Movie Review ~ The 33

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The Facts:

Synopsis: Based on the real-life event, when a gold and copper mine collapses, it traps 33 miners underground for 69 days.

Stars: Antonio Banderas, Rodrigo Santoro, Juliette Binoche, James Brolin, Lou Diamond Philipps, Bob Gunton, Gabriel Byrne

Director: Patricia Riggen

Rated: PG-13

Running Length: 127 minutes

Trailer Review: Here

TMMM Score: (7.5/10)

Review: Based on the book Deep Down Dark, narrative journalist Hector Tobar’s weaving together of the firsthand accounts from the men who were there, The 33 is a drama in real life story that has its heart in the right place. The whole world was riveted by the plight of the Chilean miners trapped 2,300 feet below the ground by a cave-in for 69 long days. As the country watched, an international rescue team was assembled to devise a way to get to the men before time and food runs out. Anyone that’s picked up a newspaper or watched the news during that time knows how it all ended, but the details were a bit cloudy for me five years later which added to the dramatic tension the movie builds nicely.

I told someone after the movie that I thought it was “mostly good” because for all of the genuine emotion and heroism captured on screen, there was a strange disconnect that comes out of the film being watered down and becoming more traditionally American-ized than it should. I was surprised at how clearly divided into three acts the movie was, with the traditional climax happening about 3/4 of the way through the film. There seemed to be a carefully rendered formula to every new development that presented itself to the men below the surface and the government officials, family members, and rescue crews racing against the clock to save the trapped workers.

I also found myself really wishing that the Chilean film was entirely in Spanish. All of the signs and news report headings were in Spanish yet the actors almost uniformly speak English with a fair to decent accent. Something that always annoys me is when a movie takes the time to subtitle actors speaking in a foreign language only part of the time. Here, a song of hope and pain starts off with an English translation before the subtitles disappear – perhaps it’s a way to provide a bridge between two cultures but it can come off as slightly manipulative with the filmmakers only translating information they want you to know.

Attracting high-profile talent, the film has a wealth of strong performances. Though he’s billed a bit far down in the credits, Lou Diamond Phillips has perhaps the best, most moving arc as a miner who worked his way up to management, knowingly making concessions along the way that comes back to haunt him. Phillips is one of the last people you see in the movie (before it breaks to a roll-call like credits sequence that should leave a lump in your throat) and he makes a significant impression.

Also impressive is Juliette Binoche (Godzilla) who convincingly masters the language (though her French slips in every now and then) as a strong-willed family member of a trapped miner and Antonio Banderas (The Expendables 3) who is better here than in any movie he’s made in over a decade. Rodrigo Santoro (The Last Stand) is notable as a government official with a conscience while James Brolin and Gabriel Byrne pop up for some histrionically dramatic scenes. The Irish Byrne, it must be noted, totally gives up on his Spanish accent well before the movie reaches its conclusion.

The movie covers all the bases and even brings in a few of the more human interest stories that developed while the men were underground. Most notable are the amusing above ground fights between the mistress and the wife of a hapless fellow and the impending birth of a young miners first-born. It’s all handled nicely by director Patrica Riggen set to the late James Horner’s rousing score (it’s nice to see a tribute to Horner at the end, the second film I’ve seen it in after Southpaw)

Not a movie delivered on an epic scale, The 33 is nonetheless a powerful tale of the human condition and the strength to continue on in the face of terrible odds. Worth digging into.

The Silver Bullet ~ The 33

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Synopsis: Based on the real-life event, when a gold and copper mine collapses, it traps 33 miners underground for 69 days.

Release Date:  November 13, 2015

Thoughts: Like many, I watched the developing story of the Chilean miners during the course of the 69 days they were trapped underground.  A remarkable story of survival, its drama in real life tale seemed like a perfect TV movie of the week fodder.  Instead, it’s been given the big screen treatment and The 33 looks to be an impressive account of the ordeal as seen through the eyes of the men trapped and their families awaiting their return.  It’s also probably the only time I’ll be able to report that Oscar winning actress Juliette Binoche (Godzilla) took over a role that Jennifer Lopez (What To Expect When You’re Expecting) signed up for.

Movie Review ~ Godzilla (2014)

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The Facts:

Synopsis: The world’s most famous monster is pitted against malevolent creatures who, bolstered by humanity’s scientific arrogance, threaten our very existence

Stars: Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, Sally Hawkins, David Strathairn, Bryan Cranston

Director: Gareth Edwards

Rated: PG-13

Running Length: 123 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review: Boy, do I love a good blockbuster. Personally, I don’t lump the superhero films featuring men who can leap tall buildings in a single bound and hulky iron men teaming up with American captains quite into the same category as the epic scale movies that remind me of all those summer films I so eagerly anticipated back in the 90s. Give me a Jurassic Park over another Marvel film any day of the week, not that the Marvel films aren’t enjoyable in their own right.

Though I wasn’t yet born when 1975 became the summer of the shark (Jaws) and created the blockbuster event film, I do remember seeing Jurassic Park in theaters and I found myself flashing back to Spielberg’s dinosaur adventure as the reboot of Godzilla played out before my eyes. Here is a film that knows its audience, takes its time, and seemingly says “You want your money’s worth…OK…we can do that.” Setting a high bar for every other film to come in summer 2014, Godzilla is that must see entertainment that even people who only venture into a dark theater a few times a year will want to put on their list.

