Movie Review ~ IT: Chapter Two


The Facts
:

Synopsis: Twenty-seven years after their first encounter with the terrifying Pennywise, the Losers Club have grown up and moved away, until a devastating phone call brings them back.

Stars: Jessica Chastain, James McAvoy, Bill Hader, James Ransone, Andy Bean, Jay Ryan, Isaiah Mustafa, Bill Skarsgård, Xavier Dolan, Will Beinbrink, Teach Grant, Jaeden Martell, Jeremy Ray Taylor, Sophia Lillis, Finn Wolfhard, Chosen Jacobs, Jack Dylan Grazer

Director: Andy Muschietti

Rated: R

Running Length: 169 minutes

Trailer Review: Here

TMMM Score: (6.5/10)

Review: Two years after IT: Chapter One took the late summer/early box office by screaming storm, we find ourselves in a similar situation upon the arrival of its sequel.  Like its predecessor, IT: Chapter Two is being released at the very tail end of a mostly bummer summer of sputtering sequels and non-starter indies.  At this point in the year, the hunger for something high quality that isn’t seeking Oscar gold (or is it?) but just wants to entertain is, I must admit, quite appealing.  Re-watching Chapter One in anticipation of Chapter Two, I was struck by how well that earlier film scooped up the audience into its spell and had high hopes the second chapter would continue with that same magic.

In my review of the first film I wondered why the studio didn’t have a little more faith in the property and shoot the entire novel back-to-back instead of disrupting its non-linear plot in favor of more straight-forward storytelling. Instead, Warner Brothers and New Line Cinema, still wary after a troubled start to the project when the original writer/director left, decided to test the waters by filming only the first of a planned two-part movie.  The film was a gigantic hit (rightfully so), made a few stars out of the kids, and almost immediately had fans compiling their dream cast for the follow-up that quickly got the greenlight.

It’s been 27 years since the Losers Club bested Pennywise the Dancing Clown (Bill Skarsgård, Atomic Blonde) and most have moved away from the tiny town of Derry, Maine.  Mike (Isaiah Mustafa, The Three Stooges) is the only one that has stuck around, living above the library and keeping watch for any strange occurrences that might be tied to the evil he faced with his friends when they were tweens.  Receiving a fairly targeted message at the scene of a horrific crime that confirms his worst suspicions, Mike tracks down his long-lost pals who have all strangely forgotten the summer of the clown and they oath they made to return.

Overcoming his stutter and becoming a successful novelist and screenwriter, Bill (James McAvoy, Split) is more than happy to vacate the set of his latest movie where he’s having trouble getting the ending right.  Beverly (Jessica Chastain, Lawless) escapes her violent husband/business partner in order to keep her promise, while foul-mouthed stand-up comedian Richie (Bill Hader, The Skeleton Twins) leaves his tour and heads for Maine.  Eddie (James Ransone, Sinister) and Ben (Jay Ryan) have no problems getting out of their stuffy corporate jobs and away from the drone of their daily lives.  Only Stanley (Andy Bean, Allegiant) finds it harder to return for reasons I won’t spoil here.

When the gang has gathered back in their hometown and Mike levels with them about the evil that has reemerged, the memories come flooding back and it’s here the movie starts to fray. Up until that point, writer Gary Dauberman (Annabelle Comes Home) and returning director Andy Muschietti (Mama) have been pulling the rope tighter and tauter around the group, giving them all warning signs that danger awaits them all.  Once they all arrive, however, there’s a fracturing isolation that occurs which gives each person an individual mini sub-storyline to follow and the movie curiously goes slack.  Seems that Mike has found out a way to destroy the entity that has been feeding off of Derry residents for hundreds of years and he needs his friends to split up and gather a personal “artifact” from that summer that was important to them.

This gives each actor their own stretch of time to be the star of the film and not everyone uses their time wisely. Surprisingly, it’s the biggest stars that fare the worst with McAvoy whipping himself into an absolute frenzy at inopportune times, coming off as bug-eyed and hysterical instead of terrified.  Chastain is right behind him feasting on the scenery and she and Hader fight over which high emotional moment to gnaw on next.  (There is a serious campaign to get Hader an Oscar nomination for his work here and, while I’m a fan, that’s totally bonkers.  This isn’t even an Oscar-adjacent performance.) All three become, frankly, grating as the movie extends which makes the restrained and nuanced work Ransone, Ryan, and, to a slightly lesser extent, Mustafa, seem even more welcome.  These character “adventures” feel like the chapters they are in the book, personal moments that have slight ties to the greater action but are largely drop-in and drop-out scenes.  The same scenario is repeated later in the movie when the adults get thrown into their own personal horrors.  What started in 2017 as a scary riff on Stand by Me turns into a tricky re-working of A Nightmare on Elm Street 3: Dream Warriors.

