Movie Review ~ 1917

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The Facts
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Synopsis: Two young British privates during the First World War are given an impossible mission: deliver a message deep in enemy territory that will stop 1,600 men, and one of the soldier’s brothers, from walking straight into a deadly trap.

Stars: Dean-Charles Chapman, George MacKay, Mark Strong, Andrew Scott, Richard Madden, Colin Firth, Benedict Cumberbatch

Director: Sam Mendes

Rated: R

Running Length: 119 minutes

Trailer Review: Here

TMMM Score: (10/10)

Review: As we come to the end of the second decade of the 21st century, many have been looking back at the past ten years in movies and musing on how the medium has evolved.  Could we have predicted ten years ago that a service that used to deliver DVDs by mail would become a heavy-hitter film studio producing movies that are becoming more and more friendly with Oscar?  Would we know that the biggest hits in the end-of-the-year box office tally would be dominated by franchise pictures and the mid-budgeted flicks that kept theaters packed in the ’90s would largely be wiped out?  Even the way we watch movies has changed from having to physically go to the video store to nowadays when we can view thousands of choices at the press of a button.   What hasn’t changed is the process of getting out of your house, battling traffic, and sitting shoulder to shoulder with others to have a shared experience of movie-going.  Sure, the seats are reserved now and more comfortable (and heated!) than your chairs at home but there’s no comparison to being in a cinema seeing a movie on the big screen.

Films about the first World War aren’t as common as those set in WWII (like 2019’s Midway), Vietnam (2015’s documentary Last Days in Vietnam), or in more recent wars that still play a large part in our daily news headlines.  The Peter Jackson-produced documentary They Shall Not Grow Old was a staggering piece of filmmaking using real footage from the first World War but for me it wasn’t able to overcome some narrative challenges that were almost unavoidable considering the approach.  That’s why the imminent arrival of movie like 1917 is so exciting to me.  Here’s a large scale war film that, overdone as the genre may be, strives to be something unique and not just because of its well-publicized “one-shot” cinematography.

By 1917, the “war to end all wars” had been going on for four years and had claimed thousands of casualties.  Shortly after the German armies had retreated from their trenches in France, officials received intel the German drawback from their enemies was a well-set trap and now a British battalion of over 1,500 men was walking straight into an ambush.  Two soldiers, Blake (Dean-Charles Chapman, Blinded by the Light) and Schofield (George MacKay, How I Live Now) are called up and tasked with delivering news of this ensnarement to the front lines before men are sent to a slaughter they are unaware of.  Though the stakes are already sky high for the British forces, the importance of success is even greater for Blake because his brother is in the company that will be sent out on the attack first, facing certain death.  The two young men set off on a breathless mission through enemy territory that will bring them up through idyllic countryside that masks hidden dangers and enemy-built trenches designed to slow their progress.

Based partly on the recollections of his grandfather, director Sam Mendes (Skyfall) co-wrote 1917 with Krysty Wilson-Cairns and the two have crafted a corker of a war movie that hits the ground running and doesn’t offer much reprieve over 119 minutes.  That forward motion is largely a direct result of Mendes working with Oscar-winning cinematographer Roger Deakins (Blade Runner 2049) to shoot the entirety of the picture as if it was one long interrupted take.  Without these obvious moments of cuts, the effect on a viewer is something akin to a relentless rollercoaster with moments of flattened cruising that are small respites to harrowing drops and spins.  It’s clear there are moments when Deakins had to cut to use a different camera but aside from a few obvious splices they are hidden so well you’d have to be focused solely on finding these moments to really see them.

