Movie Review ~ Redemption Day

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The Facts
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Synopsis: A decorated U.S. Marine captain embarks on a daring mission to save his kidnapped wife from terrorists in Morocco.

Stars: Gary Dourdan, Serinda Swan, Ernie Hudson, Martin Donovan, Andy Garcia, Samy Naceri, Robert Knepper, Lilia Hajji

Director: Hicham Hajji

Rated: R

Running Length: 99 minutes

TMMM Score: (2/10)

Review: It’s an occupational hazard that with the number of films I see over the course of a month, they begin to blend together.  That’s one of the reasons I’m glad I have this outlet to get my thoughts in order so I can reflect back on a movie later if I need a reference point for a future work for an actor, director, or project from a similar genre.  Too often, though, it must be said that the finer details of plot and character fade from memory just as soon as the publish button is clicked and all the social media posts have been shared.  Only the most memorable manage to lodge into my noggin and not always for the right reasons.

I can’t say that Redemption Day is going to fare well if my recall skills are tested because not only did I barely make it through the film grasping to its dangling thread of a plot but it also felt like the film itself didn’t even remember where it was going when it started.  I half expected this warzone action pic to be a rugged indie variation of a standard one-man-against-the-world sort of international rescue operation, something Liam Neeson, Mel Gibson, or even late-stage Kevin Bacon would have a stateside gruff field day with.  Instead, it’s a slickly made but grossly unfocused bit of grandstanding for a writer and director that doesn’t know where the meat of the story is and a cast that mostly gets an acquittal for instilling some realistic drama into situations that are set-up for histrionics.  Worst of all, it’s just a poorly timed release seeing that these types of war films are just going the way of the dodo, especially if you can’t rationalize a need for it with a compelling plot.

Haunted by an deadly ambush while on a humanitarian mission several years ago in Syria, U.S. Marine captain Brad Paxton (Gary Dourdan) has returned home a decorated war hero with PTSD battle scars he can’t shake.  (A quick side note, I have nothing but huge respect for the men and women that serve but do films always have to portray them as damaged goods when they return?  Maybe writers feel like they are paying respect to the military but continuing to show every vet welcomed home as broken does an overall disservice to their service.  Not saying there isn’t a certain price paid in battle that stays with someone who’s lived it or that I don’t find it realistic, I’m just a little weary of some over-victimization of these honorable vets.  Anyway…)  Though working through his vivid dreams of the attack, he’s one of the lucky ones, though, being able to be embraced by his young daughter and archaeologist wife Sarah (Serinda Swan) who are exceedingly patient and understanding with his recovery.  While he takes on the role of stay-at-home-dad, Sarah embarks on trip to Morocco, leading a team of her own as they are granted an opportunity to explore an ancient city that’s been uncovered beneath the sun scorched desert.

Though she’s supposedly in good hands both with the security detail that accompanies her with and a few overseas contacts Brad has called in, her caravan of high-profile international assets is unsurprisingly (to us) intercepted and taken hostage.  Held for ransom by terrorists (who could not be any more stereotypical if the cast of SNL portrayed them reading cue cards) that demand money and are willing to spill innocent blood to get it, the time is ticking on Sarah’s life and Brad knows it.  Discouraged by his government from getting involved and knowing the policy on negotiation with terrorists, Brad uses his curated military skills and knowledge of private global network dealings to get into the country where his wife and others are being held before its too late for all.  Disobeying direct orders, going against his country’s own policies, Brad calls in a number of favors from previous informants and spies to get him closer to his wife.

I wish I could tell you all of this generates some sort of excitement but honestly the biggest thrill the movie offers is the potential that Sarah could take viewers into a city lost to the sands of time, Indiana Jones style.  Why co-writer and first-time director Hicham Hajji chooses to make that Sarah’s mission that takes her overseas is a bit of a mystery, if only because that key discovery stuck in my mind for most of the movie. “What happened to the city?”  “Was there a city at all?” “Will we ever see the city and does a monster live there?”  You almost wish Hajji and his co-writers had the wherewithal to have their evil doers abscond with their hostages into this mysterious undiscovered land because that would have added some spice to what is a flavorless concoction.  Once the kidnapping takes place the film is just a series of back and forth conversations between increasingly unpredictable men with guns…and the terrorists they are hunting.

