Movie Review ~ Star Wars: Episode IX – The Rise of Skywalker


The Facts
:

Synopsis: The surviving Resistance faces the First Order once more as Rey, Finn and Poe Dameron’s journey continues. With the power and knowledge of generations behind them, the final battle commences

Stars: Daisy Ridley, John Boyega, Oscar Isaac, Adam Driver, Billy Dee Williams, Lupita Nyong’o, Domhnall Gleeson, Kelly Marie Tran, Joonas Suotamo, Keri Russell, Billie Lourd, Naomi Ackie, Richard E. Grant, Mark Hamill, Anthony Daniels, Carrie Fisher, Dominic Monaghan, Greg Grunberg

Director: J.J. Abrams

Rated: PG-13

Running Length: 141 minutes

TMMM Score: (9/10)

Review: Here’s the thing.  I grew up with the Star Wars movies in my orbit but they were never exactly part of my universe.  Does that make sense?  Every time I went over to visit my cousins I vividly remember the posters of the movies on their wall and playing with their Millennium Falcon…or, rather, playing around the famed ship because I wasn’t quite cool enough to actually hold the majestic piece of plastic in my hand yet.  I was relegated to a storm trooper whenever we were reenacting scenes and I was too young to have seen any of the original trilogy in their first release.  I was probably twelve or thirteen years old before I ever saw the movies and even then I didn’t quite get the appeal.

Now, all these years later I was preparing to see the final (for now) installment of the current Star Wars saga and went back and watched all of the films in chronological order.  That meant starting with the much-reviled prequels, which haven’t aged well, followed by the recently released Solo and Rogue One which already feel even more extraneous than on their first watch.  If anything, getting through those five films makes arriving at the three landmark entries that started it all that much sweeter because you appreciate the level of storytelling and creative filmmaking that was used.  These were crafted when people were pushing limits higher, not just seeing how crazy the limits could be.

In 2015 when director J.J. Abrams (Star Trek Into Darkness) brought viewers back to a galaxy far, far away with The Force Awakens, he tapped into what made those earlier blockbusters so lasting – a sense of discovery blended with heart and humor.  Introducing new characters that interacted with fan favorites, it may have felt slightly like a redo of A New Hope but ultimately it acquitted itself nicely for even the harshest of naysayers.  The same can’t be said for 2017’s The Last Jedi which, though popular with critics (and this one right here) was somehow, bafflingly so, seen as a horror show for longtime fans.  Raging against new writer/director Rian Johnson (Knives Out) and going above and beyond in some nasty spikes toward cast members, the fandom showed its ugly side for a movie that didn’t deserve the vitriol.

Back to bring this new trilogy to a close (replacing Jurassic World’s Colin Trevorrow who was let go before filming began), Abrams evidently was tasked with addressing some of the chief fan complaints from The Last Jedi while still steering important events toward their conclusion.  Watching the movie you get the feeling Abrams wasn’t entirely happy with the path Johnson had taken and was painted into a corner trying to undo a knot that was tightly bound.  Some of the ideas Johnson hinted at had to be considered or simply thrown out.  In doing so, there is sometimes an overcorrection, resulting in a bit of an unwieldy but ultimately supremely satisfying final chapter in what is surely seen as the event picture of 2020…sorry Avengers: Endgame.

We’re going to keep this thing spoiler-free as much as possible – but I know fans consider even the slightest detail a spoiler so it’s up to you if you want to continue on.  Know that I’m keeping your best movie-going experience at the forefront of my review!

The familiar opening text crawl has never quite caught my attention as much as it has in The Rise of Skywalker.  The very first line after the title sent a little shiver up my spine and set the tone for the opening sequence following Kylo Ren (Adam Driver, Marriage Story) traveling to a planet spoken of as a legend to find an old foe.  The isolated location is a fairly scary opening, testing the limits for young children right out of the gate, but it was great fun for the big kid in me that enjoyed a little bit of the old monster movie feel to the set-up.  Hoping to join forces with the driven but haunted son of Princess Leia (Carrie Fisher, This is My Life) and Han Solo (Harrison Ford, Blade Runner 2049) this powerful enemy proves to be a worthy villain for this last movie – even if their somewhat miraculous return after quite a long time isn’t ever fully explained.

Meanwhile, Rey (Daisy Ridley, Murder on the Orient Express) has been completing her training under Leia’s watchful eye but is distracted by her continued psychic bond with Kylo.  Taunting her by dangling the truth about her lineage just out of her reach, Kylo now seeks her out, having learned a new truth about her from his dangerous ally…a truth that, once learned, will change the direction of the First Order and the Resistance forever.  Traveling with Finn (John Boyega, Detroit), Poe (Oscar Isaac, A Most Violent Year), and Chewbacca to a distant planet in hopes of finding a rare artifact, Rey embarks on a galaxy spanning adventure that will lead her to confront her past and embrace her future.

