Movie Review ~ Scream (2022)

Just when you thought it was safe to stop #Scream -ing…

The Facts:

Synopsis: Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past.

Stars: Neve Campbell, Courteney Cox, David Arquette, Melissa Barrera, Jenna Ortega, Jack Quaid, Mikey Madison, Dylan Minnette, Jasmin Savoy Brown, Mason Gooding, Sonia Ammar, Marley Shelton, Kyle Gallner, Reggie Conquest, Chester Tam, Roger L. Jackson

Directors: Matt Bettinelli-Olpin & Tyler Gillett

Rated: R

Running Length: 114 minutes

Trailer Review: Here

TMMM Score: (5/10)

Review: “What’s your favorite scary movie?” may now be a cultural touchstone phrase forever related to the classic film Scream, but it’s always been a litmus test to see where the person being asked falls on the scale of horror fandom.  If the answer is a deep cut, something from the Italian Giallo master Dario Argento or French cult vampire director Jean Rollin, you know you’re dealing with someone that has ventured further than the confines of their neighborhood video store.  Answering with a more commercially minded offering like a Friday the 13th or a Halloween tells you you’re in the presence of a person that doesn’t mind some blood, gore, and jump scares.  Get a response from a Frankenstein fraidy-cat and you may want to reconsider suggesting anything stronger than a black and white Universal classic.

For many, the answer to the question posed by the killer to Drew Barrymore’s doomed character in 1996 is, in fact, the very movie that asked it to begin with.  Scream opened to soft business in Christmas only to grow into a word-of-mouth hit, so much so that by the time the enjoyable sequel was released in 1997 both films had the distinction of being 1997’s top earners.  Fans of the franchise are legion, and after two more sequels (one in 2000 and the last one in 2011) it has amassed a devoted base that can and have spent much time arguing over the official order of quality, though you’d be hard pressed to find a list that doesn’t put the one that started it all in the prime spot. For the record, I’m a 1, 2, 4, 3.

Though the title lived on in television under the guise of an MTV scripted series with no ties to the original cast or setting, the first two seasons attempted to tell a continuing tale before killing off much of its YA cast.  I didn’t even bother with the third, standalone season, and from what I’ve heard that was for the best.  After the success of the continuation of Halloween in 2018, it still was a surprise when it was announced in March 2020 that Radio Silence, a filmmaking collective which found success in indie horror before making a snazzy showing in 2019]’s impressive Ready or Not, would direct and executive produce a fifth Scream movie incorporating original cast members with a new group of teens stalked by a vengeance-seeking killer.  As a dedicated fan of the films and the franchise in general (not to mention a number of the previous films Radio Silence has produced), I was thrilled for another gathering of my favorite cast members and a return to the whodunit slasher film that I have a true fondness for. 

Needless to say, as we move forward into the meat of the movie, this is a spoiler-free zone.  Aside from watching the first trailer for the movie the day it was released, I haven’t watched any other marketing for the film so can’t say what may be in the previews that could be a potential spoiler…but I won’t be giving away anything that could ruin your experience.

Well…maybe one thing.  And that’s my feeling toward the finished movie.  Surprising myself, I left the theater after my screening of Scream (which, it should be strongly stated, is Scream 5, no matter how the filmmakers and studio try to spin it) sort of aghast at how much against it I felt.  The more I heard how many people did like it, the more I was wondering if I just saw something different or my tastes had changed…but this was almost directly after gleefully binge-watching the previous four films.  Delivering on the “goods” if you will (read: killings, blood, and guts) but shortchanging fans that know their Woodsboro ins and outs with a number of discrepancies and head scratching choices, the screenplay from James Vanderbilt (White House Down) and Guy Busick attempts to make connections to the past at the outset but abandons its own efforts by the messy end.  Worse, the film suffers from a strong case of the unlikeables, characters and cast members that either don’t appear long enough to create much of an impression before they’re sliced or grate on the nerves to the point where you feel like paging Ghostface stat to get on with the show.

