Movie Review ~ Coming 2 America

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The Facts
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Synopsis: Prince Akeem Joffer is set to become King of Zamunda when he discovers he has a son he never knew about in America – a street savvy Queens native named Lavelle.

Stars: Eddie Murphy, James Earl Jones, Arsenio Hall, Jermaine Fowler, Shari Headley, Teyana Taylor, Michael Blackson, Louie Anderson, Paul Bates, Wesley Snipes, Leslie Jones, KiKi Layne, Rick Ross, John Amos, Vanessa Bell Calloway, Tracy Morgan, Garcelle Beauvais

Director: Craig Brewer

Rated: PG-13

Running Length: 110 minutes

TMMM Score: (8/10)

Review:  There are good ways and bad ways to do a sequel and Eddie Murphy has seen them both.  The careless cash grab follow-up to a surprise hit never goes the way anyone wants it to (see 2000’s Nutty Professor II: The Klumps, and Doctor Doolittle 2 from 2001) and is ultimately stymied by a studio that wants to capitalize on the popularity of a proven money-maker without worrying about silly things like creativity or furthering the character we liked.  Then there are the ‘make ‘em wait’ sequels that Murphy has had notable wins with, like 1990’s Another 48 Hrs., a more than worthy follow-up to his breakout 1982 feature film and, to a somewhat lesser extent, his two sequels to 1984’s Beverly Hills Cop.

The biggest wait of them all was the 32-year gap between 1988’s Coming to America and Coming 2 America, its long in the works sequel which is premiering on Amazon Prime after the health crisis led to its theatrical release being bypassed.  It’s a shame the film didn’t get a chance to play in theaters because this is one of those rare successes that make you wish you had a packed audience to enjoy it right alongside you.  One of Murphy’s longest lasting hits (I watched it again recently and marveled at how well it holds up, even the more problematic jokes weren’t as wince-able as I thought they’d be), it’s a sequel fans had been requesting but Murphy had resisted making because he didn’t feel the script/story were quite right.  Remember…this is from a man that made The Adventures of Pluto Nash and Norbit.  Anyway…

Now that Murphy had been experiencing a nice little renaissance over the past several years with a carefully thought-out comeback of sorts, the time was evidently right for a return to Zamunda and for fans of the original film, this is exactly the movie you’ve been asking for.  Though one could argue Murphy and a small army of writers that contributed to the screenplay simply worked back through a laundry list of favorite moments from the first movie, I’d counter and say Coming 2 America goes beyond mere fan service and moves into rewarding devotees not just of the three decades old film it follows but of Murphy’s career in general.  You’ve stuck with him all this time and here is 110 minutes of well-oiled comedy (and yes, a few creaky bits) as your prize.

Thirty years after finding his bride in Queens, NY, Price Akeem Joffer (Murphy) is a father of three strong girls and loves his life with Princess Lisa (Shari Headley, Goosebumps 2: Haunted Halloween).  While his father (James Earl Jones, The Lion King) is in declining health, he still rules Zamunda with authority so Akeem doesn’t have to worry about the dictator from next door (literally from Nextdooria) trying to overthrow the throne…yet.  There is a problem though and with each passing day it grows more worrisome to the King.  Without a male heir to the throne, the Prince will have to find a proper husband for his eldest daughter Meeka (KiKi Layne, If Beale Street Could Talk) and she’s none too thrilled about being betrothed instead of finding her own match.  If anything, she’d rather her father just change the way things are done and let her be first in the line of succession. This is the 21st century, after all.

Through the magic of filmmaking and a slight tweaking to the original film, we eventually find out that during his 1988 trip to New York, Akeem had a one-night stand with Mary (Leslie Jones, Ghostbusters) and nine months later, when he was back in Zamunda, she gave birth to their son, Lavelle (Jermaine Fowler, The Opening Act).  With a viable heir to Zamunda, Akeem’s problems seem to be solved.  Now he can get General Izzi (Wesley Snipes, Chi-Raq) of Nextdooria off his back and perhaps broker further peace between them by having Lavelle marry Izzi’s temptress daughter.  Yet, like his father, Lavelle isn’t about to do what is expected of him and his arrival begins to cause more rifts within the royal house as all adjust to this new factor of the family equation.  As Lavelle is put through the trials the prove he is ready to become the crown prince while Meeka watches on and coaches her half-brother from the sidelines, Akeem learns a lesson from those around him about trusting your own self in making the decisions that will affect your future and not relying on age-old traditions.

