gag, one of several that occur during the night of increasing debauchery.

Director Jason Moore (Pitch Perfect) knows when to let his stars do their thing but manages to keep control of the wild party that takes up the latter half of the film.  Balancing a host of comedic players (like Horatio Sanz as that guy we all hate at parties and Maya Rudolph as a bitchy rival) with some third act emotional resonance is no easy task but Sisters earns its stripes thanks to its game cast and willingness to “go there” for laughs.

Boldly opening the same weekend as Star Wars: The Force Awakens, Sisters is marketing itself as that other movie you can see after your Star Wars fix is complete.  It’s clever #YouCanSeeBoth campaign works in its good-natured favor and audiences should see both films during their theatrical run.

Movie Review ~ American Ultra

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The Facts:

Synopsis: A stoner – who is in fact a government agent – is marked as a liability and targeted for extermination. But he’s too well-trained and too high for them to handle.

Stars: Kristen Stewart, Jesse Eisenberg, Connie Britton, Topher Grace, Bill Pullman, John Leguizamo, Walton Goggins, Tony Hale

Director: Nima Nourizadeh

Rated: R

Running Length: 96 minutes

TMMM Score: (4.20/10)

Review: It’s hard to know where to start with a movie like American Ultra because the film itself is all over the map and hard to follow.  Woe be to the individual that opts to wait in the concession line for that vat of overpriced popcorn and misses the first few minutes of the movie…but then again it doesn’t really matter because there’s precious little to encourage you to carve time out of your late summer movie-going schedule for this half-baked stoner action comedy spy flick.

Screenwriter Max Landis’ last big screen effort was the surprisingly slick Chronicle but he trips here with a mulligan stew of ideas and jokes that never gel into a satisfying meal.  I actually can imagine that Landis turned in a worthy, readable, screenplay that just didn’t translate well as it made its way on camera.  The central plot of a government agent/experiment suffering from memory loss living life as a stoner mini-mart worker in a dead end West Virginia town called into action when a rogue CIA sector marks him for death doesn’t have the stench of an also-ran and maybe could have worked (whew…I’m winded after that description…let me take a breath).  But in the hands of director Nima Nourizadeh it suffers from cinematic inertia and a curious lack of any committed tone…not to mention a whole host of casting problems.

I continue to fail to see the appeal of Jesse Eisenberg (Now You See Me).  He seems only able to play one type of role, a mumbly meek milquetoast and while the film attempts to counteract that with the character’s deadly force training it can’t escape the fact that Eisenberg is terribly miscast in a role he seems uncomfortable in and too old for.  Put him in a dime-store wig with a part that keeps changing sides at random and a lumpy flannel and the ho-hum make-under is complete.

Lucky for Eisenberg he has a game co-star in Kristen Stewart (Still Alice), rejoining her Adventureland co-star and saving his butt in every scene (again).  Stewart feels much more at ease with her role, Eisenberg’s sweet girlfriend that supports his slacker ways and actually loves him in spite of it all.  As the film progresses, we see there’s more to Stewart’s character than we originally were led to believe, allowing the actress some good moments to continue to prove she’s able to play more than a moony vampire lover.

As much as I love Connie Britton (This is Where I Leave You) I find that once again she’s used incorrectly as a top CIA operative with ties to the experimental program Eisenberg was once a part of.  Not surprising, she’s the third actress signed to the role after Uma Thurman and Sharon Stone dropped out.  Britton can play a steel voiced authority figure no problem but in chunky boots and wool ensemble she always feels like she’s pretending to be a CIA agent rather than really embodying the role.

At least Britton fares better than Topher Grace (Interstellar) who has managed to remain ageless over the years, even though his eyes are seeming to bug out more than ever.  The worst example of miscasting, Grace parades around as a snobby CIA agent that opposes Britton wearing twice as much rouge as her and not looking remotely aware of it.  Every line reading rings false and he acts without conviction or motivation in a series of scenes that look like deleted skits from the MTV Movie Awards.