It’s been twenty-five years since the original murder spree changed the sleepy town of Woodsboro forever.  The survivors of the attack a generation ago have encountered several copycat slayings over the subsequent years but for the last decade there has been a peaceful silence which has allowed lives to be led without much fear.  Then Tara (Jenna Ortega, Insidious: Chapter 2) gets a phone call while alone in her house and hears a voice familiar to us but unfamiliar to her.  Remember, Stab (the movie within Scream 2 based off of the events in Scream 1) came out over two decades before and its sequels have long since fizzled out.  Poor Tara should have stayed up to date on her old-school horror trivia because things don’t go well for her when quizzed on her knowledge of Stab and Woodsboro’s sordid history.

Hearing the news about her sister from a town far outside of Woodsboro, Sam (Melissa Barrera, In the Heights) returns with her boyfriend Richie (Jack Quaid, Rampage) just as secrets from her family’s past and a clever killer targeting those with ties to the 1996 murder spree emerge from the shadows.  Teaming up with Tara’s friends, among them Amber (Mikey Madison, It Takes Three), twins Mindy (Jasmin Savoy Brown, Sound of Violence) and Chad (Mason Gooding, Booksmart) and Wes (Dylan Minnette, Prisoners), Sam and Richie eventually realize they’ll need the help of the remaining few who’ve experienced this before if they have any hope of surviving the game plan of a killer (or killers?) always several steps ahead of them.  Enter Dewey, Gale, and Sidney.

To say the film feels lighter the moment even one of the legacy cast members is on screen is an understatement.  Originally meant to be killed off in the first film and then set to die in the sequel, original director of the first four films Wes Craven and his producing partners had such a strong reaction to David Arquette’s (You Cannot Kill David Arquette) portrayal of Deputy Dewey Riley (not to mention his popularity with fans) that they made sure to shoot endings where he lived.  And you’ll be especially glad he did because his presence in this entry is so useful, bringing not only that trademark goofiness to the role but an emotional sweetness that has always defined the role and made it unmistakably his.  Noticeably absent for much of the film are Courtney Cox (Masters of the Universe) and Neve Campbell (Skyscraper), but they’re like that time Madonna made all of us at her concert wait two hours after the opening act before she went on.  By the time she showed up, we were more than antsy but when she did…it was completely worth it.  Same goes here and not only do Cox and Campbell fit right back into their characters like no time has passed, they highlight the biggest problem with the movie for me.  The acting.

I’m not sure what’s up with this cast but I think each and every one of them I’ve seen and liked far better in other projects.  Here, it’s like no one was acting in the same movie or playing off of one another to any winning effect.  It’s never more evident than with Barrera who has some of the strangest line readings, coming off as emotionless when the scene calls for drama and often absent as strong support for those she is acting opposite. I felt for Ortega who is acting her face off, performing the role like it’s the last thing she’ll ever do.  I wish the performance (which, to be clear, is solid) was in a different movie she was headlining.  Brown is another standout, finding herself a nice match for the dialogue which has some hints at original scribe Kevin Williamson’s quick meta banter but never reaches that same smirking bar which made Williamson’s screenplays, for lack of a better word, iconic.

Which brings me to another low-ish point.  Vanderbilt and Busick don’t have Williamson’s knack for snappy phrasing, relying much more on accessing the characters F-Bomb portal than having them volley back-and-forth.  While Brown gets those nice moments to explain the rules surrounding a ‘requel’, too many references are made to fifth entries not living up to their potential, being ill-advised, not being titled correctly, etc…. basically heading off all the naysayers at the pass and beating the critics to their punches.  In that way, the script starts to feel like it’s apologizing for itself instead of creating its own playing field. A few missed opportunities along the way exist, making you wonder if there wasn’t more to the story that was left on the cutting room floor or if the screenwriters are saving something for potential sequel routes. 

Perhaps you can tie some of it back to that Wes Craven touch which guided those first four films.  Dying of brain cancer in 2015, Craven was never going to be a part of this new film and while no one is claiming the previous sequels to be flawless (let’s face it, as fun as Scream 3 was, it was also silly and falling apart at the seams) or that Craven was a can’t miss director, he set the look and feel of the franchise from the start…down to Marco Beltrami’s score which I was also sad to see wasn’t back. Yet…you just can’t divest yourself from feeling that if directors Matt Bettinelli-Olpin & Tyler Gillett were attempting to honor Craven they would have displayed some of his knack for spotting acting talent on the cusp of greatness. Going into more details is definitely tipping the scale toward spoilers…but we can chat after you’ve seen it and I can explain more.