Joined again by Arsenio Hall as Akeem’s right-hand man Semmi, Murphy easily slips back into the character and doesn’t waste much time in giving viewers what they’re looking for: Murphy and Hall under a wide array of impressive make-up designs as a half-dozen (or more) other characters that drop in along the way.  Returning favorites will show up as well as a few new ones, so keep your eyes peeled.  You’ll also be treated to a number of characters from the original and even minor one-liner players cross the screen – just for those super fans out there.  Surprising musical celebrity cameos also feature heavily in a handful of numbers, all decked out in Oscar-winning designer Ruth. E. Carter’s (Black Panther) truly eye-popping and mind-blowing costumes.  Carter always does thoughtful, beautiful work that’s pleasing to look at but in Coming 2 America she outdoes herself…and then some.

The energy and investment start at the top with Murphy and manages to have a pleasant trickle-down effect throughout the appealing cast.  It may seem at first like Hall isn’t as present as he was in the first film but he’s playing so many other secondary roles he’s plenty busy yukking it up reprising his fast-talking barber or bible thumping preacher.  I wasn’t sure at first how Fowler would fare when standing toe to toe with a number of imposing comedic figures, but he makes for a nice next generation star, as does Layne’s who is absolutely an exciting actress to keep your eye on.  SNL alums Morgan and Jones take big bites out of any project they’re a part of so are often best absorbed in small doses and director Craig Brewer nicely doles them out in a perfect amount.

Simply put, it’s a nice treat to find a sequel that feels like it went the extra mile to make it up to loyalists that have waited for it over the years.  Its plot isn’t anything super deep but it isn’t a strict rehash of the original, either.  There’s some depth to Coming 2 America with an always worthy message of charting your own path and the performances are up to par with, and often exceeding, what made the first film such a delight in the first place.  It’s entertaining as all get out and always wants you to be in on the fun.  Can’t ask for more than that.

Movie Review ~ Ghostbusters (2016)

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The Facts
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Synopsis: Following a ghost invasion of Manhattan, paranormal enthusiasts Erin Gilbert and Abby Yates, nuclear engineer Jillian Holtzmann, and subway worker Patty Tolan band together to stop an otherworldly threat.

Stars: Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, , Chris Hemsworth, Cecily Strong, Andy Garcia, Charles Dance, Michael Kenneth Williams

Director: Paul Feig

Rated: PG-13

Running Length: 116 minutes

Trailer Review: Here

TMMM Score: (3.5/10)

Review: I feel like every review of this female-led reboot of Ghostbusters should start out with a few honest admissions just to make sure we’re all on a level playing field.  To admit a bias or pre-conceived notion is not only helpful in understanding where someone is coming from but it allows readers to trust that their friendly neighborhood movie critic is a straight-shooter.  So…here we go.

  1. I’m not a huge fan of the original Ghostbusters from 1985 and even less so of its goofy 1989 sequel. Watching the film again last year for its 30th anniversary, I was struck by how slow the it was.  Enlivened by, ahem, spirited performances from Sigourney Weaver (Working Girl) and Rick Moranis (Parenthood), it just didn’t have the same effect on me it did when I first saw it as a five-year old.
  2. I am a huge fan of Kristen Wiig (The Martian) and have even almost forgiven her for that dreadful 2013 entry Girl Most Likely, which happened to land on the top of my Worst of the Year List.
  3. Though she almost lost me for life with Tammy, I’m converting back to being pretty fond of Melissa McCarthy thanks to her stellar turn in Spy and holding back just enough in The Boss.
  4. In my book, Leslie Jones (Trainwreck) can do no wrong and I’m waiting for her to headline of movie of her own.
  5. Kate McKinnon (Sisters) is the unquestionable VIP of the current cast of Saturday Night Live and I perk up every time she appears on that show.
  6. I had zero qualms about this film, its cast, its trailers, or its marketing.  I was looking forward to it.
  7. I went in rooting for it, choosing to brush aside the early bad buzz as the slime fueled so-called “Ghost Bros” jumped to tear it down at every turn.

And the most honest admission of all…

  1. This is not a great film or even, sad to say, a very good film. Is it watchable?  Yeah, for the most part.  Is it funny? Sporadically but it flops more than it flies. It’s not the worst reboot we’ve seen but it may be the most disappointing because the potential was there for something great.  How the extremely talented roster of Wiig, McCarthy, Jones, and McKinnon wound up teaming on something so flat, awkward, and stupid is the biggest mystery of the summer.

