31 Days to Scare ~ The Curse of La Llorona (2019) – Trailer

Synopsis: Ignoring the eerie warning of a troubled mother suspected of child endangerment, a social worker and her own small kids are soon drawn into a frightening supernatural realm.

Release Date: April 19, 2019

Thoughts: It appears that director James Wan is creating his own cottage industry (not to mention an expanding horror universe) in horror films like The Curse of La Llorona. Wan was behind The Conjuring and all it’s various off shoots (most recently represented with the box office smash The Nun) which have been gigantically profitable even though they were made for very little. After going outside his neighborhood for Lights Out he returns with this spooky tale based on a story from Mexican folklore. This first teaser has some spiffy moments in it while not giving away so much (take a page from the Warner Brothers marketing team, Halloween) that further scares will be spoiled.

Movie Review ~ Daddy’s Home

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The Facts:

Synopsis: A mild-mannered radio executive strives to become the best stepdad to his wife’s two children, but complications ensue when their freewheeling and freeloading real father arrives, forcing him to compete for the affection of the kids.

Stars: Will Ferrell, Mark Wahlberg, Linda Cardellini, Thomas Haden Church, Hannibal Buress

Director: Sean Anders

Rated: PG-13

Running Length: 96 minutes

TMMM Score: (3/10)

Review:  The last time stars Will Ferrell and Mark Wahlberg teamed up was in 2010’s The Other Guys, a better than average twist to the cop/buddy movie that played nicely into the strengths of its leads.  Neither actor was required to travel too far out of their comfort zone and instead of it coming off as lazy, it felt like a cohesive mix of actors putting a shine on characters they could play in their sleep.

For a time there was talk of a sequel to The Other Guys and while that still could happen sometime in the future, Ferrell and Wahlberg must have been itching to work together again and signed on for Daddy’s Home in the hopes of reclaiming some of that good will directed toward them in their previous collaboration.  Well…this Daddy has issues and it never rises above a mediocre comedy irresponsibly trying to lure families into ponying up their holiday dough to see this unpleasant gunk.

Ferrell (The Campaign) is a benign lump of good-nature as man trying to be the best stepdad he can be to his two new stepchildren.  Unable to have children due to an unfortunate dental accident (just one of the precious few inspired bits the film has to offer), he’s the superman of stepfathers whether staying on top of school activities or making sure the kids are fed.

That Ferrell’s character has been met, wooed, and wed his wife (Linda Cardellini, Avengers: Age of Ultron) without ever meeting the father of her children seems pretty hard to swallow…but it’s a paltry oversight of a set-up for the first time old dad (Wahlberg, Ted) meets new dad after he decides to enter back into their lives, causing a host of troubles along the way.  Wahlberg is the motorcycle riding tough guy with pecs that pop mighty unhappy his wife has moved on without him…so unhappy that he spends the majority of the movie trying to ruin Ferrell’s career and relationship with his new family.

It’s here the movie starts to rack up a host of losing points in my book.  The plot reads like the logline of a domestic thriller from the ‘90s and Wahlberg comes off as a middle-aged version of the crazed psycho he played in 1996’s Fear.  Ferrell and Wahlberg engage in a battle of the dads to see who can come away with the most affection, resorting to buying love rather than trying to earn it.  The ruse for hoots results in a genuine discomfort in the viewer as we watch all of this nastiness play out in front of the children.

Co-written by director Sean Anders (who also penned We’re the Millers), it’s a cheap looking film too…with special effects that appear like first passes inserted as placeholders.  Anders and his co-writers don’t bother to flesh out any character other than Ferrell and Wahlberg, leaving Cardellini in the dust and wasting valuable time on irksome supporting characters like Thomas Haden Church (We Bought a Zoo, looking more and more like that vein on your neck that bulges when you get angry) and the completely useless Hannibal Buress (Sleepwalk with Me).  Buress gained notoriety recently for unknowingly igniting the Bill Cosby scandal during his comedy act…he should be more proud of that than anything he’s doing here.

Are there a few laughs to be had?  Sure…and I laughed at them.  However, I kept coming back to fact that the movie relies on laughs that come at the expense not just of manly pride but the respect of the impressionable minds both men should be trying to be role models for.

Hasta La Vista…Summer (May)

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Hasta

We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.

I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.

So sit back, relax, and enjoy the ride read.

May

Though the summer movie season has traditionally been thought of as Memorial Day through Labor Day, in the past several years studios have marked early May as the start of the summer movie wars and 2015 was no different.

Kicking things off on May 1 was Avengers: Age of Ultron and, as expected, it was a boffo blockbuster that gave fans more Marvel fantasy fun. While it wasn’t as inventive as its predecessor and relied too much on jokey bits, the movie was everything a chartbuster should be: big, loud, worth another look.