I’m disappointed for myself that I didn’t like the movie a little more than I did.  This isn’t about living in any kind of past because onward we must travel, especially if we want the things we hold dear to continue to thrive.  Personally, I hope this Scream makes huge bucks (all signs point to a big YES in that department) and more films in a similar vein are made.  I would ask, please, that the same kind of focus is put on the key pieces that elevate a movie to classic status though.  The original cast and script of 1996’s Scream simply can’t be beat, even all these years later.  I can’t say the same for this continuation…but trust me, I wanted to. 

Now…I’m a 1, 2, 4, 5, 3 person.

31 Days to Scare ~ Scream (2022) – First Look Trailer

Synopsis: Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past.

Release Date:  January 14, 2022

Thoughts: It’s been 10 years since we’ve heard that familiar voice on the phone calling the latest batch of doomed flavors of the month (quick…how many of the teenage cast members of Scream 4 are still a ‘thing’?) and so the return of Ghostface is being met with an expected marked frenzy.  Going the 2018 Halloween and 2020’s The Grudge route and leaving off any numerical suffix, 2022’s Scream is the first not to be directed by Wes Craven who passed away in 2015.  In the hands of Matt Bettinelli-Olpin & Tyler Gillett (also known as Radio Silence, the team behind 2019’s Ready or Not), we’re back in Woodsboro for a new series of murders that tie into the events from a generation earlier. 

As excited as I am for this new installment, I almost wish I hadn’t watched the lengthy preview because…boy does it show a lot more than I wanted to see.  I know this cast is huge and the body count has the potential to be plentiful but seeing the fates of several characters (and perhaps a healthy bit of the opening) feels like we’re being served far too much before we’ve even sat down to eat.  Fingers crossed the twists make up for the trailer spoilers, but this is the last time I’ll watch any promo materials for the film before it is released.

Movie Review ~ Rampage (2018)


The Facts
:

Synopsis: A primatologist shares an unshakable bond with a silverback gorilla who has been in his care since birth. But a rogue genetic experiment gone awry mutates this gentle ape into a raging creature of enormous size.

Stars: Dwayne Johnson, Naomie Harris, Malin Akerman, Jake Lacy, Joe Manganiello, Jeffrey Dean Morgan, P.J. Byrne, Marley Shelton, Breanne Hill, Jack Quaid, Matt Gerald, Jason Liles, Demetrius Grosse, Will Yun Lee

Director: Brad Peyton

Rated: PG-13

Running Length: 107 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review: We’re at an interesting point in 2018. After emerging from the stuffy cloud of more serious minded Oscar-y fare, we had a January and early February that stirred little interest. Then Black Panther hit and became the kind of audience-uniting game changer we often have to wait far into the year for. With studio hits like Ready Player One and A Quiet Place making bank as well good business being drummed up for indie films such as Isle of Dogs and Chappaquiddick, there was a little something to please everyone if you chose to buy a ticket.

Now along comes Rampage and it seems like we’re all going to have to pick a side again. You’re either going to go along for its silly but entertaining ride or you’ll spend an unusually brisk 107 minutes counting the seconds until your escape. I’m of the mind that you don’t necessarily need to lower your expectations to like what Rampage has to offer, you just have to go in with the right frame of mind. If you do, there’s a good popcorn movie waiting for you.

Honestly, it’s been so long since I’ve played the popular video game that inspired this film that I had forgotten nearly everything about it. What I did remember is spending quite a few quarters to keep the game going, even when it was clearly a futile attempt by an average arcade gamer like myself. It doesn’t really matter how familiar you are with the game, though, because aside from a few key characters and several winking nods to its source material it’s largely a modernized take on the game. Still, fans of the classic monsters should get a kick out of how they are incorporated into the action.