While a pre-credit opening feels like a nice nod to the original film, it’s saddled with a heap of clunker jokes that don’t inspire any laughter, much less any kind of confidence in what’s to come. Wiig is back to playing her favorite character…Awkward Lady in Heels but this time she’s added a stylishly bad haircut with bangs to cap off the look.  Her tenure-seeking professor is reluctantly brought back into the paranormal antics of her former colleague played by McCarthy.  McCarthy is eerily restrained here, like she’s been given a tranquilizer that renders her potty mouth squeaky clean and her boisterous comedic timing nonexistent.  While she does manage to fit in a few funny bits of physical comedy, this is McCarthy is full pod-person mode.  When she stares down a ghost and says “Aw, shoot!” my heart broke a little for the actress I’m positive had a profanity-rific alternate take for the same scene.

McCarthy’s character has teamed up with an eccentric nuclear engineer (McKinnon) to continue her study of the supernatural and drags Wiig back into the mix when they discover a crop of ghost sightings that may be brought on by a sinister force.  McKinnon is full-on Looney Tunes and what she’s doing may be just odd enough to distract you from the larger problems of the script from The Heat collaborators Katie Dippold and Paul Feig, it winds up being a performance extracted from another movie all together.  It’s a shame because for her first stab at mainstream popularity Feig has allowed McKinnon too much room to play and the movie suffers greatly from it.

By the time Jones shows up as a subway worker with a knack for NYC history, it just seemed too little too late. Even though Jones gets the best moments of the movie (most of which you’ve already seen in the trailer) she, like McCarthy, feels held back by an invisible force field.  Perhaps these magnetic ladies just repelled when they were brought together because while the film had some impressively rendered special effects, there’s little magic or chemistry to be had.

Evidently scared of alienating its male ticket-buyers, Sony decided to plop Chris Hemsworth (Vacation) on the poster with the four leads and that’s a bit of a puzzlement.  While Hemsworth has a substantial role as the dumber than mud bit of receptionist eye candy, he’s barely required to do more than struggle through a series of painfully unfunny scenes and lead a host of extras to a badly cut dance sequence that plays over the end credits.  Hemsworth, bless his Australian heart, has absolutely no comic timing and it left me wondering if the role wasn’t written with Channing Tatum in mind.

It’s no spoiler to say that most of the cast from the ’85 film pop up at some point playing different roles, even the late Harold Ramis makes a blink and you’ll miss it appearance.  While these appearances trigger some nostalgia, the actors are plopped into roles that don’t seem respectfully tailored for them in the least.  It’s like they told director Feig when they could show up and just took whatever part was available that day.  Surprisingly, Annie Potts gets one of the biggest audience reactions while Bill Murray (Hyde Park on Hudson) makes a frightfully terrible presence in his two scenes.

Ghostbusters has taken a lot of early heat for what is perceived as male bashing.  True, every male in the film (living or dead) is portrayed as a combination of dumb and misogynistic, morally reprehensible slugs that just get in the way of these female Ghostbusters.  Hemsworth is seen as such a piece of meat it’s amazing he wasn’t covered in steak sauce.  So yeah, the men aren’t shown in the best of light but who cares?  Women are treated far worse in film and I guess some credit should go to Feig for making a career out of putting actresses in the power positions of his movies.

I can only imagine what this could have been had it not been so stripped of the kind of slam-dunk laughs that all parties involved could probably find in their sleep.  It was never going to be a profanity laced R-rated wonderment, not when there were kids to pander to and adults to not offend.  So instead of Feig and company truly rebooting the franchise and doing something new, this female Ghostbusters has just as many fart jokes, bad humor, and, for those that stay until the very end, a “God I hope they greenlight a sequel” desperation as any other male-driven studio film that gets released.

The Silver Bullet ~ Ghostbusters (2016)

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Synopsis: Thirty years after the original film took the world by storm, Ghostbusters is back and fully rebooted for a new generation.

Release Date: July 15, 2016

Thoughts: When 1989’s Ghostbusters II failed to materialize big bucks like its 1984 predecessor, plans for future Ghostbusters installments were put on hold.  An animated series or two and almost two decades later, Ghostbusters is revved up and ready to be rebooted.  Though I wasn’t too enamored with The Heat, the last time director Paul Feig, screenwriter Katie Dippold, and star Melissa McCarthy (Spy) teamed up, our first look at the all-female team of Ghostbusters looks fairly fun and quite promising.  Enlisting the stellar talents of Kristen Wiig (The Martian), Kate McKinnon, and Leslie Jones was a smart move so the comedy doesn’t rely solely on McCarthy’s pratfalls.  If all goes as planned, rumor has it that a second set of Ghostbusters will be involved in another series of films that run parallel and overlap with the gals…but let’s take one thing at a time, shall we?