Special Series · The Art of the Tease(rs)
Batman (1989)
Occasionally, I’ll revive one of my old “special” columns from my early days. Formerly titled In Praise of Teasers, I’ve rebranded my look at coming attractions The Art of the Tease(rs) and brought it back for a short run over the next few weeks.
Starting in 2013, I used these peeks at past previews to highlight the fun (and short!) creatively mounted campaigns that generated buzz from audiences who caught them in front of movies back in the day. Some of these I remember seeing myself, and some I never had the pleasure of watching. More than anything, it makes me long for studios and advertising agencies to go back to showing less in modern trailers because the amount of spoiler-heavy material shared now is ghastly. Today, where all aspects of a movie are pretty well known before an inch of footage is seen, the subtlety of a well-crafted “teaser” trailer is gone.
Let’s revisit some of the teaser trailers I fondly remember and, in a way, reintroduce them. Whether the actual movie was good or bad is neither here nor there but pay attention to how each of these teasers works uniquely to grab the attention of movie-goers.
The One-Sheet
Lobby Card
Plot: A masked vigilante called Batman is cleaning up crime-ridden Gotham City when a disfigured mobster reinvents himself as the Joker and starts terrorizing the town. Caught in the middle is photojournalist Vicki Vale, who is falling for billionaire Bruce Wayne.
Released: June 23, 1989
Directed by: Tim Burton
Starring: Jack Nicholson, Michael Keaton, Kim Basinger, Robert Wuhl, Pat Hingle, Billy Dee Williams
Studio: Warner Bros.
Box office: $251.4 million domestic, $411.6 million worldwide
Trivia:
- Producer Jon Peters had the first trailer cut together in time for Christmas 1988, six months before release, after a Wall Street Journal story about fans upset over Michael Keaton’s casting spooked studio executives.
- The teaser poster showed only the gold bat logo and the opening date. Roughly 1,200 of the bus stop and subway versions were stolen.
The Taglines
Justice is always darkest before the dawn
Why It Works
Tim Burton’s big-screen treatment of Batman had many eyes on it as it went into production leading up to its debut. Star Michael Keaton was thought to be physically wrong for the role, Jack Nicholson’s Joker was rumored to not be as comically desirable as the producer’s original choice, Robin Williams, and an injury sidelined starlet Sean Young from appearing as love interest Vicki Vale leading Kim Basinger to be called in at the last minute. Sometimes, everything happens for a reason, and it all comes together like it should because we all know that Burton’s blockbuster was a high-water mark achievement for the Caped Crusader and for striking a new visual tone in superhero films of that era. Visually stunning and featuring a mixture of practical and digital effects that hold up nicely, Batman sits on an earned high throne.
This early teaser is fantastic, too. While not incredibly inventive from a production standpoint, it’s just a creatively edited jumble of clips from the nearly finished film, and it’s giving the audience enough of the promised thrills to ensure they’ll line up opening weekend. Plot details are nicely kept under wraps, and while the Joker is perhaps featured a bit too much and spoils some surprise, the marketing department for toys and tie-ins had likely already sealed the deal to not keep many secrets in the way of what anyone looked like. My favorite thing about this? It’s so confident that audiences know exactly what they are watching that they don’t even bother listing the title.
Written by Joe Botten
Joe Botten is The MN Movie Man, a Twin Cities film critic writing spoiler-free reviews since 2012. He also writes for Loud and Clear Reviews, a Rotten Tomatoes approved site. Find him on Instagram and Letterboxd.
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