Opening in space with an action sequence that could have been the finale of a previous film, a scientist (Marley Shelton, Decoding Annie Parker) is frantically trying to return to earth with an experimental gene-splicing gas while being hunted by a genetically modified lab rat exposed to the pathogen. Without giving too much away, three of the canisters fall to earth and infect a wolf in Wyoming, an alligator from the Everglades, and an albino gorilla named George living in a California wildlife sanctuary. Lucky for us that the gorilla’s handler is the buff and brainy Davis Okoye (Dwayne Johnson, Jumanji: Welcome to the Jungle) and he’s pretty protective of his ape pal.

While Davis works with geneticist Dr. Kate Caldwell (Naomie Harris, Skyfall) and twangy government agent Harvey Russell (Jeffrey Dean Morgan, Peace, Love, & Misunderstanding), a brother and sister (Jake Lacy, Love the Coopers and Malin Ackerman, Rock of Ages) in charge of a Chicago-based bio-engineering initiative (known as Project Rampage) activate a beacon meant to lure the creatures to the heart of the city. A cross-country race ensues as Davis and his crew tries to beat the beasts to their destination while seeking a cure to restore the otherwise kind hearted George to his former self.

If you can’t tell already, the movie is incredibly bonkers but credit should be given to director Brad Peyton (reteaming with Johnson for a third time after San Andreas and Journey 2: The Mysterious Island) for getting the right team assembled for this Rampage. Working with four (!!) screenwriters, there’s a bit more meat to the plot bones and I was grateful that the eye-rolling dialogue is kept to a bare minimum. Sure, there are some big plot holes and your brain should be stowed under your seat for the duration of the flight but I found myself more than a little entertained at the various thrills on display.

Few actors today have the “It” factor that made so many stars in the heyday of Hollywood but with each new film released Johnson is proving himself to possess the power of “It”. His good-natured demeanor translates nicely into action superstar when needed and an early career tendency to oversell a line of dialogue has all but vanished. He’s a true A-Lister and I’ve a feeling most people will be lining up for Rampage based solely on his presence alone…and those people will definitely get their money’s worth.

Harris received an Oscar nomination last year for her understated work in Moonlight but she gleefully jumps feet first into this lighter material. While Morgan is the most cartoony of the bunch as a secret agent initially set-up as an antagonist to Johnson, he wisely stops chewing the scenery long enough to let the monsters take center stage. As a smug villainess, cool as ice Ackerman is part of a great visual comeuppance while Lacy is terribly miscast as a nervous sidekick to his more take-charge sister.

Unlike the dull sameness of the monsters in Pacific Rim: Uprising, Rampage has a smaller but more engaging stable of fiends to threaten our main characters. The main beasts are fantastically rendered, from the more realistic George to the zonked out wackiness of the wolf and alligator, both morphing into nightmarish creatures that plow through crowds and buildings in the final act.

There’s quite a few nice action sequences leading up to the battle royale that takes up the last ¼ of the film but I just wish the preview hadn’t revealed quite so much. I won’t get into specifics but there are several great scenes that don’t play as strongly if you’ve seen the trailer more than once. It’s not often a disaster film destroys a less internationally recognizable city like Chicago but having just visited several days before I saw Rampage, it was fun to see some familiar landmarks topple.

Movies adapted from video games often get bad raps, often with just cause (see the recent Tomb Raider for proof) but Rampage has more than a few secret weapons. With Johnson as committed as ever, a plucky ensemble cast of humans and digital monsters, above average CGI effects, and more jump scares and thrills than you might expect going in, you’re not likely to be in a rage when Rampage is over. Just go in with the right attitude, I beg of you.

The Silver Bullet ~ Decoding Annie Parker

decoding_annie_parker

Synopsis: Love, science, sex, infidelity, disease and comedy, the wild, mostly true story of the irrepressible Annie Parker and the almost discovery of a cure for cancer.

Release Date: May 2, 2014

Thoughts: Though the cast for Decoding Annie Parker is filled with celebrated actors like Helen Hunt (The Sessions), Samantha Morton (In America), and Aaron Paul (Need for Speed) and surrounds an important subject (searching for cures/causes of breast cancer) I can’t help but feel overall that this is a movie that was originally intended for the small screen. Yeah, yeah, the film is distributed as an indie but something about it reads television movie to me. That’s not to say it won’t work just fine in your local cinema and I’m interested enough in the true life story of the title character to make the effort to catch this one, but will it be one I’ll be happy I left the house for?