You know you’re in good hands right off the bat with a smart credit sequence that covers a lot of ground, showing newsreel clips from history about the A-Bomb testing and eventually making the suggestion that the bomb was actually used to subdue a threat to humankind rather than making a case for scientific advancement. From there, the film uses a lengthy prologue to its advantage as it hops continents, laying the groundwork for our titular monster to rise again from the ocean depths.

Not too long after an estranged scientist father (Bryan Cranston, Argo, Rock of Ages) and his military son (Aaron Taylor-Johnson, Kick Ass 2, Savages) are reunited in Tokyo, the men get swept up in a closely guarded multi-government secret involving, well, here’s the rub…I could tell you what they find is being contained in an abandoned nuclear power plant but that would give away one of the secrets the marketing department over at Warner Brothers has wisely kept out of sight. Let’s just say that it ain’t good for anyone involved. What they find there sets into motion a good old fashioned creature feature as a hunt ensues with edge of your seat thrills and the kind of massive destruction of major West Coast cities that only a fire breathing lizard could be forgiven for.

Director Gareth Edwards and screenwriter Max Borenstein take a page from Spielberg’s Jaws (even naming of the leads Brody) and keep Godzilla out of sight until almost half the movie has gone (flown, really) by. When he’s finally shown in full, the effect is similar to the first time the shark in Jaws rears up to say hi to Roy Scheider – that of a giddy release that the great beast is actually as satisfyingly menacing as we imagine him to be. Impressively rendered via state of the art visual effects, this 2014 Godzilla is a mash up of many different versions of the beast over the years. Edwards and company did their research and have produced a greatest hits Godzilla, and the overall effect is spot-on.

There’s a lot going on in the film and if the end result is that the flesh and blood characters get a little short shrift, I’m totally OK with it…especially when you have a scenery chewer like Cranston on board. Much like Jon Hamm in Million Dollar Arm, Cranston proves that he’s no movie star (something he seems to have been making a case for in a series of disastrous supporting roles the last few years) thanks to a hammy, overly emotive performance. When Godzilla’s performance can be described as more subtle, you know you’re on the wrong track. It also doesn’t help he seems to be wearing two of the least convincing wigs in recent memory…the first making it look like he has the same haircut as Juliette Binoche.

The rest of the players seem to be content with playing second fiddle to the lizard. Taylor-Johnson’s cardboard performance oddly works for the film and Elizabeth Olsen (Oldboy) does what she can as a woman always either crying or on the verge of tears. As in-the-know scientists, Oscar nominee Sally Hawkins (Blue Jasmine) and Ken Watanabe (Batman Begins) are called on only when needed but lend a head-scratching gravitas. Even with Cranston, Edwards has pulled together a unique cast, one that you wouldn’t instantly think “Monster Movie” if you heard their name.

Don’t get too wrapped up in the human element of the film because this is an old-fashioned yet decidedly modern monster movie through and through…and a damn entertaining one at that. The first half of the film is largely a set-up for the mayhem of the second hour and the wait is both involving and well worth it. By creating a believable back story and letting his star shine, Edwards has done what Roland Emmerich’s soggy 1998 attempt couldn’t…have its lizard cake and eat it too. April showers truly brought May flowers as Godzilla stakes an early claim as the best film of the summer.

The Silver Bullet ~ Godzilla (2014) Trailer #2

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Synopsis: A giant radioactive monsters called Godzilla appears to wreak destruction on mankind.

Release Date:  May 16, 2014

Thoughts: Even after the impressive teaser trailer for Warner Bros. big (like really big) budget reboot of Godzilla I remained a tad skeptical.  Sure, the preview was edited in such a fashion that kept the title character a mystery until the final shadowy moments but would the movie just be effects-heavy rehash of the famously goofy Godzilla films of the past?  Well, the second trailer has arrived and it stirs a greater excitement in this viewer, suggesting an edge of your seat sci-fi action epic as much about the radioactive beast as it is about the havoc he leaves in his wake.  Roaring onto the screen at the start of a busy 2014 summer season, Godzilla is quickly moving to highly anticipated status in my little black book.

The Silver Bullet ~ Godzilla (2014)

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Synopsis: A giant radioactive monster called Godzilla appears to wreak destruction on mankind.

Release Date:  May 16, 2014

Thoughts: Though he first arrived in 1954 in one of the many campy big rubber monster movies, ever since 1998’s Hollywood-ized version of Godzilla belly flopped at the box office that mean ole monster has been keeping a low profile here in the states, retreating to the deep waters from whence he came with his powerful tail between his legs.  Warner Brothers is giving the big guy another go in 2014 and this first teaser is a nicely compact taste of what audiences can expect from a new millennium Godzilla.

With a story by David S. Goyer (Batman Begins, The Dark Knight, The Dark Knight Rises, Man of Steel) that led to a script Frank Darabont (The Shawshank Redemption) put a shine on, and featuring cast members like Juliette Binoche, Sally Hawkins (Blue Jasmine), Bryan Cranston (Argo, Rock of Ages), and Aaron Taylor-Johnson(Savages, Anna Karenina), actors so diverse that you’d think they were in a spoof video on Jimmy Fallon, I’m digging what I’m seeing, finding this to be an effective first glimpse at Godzilla’s next bid for domination.