Utilizing state-of-the-art technique, “how’d they do that” camera moves, and lighting nighttime scenes to increase their intensity tenfold, it could have been easy for the movie to become all about this trickery but thankfully everyone involved doesn’t let the technology overshadow the story.  Mendes helps this along with the casting of Chapman and especially MacKay as the young men on a mission who risk their lives to get their message into the right hands.  Chapman’s bravado at the outset hides the fear of arriving too late to save his brother while the more world-weary MacKay has his eyes further opened as he encounters civilians and other troops along the way.  The two aren’t totally familiar faces to audiences and that works to the advantage of the immediacy and “anything can happen” created by their mission.  The inclusion of more known names/faces such as Mark Strong (Shazam!), Andrew Scott (Victor Frankenstein), Richard Madden (Rocketman), Colin Firth (Magic in the Moonlight), and Benedict Cumberbatch (Dr. Seuss’ The Grinch) could be seen as a distraction but all play their roles succinctly without much preening for the camera.

This is really a boffo film that knocked my socks off.  I’m not usually so enamored of movies about the war but there’s something in the humanity on display from Mendes and Wilson-Cairns that moved me on a whole other level.  Aside from the jaw-dropping filming from Deakins that is truly incredible (if he doesn’t win the Oscar this year, I’d be stunned) there is rarely a frame that feels out of place or extraneous.  While some war movies can drag on and be a punishing sit, 1917 uses its running time wisely by never letting the characters (or the audience) rest too much.  As I watched the film I became conscious that I was holding my breath for a few reasons.  First off, the tension created was so spot-on and could only be achieved by a filmmaker who knows what he’s doing.  The second is that I didn’t want this spell to be broken and for Mendes and his team to make a misstep.  Thankfully, I believe Mendes achieved the mission he set out for and 1917 is one of the very best movies of the year.

The Silver Bullet ~ 1917



Synopsis
: Two young British soldiers during the First World War, are given an impossible mission: deliver a message, deep in enemy territory, that will stop their own men, and Blake’s own brother, from walking straight into a deadly trap.

Release Date:  December 25, 2019

Thoughts: Every year around this time it becomes pretty clear who the Oscar front runners are and the pundits start to put their ballots together with ballpoint pen.  There’s always those last slots they keep open, though, for the movies that don’t screen until very late in the season and that’s where a movie like 1917 will play a big factor.  Last time I checked, no one had seen this World War I film from Oscar-winning director Sam Mendes (Skyfall) yet and that’s fairly unheard of in mid-November.  That creates a bit of an electric excitement because there’s hope this could be a game changer and knock a few sure things off their paths to Oscar gold.  Paired again with the legendary cinematographer Roger Deakins (who finally won an Academy Award for Blade Runner 2049) and supposedly shot to look like it was filmed in one continuous take, Mendes appears to have something fairly mighty on his hands and history buffs are hoping 1917 can succeed where another anticipated war film like 2017’s Dunkirk couldn’t and snag some top prizes come year end.

The Silver Bullet ~ Spectre

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Synopsis: A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE

Release Date: November 6, 2015

Thoughts: First things first…if you haven’t seen 2012’s Skyfall yet I’d suggest not watching this teaser for the next installment in the James Bond franchise. Not that it gives a lot away, but I found more than a few references to the previous film that may spoil a few of the more intriguing wrinkles the 23rd 007 introduced. For Bond’s 24th outing, director Sam Mendes and star Daniel Craig (Casino Royale) are hoping to capture that same lightning in a bottle that made Skyfall so very, very entertaining. From the looks of it, they’re headed down a similar path to success…because this is a wonderful tease at what audiences can expect come November. As a huge Bond fan (check out Bond-ed for Life), I’m anxiously awaiting this one.

Bond-ed for Life – Skyfall

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The Facts:

Synopsis: Bond’s loyalty to M is tested as her past comes back to haunt her. As MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost

Stars: Daniel Craig, Javier Bardem, Dame Judi Dench, Naomie Harris, Berenice Marlohe, Ralph Fiennes, Albert Finney, Ben Whishaw, Helen McCrory, Ola Rapace, Tonia Sotiropoulou

Director: Sam Mendes

Rated: PG-13

Running Length: 143 minutes

Trailer Review: Here and Here

TMMM Score: (10/10)

Review:  The release of the 23rd Bond feature film inspired me to take a look back at the 22 films that have come before it.  Starting with the 1962 of release of Dr. No and continuing on through the 2012’s Skyfall, audiences around the world have come to know, trust, and count on James Bond to show up on Her Majesty’s secret service to get the job done.  Though the faces of Bond have changed over the years and the man himself has gone through some character development, one thing remains true…this is a gentleman who loves his country, his women, and his martini’s shaken not stirred.