What’s really missed are the child actors from Chapter One and, though they have been brought back for this second installment they aren’t…quite the same.  Over the past two years the kids have done what kids do at that age: they grow.  Via digital scrubbing and voice modulating, the performances have been youth-ized and the results are often creepier than Pennywise.  You know the voice matches the actor but the face doesn’t look right so it’s all strangely out of whack.  Only Sophia Lillis seems to have escaped the airbrush and thus her performance feels the most grounded and real.  When the action switches back to the adults, you can see the work the older actors have done to match their younger counterparts and, for what it’s worth, the casting is spot-on.  I just kept wondering what would have happened if they waited 27 years to let these younger actors grow into their older selves.

As is the case with most sequels to horror films, the scares have to be bigger and more frequent and IT: Chapter Two definitely falls in line with expectations  The trouble with that is there is no build up to a scare almost anywhere in the movie.  Sure, there is some disturbing imagery and a few jolts but none come close to the satisfying and expertly orchestrated thrills elicited from Chapter One.  It’s like in Jaws.  Once you’ve seen the shark, you’ve seen the shark and it’s all about the attack from then on.  Now that we are familiar with Pennywise and have seen so much of him, there’s less menace to be had, even though he does bare that hideous maw with rows upon rows of razor teeth multiple times in the film.

There’s a fairly large amount of iffy CGI on display, as well. Though the protracted finale of the film features the most well-rounded effects of all, there are numerous nightmare creatures conjured up by Dauberman and Muschietti that are simply goofy to look at.  An abundance of grotesque creepies emerge from the darkness throughout the movie and few have the same impact of the simple image of Pennywise staring out of the dark at an unsuspecting child.  An effective (if extremely hard to stomach) opening sequence at a country fair and a later scene underneath the town bleachers are good reminders of how Muschietti can extend tension to its most enjoyable breaking point.

At 169 minutes, the movie either needed to be 40 minutes shorter or 60 minutes longer. Were it shorter, Muschietti could have trimmed up some redundant character bits in the third act that feel like extra padding.  Had it been longer, we could have spent some more time with the Losers Club and their lives outside of Derry.  There’s too little of their current lives shown to give us a proper introduction so we have to almost base our knowledge soley on what we remember from the original film.  What I do appreciate is Muschietti’s attention to small details from the book and within his vision of the film.  I’ll  have to give the movie a second watch, but there’s usually something not quite right going on in the background of scenes that most viewers won’t catch on the first viewing.  It’s also a nice touch to have Eddie’s nagging wife played by the same actress who was his mother in Chapter One.  There are also two very funny cameos, one in particular that had our audience cheering.

There’s rumors of a supercut that might happen that would combine both movies into one and I’d be fascinated to see how that would come together. I’d definitely recommend this movie, sequel flaws and long running time aside, because of the way it nicely concludes what was started back in 2017.  If only everything was done at the same time and the filmmakers didn’t have that extra year to get too zealous with their plans for IT: Chapter Two.

The Silver Bullet ~ IT: Chapter 2



Synopsis
: Twenty-seven years later, the Losers Club have grown up and moved away, until a devastating phone call brings them back.

Release Date: September 6, 2019

Thoughts: Back in 2017, Warner Brothers took a risky move by remaking Stephen King’s IT as a big screen endeavor. Though the television mini-series had unquestionably not aged well it still held a soft spot in the hearts of many a fan.  Thankfully, the gamble paid off and director Andy Muschietti (Mama) delivered not only a scary as hell horror film but one that also captured King’s nostalgic tones as well.  The performances were far above average considering that most of the kids were unknowns and that helped keep the tension up throughout.  Two years later comes the concluding chapter featuring the members of the Losers Club that have grown up and are revisited by a vengeful evil that has been waiting for them for many years.  The first teaser trailer is a doozy too, crafted mostly as a scene between Jessica Chastain (The Martian) and a creepy lady that lives in her childhood home.  I found myself slowly inching away from my desk as it went along not sure where it was taking me.  Here’s hoping this sequel seamlessly branches off the first film and ends with the kind of bang it deserves.

Movie Review ~ Boy Erased


The Facts
:

Synopsis: The son of a Baptist preacher is forced to participate in a church-supported gay conversion program after being forcibly outed to his parents.

