Movie Review ~ She Dies Tomorrow


The Facts
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Synopsis: A woman’s conviction that she will die tomorrow spreads like a contagion through a town.

Stars: Kate Lyn Sheil, Jane Adams, Kentucker Audley, Katie Aselton, Chris Messina, Tunde Adebimpe, Jennifer Kim, Olivia Taylor Dudley, Michelle Rodriguez, Josh Lucas, Adam Wingard

Director: Amy Seimetz

Rated: R

Running Length: 84 minutes

TMMM Score: (1/10)

Review:  In theater, there are a number of urban legends about productions or performances that were so bad the audience began to turn on the actors onstage.  There is the long-held rumor (that I don’t quite believe) of the matinee crowd attempting to sing above Sheena Easton in a Broadway production of Man of La Mancha to overcome her off key warbling.  The granddaddy of them all, though, is the tale meant to send a shiver down the spine of every theater nerd that dared overact and provide hearty laughter to everyone else.  Yes, it’s the one revolving around a troupe’s noble effort in a staging of The Diary of Anne Frank that had such poor acting it had one fed-up patron proclaim loudly “They’re in the attic!!!”

I couldn’t help but think of that particular anecdote shortly after She Dies Tomorrow began…because it’s around that time I blurted out “Is it tomorrow yet?” and then spent the next 75 minutes waiting for that moment to arrive.  Though it boasts a nifty poster and an appealing premise that appears tailor-made to the self-contained uncertainty we find ourselves living in, this incessantly grating bit of delirium shouldn’t have waited to put anyone (least of all us , the viewers) out of its misery.  Thus, it ends up being exactly the kind of messy dreck that gives indie films good street cred by those that seek out obscure titles to fawn over but is a complete dud for anyone else.

Though she’s recently moved into a new apartment and appears to have a semblance of a decent life, Amy (Kate Lyn Sheil, You’re Next) thinks she’s going to die tomorrow.  That’s it…that’s basically the entire premise of the movie that gets repeated over and over again within actress turned writer/director Amy Seimetz’s (2019’s Pet Sematary) languid script.  Actually, there’s a supposed bit of intrigue as to how Amy’s belief of her impending doom infects everyone she comes in contact with and how they in turn spread that paranoia onward.  Her friend (Jane Adams, Poltergeist, a kooky bright spot at times) passes it to her brother (Chris Messina, Cake), his wife (Kate Aselton, Bombshell), and their friends (Tunde Adebimpe, Marriage Story and Jennifer Kim, Spider-Man: Homecoming) before handing it over to a few other familiar faces that must have owed Seimetz a favor.  How this extended circle deals copes with their purported demise runs the gamut from the cruel to the criminal — not the kind of material that’s exciting to watch or that gives the usually talented performers much to work with.

It all comes back to Amy, though, and while Seimetz attempts to give an origin story to the fear that drives Amy to panic it’s covered in so much heavy-handed missteps in eye-crossing cinematography drowned out by an often ear-plugging score that you can barely pay attention.  So whatever larger message Seimetz is trying to convey gets lost amidst a clamor of her own making.  The same goes for the performances which range from the zombified (Sheil) to the whacked-out (Michelle Rodriguez, Widows) and in the end it’s Adams who likely comes out the best because the entire utterly bizarre film plays right into her wheelhouse of strange characters moving through this earthly plane.  Reportedly Seimetz used her salary from Pet Sematary to fund this picture and you wonder if the money wouldn’t have been better spent on an actual cemetery for pets instead of this eye-rolling folderol.

I can already see this being heralded a triumph by those bored on the straight-forward offerings available these past few months, but I saw no real artistry on display, unfortunately.  I felt like I should have responded differently but whatever takeaway I was meant to be left with vanishes among the punishing noise.  Even looking at the movie as metaphor for anxiety or grappling with the inner monologue of one’s own mortality lets the film off a hook it deserves to be hitched to.  So it’s not as if the intent wasn’t clear…it’s the execution that left me completely at odds with nearly everything else the film brought to the table, rendering it unwatchable in my book.  Its impenetrable notions of gloom and doom may send you scrambling toward your cure-all for the blues but it makes you wonder…when life is already so tenuous, why add more inexplicable horror to your plate if you don’t have to?  She Dies Tomorrow but pick something else today.

Movie Review ~ You’re Next

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The Facts:

Synopsis: When the Davison family comes under attack during their wedding anniversary getaway, the gang of mysterious killers soon learns that one of victims harbors a secret talent for fighting back.