Now, as the franchise celebrates its 50th Anniversary, a Bond adventure has been crafted that surpasses every expectation one could have and reaches levels I’m not sure anyone involved could have ever imagined or hoped to reach.  It’s as close to a perfectly made action film as I’ve seen in my years of going to the movies, one that will hold appeal to those well acquainted with 007 and those that are just starting out.  Skyfall is, in my opinion, the best James Bond movie ever produced.

Bold statement, right?  Well…let me try to explain it the best way I can – and know that this review is going to be spoiler free so as not to ruin the experience for you.  The less said about the scope of the picture the better because one of the key ingredients to its success is the not knowing what’s lurking around the corner for Bond, M, and his colleagues at MI6.

I can’t go further into this review without mentioning a few new faces behind the camera for Skyfall.  New director Mendes draws on his theatrical background to help his cast dig deeper than ever before in service to the dynamite story/script provided by Neal Purvis, Robert Wade, and exceptional screenwriter John Logan.  In his first true action film (let’s not mention 2005’s Jarhead), Mendes works like a master to create the most fully formed Bond experience one could hope for. 

Mendes brings along Oscar nominated cinematographer Roger Deakins, another artist not readily known for his work in the action genre.  Deakins keeps the camera moving in such a way that though the action is fast, furious, and delirious, we never lose track of what we’re watching and where it’s going.  Production designer Dennis Gassner returns to Bond after Quantum of Solace to create a bar-raising world of exotic locales, abandoned islands, and misty moors.  It’s all set to Thomas Newman’s hat-tipping score that’s quite thrilling.  When Monty Norman’s original Bond theme starts to play at a key point in the movie, I had chills from horn to hoof.

Now this all would make for a very pretty picture…but if you didn’t have the right people to stick in front of the camera you’d be up the creek.  Thankfully, Mendes has populated his film with intriguing cast additions and welcome return visitors.

Craig should now be considered the fully formed embodiment of Bond.  No disrespect to the the other actors that have come before him but Craig is as close to the James Bond found in the novels of Ian Fleming as anyone yet to suit up for the part.  A reckless Bond in Casino Royale and a vengeful Bond in Quantum of Solace, in Skyfall Bond has become someone that is genuinely afraid to feel anything that he can’t control.  It’s a brilliant move for the film to give the actor (and us) the opportunity to see under the skin and it’s Craig’s best performance on screen in any film.

Is there anything bad one could say about Dame Dench at this point in her career?  Her involvement with the Bond films since GoldenEye have been nothing short of excellent but it’s with Skyfall that M becomes a leading character along with Bond.  She sits atop a plot that hinges on how much we really want to know about her…had M stayed on the sidelines during her tenure this film couldn’t have happened in the way it did.  M has always been illustrative of a surrogate mother to Bond and that relationship comes into play several times.

In a series that is famous for its outlandish villains, you’d be hard pressed to find one as genuinely menacing as Silva.  Bardem takes a huge risk with his character that could have crashed and burned but winds up making him even more terrifying.  Even without the bleached hair and eyebrows, it’s the actor’s eyes that tell the biggest story with thinly veiled rage boiling deep down.  His personal vendetta against M and MI6 takes the place of any kind of global domination, allowing the film to hit close to home.  It’s a terrifying performance that doesn’t merely replicate his Oscar winning role in No Country for Old Men from the man my friend (let’s call him R for Bond-time sake) calls the Spanish Meryl Streep for the way he totally immerses himself in a role.