Stars: Lucas Hedges, Nicole Kidman, Russell Crowe, Joel Edgerton, Xavier Dolan, Troye Sivan, Joe Alwyn

Director: Joel Edgerton

Rated: R

Running Length: 115 minutes

TMMM Score: (8/10)

Review:  Based on the 2016 memoir from Garrard Conley, Boy Erased is not the first film in 2018 to tackle the tough subject of gay conversion therapy.  Sundance hit The Miseducation of Cameron Post came out in late summer and featured a similar storyline of a gay teenager sent by their parents to a religious based program orchestrated to “convert” LGBTQ youth to live lives as “straight” people.  I haven’t seen The Miseducation of Cameron Post yet but have a feeling I would have emerged from that screening much like I did from Boy Erased: sad, frustrated, angry.

After a long internal struggle Jared (Lucas Hedges, Ben is Back) has recently admitted to his parents that he has feelings toward men. His father (Russell Crowe, The Water Diviner) is a preacher in Arkansas and obviously this news isn’t received with much compassion or understanding.  Told he can either leave his home and job or go to a program to help cure him of these impure thoughts, he’s half-heartedly agreed to the latter and has been sent to a program called Love in Action, a gay conversion therapy assessment in Texas. Accompanied by his mother (Nicole Kidman, The Killing of a Sacred Deer), Jared will spend 12 days being evaluated by the staff along with other youths facing similar ultimatums.

At first, it seems like this is something Jared might actually have put some faith in.  He clearly feels what he feels but also knows that to be gay would change his relationship with his parents forever.  When the director of the program (Joel Edgerton, Midnight Special, who also adapted the Conley’s book and directed) starts to implement the teachings in increasingly destructive ways, Jared questions which life would be worse?  Living his true self and having the chance at happiness, or continuing to lie to everyone for the sake of his family.

There’s a lot of tricky terrain to navigate here but Edgerton keeps the material nicely above pithy melodrama by encouraging his talented cast to lean back in their efforts as opposed to latching on to each emphatic moment/revelation along the way.  The performances come across as natural and even the Arkansas twangs are nicely muted (Kidman’s hair has the biggest drawl of all), creating an environment that sometimes feels documentary-like.  There are times when Edgerton skates the edge of hitting us over the head (literally) with his message but overall the subject matter is presented without much editorializing.

Conley’s true tale is one of solitary survival and that’s brought nicely to the screen by Hedges in a sensitive and nuanced performance.  The movie flashes back and forth from the present when Jared is entering the conversion program to an earlier time when he’s still in high school and then further forward as he moves into college.  We see the first time he gets close to opening up to someone and wince as he undergoes a traumatic encounter with a co-ed friend (Joe Alwyn, Mary Queen of Scots) we originally think will turn out much differently.  When his coming out story seems to be cruelly told for him, it’s a painfully tense moment as he desperately attempts to find yet another way to cover up his dark secret.

As Jared’s parents, Australian mates Kidman and Crowe nicely play two sides of the religious coin.  Both love their son but one has a much more difficult journey in the path to acceptance.  Hedges shares wonderful scenes with both but it’s an exchange with Crowe late in the film that allows both characters to exorcise some long-standing issues in a most powerful way.  Crowe doesn’t have to do much but listen to Hedges but he conveys so much with his eyes and posture that he takes us on a mini-journey of the spirit in several minutes.  As in life, Edgerton doesn’t have his characters change overnight but instead he presents building blocks for a bridge between two opposing sides and lets the audience come along as the people build a pathway to understanding.

Like Beautiful Boy also released in 2018, Boy Erased is as much a look at the parents as it is about the children but in the end I found Boy Erased to be a more relatable film.  Whereas in Beautiful Boy the character at the center of the family drama was making a choice to continue in a life that was proving destructive, Boy Erased’s Jared had no choice in how he came into this world.  His journey to discovery felt more authentic and, in the end, cathartic to this viewer.

 

Rare Soap Box Moment: If you are gay or know someone that has struggled with being gay this movie will likely prove maddening.  How these types of programs are allowed to exist and are supported in numerous states is a terrible thing.  Knowing many of these have no basis in scientific fact and are still covered by health insurance is even worse.  Legislation needs to be in place to remove these programs from receiving any kind of substantiation in the medical or psychiatric because they are selling a false promise to people Being gay is not a choice but something you are born as.  No amount of therapy, prayer, or government funded programming can change that.