There’s a little bit of the video game leveling up aura to The Rise of Skywalker, with our characters coming head to head with various bad guys, curious creatures, and strange new worlds all in the hunt for pieces to an overall puzzle.  I didn’t mind this episodic feel and found the two and a half hours to fly by at near light speed.  A great deal of attention has been paid to fans wanting one last look at favorite characters or desiring to see a storyline tied off with a nice bow.  True, it may be too tidy for some but at least there is some finality in place by the time the credits roll.  I’m not one to delve deep into the psyche of a character and decry actions as “not something their character would do” or anything like that, though it’s evident Abrams and gatekeeper producer Kathleen Kennedy wanted to be clear about particular story arcs and less ambiguous on others.

Receiving top billing, Carrie Fisher may be the first person to get that honor without being alive when the movie started filming.  Fisher’s performance was reportedly put together from unused footage from The Force Awakens and it’s blended seamlessly in; there’s no creepy faces put on other actors or janky editing going on.  With limited footage, Leia is a bit more on the reserved side and has less to say…but Abrams doesn’t wallow in sentimentality, just as Fisher wouldn’t have wanted him to.  There are plenty of other surprises for fans both hardcore and casual along the way, just keep your eyes (and ears) open because you never know what might pop up.

The performances in this entry might be the strongest so far, with Ridley nailing Rey’s increasing resolve to always face her fears head on.  What started as a nice discovery of a new talent back in 2015 has evolved into a respected performer that rises above the material and brings a different gravitas to her scenes.  She matches well with Driver’s brooding would-be leader who can’t forget Rey even though he knows she stands in his way of running the show.  I’d like to know how much of the scenes where Kylo is in his revised helmet is actually Driver, just like I want to know if Keri Russell (Austenland) was in fact on set as a former flame of Poe dressed in a galactically skintight suit and aerodynamic helmet.

There’s going to be many opinions about the 9th episode of Star Wars and my advice is to go in and see for yourself.  Just because I liked it doesn’t mean you will and even if you read a terrible review that shouldn’t automatically sway you to see Jumanji: The Next Level instead (seriously, don’t).  We so rarely get true event movies like this and around the holidays when you can go with family and friends makes it that much more special.  Celebrate the season, catch a movie, and make it The Rise of Skywalker.

Movie Review ~ Star Wars: The Last Jedi

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The Facts
:

Synopsis: Having taken her first steps into a larger world in Star Wars: The Force Awakens, Rey continues her epic journey with Finn, Poe and Luke Skywalker in the next chapter of the saga.

Stars: Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong’o, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, Andy Serkis, Benicio Del Toro, Laura Dern, Kelly Marie Tran

Director: Rian Johnson

Rated: PG-13

Running Length: 152 minutes

First Trailer Review: Here
Second Trailer Review: Here

TMMM Score: (9/10)

Review: If there’s one feeling that governed 2015’s Star Wars: The Force Awakens, it was nostalgia. Fans had toiled through the dark despair of the Star Wars prequels and were holding out hope that director J.J. Abrams (Star Trek) would bring them salvation in the continuing story of the sci-fi fantasy epic. So when The Force Awakens opened and was actually good, if not wholly great, most audiences that received the film well left the theater floating on a cosmic wave of good feelings of the old school charm that kept the original trilogy preserved so well over the years.

I count myself as one of those fans and gobbled up the film hook, line, and sinker. However, in hindsight it’s best to admit in the spirit of friendship that I fully recognize The Force Awakens was largely a remake of Star Wars: A New Hope. Sure, it wasn’t a paint-by-numbers carbon copy but the familiar themes of the original didn’t go unnoticed. I wasn’t as big a fan of 2016’s Rogue One: A Star Wars Story as many were, that film didn’t have anywhere to go so it remained flatter than a pancake to this viewer. Now, with the release of Star Wars: The Last Jedi the producers and filmmakers would really be put to the test. Would they continue to pull from the past to create something to please the fans, or would they dare to try something different?

Well, The Last Jedi is a little bit like walking forward while cinematically rubbernecking to spot where you were coming from. It’s immensely entertaining when it wants to be (which is most of the time) and a little lackluster in laying the groundwork for future installments and whenever it gets too cerebral. Writer/director Rian Johnson (Looper) ably picks up the reins from his predecessor and does more than just keep his seat warm before Abrams returns for Episode 9. There’s a forward thrust but it does take time to reach warp speed.

