The Silver Bullet ~ Star Wars: The Last Jedi

https://www.youtube.com/watch?v=-qsg0fku78o

Synopsis: Having taken her first steps into a larger world, Rey continues her epic journey with Finn, Poe and Luke Skywalker in the next chapter of the saga.

Release Date: December 15, 2017

Thoughts: Star Wars, Luke Skywalker, OMG, Amazing, Laura Dern, December Get Here Soon!, Why are you still reading my thoughts…watch the first teaser trailer now!

Movie Review ~ Star Wars: The Force Awakens

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The Facts:

Synopsis: A continuation of the saga created by George Lucas and set thirty years after Star Wars: Episode VI – Return of the Jedi.

Stars: Harrison Ford, Carrie Fisher, Mark Hamill, John Boyega, Daisy Ridley, Oscar Isaac, Max von Sydow, Adam Driver, Domhnall Gleeson, Gwendoline Christie, Lupita Nyong’o, Andy Serkis, Anthony Daniels, Kenny Baker, Peter Mayhew, Crystal Clarke, Pip Anderson, Christina Chong, Miltos Yerolemou

Director: J.J. Abrams

Rated: PG-13

Running Length: 135 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review: Hey all you spoiler-phobic Star Wars fans…you’ve come to the right place!  Have no fear, I’m not going to reveal any major plot points or ruin any of the surprises that director J.J. Abrams (Star Trek, Star Trek: Into Darkness) has in store for you.  So I’m going to give you two reviews…one that is as spoiler-free as can be and another that will be slightly more descriptive (but still without any key points you aren’t already aware of).  Are you ready?  OK!

Totally spoiler-free review:

The wait was worth it and Star Wars fans finally have the sequel they’ve been waiting for since 1983’s Return of the Jedi.  The effects are marvelous, the script tight, and the score by John Williams returns the sound of the series back to its grandly epic origins.  In short, it’s a film that knows where it came from and has a vision for the future.

Now…for some more descriptive musings on Star Wars: The Force Awakens.

There’s a moment in the silent moments before Star Wars: The Force Awakens begins when my heart started to beat a little faster, my breath started catching a bit.  After all this time, a direct sequel to the original trilogy of the operatic space odyssey created by George Lucas was waiting mere frames away.  The time to hold grudges against the weak prequels vanished when those familiar words came up on screen… “A long time ago in a galaxy far far away…” and then…the logo, the music, the opening crawl that lays out what’s been going on since we last saw Luke, Leia, Han Solo, and other creatures great, small, or mechanical.  I gotta admit, I had goosebumps from the tips of my toes to the top of my head.

With the Sith destroyed and the Empire fallen, a new enemy has surfaced that threatens the peace the Resistance has tried to bring to the galaxy.  The First Order has risen from the ashes of the Empire with a new leader (Supreme Leader Snoke, Andy Serkis, Dawn of the Planet of the Apes), a new General (Hux, Domhnall Gleeson, About Time), and a new commander (Kylo Ren, Adam Driver, Frances Ha) strong with the force with ties to Darth Vader.  The First Order is searching for a warrior gone missing, tracking an ace pilot for the Resistance (Oscar Isaac, A Most Violent Year) to a planet where he’s meeting with an elder (Max Von Sydow, Extremely Loud and Incredible Close) who holds a key to the warrior’s whereabouts.

In a nice tip of the hat to the original Star Wars, this important piece of information is hidden within a droid and soon finds itself in the hands of Rey (newcomer Daisy Ridley), an otherwise ordinary civilian that must travel from her planet via a familiar ship long since left for junk.  Accompanied by defecting Storm Trooper Finn (John Boyega) before being joined by Han Solo (Harrison Ford, The Expendables 3) and Chewbacca (Peter Mayhew), all are thrust into an adventure that hops planets and light years.

When Disney bought Lucasfilm Ltd (thereby acquiring the rights to the Star Wars franchise) for a cool $4 billion there was a general discomfort that the House of Mouse wouldn’t do right by the characters.  But Disney has delivered, and delivered in a big way.  The $200-million-dollar film looks amazing with top-notch special effects seamlessly blending with live action to create 135 minutes of thrilling sequence after thrilling sequence.  Not all thrills come from special effects though; just try to stave off the chills of hearing John Williams stirring score or deflect the rousing excitement of Han Solo reuniting with Princess (now General) Leia (a marvelously sanguine Carrie Fisher).  When Ford and Fisher are on screen together the decades absolutely melt away and screenwriters Lawrence Kasdan, Michael Arndt, and J.J. Abrams have wisely kept their banter appropriately campy and fun.  Ford in particular looks like he’s having more fun on screen then he’s had in years, reminding us why he’s a movie star.

Speaking of stars, Abrams has impeccably cast the film’s two leads with Ridley being the clear stand-out.  Reminding me of a younger Keira Knightly, Ridley ably handles the range of her arc which puts her in numerous precarious situations.  Boyega, too, is a welcome presence and while early on the actor tries a bit too hard, he’s redeemed by the end once he relaxes into the role.  Both actors bring an energetic vibrancy to the screen, we’ve just met them yet we’re on their side from the beginning.  They mesh nicely with the returning cast members and other new faces (including 12 Years a Slave Oscar-winner Lupita Nyong’o as a kind of next-gen Yoda), making this an easily accessible film for longtime fans or those new to the franchise.