There are few long-running TV shows I can say I stuck with through thick and thin but CSI: Crime Scene Investigation was one of them so I’m familiar with star Dourdan’s work from his time on that crime drama.  He’s an unexpected choice for the lead of a feature so while he does serviceable work, there’s a particular spark missing that can’t be totally ignored.  Still, he gets the job done in more ways than one and is convincing as the character, though he fares better in the tactical sequences than he does with the overly dramatic ones.  There’s little time to establish a chemistry with Swan so the connection between them isn’t ever so strongly felt, but it doesn’t matter much because Swan has such pluck that you’d be rooting for her survival if her significant other was a rocking chair.  She’s arguably the best actor in the film, certainly better that the absolutely jaw-droppingly terrible second level supporting cast.  It’s been a long time since I’ve witnessed the kind of terrible line readings that you’ll see here, especially from the actor that played the President.

With little to recommend in Redemption Day, it’s hard to put together what you should do with it should you come across it.  Is it a good time waster?  I mean, maybe?  It’s not the kind of film you can put on as background noise because for as convoluted and confusing as the plot gets at times it does require a certain amount of focus if you want scenes to hold together at all.  Then again, when the most interesting part of the plot involves a MacGuffin that reminds you of Raiders of the Lost Ark, maybe you’re better off revisiting that Best Picture nominated classic instead of this which won’t garner a nomination for anything.  Best to just let night fall on this one.

Movie Review ~ Jack Reacher: Never Go Back

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The Facts
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Synopsis: Jack Reacher must uncover the truth behind a major government conspiracy in order to clear his name. On the run as a fugitive from the law, Reacher uncovers a potential secret from his past that could change his life forever.

Stars: Tom Cruise, Cobie Smulders, Aldis Hodge, Danika Yarosh, Patrick Heusinger, Holt McCallany, Robert Knepper

Director: Edward Zwick

Rated: PG-13

Running Length: 118 minutes

TMMM Score: (2/10)

Review: At one point in the outright terrible Jack Reacher: Never Go Back, Tom Cruise says to a character, “That was really stupid.  Please don’t ever do that again.”  I think I speak for the entire movie-going public by saying, ‘Physician, heal thyself.”  While 2012’s Jack Reacher wasn’t the kind of sizable hit that had tongues wagging, I felt it was a quite entertaining action flick and a nice opportunity for Cruise to push beyond his clean-cut hero image and latch onto a character with some demons to deal with.  Though Cruise didn’t fit the description of the former US Military Police officer author Lee Child has featured in twenty novels over the last two decades, he won over most of his naysayers and with Cruise’s A-List status reestablished by a string of hits (Mission: Impossible – Ghost Protocol, Edge of Tomorrow, Mission: Impossible – Rogue Nation) a sequel was easily greenlit with Cruise serving as main producer.

Of all the novels that could have served as the inspiration for the sequel, it’s surprising that Cruise and company gravitated toward Never Go Back which is one of the newer novels in the Jack Reacher series.  Though well-reviewed, it finds Reacher far along in the arc Child has developed and its transition to the screen is seriously flawed under the pen of Richard Wenk, Marshall Herskovitz, and director Edward Zwick.  The dialogue is dreadful and the plot about black market weaponry and drug trafficking is so non-existent that when it finally does circle back to Reacher and fugitive Major Susan Turner (Cobie Smulders, Captain America: The Winter Soldier) out to clear both their names it’s treated more as a pee break opportunity than a climax.

Even worse, Reacher is identified as the possible father of a teenager (Danika Yarosh) and wouldn’t ya know it, when he gets involved the bad guys target his supposed offspring so she has to go on the run with her maybe-Daddy.  All the while, the trio are pursued by a horde of easily bested bad guys led by a man (Patrick Heusinger, Frances Ha) identified in the credits only as The Hunter.  There are a heap ton of ensemble players and all look more excited to be in a scene with Cruise than they do about playing poorly written throwaway roles.

In his last few movies, critics have singled out Cruise’s supporting players and leading ladies as highlights and I think he must have started taking that personally.  In Jack Reacher: Never Go Back, everyone other than Cruise seems to have been selected because they are so out of their league with their megawatt star.  I’m stunned Cruise deigned to share screen time with Smulders who was barely a serviceable actress on television.  Getting every single one of her line readings wrong, her character whines about Reacher not respecting her as a woman who can hold her own…while wearing a short robe casually opened almost to the navel.  If there’s supposed to be chemistry between the two, the formula didn’t pan out because they look like people that grabbed for the same magazine in the dentist office and just continued to talk.