It’s always a special thrill to hear John Williams score announce the start of the film and a bit of excitement reading the opening crawl. The first fifteen minutes are classic Star Wars, with a group of rebel fighters including Poe Dameron (Oscar Isaac, A Most Violent Year) protecting their cavalcade and fearless leader (the late, great, Carrie Fisher, This is My Life) from an attack waged by General Hux (Domhnall Gleeson, Goodbye Christopher Robin). It’s here were a strange comedic chord is first heard, one that made me wonder if Johnson had decided to inject his film with more Spaceballs (Mel Brooks’ brilliant send up of the Star Wars films) than was appropriate.

We last saw young orphan Rey (Daisy Ridley, Murder on the Orient Express) traveling with Chewbacca on the Millennium Falcon to find Luke Skywalker (Mark Hamill, Kingsman: The Secret Service) who was in a self-imposed exile. While Poe and Leia continue to evade the monstrous Hux, Rey tries to sway Luke to return and help the resistance defeat The First Order and their leader, General Snoke (a CGI creation that looks better here than in The Force Awakens, once-again voiced by Andy Serkis, Breathe). There’s also the matter of Kylo Ren (Adam Driver, Frances Ha), Leia and Han Solo’s son who turned to the Dark Side and is still smarting from the butt-whooping he received from Rey and Finn (John Boyega) at the end of the previous film. He’s out for revenge…but does he have more secrets up his well-armored sleeve that will change the course of The First Order and the resistance?

Juggling several storylines at once, Johnson keeps the 2.5 hour film moving a good clip. A race against the clock rescue mission involving Finn and Rose Tico (Kelly Marie Tran, an excellent addition to this male-heavy world) manages to remain engaging even when it’s broken up and interspersed with the goings-on of other characters. The movie has a few endings but manages to justify them with ease.

Aside from Benicio Del Toro (Inherent Vice) as a code-breaking thief and Laura Dern (Jurassic Park) showing up with purple hair as Leia’s second in command, it’s largely the same old gang we first sparked to in previous installments. While certain players take more of a backseat in glorified cameos (12 Years as Slave’s Lupita Nyong’o is a mere hologram here), Johnson has introduced a few memorable creatures like the cute Porg’s, Crystal Foxes, and Luke’s island-dwelling servants that one critic hilariously dubbed “the fish nuns”. They’re not going to replace Chewie or R2D2 in your heart but they do rally a convincing bid for you to make some room.

The second movie in a planned trilogy can often feel a bit flimsy as a bridge between the first and final chapters but The Last Jedi avoids those pitfalls. Depending on your knowledge of the Star Wars universe, it could easily stand on its own. It makes you look forward to the next installment rather than feel desperate for answers that you might not get by the time the credits roll. The effects are top notch, the score from Williams sounds as glorious as ever, and try not to get a little choked up every time Fisher’s on screen.

The Silver Bullet ~ Star Wars: The Last Jedi (Trailer #2)

Synopsis: Having taken her first steps into a larger world, Rey continues her epic journey with Finn, Poe and Luke Skywalker in the next chapter of the saga.

Release Date: December 15, 2017

Thoughts:

The Silver Bullet ~ Star Wars: The Last Jedi

Synopsis: Having taken her first steps into a larger world, Rey continues her epic journey with Finn, Poe and Luke Skywalker in the next chapter of the saga.

Release Date: December 15, 2017

Thoughts: Star Wars, Luke Skywalker, OMG, Amazing, Laura Dern, December Get Here Soon!, Why are you still reading my thoughts…watch the first teaser trailer now!

Movie Review ~ Star Wars: The Force Awakens

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The Facts:

Synopsis: A continuation of the saga created by George Lucas and set thirty years after Star Wars: Episode VI – Return of the Jedi.

Stars: Harrison Ford, Carrie Fisher, Mark Hamill, John Boyega, Daisy Ridley, Oscar Isaac, Max von Sydow, Adam Driver, Domhnall Gleeson, Gwendoline Christie, Lupita Nyong’o, Andy Serkis, Anthony Daniels, Kenny Baker, Peter Mayhew, Crystal Clarke, Pip Anderson, Christina Chong, Miltos Yerolemou

Director: J.J. Abrams

Rated: PG-13

Running Length: 135 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review: Hey all you spoiler-phobic Star Wars fans…you’ve come to the right place!  Have no fear, I’m not going to reveal any major plot points or ruin any of the surprises that director J.J. Abrams (Star Trek, Star Trek: Into Darkness) has in store for you.  So I’m going to give you two reviews…one that is as spoiler-free as can be and another that will be slightly more descriptive (but still without any key points you aren’t already aware of).  Are you ready?  OK!