Acting as a bit of counter-programming, the next week saw the release of two very different comedies, neither of which made much of a dent in the box office take of The Avengers. Critics gnashed their teeth at the Reese Witherspoon/Sofia Vergara crime comedy Hot Pursuit but I didn’t mind it nearly as much as I thought I would. True, it set smart girl power flicks back a few years but it played well to the strengths of its leads and overall was fairly harmless. I hadn’t heard of The D Train before a screening but was pleasantly surprised how good it turned out to be, considering I’m no fan of Jack Black. The movie has several interesting twists that I didn’t see coming, proving that Black and co-star James Marsden will travel out of their comfort zones for a laugh.

Blythe Danner proved she was more than Gwyneth Paltrow’s mom in the lovely, if slight, I’ll See You in My Dreams. It may be too small a picture to land Danner on the end of the year awards list she deserves but the drama was a welcome change of pace so early in the summer.

Another early May drama was a wonderful adaptation of a classic novel…and one I forgot to review when I had the chance…here’s my brief take on it now…

                                         Movie Review ~ Far From the Madding Crowd
far_from_the_madding_crowd_ver2The Facts
:
Synopsis: In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
Stars: Carey Mulligan, Matthias Schoenaerts, Michael Sheen, Juno Temple, Tom Sturridge
Director: Thomas Vinterberg
Rated: PG-13
Running Length: 119 minutes
TMMM Score: (8/10)

Review: This adaptation of Thomas Hardy’s celebrated novel was a moving drama brimming with quietly powerful performances and lush cinematography. It’s a story that has been duplicated quite a lot over the years so one could be forgiven for feeling like we’ve seen this all before. Still, in the hands of director Thomas Vinterberg (The Hunt) and led by stars Carey Mulligan (Inside Llewyn Davis), Matthias Schoenaerts (Rust & Bone), & Michael Sheen (Admission) it stirred deep emotions that felt fresh. Special mention must be made to Craig Armstrong (The Great Gatsby) for his gorgeous score and Charlotte Bruus Christensen for her aforementioned picturesque cinematography. You missed this in the theater, I know you did…it’s out to rent/buy now and you should check it out pronto.

Around mid-May the summer bar of greatness was set with the arrival of Mad Max: Fury Road. The long in development fourth outing (and semi-reboot) of director George Miller’s apocalyptic hero was a movie lovers dream…pushing the boundaries of cinema and filmmaking into new places. A vicious, visceral experience, I can still feel the vibration in my bones from the robust film…a real winner.

The same week that Mad Max came back into our lives, a so-so sequel found its way to the top of the box office. Pitch Perfect 2 was a lazy film that’s as close to a standard cash grab as you could get without outright playing the original film and calling it a sequel. Uninspired and lacking the authenticity that made the first film so fun, it nevertheless made a song in receipts and a third film will be released in the next few years.

Tomorrowland and Poltergeist were the next two films to see the light of day and neither inspired moviegoers enough to gain any traction. Tomorrowland was actually the first film of the summer I saw twice…admittedly because I was curious about a new movie theater with reclining seats that I wanted to try out. As for the movie, the first half was an exciting adventure while the final act was a real mess.

I thought I’d hate the Poltergeist remake way more than I did…but I ended up just feeling bad for everyone involved because the whole thing was so inconsequential that I wished all of that energy had been directed into something of lasting value. While Sam Worthington made for a surprisingly sympathetic lead, the entire tone of the film was off and not even a few neat 3D effects could save it from being a waste.

May went out with a boom thanks to two wildly different films. If you asked me what I thought the prospects were for San Andreas before the screening I would have replied that Sia’s cover of California Dreamin’ would be the only good thing to come out of the action picture starring everyone’s favorite muscle with eyes, Dwayne Johnson. I still feel like Sia came out on top but the movie itself was a more than decent disaster epic, a little too long but made up for it with grand sequences of mayhem and destruction. Can’t imagine it will play nearly as well on a small screen but I wasn’t hating the film when the credits rolled.

A film I wasn’t too thrilled with at all was Aloha, Cameron Crowe’s own personal disaster flick. I still don’t know quite what to say about the movie because it was so dreadful that I’ve attempted to clear it from my memory. What I do remember was that it wasted its strong cast and exotic locale, as well as our time. Truly terrible.

STAY TUNED FOR JUNE, JULY, and AUGUST!

Movie Review ~ Avengers: Age of Ultron

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The Facts:

Synopsis: When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and it is up to the Avengers to stop the villainous Ultron from enacting his terrible plans.