As Cruise’s daughter, Yarosh is giving me Anna Paquin meets Patricia Arquette, minus any of the talent or charm that brought both actresses Oscars.  Uncomfortably awkward and sullen for 90% of the film, you’re praying Reacher doesn’t end up being her dad lest she be guaranteed a spot in a future sequel.  I’m not quite sure what happened with Heusinger’s hitman, he’s supposed to be a highly trained special ops killer but is outwitted and outplayed by almost everyone he comes in contact with.  If he kills someone, it almost feels accidental because he’s so grossly unbelievable in the role.

Though Zwick had early success in his career with Glory and Legends of the Fall, this represents a career low for him (and Cruise, and everyone else).  Had Cruise not been in this and the Jack Reacher moniker been stripped, I could see the entire production being moved to a comeback vehicle for Jean Claude Van Damme and it making some decent money.  It’s so bad, I half expected Cruise to turn to look at the audience and yell “Suckers!” before starting over again with a different cast and script.

Edited poorly with no continuity of time and place to speak of, the movie feels like it was put in a blender and assembled in the dark as part of a community service project.  The only act of kindness that can happen for Jack Reacher: Never Go Back is to have it wiped from our memory and Cruise be allowed a re-do.

The Silver Bullet ~ The Hunger Games: Mockingjay – Part 1

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Synopsis: Katniss Everdeen reluctantly becomes the symbol of a mass rebellion against the autocratic Capitol.

Release Date: November 21, 2014

Thoughts: We aren’t that far off now from the beginning of the end for the tale of Katniss Everdeen. Though I’m no fan at all of the recent popular trend of splitting every film franchise written as a trilogy into four movies, in the case of this second sequel to The Hunger Games it may turn out to be a good thing. I’ve yet to read the book the film is based on (choosing instead to read it closer to the release date) but fans of the series have always been divided as to where Mockingjay stands against its printed predecessors with some loving it and some condemning it. So there’s room in two movies for the makers to right some potential wrongs devotees of Katniss and her quest may still be smarting over. It’s going to be a mega-watt blockbuster no matter what…but will Part 1 be more than a device to set the stage for the final hurrah? 

Check out my review of The Hunger Games here

Check out my review of The Hunger Games: Catching Fire here

Check out my review of the teaser trailer for The Hunger Games: Mockingjay – Part 1 here

The Silver Bullet ~ The Hunger Games: Mockingjay – Part 1

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Synopsis: Katniss Everdeen reluctantly becomes the symbol of a mass rebellion against the autocratic Capitol.

Release Date: November 21, 2014

Thoughts: Though I’m still not crazy about the last book of The Hunger Games trilogy being split into two parts being released this year and next, I have to admit being fairly excited for November to roll around so I can get a look at the first chapter in the epic finale. I’ve held off on reading the book until the release is closer but based on how well The Hunger Games and The Hunger Games: Catching Fire made their way to the big screen, I have high hopes that these next two installments will maintain the gold standard of its predecessors. Jennifer Lawrence (American Hustle), Julianne Moore (Carrie), Philip Seymour Hoffman (The Master), Woody Harrelson (Out of the Furnace), and Elizabeth Banks (Man on a Ledge) should be sitting pretty this Thanksgiving.

The Silver Bullet ~ R.I.P.D.

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Synopsis: A recently slain cop joins a team of undead police officers working for the Rest in Peace Department and tries to find the man who murdered him.

Release Date:  July 19, 2013

Thoughts: After watching the trailer for this summer’s 3D sci-fi action comedy R.I.P.D. I have some good news and I have some bad news.  Ok…bad news first.  Though it’s an interesting concept this looks remarkably like a reboot of the Men In Black series and even though Men in Black III was a nice diversion I don’t think we need something so similar so soon.  Now the good news: I think the cast might just save this one with Oscar winner Bridges letting his hair down and allowing his accent to do most of the work.  Mary-Louise Parker is always an interesting addition to any film and she’s re-teamed with her RED director Robert Schwentke who knows his way around a tongue and cheek energized flick.  Ryan Reynolds hasn’t quite yet made it to proven leading man status and this might be the litmus test for how he fares in the future.