Totally spoiler-free review:

The wait was worth it and Star Wars fans finally have the sequel they’ve been waiting for since 1983’s Return of the Jedi.  The effects are marvelous, the script tight, and the score by John Williams returns the sound of the series back to its grandly epic origins.  In short, it’s a film that knows where it came from and has a vision for the future.

Now…for some more descriptive musings on Star Wars: The Force Awakens.

There’s a moment in the silent moments before Star Wars: The Force Awakens begins when my heart started to beat a little faster, my breath started catching a bit.  After all this time, a direct sequel to the original trilogy of the operatic space odyssey created by George Lucas was waiting mere frames away.  The time to hold grudges against the weak prequels vanished when those familiar words came up on screen… “A long time ago in a galaxy far far away…” and then…the logo, the music, the opening crawl that lays out what’s been going on since we last saw Luke, Leia, Han Solo, and other creatures great, small, or mechanical.  I gotta admit, I had goosebumps from the tips of my toes to the top of my head.

With the Sith destroyed and the Empire fallen, a new enemy has surfaced that threatens the peace the Resistance has tried to bring to the galaxy.  The First Order has risen from the ashes of the Empire with a new leader (Supreme Leader Snoke, Andy Serkis, Dawn of the Planet of the Apes), a new General (Hux, Domhnall Gleeson, About Time), and a new commander (Kylo Ren, Adam Driver, Frances Ha) strong with the force with ties to Darth Vader.  The First Order is searching for a warrior gone missing, tracking an ace pilot for the Resistance (Oscar Isaac, A Most Violent Year) to a planet where he’s meeting with an elder (Max Von Sydow, Extremely Loud and Incredible Close) who holds a key to the warrior’s whereabouts.

In a nice tip of the hat to the original Star Wars, this important piece of information is hidden within a droid and soon finds itself in the hands of Rey (newcomer Daisy Ridley), an otherwise ordinary civilian that must travel from her planet via a familiar ship long since left for junk.  Accompanied by defecting Storm Trooper Finn (John Boyega) before being joined by Han Solo (Harrison Ford, The Expendables 3) and Chewbacca (Peter Mayhew), all are thrust into an adventure that hops planets and light years.

When Disney bought Lucasfilm Ltd (thereby acquiring the rights to the Star Wars franchise) for a cool $4 billion there was a general discomfort that the House of Mouse wouldn’t do right by the characters.  But Disney has delivered, and delivered in a big way.  The $200-million-dollar film looks amazing with top-notch special effects seamlessly blending with live action to create 135 minutes of thrilling sequence after thrilling sequence.  Not all thrills come from special effects though; just try to stave off the chills of hearing John Williams stirring score or deflect the rousing excitement of Han Solo reuniting with Princess (now General) Leia (a marvelously sanguine Carrie Fisher).  When Ford and Fisher are on screen together the decades absolutely melt away and screenwriters Lawrence Kasdan, Michael Arndt, and J.J. Abrams have wisely kept their banter appropriately campy and fun.  Ford in particular looks like he’s having more fun on screen then he’s had in years, reminding us why he’s a movie star.

Speaking of stars, Abrams has impeccably cast the film’s two leads with Ridley being the clear stand-out.  Reminding me of a younger Keira Knightly, Ridley ably handles the range of her arc which puts her in numerous precarious situations.  Boyega, too, is a welcome presence and while early on the actor tries a bit too hard, he’s redeemed by the end once he relaxes into the role.  Both actors bring an energetic vibrancy to the screen, we’ve just met them yet we’re on their side from the beginning.  They mesh nicely with the returning cast members and other new faces (including 12 Years a Slave Oscar-winner Lupita Nyong’o as a kind of next-gen Yoda), making this an easily accessible film for longtime fans or those new to the franchise.

If I had one gripe, it’s a small-ish one and it has to do with the Serkis’ realization of Snoke.  The one effect that comes off as too CGI, I wished that the larger than life baddie was introduced on a more practical level instead of being motion-captured to the high heavens into a shadowy evil from the Dark Side.  Still, it’s a small complaint for a film that’s overwhelmingly enjoyable.

Before seeing this seventh episode of the Star Wars saga, I was planning on re-watching all of the films (which I hadn’t seen in, gulp, nearly a decade) to bone up on the story up until this point.  Time constraints made that impossible and in a way I’m glad that I hadn’t inundated myself with previous installments because it helped me take in The Force Awakens for what it was, the beginning of the next chapter of Star Wars.  And what an impressive beginning it is.