In fact, from the astoundingly cheap looking sets, the overall appearance of the movie feels like a late night talk show sketch that runs too long.  The lighting is either brilliantly bold (as in a black-light set action sequence where Stewart and Eisenberg’s teeth glow as bright as the whites of their eyes) or murky and flat.  Several action scenes look like they were culled from the 11th or 12th take based on the exhausted look of the actors and worst of all the film has nothing really solid to say when it reaches its conclusion.  An animated sequence over the end credits is perhaps the most creative thing about the film…but that too is spoiled by an obnoxious score that sonically seems meant to induce dry heaves.

Amidst bloody violence there are some all too brief flashes of what the film could have been, a subversively smart action thriller with a dark comedy slant…but that would have required more effort from the director not to mention a major cast overhaul.

The Silver Bullet ~ Sisters

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Synopsis: Two sisters decide to throw one last house party before their parents sell their family home.

Release Date:  December 25, 2015

Thoughts: Long-time friends Amy Poehler (Inside Out) and Tina Fey (This is Where I Leave You) were a dynamic duo on the small screen during the time as co-hosts of Weekend Update on Saturday Night Live.  Bold comediennes, they played off of each other well and were the one thing you could count on from week to week to hit the bullseye with their observant comedy.  The relationship continued on into the big screen with 2008’s Baby Mama, a slight romp that didn’t really serve either of them very well.

Arriving in time for the 2015 holiday season, the two are back together with Sisters and while it looks like the latest entry in the “chicks can be raunchy too” genre, Poeher and Fey are so damn likable that I’m willing to toss some goodwill toward (wo)men their way since it’ll be Christmas-time and all.  I like that the actresses are playing against type, with Fey as the more out of control sister and Poehler as the more grounded one.  The trailer is a lively mix of spot the former SNL cast member and ok, it’s not all that funny…but there’s potential.

Movie Review ~ Ride Along

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The Facts
:

Synopsis: Fast-talking security guard Ben joins his cop brother-in-law James on a 24-hour patrol of Atlanta in order to prove himself worthy of marrying Angela, James’ sister.

Stars: Ice Cube, Kevin Hart, John Leguizamo, Bruce McGill, Tika Sumpter, Bryan Callen, Laurence Fishburne

Director: Tim Story

Rated: PG-13

Running Length: 100 minutes

Trailer Review: Here

TMMM Score: (3/10)

Review: Throughout the latter half of Ride Along I’ll admit to being totally zoned out and not paying attention.  Random thoughts kept floating through my mind….

Ride Along is asleep at the wheel.

Ride Along needs a jump start.

Ride Along?  More like Move Along. Nothing To See Here.

Where to begin with this one?

The buddy-cop comedy genre has taken a bit of a beating lately with 2013’s The Heat the latest casualty of writers that don’t know from funny and stars that trust those same writers to do a lot of the work for them.  On paper, I’m sure Ice Cube and Kevin Hart looked like a good combo to put together but in the poison pen of four (count ‘em FOUR!) screenwriters there’s less goodwill toward funny men and more musty cop jokes than you cake shake of box of powdered doughnuts at.

I’m not a huge fan of Kevin Hart to begin with which could have played a role in my feeling about the teeny-weeny comic’s manic energy threatening to vaporize everything left in his wake.  With many scenes winding up feeling like an extended set from his B-side comedy routines, Hart doesn’t have the instincts of the similarly wired Eddie Murphy at his age.  Murphy at least had several moments of silence in each of his films but Hart is non-stop – I halfway wondered if he kept on going so the editor would have trouble cutting away from him.