Stars: Sharni Vinson, AJ Bowen, Nick Tucci, Wendy Glenn, Joe Swanberg, Rob Moran, Barbara Crampton, Maragaret Laney, Amy Seimetz, Ti West, Larry Fessenden, Lane Hughes, L.C. Holt, Simon Barrett, Calvin Reeder

Director: Adam Wingard

Rated: R

Running Length: 96 minutes

Trailer Review: Here

TMMM Score: (6.5/10)

Review: Oh I really wanted to like this movie a lot more.  Believe me.  We all know how the ever-lovin’ hype-machine can set the bar so high that not even an Olympic long jump champion could fly over it.  Unfortunately that’s what happened with my viewing of You’re Next, a film I probably would have rated higher had I not gone into it having read so many articles claiming it’s the Next Big Thing in horror.

Completed in 2011 but getting its debut now, you’d think that the movie had some sort of black mark with its overly long time on the shelf.  Well, it turns out that it was actually a smart move to hold the film back until now because back in 2011 audiences were still saturated with slasher films of decreasing quality and increasing stupidity.  Really starting with 2012’s Cabin in the Woods, the horror genre has undergone a slight maturity because viewers are demanding something a little bit more than just gobs of blood and guts.

Though the 2013 remake of Evil Dead and May’s The Purge did respectable business there wasn’t anything spectacular on the horror front until July’s The Conjuring.  Arguably one of the best horror films of the last decade, the haunted house fright flick laid its claim to scariest film of the year and no matter how good You’re Next was it was always going to have to settle for at least second place.

Yet You’re Next and The Conjuring couldn’t be more different in their methods.  Where The Conjuring earned its R rating without any blood, foul language, or nudity, You’re Next gleefully bathes in the sinewy awfulness of its R by serving up death at its most painful.  Stabbings, bashings, and more throat slashing than I could stomach (slit throats have always spooked me), and one truly original death by household appliance are all on display…You’re Next doesn’t let anyone die easily.

All this would be an hour and a half of twisted terror…had it not been for the fact that the movie is nearly equal parts black comedy as it is gory horror.  Comedy isn’t anywhere in the preview for the film and I have to say I was disappointed in how much the movie struggled with its teeter-totter balancing act between laughs and screams.  That’s not to say the movie can’t have its cake and chop it to bits too…but the comedy element was treated in the marketing materials like a dirty secret.  Had the movie marketed its winking aspirations to be a next level Scream, I think I would have been more prepared for the final product.

As it is, you never really know if director Adam Wingard and screenwriter Simon Barrett are really accomplishing what they set out to do.  Are we supposed to be siding with the various members of an average family as they battle vicious masked killers that come a-callin’ just as they are sitting down for an anniversary dinner?  Or are we meant to root for the killers to snuff out several family members with personalities no one will miss.  Though the bitter comedy bits do land successfully, they feel out of place with the rest of the slicing and dicing.

Also out of place is a lumpy stew of actors cast in roles that they don’t seem to fully be right for.  Though 80’s scream queen Barbara Crampton looks great for her age, I never once bought that she was the mother of these adult kids…but it’s not like Crampton goes to great acting lengths to do her character any favors either.  It’s fun to see various members of the next wave of horror directors pop up in bit parts with The Innkeepers director Ti West getting right to the, um, point of his cameo.

It’s the one outsider (of the family and the creative collective that sit in front of and behind the camera) that makes the most impact.  Australian Sharni Vinson (Bait) bides her time on the sidelines until she’s called up to the plate as a survivalist that gives the killers a taste of their own medicine.  Though the film creaks as it winds down with several interesting twists that surround a Home Alone-type booby trap ending, Vinson is an appealing presence throughout.

I think I’d like You’re Next more on a second viewing and if I’m being honest I liked the film more as I let it sink in.  Maybe it’s not the movie I wanted it to be but there’s more than a dose of cleverness going on here and at least it’s not another endless sequel made as a quick cash grab for its studio.  It’s probably more effective to be seen in the security of your own home…though you’ll probably check that the doors and windows are locked one extra time before you turn out the light.

The Silver Bullet ~ You’re Next

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Synopsis: When the Davison family comes under attack during their wedding anniversary getaway, the gang of mysterious killers soon learns that one of victims harbors a secret talent for fighting back.

Release Date: August 23, 2013 

Thoughts: If the advance buzz is to be believed, You’re Next is one damn good horror film.  Now, I always try to take that kind of praise with a grain of salt because one person’s Cabin in the Woods could be another person’s The Apparition.  Still, the slick and scary new trailer for the horror film releasing this August gave me more than a few chills.  The home invasion genre has been done well recently (2008’s The Strangers) but it seems there’s more terror to mine from a fear we all have about our general safety while at home.  Director Wingard and several of the cast/crew were also involved with the underrated gore-fest V/H/S in 2012 and if that film is any indication, You’re Next will be a twisted throat-grabber aimed to produce maximum screams.