Synopsis: The powerful but arrogant god Thor is cast out of Asgard to live amongst humans in Midgard (Earth), where he soon becomes one of their finest defenders.
Stars: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Anthony Hopkins, Rene Russo, Stellan Skarsgard, Jaimie Alexander, Kat Dennings, Ray Stevenson, Josh Dallas, Tadanobu Asano, Idris Elba, Clark Gregg, Colm Feore, Samuel L. Jackson
Director: Kenneth Branagh
Running Length: 115 minutes
TMMM Score: (6/10)
Review: Buoyed by the enormous success of Iron Man and Iron Man 2, Marvel sought to continue toward its ultimate goal of making what would become the 2012 blockbuster The Avengers by releasing Thor in May of 2011. Re-watching the film again before taking in its 2013 sequel, Thor: The Dark World, I was again reminded why Thor was my least favorite of the Marvel films franchise so far.
In the two years since I originally saw Thor theatrically Marvel has also released Captain America: The First Avenger and Iron Man 3 and these films have only served to solidify my thoughts that Thor doesn’t work as well for me because so much of it is set primarily in a world of CGI fantasy. Whereas characters like Iron Man and Captain America operate in a world not so far away from our own recognizable metropolis capitals, Thor’s land of Asgard is a nicely rendered but ultimately too shiny a façade to keep my interest.
It doesn’t help that Thor has the least interesting characters and villains in the Marvel Universe so it’s hard to get attached to any of them. While he fared better in The Avengers, Chris Hemsworth (Rush, Cabin in the Woods) is a sullen dud as Thor, confusing rote glowering for juvenile indignation when he doesn’t get his way. When he’s banished from his homeland and left powerless in the deserts of New Mexico where he’s rescued by astrophysicist Jane (Natalie Portman, fresh from her Best Actress Oscar win for Black Swan) who happens to be studying the very wormhole that brought him to Earth.
In a plot that mines some of Shakespeare’s best works (no wonder Bard-indebted actor Kenneth Branagh is in the director’s chair here), Thor must come up against his half-brother Loki (a benignly sinister Tom Hiddleston) to stop him from taking the throne as the heir of Asgard and plunging the world into a frozen wasteland. The familiar themes of a royal family betrayal are a nice complement to the mythology of the superhero but a lack of original battle sequences and climax that feels rushed ultimately lets the film and audience members down.
The big budget bucks are fully on display here and, don’t get me wrong, though the film is effects heavy it looks great. It’s just so different from the other Marvel films (so far) that I always knew I was watching a film that existed within its own rules. There’s something about seeing Iron Man/Tony Stark pursued by various nasties through an urban earthly landscape that speaks to me more than watching Thor dangle dangerously on the edge of an impressive but obviously effects created black hole.
As with every Marvel film there are fun cameos, hidden clues that tie the film to other movies, and hints at what’s next to come. The final scene in the end credits was directed by The Avengers writer/director Joss Whedon because it served as a bridge toward the opening scenes of Whedon’s awesome summer blockbuster. There’s also a quick appearance by Jeremy Renner (The Bourne Legacy, American Hustle) as Clint Barton/Hawkeye who would become a major player that next summer.
A solid super-hero flick with a spattering of theatrical drama, Thor is still low on my Marvel list but does serve its purpose of introducing The God of Thunder to whole new legion of fans.
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