The Silver Bullet ~ Star Wars: Episode VII – The Force Awakens

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Synopsis: A continuation of the saga created by George Lucas set thirty years after The Return of the Jedi.

Release Date:  December 18, 2015

Thoughts: If you’ve been following this blog for any length of time you’ll know that I love a good, old-fashioned teaser trailer.  Lately, a “teaser trailer” has been more along the lines of a 2:30 (or longer) appetizer to share rather than the kind of amuse-bouche executed so skillfully during the late 80s/early 90s.
Blessedly, our first look at the hotly anticipated next chapter in the Star Wars franchise harkens back to those fondly remembered days of yore when brief glimpses whet the whistle of movie audiences everywhere.

Directed by J.J. Abrams (who successfully rebooted another Star franchise with Star Trek and Star Trek: Into Darkness) and co-written by Lawrence Kasdan (continuing his long history with the franchise after scripting The Empire Strikes Back and Return of the Jedi) it’s an understatement to say that whatever countdown fans have had for a new outer space adventure has officially started now that this satisfying peak has been released.  My only concern as of now is that with Abrams on board it will look similar to the Star Trek films and rely too much on the director’s flare for the, well, solar flare camera work he’s become infamous for.

Grumble grumble quibble quibble…right?  When all is said this, along with Jurassic World, are two of my most anticipated films of 2015.

Why Haven’t You Seen This Movie ~ This is My Life

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The Facts:

Synopsis: A stand-up comic neglects her two daughters in the midst of her newfound fame.

Stars: Julie Kavner, Samantha Mathis, Gaby Hoffmann, Carrie Fisher, Dan Akyroyd

Director: Nora Ephron

Rated: PG-13

Running Length: 93 minutes

TMMM Score: (6.5/10)

Review: Shortly after writer/director Nora Ephron passed away in the summer of 2012 I began looking for This is My Life, her directorial debut from 1992.  I’d seen it numerous times and even owned a copy on VHS but it was just nowhere to be found so I eventually forgot about it.  Enjoying the films she wrote like Heartburn and When Harry Met Sally…, I was more interested in the films she directed.

I wasn’t about to revisit You’ve Got Mail mostly because the AOL age update to The Shop Around the Corner is so dated you’d need to be an amnesiac emerging from a time machine to really enjoy it.  I also wasn’t up for the sappy but still warm to the touch PG-ness of Sleepless in Seattle.  And even Madeline Khan’s presence in Mixed Nuts couldn’t get me to take that mess for a spin again.  No…it had to be This is My Life or nothing.

Flash forward a few months later to a sleepy Sunday morning and I was browsing On Demand making the Sophie’s Choice between…well…Sophie’s Choice and some Bruce Willis movie when lo and behold there was This is My Life streaming for free.  Jackpot!  93 minutes later I remembered why Ephron’s no-frills first feature was high on my list to see…and her name is Julie Kavner.

There seem to be two audiences that know Kavner.  One is from her days playing sister to Valerie Harper on Rhoda and the other only recognizes Kavner as Marge, the animated matriarch on The Simpsons.  Kavner (Radio Days) has rarely had a chance to let loose on screen, certainly never in a leading role which makes this bittersweet comedy a real gem.

Adapted by Ephron from a novel by Meg Wolitzer, This is My Life is the story of a department store cosmetics lady that wants to be a stand-up comedian.  Raising two daughters as a single mother, she gets by by making due and making others laugh.  When her star begins to rise and eventually takes off, mother and daughters get some hard lessons on the price of fame.

As is the case of most films about comedians, very little of the material is actually funny with Kavner’s character telling some pretty dusty jokes about the trials of being a single mother. (Zoinks!)  It’s very hard to make material that works better live seem as immediate as being there and that’s one of the areas the film struggles through…but thankfully the rimshot jokes wind up playing second fiddle to the drama taking place offstage.

It’s easy to see why this film got lost in the shuffle at the box office.  With no bankable star and a female heavy presence, audiences and studios didn’t know what to do with it so it flamed out quickly and landed on video soon after.  Though it’s no work of art, there’s an assured charm to it all that makes even the more conventional emotional outburst (and there are probably two too many) work.

While Ephron had some true triumphs as a writer, her career as a director was spotty.  Of the eight films she directed less than half are worth a second viewing and that’s being generous.  Still, films like This is My Life aren’t likely to be made even in this day and age so this laughter through the tears melodrama is a worthwhile reminder of what made Ephron’s voice such a special one.

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