Stars: Chris Evans, Samuel L. Jackson, Robert Downey Jr., Linda Cardellini, Mark Ruffalo, Andy Serkis, Thomas Kretschmann, Jeremy Renner, Don Cheadle, Paul Bettany, Stellan Skarsgård, Scarlett Johansson, Julie Delpy, Idris Elba, Cobie Smulders, Hayley Atwell, Chris Hemsworth, James Spader, Elizabeth Olsen, Aaron Taylor-Johnson, Claudia Kim

Director: Joss Whedon

Rated: PG-13

Running Length: 141 minutes

Trailer Review: Here

TMMM Score: (8/10)

Review: Here’s the thing that I like most about a good smörgåsbord – there’s something for everyone. Hot food, cold food, deserts, salads…it’s all at your fingertips and you can have as much or as little as you like. When presented with so many options, the whole experience can be somewhat overwhelming…but once you’ve had the chance to survey the selections and try out some choice cuts, you usually wind up walking away feeling a sense of fulfillment.

If any movie of 2015 (or any film in recent memory, actually) can be likened to a smörgåsbord it most certainly is this hugely anticipated follow up to 2012’s The Avengers. Offering bigger thrills and higher stakes, it’s a gargantuan film that redefines the term blockbuster. Still, I have to be honest and say that while it’s an all-together overpowering outing from the get-go, it took me a good twenty minutes to acclimate myself to writer/director Joss Whedon’s awe-inspiring sequel.

Starting up in the middle of the kind of go-big-or-go-home battle usually reserved for the latter half of other would-be blockbusters (the first of five jumbo battle royales featured in the 2.5 hour film), there’s no time wasted in re-introducing our friendly group of superheroes. Most of the crusaders have solidly led the way in their own films (Iron Man, Thor, and Captain America) while others have turned in noble supporting turns (Black Widow, Hawkeye, War Machine) in the same movies. Grouped together on screen, as The Avengers proved so impressively well, they can defeat schemes of world domination while rattling off Whedon’s quip-heavy banter.

Whedon knows his way around a clever turn of phrase but there’s a limit to how much witty repartee can be tossed at the audience before it begins to feel a little too astute for its own good. There seems to be an overly earnest need to kick things off on the right foot by giving us the greatest hits of Tony Stark, the master of delivering a one-liner, while storming the eastern European castle featured in the beginning battle. It’s just all a little much for this reviewer…but luckily Whedon and crew achieve a nice balance of fun and furious action in a plot that has a lot going on but never feels overstuffed.

While Avengers: Age of Ultron works in pieces as a stand-alone film, it will really pay off for the wise viewer that has already seen Iron Man, Iron Man 2, Iron Man 3, Thor, Thor: The Dark World, Captain America: The First Avenger, Captain America: The Winter Solider, and Guardians of the Galaxy. Several familiar faces from these films pop up and, as was the case in the The Avengers, it’s nice to see how many cross over characters play a part in the action without it all feeling like a ComicCon version of The Love Boat.

What’s the plot you ask? Best to let you find that out yourself so as not to spoil some of Whedon’s more elaborate set-ups. What I can relay is that it involves a villainous bit of Stark created Artificial Intelligence named Ultron spectacularly voiced by James Spader (Mannequin) managing to inject humanity with a devious sarcasm into this completely CGI role – it’s hard to imagine anyone else giving voice to the destructive machine with such flair. Ultron has big plans for The Avengers and the world as a whole from the moment he comes online with the help of a familiar piece of sought-after power. Aided by a pair of powerful twins (Aaron Taylor-Johnson & Elizabeth Olsen…both featured in last summer’s Godzilla) and a host of bad robots, Ultron keeps the hits coming right up until the grandest of grand finales of any large-scale action film I can recall. The only way it could have been bigger is if the theater set off fireworks at the end.

Returning to the fray are Robert Downey Jr. (The Judge), Chris Evans (Snowpiercer), Chris Hemsworth (Cabin in the Woods), Scarlett Johansson (Under the Skin), Mark Ruffalo (Foxcatcher), Jeremy Renner (The Bourne Legacy), Paul Bettany (Mortdecai), and Samuel L. Jackson (RoboCop) and it’s worth noting that everyone seems happy to have their moment in the sun and then let their colleagues have their time to shine too.

Marvel is just on an unstoppable roll now and with the next Captain America film due in 2016, the next Thor film due in 2017, and the two part Avengers finale arriving in the two years after that there’s a whole lot more ground to cover. Let’s not forget the other Marvel films on the big and small screen that will surely play a part in future development deals.

Avengers: Age of Ultron is Whedon’s swan song in the director’s chair and he’s followed up an adrenaline blast of a first film with a layered and just as entertaining sequel that pushes ideas and characters forward. Make sure to see it on the biggest screen possible with the best sound (the 3D is optional…I wouldn’t think it’s a requirement) to truly max out your Avengers experience.