As Ben, a going nowhere security guard that spends his off work hours playing interactive videogames in a tony loft apartment he shares with his stunning girlfriend Angela (Tika Sumpter, Sparkle), Hart hits the ground running.   Though it’s never explained what Angela does, it has to be a high paying job in order for the two to afford the kind of rent the spacious brick faced dwelling would demand…because Hart’s low paying job isn’t cutting it.  He finds out he’s been accepted to the police academy and decides to kill two birds with one stone and impress Angela’s wary brother James (Ice Cube) who happens to be a hard-scrabble cop himself.  Make nice with the brother and get some advice…a good plan

James, on the other hand, sees an opportune moment as well…he can get Ben off his back and out of his sister’s life by giving him the kind of ride along he’ll never forget.  Over the course of the day they ride around Atlanta, assigned to 126’s…the most annoying cases no cop wants.  Each run in Hart has with a goofy cuckoo gets less and less funny…and it only makes him try harder and louder.

Ride Along has one scene in my new favorite movie location: The PG-13 strip club where no one is naked, everyone wants to get into, and women in bikinis have hundreds of one dollar bills stuffed in their get-ups.  Actually, the filmmakers don’t even fill their club inside with a lot of people…it looks like the kind of crowd that was recruited from a local dentist office.

Due to the fact that the one joke premise of James terrorizing Ben on a day long look into the life of a cop can’t last forever, the brilliant screenwriters toss in a taxing crime case for James that just happens to see a development on the very day that he’s potential brother in law is accompanying him.  Early on we see that a mysterious figure named Omar is involved with something really big (could be guns, money, drugs…who knows, I forgot) but since no one has seen him, no one can locate him.

The only thing they have to go on is a picture of Omar in the eighth grade…at which point director Tim Story makes the brilliant move of panning to a picture that looks so much like Laurence Fishburne (Man of Steel) that it’s not a spoiler to say…well…guess who plays Omar?  It’s these kind of dunderhead, “we’ll help you figure it out” hand-holding moments that make Ride Along not only not funny but mildly insulting as well.  The comedy is shoved in your face and then your good will is tossed aside until the film needs you to laugh again.

If Kevin Hart wanted to make a cop film about a guy going to the police academy…why not attach himself to the Police Academy remake that’s been talked about for years?  This movie is just incredibly lame, half-hearted, and clearly aimed to make a quick buck and pave the way for a sequel (it’s already been announced) rather than having any strong ambition to just make something funny.

The Silver Bullet ~ Ride Along

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Synopsis: Fast-talking security guard Ben joins his cop brother-in-law James on a 24-hour patrol of Atlanta in order to prove himself worthy of marrying Angela, James’ sister.

Release Date:  January 17, 2014

Thoughts: Though the mismatched buddy cop formula has been done to death in countless films (most recently in 21 Jump Street), I guess there’s always room for one more.  The unlikely combo here finds Kevin Hart (Grudge Match) trying to impress his fiancé’s policeman brother (Ice Cube) by spending some time with him on the job.  While I find that a little of Hart goes a long way, this seems to be a nice fit for the wise-cracking comedian and one that will play nicely against Ice-T’s more deadpan style.  I’m not expecting much from this one and that’s usually the best way to go into a formula film…because you may wind up liking it more than you thought you would.  Here’s hoping.

Movie Review ~ Kick-Ass 2

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The Facts:

Synopsis: The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume. Meanwhile, the Red Mist plots an act of revenge that will affect everyone Kick-Ass knows.

Stars: Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse, Morris Chestnut, John Leguizamo, Donald Faison, Jim Carrey

Director: Jeff Wadlow

Rated: R

Running Length: 103 minutes

Trailer Review: Here

TMMM Score: (5/10)

Review: Like I said in my review of the red-band trailer for Kick-Ass 2, I wasn’t a huge fan of the 2010 original which had a premise (everyday kid turns crime fighter with less than spectacular results) that was exploited ad nauseam and was much longer than it needed to be.  While I enjoyed that when the good guys got a beat down they actually bled and that some had vocabularies that would make a sailor blush, the original film just felt played out before the first reel was done.