If I had one gripe, it’s a small-ish one and it has to do with the Serkis’ realization of Snoke.  The one effect that comes off as too CGI, I wished that the larger than life baddie was introduced on a more practical level instead of being motion-captured to the high heavens into a shadowy evil from the Dark Side.  Still, it’s a small complaint for a film that’s overwhelmingly enjoyable.

Before seeing this seventh episode of the Star Wars saga, I was planning on re-watching all of the films (which I hadn’t seen in, gulp, nearly a decade) to bone up on the story up until this point.  Time constraints made that impossible and in a way I’m glad that I hadn’t inundated myself with previous installments because it helped me take in The Force Awakens for what it was, the beginning of the next chapter of Star Wars.  And what an impressive beginning it is.

The Silver Bullet ~ Star Wars: Episode VII – The Force Awakens

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Synopsis: A continuation of the saga created by George Lucas set thirty years after The Return of the Jedi.

Release Date:  December 18, 2015

Thoughts: If you’ve been following this blog for any length of time you’ll know that I love a good, old-fashioned teaser trailer.  Lately, a “teaser trailer” has been more along the lines of a 2:30 (or longer) appetizer to share rather than the kind of amuse-bouche executed so skillfully during the late 80s/early 90s.
Blessedly, our first look at the hotly anticipated next chapter in the Star Wars franchise harkens back to those fondly remembered days of yore when brief glimpses whet the whistle of movie audiences everywhere.

Directed by J.J. Abrams (who successfully rebooted another Star franchise with Star Trek and Star Trek: Into Darkness) and co-written by Lawrence Kasdan (continuing his long history with the franchise after scripting The Empire Strikes Back and Return of the Jedi) it’s an understatement to say that whatever countdown fans have had for a new outer space adventure has officially started now that this satisfying peak has been released.  My only concern as of now is that with Abrams on board it will look similar to the Star Trek films and rely too much on the director’s flare for the, well, solar flare camera work he’s become infamous for.

Grumble grumble quibble quibble…right?  When all is said this, along with Jurassic World, are two of my most anticipated films of 2015.

Why Haven’t You Seen This Movie ~ This is My Life

The Facts:

Synopsis: A stand-up comic neglects her two daughters in the midst of her newfound fame.

Stars: Julie Kavner, Samantha Mathis, Gaby Hoffmann, Carrie Fisher, Dan Akyroyd

Director: Nora Ephron

Rated: PG-13

Running Length: 93 minutes

TMMM Score: (6.5/10)

Review: Shortly after writer/director Nora Ephron passed away in the summer of 2012 I began looking for This is My Life, her directorial debut from 1992.  I’d seen it numerous times and even owned a copy on VHS but it was just nowhere to be found so I eventually forgot about it.  Enjoying the films she wrote like Heartburn and When Harry Met Sally…, I was more interested in the films she directed.

I wasn’t about to revisit You’ve Got Mail mostly because the AOL age update to The Shop Around the Corner is so dated you’d need to be an amnesiac emerging from a time machine to really enjoy it.  I also wasn’t up for the sappy but still warm to the touch PG-ness of Sleepless in Seattle.  And even Madeline Khan’s presence in Mixed Nuts couldn’t get me to take that mess for a spin again.  No…it had to be This is My Life or nothing.

Flash forward a few months later to a sleepy Sunday morning and I was browsing On Demand making the Sophie’s Choice between…well…Sophie’s Choice and some Bruce Willis movie when lo and behold there was This is My Life streaming for free.  Jackpot!  93 minutes later I remembered why Ephron’s no-frills first feature was high on my list to see…and her name is Julie Kavner.

There seem to be two audiences that know Kavner.  One is from her days playing sister to Valerie Harper on Rhoda and the other only recognizes Kavner as Marge, the animated matriarch on The Simpsons.  Kavner (Radio Days) has rarely had a chance to let loose on screen, certainly never in a leading role which makes this bittersweet comedy a real gem.

Adapted by Ephron from a novel by Meg Wolitzer, This is My Life is the story of a department store cosmetics lady that wants to be a stand-up comedian.  Raising two daughters as a single mother, she gets by by making due and making others laugh.  When her star begins to rise and eventually takes off, mother and daughters get some hard lessons on the price of fame.

As is the case of most films about comedians, very little of the material is actually funny with Kavner’s character telling some pretty dusty jokes about the trials of being a single mother. (Zoinks!)  It’s very hard to make material that works better live seem as immediate as being there and that’s one of the areas the film struggles through…but thankfully the rimshot jokes wind up playing second fiddle to the drama taking place offstage.

It’s easy to see why this film got lost in the shuffle at the box office.  With no bankable star and a female heavy presence, audiences and studios didn’t know what to do with it so it flamed out quickly and landed on video soon after.  Though it’s no work of art, there’s an assured charm to it all that makes even the more conventional emotional outburst (and there are probably two too many) work.

While Ephron had some true triumphs as a writer, her career as a director was spotty.  Of the eight films she directed less than half are worth a second viewing and that’s being generous.  Still, films like This is My Life aren’t likely to be made even in this day and age so this laughter through the tears melodrama is a worthwhile reminder of what made Ephron’s voice such a special one.

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