Supporting players are nothing to snuff at either.  Fiennes has a nifty role as one of M’s colleagues and Whishaw is a wonderfully nebbish Q.  Bond Girls are a dime a dozen but Mendes has found two shiny silver dollars in Harris and Marlohe.  Harris is a spunky field agent that helps set into motion the action of the film in the breathless prologue and Marlohe may have one of the single best meet and greets with Bond in memory.  Both actresses are splendid but aren’t featured as prominently as the ladies of the past.  Still…Mendes and co. are smart enough to see that this story is ultimately about Bond and M.

Adele’s powerful theme song is a real winner as both a throwback to the Shirley Bassey Bond themes and a mysterious clue to what the film has in store for us.  Playing over a gorgeously designed credits sequence by Daniel Kleinman, the haunting melody is nicely incorporated by Newman in several music cues along the way.  And what of the mysterious Skyfall of the title?  I’m not going to give that secret up but it acts as yet another way the film opens up to audiences the mystery that is Bond. 

Everyone has their favorite Bond and reasons why they lean towards one or the other.  Having reached the end of my Bond journey, Skyfall just happens to be the best of the bunch.  It’s a fantastically entertaining, surprisingly emotional, and stupendously produced action film that once again redefines the spy genre.  James Bond will return…this much we know from the closing credits.  How he’ll top himself after Skyfall is the next big mystery to figure out.

Want more Bond?  Check out my reviews of the previous 22 James Bond Films:

Dr. No

From Russia With Love

Goldfinger

Thunderball

You Only Live Twice

On Her Majesty’s Secret Service

Diamonds Are Forever

Live and Let Die

The Man with the Golden Gun

The Spy Who Loved Me

Moonraker

For Your Eyes Only

Octopussy

A View to a Kill

The Living Daylights

Licence to Kill

GoldenEye

Tomorrow Never Dies

The World is Not Enough

Die Another Day

Casino Royale (2006)

Quantum of Solace

The Silver Bullet ~ Skyfall ~ Trailer #2

International Trailer:

Domestic Trailer:

Synopsis: Bond’s loyalty to M is tested as her past comes back to haunt her. As MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost.

Release Date:  November 9, 2012

Thoughts: A Bond fan since birth, I’ve enjoyed watching 007 evolve over the years.  The sleek secret agent that Sean Connery gave life to gradually became campy in the Roger Moore years and then more than slightly aloof with Timothy Dalton’s short reign.  Pierce Brosnan brought Bond out of the Cold War in swell fashion and now Daniel Craig is suiting up for his third outing as the man who likes things shaken, not stirred.  I really loved Craig in Casino Royale, grew to appreciate Quantum of Solace in repeated viewings but with Skyfall I feel that Craig is going to prove just why he’s one of the best Bonds. Granted, a film studio with this much money riding on the success of Bond’s 23rd adventure could edit the trailer to make it look any way they wanted…but the action sequences, villians, and assembled A-Listers give the feeling that Skyfall will be an important film in the Bond canon.  Now that The Dark Knight has risen I’m counting down the days until Bond’s Skyfall

Oh, and yes, I realize I left out George Lazenby who took over Bond in one movie…but I actually liked him too!

The Silver Bullet ~ “Skyfall” Teaser

Synopsis: Bond’s loyalty to M is tested as her past comes back to haunt her. As MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost.

Release Date:  November 9, 2012

Thoughts:   Ah…Bond is back.  It’s been nearly four years since his last adventure and while many were left unsatisfied with Quantum of Solace on repeated viewings I see what the franchise was going for.  It’s still not my favorite entry but it existed as a way to end a particular chapter on the Bond saga.  With that taken care of, the series is free to explore a new storyline and the description of Skyfall sounds quite juicy.  With director Sam Mendes at the helm expect a different kind of action film with expertly designed camera shots and more nuanced performances from all involved.  With the film adding Ralph Fiennes, Albert Finney, and Javier Bardem to the roster (as well as a new Q!) I’m counting down the days to Bond’s arrival.  Once we get a little closer to the release date I’ll be reviewing all of the Bond films for the blog – stay tuned!