So a sequel was not high on my wish list in the grand scheme of things.  Ah, but when you have a film that does surprisingly well at the box-office that didn’t cost a lot to make, movie studio execs quickly get those crazy dollar signs instead of pupils and before you know it three years later I found myself taking in a decent if totally unnecessary second chapter in the story of Kick-Ass and his rough and tumble compatriots.

In the years since the first film, two of the three leading actors have turned in some interesting work.  While Dark Shadows wasn’t the hit Chloë Grace Moretz thought she signed up for, her character had a wacky arc that the actress went to the mat with.  Even more surprising, Aaron Taylor-Johnson got the Oliver Stone treatment in Savages before buttoning-up nicely for Anna Karenina last fall.  It was refreshing to see that both actors easily slid back into their roles and try though they might to get something cooking with the development laid out by writer/director Jeff Wadlow, there’s only so much you can do with very few ingredients.

The worst thing about the movie is not the crazy violence (violence so outlandish that star Jim Carrey, The Incredible Burt Wonderstone, refused to promote it…after cashing his sizable paycheck, natch) or the funny-in-a-sad-way performance of Christopher Mintz-Plasse (The To Do List…and what’s with the three name names of our leads?) but that it’s not very well made.  This had to have had a larger budget than the original…so why does everything from the sets to the costumes to the special effects look so flimsy and cheap?  There’s a chase scene on top of a van that, while impressively choreographed, appears to be filmed via time travel to 1985.

Another sticking point was that the movie keeps our two leading players apart for so much of the movie.  While Moretz is off working a Mean Girls meets Carrie subplot (bad-timing, because Moretz is starring in October’s Carrie remake), Taylor-Johnson is making new friends in Carrey, Donald Faison, and Lindy Booth as upstart civilian superheroes.  When Moretz and Taylor-Johnson are together the movie finds a pleasantly comic groove but these moments come too little, too late.

All said, Kick-Ass 2 is no gem and not a film worthy of your dog days of summer time or effort.  If you’re a fan of the original, this can wait until you can rent it…all others are advised to pick something else.  (Check my archive if you want a few suggestions!).

The Silver Bullet ~ The Counselor

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Synopsis: A lawyer finds himself in over his head when he gets involved in drug trafficking.

Release Date:  October 25, 2013

Thoughts: Three time Oscar nominated director Ridley Scott (Prometheus, Thelma & Louise, Alien) is one of my most trusted directors not because he’s been involved with some of my favorite films but because he’s never been one to be locked in a box.  Comfortable with drama as much as he is with muscle-y bravado action films he’s willing to take risks with material usually to strong results.  In The Counselor, he’s assembled a truly A-List cast to bring prolific author Cormac McCarthy’s first screenplay to life.  McCarthy’s novel No Country for Old Men inspired a truly haunting film that deservedly won Best Picture in 2008.  I’m not sure The Counselor will be going after that big prize but with a cast this impressive teaming up with Scott and McCarthy…this is a movie to get excited for.

The Silver Bullet ~ Kick-Ass 2 (Red Band Trailer)

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Synopsis: The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume. Meanwhile, the Red Mist plots an act of revenge that will affect everyone Kick-Ass knows.

Release Date:  August 16, 2013

Thoughts:   OK…I’m going to come clean about something…are you ready?  I didn’t really like the first Kick-Ass when it was released in 2010.  There, I said it and I hope we can still be friends. 

While I appreciated the anti-superhero movie for what it was trying to accomplish I felt it wound up just being an excuse for tiny tyke Chloë Grace Moretz (Dark Shadows, Carrie) to spew profanity while our titular hero got the bloody crap kicked out of him.  It was overlong and overstuffed, resulting in a film I just couldn’t warm to.  With the nice take at the box office, a sequel was a foregone conclusion so this summer Kick-Ass and Hit-Girl are back and this time they’re up against old comrade Red Mist.  With a new director and screenwriter on board we’ll have to see if the sequel can make a better impression on me than the original.